When, at the end of his fifteenth year, George Borrow completed his term of study at the Norwich Grammar School, his parents had considerable difficulty in determining upon a profession for their erratic son. In the solution of this problem he, himself, could help them but little towards a satisfactory conclusion. His strange disposition and tastes were a source of continual astonishment and mystification to the old people. What, they asked themselves, could be done with a lad whose only decided bent was in the direction of philological studies, who at an early age had attained a knowledge of Erse, and whose great pleasure it was to converse in Romany with the gipsies whom he met at the fair-ground on Norwich Castle Hill? His father was anxious that he should enter the Church; but George’s unsettled disposition was an effectual bar against his taking such a step, for he would never have been able to apply himself with sufficient attention to the necessary routine course of college study.

In the midst of the warm controversy that the question excited he fell ill, and firmly believed that he was going to die. His near approach to dissolution found him quite resigned. A listless willingness to let life go, grew upon him during the dreary days of helpless inactivity. “Death,” he said, “appeared to him little else than a pleasant sleep, and he wished for sleep.” But a long life was before him, and, after spending weeks upon his bed, his strength came back to him, and with it the still unsolved problem of a suitable vocation. It was at last decided that he should enter upon a legal career.

There is little doubt that the legal profession was one for which Borrow was the least adapted, and of this he was well aware. When, however, in 1819, the time arrived for him to be articled to Messrs. Simpson and Rackham of Tuck’s Court, St. Giles, he apparently offered no objection, and his recollections of the years when he was tied to a lawyer’s desk were always pleasant to him in after-life.

But these pleasant recollections had little to do with the duties of his calling—they arose rather from the fact that his work was easy, and so intermittent as to give him ample opportunity for indulging in his day-dreams. Who can doubt the personal basis of that passage in “Lavengro” in which he says: “Yes, very pleasant times were those, when within the womb of a lofty desk, behind which I sat for some hours every day, transcribing (when I imagined eyes were upon me) documents of every description in every possible hand. Blackstone kept company with Ab Gwilym—the polished English lawyer of the last century, who wrote long and prosy chapters on the rights of things—with a certain wild Welshman, who some four hundred years before that time indited immortal cowydds or odes to the wives of Cambrian chieftains—more particularly to one Morfydd, the wife of a certain hunch-backed dignitary called by the poet facetiously Bwa Bach—generally terminating with the modest request of a little private parlance beneath the greenwood bough, with no other witness than the eos, or nightingale; a request which, if the poet may be believed, rather a doubtful point, was seldom, very seldom, denied. And by what strange chance had Gwilym and Blackstone, two personages so exceedingly different, been thus brought together? From what the reader already knows of me, he may be quite prepared to find me reading the former; but what could have induced me to take up Blackstone, or rather law?”

Yes, there was little in Borrow’s nature that was in common with that of the followers of the legal profession. What food for his wild imagination could he find in the prosy records and dry-as-dust documents of a lawyer’s office? They contained words that to him, as to many of his master’s clients, were without meaning: his thoughts wandered beyond their mazy entanglements into a realm where the law that restrained was that of Nature alone, and whose only order was planned by the spirit that sent forth shadows and dreams. He had been too much of a rover, had seen too many strange sights in his young life, to be able to satisfy his cravings for knowledge in musty law tomes and dusty deeds. His curiosity had been aroused by many things he had seen in his early travels, he had had glimpses into so many wide fields of interest that led his mind astray. But none of these seemed to the steady-going old Militia captain to show a practical opening for his second son, whom, therefore, we find copying legal documents in a “strange old house occupying one side of a long and narrow court,” instead of going a-viking with the Norseman or roving with the wild Welsh bard.

Borrow has left us a striking picture of the head of the firm of Simpson and Rackham; a picture drawn with that wealth of detail and uncompromising truthfulness which would have made the worthy gentleman tremble had he known at the time what a keen observer he was receiving beneath his roof. “A more respectable-looking individual was never seen,” writes his erstwhile pupil; “he really looked what he was, a gentleman of the law—there was nothing of the pettifogger about him: somewhat under middle size, and somewhat rotund in person, he was always dressed in a full suit of black, never worn long enough to become threadbare. His face was rubicund, and not without keenness; but the most remarkable thing about him was his head, which was bald, and shone like polished ivory, nothing more white, smooth and lustrous. Some people have said that he wore false calves, probably because his black silk stockings never exhibited a wrinkle; they might as well have said that he waddled because his shoes creaked, for these last, which were always without a speck, and polished as his crown, though of a different hue, did creak, as he walked rather slowly. I cannot say that I ever saw him walk fast.”

And then follows a little glimpse into the provincial life of the old Norfolk capital that shows how little change there has been in the aims and habits of a certain portion of the middle class since the first quarter of the century. “He had a handsome practice, and might have died a very rich man, much richer than he did, had he not been in the habit of giving rather expensive dinners to certain great people, who gave him nothing in return, except their company.”

This worthy old gentleman must have been sorely puzzled as to what he should make of the tall, spare, serious-looking lad who was placed under his charge. He confessed to the old captain that the latter’s son was “a very extraordinary youth, a most remarkable youth, indeed;” and we can well believe him. On one occasion, Borrow showed a one-eyed beggar into his master’s private room, and installed him in an armchair “like a justice of the peace.” At another time, when invited to Mr. Simpson’s house, he electrified a learned archdeacon and the company generally by maintaining that his favourite Ab Gwilym was a better poet than Ovid, and that many of the classic writers were greatly over-valued. Borrow often distinguished himself later on by his blunt way of expressing his opinions, and the habit seems to have grown upon him early in life.

