Bells, what and where first used—Why Blessed—Analogy between Bells and Trumpets—Mystical Signification—Of the Bell-Frame—Of the Bell-Ropes—Use of Bells at the Canonical Hours—Six kinds of Bells—Bells when Silent—Of the Passing Bell—Of the Prayer Bell—Of the Storm Bell. 1. Bells are brazen vessels, and were first invented in Nola, a city of Campania: wherefore the larger bells are called Campanae, from Campania the district, and the smaller Nolae, from Nola the town. 2. The reason for consecrating and ringing bells is this: that by their sound the faithful may be mutually cheered on towards their reward; that the devotion of faith may be increased in them; that their fruits of the field, their minds and their bodies may be defended; that the hostile legions and all the snares of the Enemy may be repulsed; that the rattling hail, the whirlwinds, and the violence of tempests and lightning may be restrained; the deadly thunder and blasts of wind held off; the spirits of the storm and the powers of the air overthrown; and that such as hear them may flee for refuge to the bosom of our holy Mother the Church, bending every knee before the standard of the sacred rood. These several reasons are given in the office for the blessing of bells. [Footnote 346] [Footnote 346: See the account of the consecration of several churches in the island of Guernsey, taken from the Black Book of the Diocese of Contances, in a paper by the Rev. W. C. Lukis, B.A., Trinity College, published in the First Part of the Transactions of the Cambridge Camden Society.] 3. You must know that bells, by the sound of which the people assembleth together to the church to hear, and the clergy to preach, 'in the morning the mercy of God and His power by night, [Footnote 347] do signify the silver trumpets, by which under the Old Law the people were called together unto sacrifice. (Of these trumpets we shall speak in our sixth book.) For just as the watchmen in a camp rouse one another by trumpets, so do the ministers of the Church excite each other by the sound of bells to watch the livelong night against the plots of the devil. Wherefore our brazen bells are more sonorous than the trumpets of the Old Law, because then God was known in Judea only, but now in the whole earth. They be also more durable: for they signify that the preaching of the New Testament will be more lasting than the trumpets and sacrifices of the Old Law, namely, even unto the end of the world. [Footnote 347: Psalm xcii (Bonum est confiteri), 2] 4. Again bells do signify preachers, who ought after the likeness of a bell to exhort the faithful unto faith: the which was typified in that the Lord commanded Moses to make a vestment for the high priest, having seventy-two bells to sound when the high priest entered into the Holy of Holies. [Footnote 348] Also the cavity of the bell denoteth the mouth of the preacher, according to the saying of the Apostle, 'I am become as sounding brass or a tinkling cymbal.' [Footnote 349] [Footnote 348: Exodus xxviii, 35.] 5. The hardness of the metal signifieth fortitude in the mind of the preacher: whence saith the Lord, 'Behold I have made thy face strong against their faces.' [Footnote 350] The clapper or iron, which by striking on either side maketh the sound, doth denote the tongue of the teacher, the which with the adornment of learning doth cause both Testaments to resound. [Footnote 350: Ezekiel iii, 8.] 6. Wherefore a prelate which hath not the skill of preaching will be like unto a bell without a clapper: according to that saying of Gregory, 'A priest, if he knoweth not how to preach nor what voice of exhortation he can deliver, is a dumb preacher, and also as a dumb dog which cannot bark.' The striking the bell denoteth that a preacher ought first of all to strike at the vices in himself for correction, and then advance to blame those of others: lest indeed, contrary to the teaching of the Apostle, 'when he hath preached to others, he himself should be a castaway.' [Footnote 351] Which also the Psalm doth testify, 'But unto the ungodly, saith God: why dost thou preach my laws, and takest my covenant in thy mouth?' [Footnote 352] Because truly by the example of his own suffering he often gaineth access to those whom by the learning of his discourse he cannot move. The link by which the clapper is joined or bound unto the bell is moderation: by which, namely, by the authority of Scripture, the tongue of the preacher who wisheth to draw men's hearts is ruled. [Footnote 353] [Footnote 351: I Corinthians ix, 27.] 7. The wood of the frame upon which the bell hangeth, doth signify the wood of our Lord's Cross: which is on this account suspended on high, because the Cross is preached by the ancient Fathers. The pegs by which the wooden frame is joined together or fastened, are the Oracles of the Prophets. The iron cramps by which the bell is joined with the frame, denote charity, by which the preacher being joined indissolubly unto the Cross, doth boast and say, 'God forbid that I should glory save in the Cross of our Lord Jesus Christ.' [Footnote 354] The hammer affixed to the frame by which the bell is struck, signifieth the right mind of the preacher, by which he himself, holding fast to the Divine commands, doth by frequent striking inculcate the same on the ears of the faithful. [Footnote 354: Gal. vi, 14. Cavilla is thus explained by Belethus. Expl. Divin. Off. xxiv. Cavilla, sic enim ferrum illud pensile vocat, quod Graeci rectius [Greek text] nominant, cujus pulsu campana sonum reddit.] 