A sense of duty towards those who were responsible for his upbringing, does not seem to have been a strong point with George Borrow. He disliked the profession to which he was apprenticed, and it is evident that his mind was as absent from his duties as was his heart. He was always dreaming of sagas and sea-rovers, battles and bards. Shut up in his dull and dusty desk, he would

“catch in sudden gleams
The sheen of the far-surrounding seas,
And islands that were the Hesperides
Of all (his) boyish dreams.”

No one will deny that “the thoughts of youth are long, long thoughts,” for have we not all thought such thoughts, and dreamt our dreams? But they are not as a rule conducive to the attainment of a mastery of the details and subtleties of law.

One day an old countryman from the coast brought George a book of Danish ballads, left at his coast-line cottage by a crew of shipwrecked Danes. Once possessed of this work, he could not rest satisfied until he had mastered the Danish language in order that he might unearth its historical and legendary treasures. “The Danes, the Danes!” he exclaims to himself, as he holds the priceless volume in his hands. “And was I at last to become acquainted, and in so singular a manner, with the speech of a people which had, as far back as I could remember, exercised the strongest influence over my imagination. For the book was a book of ballads, about the deeds of knights and champions, and men of huge stature; ballads which from time immemorial had been sung in the North, and which some two centuries before the time of which I am speaking, had been collected by one Anders Vedel, who lived with a certain Tycho Brahe, and assisted him in making observations upon the heavenly bodies, at a place called Uranias Castle on the little island of Hveen, in the Cattegat.”

No, Borrow was never meant to be a lawyer; but no calling that was possible to him could have suited him so well at the time with which we are dealing. Apparently the tasks set him were so light that he had ample opportunity for the pursuance of the philological investigations that he delighted in. His efforts in this direction attracted the attention of Dr. William Taylor, who had returned to his native city after his wanderings in France and Germany. As is well known, the accomplished scholar and translator was an intimate friend of Southey’s, and it was to the poet he wrote: “A Norwich young man is construing with me Schiller’s ‘Wilhelm Tell,’ with the view of translating it for the press. His name is George Henry Borrow, and he has learnt German with extraordinary rapidity; indeed, he has the gift of tongues, and though not yet eighteen understands twelve languages—English, Welsh, Erse, Latin, Greek, Hebrew, German, Danish, French, Italian, Spanish, and Portuguese.”

Describing Taylor, when he and Lavengro are discussing together the possibility of becoming a good German scholar without being an ardent smoker, Borrow writes: “The forehead of the elder individual was high, and perhaps appeared more so than it really was, from the hair being carefully brushed back, as if for the purpose of displaying to the best advantage that part of the cranium; his eyes were large and full, and of a light brown, and might have been called heavy and dull, had they not been occasionally lighted up by a sudden gleam not so brilliant, however, as that which at every inhalation shone from the bowl of a long clay pipe which he was smoking, but which, from a certain sucking sound which about this time began to be heard from the bottom, appeared to be giving notice that it would soon require replenishment from a certain canister which, together with a lighted taper, stood upon the table beside him.”

That the elderly German student and his youthful emulator were kindred spirits, there is no doubt; and Taylor seems to have instilled into Borrow’s mind many of his own tastes and admirations. Amongst these was a sincere admiration for Southey, whom Borrow, with his love of superlatives, looked upon not so much as a poet as England’s best prose writer, and probably the purest and most noble character to which she had ever given birth.

We have no sure knowledge of whether, while in Norwich, Borrow made the acquaintance of Old Crome. We know, however, that he was an enthusiastic admirer of the self-taught master of the Old Norwich School of artists. Still, he may never have been brought into immediate contact with him; for Crome was in his forty-sixth year when Borrow’s family first appeared in Norwich, and George was then but a young lad. But before 1821, when Old Crome died, Borrow must have learnt a good deal both of the painter and his pictures, for the admiration that he afterwards expressed can hardly have been entirely the outcome of the artist’s posthumous fame.

“He has painted,” writes Borrow, “not pictures of the world, but English pictures, such as Gainsborough himself might have done; beautiful rural pieces, with trees that might well tempt the little birds to perch upon them; thou needest not run to Rome, brother” (this was written of the time when his brother John was leaving England to study art upon the Continent), “where lives the old Mariolater, after pictures of the world, whilst at home there are pictures of England; nor needest thou even go to London, the big city, in search of a master, for thou hast one at home in the old East Anglian town, who can instruct thee, while thou needest instruction; better stay at home, brother, at least for a season, and toil and strive ’midst groanings and despondency till thou hast attained excellence, even as he has done—the little dark man with the dark-brown coat and the top-boots, whose name will one day be considered the chief ornament of the old town, and whose works will at no distant period rank amongst the proudest pictures of England—and England against the world!—thy master, my brother, all too little considered master—Crome.”

It would almost appear from the details of the dark-brown coat and top-boots that Borrow must have met Crome at some period of his Norwich life. From the foregoing eulogy, one would gather that his brother John was a pupil of the old painter. This may well have been the case, for Crome had many such pupils, amongst whom, as has lately been shown, were, in earlier years, some of the sisters Gurney of Earlham.