8. The rope hanging from this, by which the bell is struck, is humility, or the life of the preacher: the same rope also showeth the measure of our own life. Besides these, since the rope hath its beginning from the wood upon which the bell hangeth, by which is understood our Lord's Cross, it doth thus rightly typify Holy Scripture which doth flow down from the wood of the Holy Cross. As also the rope is composed of three strands, so doth the Scripture consist of a Trinity: namely, of history, allegory, and morality. Whence, the rope coming down from the wooden frame into the hand of the priest is Scripture descending from the mystery of the Cross into the mouth of the preacher. Again, the rope reacheth unto the hands by which it is grasped, because Scripture ought to proceed unto good works. Also the raising and the lowering of the rope in ringing doth denote that Holy Scripture speaketh sometimes of high matters, sometimes of low: or that the preacher speaketh sometimes lofty things for the sake of some, and sometimes condescendeth for the sake of others: according to that saying of the Apostle: 'Whether we exalt ourselves it is for God, or whether we humble ourselves it is for you.' [Footnote 355] Again, the priest draweth the rope downwards, when he descendeth from contemplation unto active life: but is himself drawn upward when under the teaching of Scripture he is raised in contemplation. Also he draweth it downwards when he understandeth the Scripture according to the 'letter which killeth'; he is drawn upwards [Footnote 355: This appeals to be a reference to 2 Cor. v, 13.] Furthermore, when the bell doth sound from the pulling of its rope, the people are gathered in one for the exposition of Holy Scripture, the preacher is heard, and the people are united in the bond of faith and charity. Therefore when a priest acknowledgeth unto himself that he is a debtor unto preaching, he must not withdraw himself from calling men together by his bells, just as also the sons of Aaron did sound their silver trumpets. He therefore moveth the ropes who doth of his office call his brethren or the people together. The ring (or pully) in the length of the rope, through which in many places the rope is drawn, is the crown of reward, or perseverance unto the end, or else is Holy Scripture itself. Moreover, Savinianus, Pope, hath commanded that the hours of the day should be struck in churches. 9. And note that bells are commonly rung for the Divine Offices [Footnote 356] twelve times during the twelve hours of the day: namely, once at prime, and in like manner once at the last hour, because all things come from one God, and God is One, All in All. At tierce they are rung three times, for the second, third, and fourth hours which are then chanted. In like manner three times at sexts, for the fifth, sixth, and seventh hours. Also three times at nones for the three hours. But at vespers, which is the twelfth hour, not one only but many times are they rung, because in the time of grace the preaching of the Apostles was multiplied. Also in the night for matins they are rung often, because we ought often to call out, 'Wake, thou that sleepest, and arise from the dead.' [Footnote 357] [Footnote 356: The reader will scarcely need reminding that the day is canonically divided into two parts of twelve hours each, beginning' at six o'clock respectively. Prime therefore is at our six a.m., tierce at nine, sexts at twelve, nones at three p.m., vespers at six p.m., and compline at bedtime. Haec sunt septenis propter quae psallimus horis. Matutina ligat Christum, qui crimina purgat: Prima replet sputis; causam dat Tertia Mortis: Sexta Cruci nectit: latus Ejus Nona bipertit: Vespera deponit: tumulo Completa reponit. Which may thus be translated; At matins bound: at prime revil'd: condemn'd to death at tierce: Nail'd to the cross at sexts: at nones His blessed side they pierce: They take him down at vesper-tide; in grave at compline lay Who thenceforth bids His Church to keep her sevenfold hours alway. The twelve hours of the night are divided into three nocturns, which may be supposed to be said at twelve, two, and four, and are immediately followed by lauds at five. Nocturns and lauds (together called matins), with the six hours above-mentioned, make the seven canonical hours. On this subject we can but refer our readers to the extremely beautiful fifth book of Durandus, and particularly his first chapter, in which all the pregnant symbolism of the canonical hours is set forth. Hugo de Sancto Victore has briefly touched upon the same in the third chapter of the In Speculum Ecclesiae, but nearly the whole of his account is contained in Durandus. See also S. Isidore 'De Eccles. Offic.' lib, I, cap. xix—xxiii; and Belethus whose account is valuable for its conciseness. 'Explic. Divin. Offic.' Caps, xxi—xxix. 10. Commonly also they be rung three times at nocturns. First with a squilla [Footnote 358] or hand-bell, which by its sharp sound signifieth Paul preaching acutely. The second ringing signifieth Barnabus joined to his company. The third intimateth that, when the 'Jews put from them the word of God, the Apostles turned themselves to the Gentiles,' whom also they instructed in the faith of the Trinity by the doctrine of the four Evangelists. Whence also some do use, four peals. [Footnote 358: Squilla is properly a sea onion. We conceive that the sort of a bell here meant is a kind of hand-bell, formed out of a hollow ball of metal, furnished with a slit for the sound, and with a loose pellet inside. This answers to the squilla in shape and utters a very shrill sound. We find below that it was used chiefly in the refectory. So in a note to Martener vol iv, p. 32, we read 'ad gratiarum actionem Sacrista sciliam (the other form of squillam) pulsabat. Cons. S. Benigni, cap. 9. Fratribus exeuntibus de prandio sive de coena sciliam pulsare non negligat Hebdomadarius Sacrista.'] 11. And note that there be six kinds of bells which be used in the church; namely, the squilla, the cymbalum, the nola, the nolula (or double campana), the signum [and the campana]. The squilla is rung in the triclinium, that is, in the refectory; the cymbalum in the cloister; the nola in the choir; the nolula or double campana in the clock, the campana in the campanile, the signum in the tower. Either of these, however, may be called generally a bell. And these be known by diverse names, because the preachers signified thereby be necessary for diverse ends. 12. During the whole Septuagesima, in the which Quadragesima [or Lent] is contained, on common days the bells be not chanted, nor chimed, but tolled, that is rung singly, at the hours of the day, or at matins. [Footnote 359] In well-ordered churches, they be struck twice at prime; first to call unto prayer, secondly to begin: three times at tierce, according to the number of hours then struck, [Footnote 359: It is to be remarked that throughout this chapter there is no allusion to ringing the bells by raising them and causing them to revolve on axes as practised in England. This and the beautiful science of bell-ringing consequent on it are peculiar to ourselves. The method of sounding the bells here understood is by a hammer acting on the rim, or by pulling the clapper, as is used with us for chimes, and where the bell frame is weak. This accounts for the much larger bells which are found abroad, and which were never meant to be poised and swung. Owing to the above difference between the Continental and English methods of bell-ringing, it is not easy to express the difference between simpulsare, compulsare, and depulsare. 13. Moreover, the bells ought to be rung when anyone is dying, that the people hearing this may pray for him. [Footnote 361] For a woman indeed they ring twice, because she first caused the bitterness of death: for she first alienated mankind from God; wherefore the second day had no benediction. [Footnote 362] But for a man they ring three times, because the Trinity was first shown in man. For Adam was first formed from the earth, then the woman from Adam, afterwards was man created from both, and so there is therein a trinity. But if the dying man be an ecclesiastic, they toll so many times as he hath received orders. And at the last time they ought to chime, that so the [Footnote 361: For an account of the 'passing-bell,' and the authority for its right use among ourselves, the reader is referred to Bp. Montague's 'Articles of Inquiry.' Camb. 1841, pp. 76, 116. It is to be observed that the bells are here said to be rung, not tolled, as is generally the case now. Many will remember a beautiful passage upon this custom in one of the Rev. F. E. Paget's 'Tales of the Village.' The practice of their distinguishing the sex of the dying person is still in most places retained.] 14. Also bells be rung at processions, that the evil spirits may hear them and flee, as shall be said hereafter. [Footnote 363] For they do fear when the trumpets of the Church Militant, that is the bells, be heard, like as a tyrant doth fear when he heareth on his own land the trumpets of any potent king his foe. [Footnote 363: 'The bells be rung in processions. For as an earthly monarch hath in his army royal insignia, namely trumpets and banners; so Christ the Eternal King hath in His Church Militant bells for trumpets, and crosses for banners. Thus the ringing of the bells doth signify the prophets, who foretold the advent of Christ.' Durandus, book iv, chapter 6, 'Of the priest's approach to the altars,' sec. 19. The same idea is applied by Belethus to the matin bells in his 24th chapter.] 15. And this is the reason also why the Church, when she seeth a tempest to arise, doth ring the bells; namely, that the devils hearing the trumpets of the Eternal King, which be the bells, may flee away through fear and cease from raising the storm; and that the faithful also may be admonished at the ringing of the bells and be provoked to be urgent in prayer for the instant danger. [Footnote 364] [Footnote 364: See note I to this chapter.] But for three days before Easter the bells be silent, as shall be said hereafter. [Footnote 365] Also the bells be silent in time of an interdict, because often for the fault of those put under them the tongue of the preachers is hindered; according to that of the Prophet, 'I will make thy tongue cleave to the roof of thy mouth, for they are a rebellious house'; [Footnote 366] that is, for the people are disobedient. [Footnote 365: See Appendix.] The Church also hath organs, of which we shall speak hereafter. [Footnote 367] [Footnote 367: Durandus, in his fourth book, chapter xxxiv, 'Of the Sanctus,' says, 'Moreover in this conceit of angels and men, the organs do from time to time add their harmony: the which was introduced by David and Solomon, who did cause hymns to be sung at the sacrifice of the Lord, with the concert of organs and other instruments of music, and the people also to join in chorus.'] |