has been generally considered as the first among the Romans who merited the title of historian. This celebrated writer was born at Amiternum, in the territory of the Sabines, in the year 668. He received his education at Rome, and, in his early youth, appears to have been desirous to devote himself to literary pursuits. But it was not easy for one residing in the capital to escape the contagious desire of military or political distinction. At the age of twenty-seven, he obtained the situation of QuÆstor, which entitled him to a seat in the Senate, and about six years afterwards he was elected Tribune of the people. While in this office, he attached himself to the fortunes of CÆsar, and along with one of his colleagues in the tribunate, conducted the prosecution against Milo for the murder of Clodius. In the year 704, he was excluded from the Senate, on pretext of immoral conduct, but more probably [pg 82]from the violence of the patrician party, to which he was opposed. Aulus Gellius, on the authority of Varro’s treatise, Pius aut de Pace, informs us that he incurred this disgrace in consequence of being surprised in an intrigue with Fausta, the wife of Milo, by the husband, who made him be scourged by his slaves185. It has been doubted, however, by modern critics, whether it was the historian Sallust who was thus detected and punished, or his nephew, Crispus Sallustius, to whom Horace has addressed the second ode of the second book. It seems, indeed, unlikely, that in such a corrupt age, an amour with a woman of Fausta’s abandoned character, should have been the real cause of his expulsion from the Senate. After undergoing this ignominy, which, for the present, baffled all his hopes of preferment, he quitted Rome, and joined his patron, CÆsar, in Gaul. He continued to follow the fortunes of that commander, and, in particular bore a share in the expedition to Africa, where the scattered remains of Pompey’s party had united. That region being finally subdued, Sallust was left by CÆsar as PrÆtor of Numidia; and about the same time he married Terentia, the divorced wife of Cicero. He remained only a year in his government, but during that period he enriched himself by despoiling the province. On his return to Rome, he was accused by the Numidians, whom he had plundered, but escaped with impunity, by means of the protection of CÆsar, and was quietly permitted to betake himself to a luxurious retirement with his ill-gotten wealth. He chose for his favourite retreat a villa at Tibur, which had belonged to CÆsar; and he also built a magnificent palace in the suburbs of Rome, surrounded by delightful pleasure-grounds, which were afterwards well known and celebrated by the name of the Gardens of Sallust. One front of this splendid mansion faced the street, where he constructed a spacious market-place, in which every article of luxury was sold in abundance. The other front looked to the gardens, which were contiguous to those of Lucullus, and occupied the valley between the extremities of the Quirinal and Pincian Hills186. They lay, in the time of Sallust, immediately beyond the walls of Rome, but were included within the new wall of Aurelian. In them every beauty of nature, and every embellishment of art, that could delight or gratify the senses, seem to have been assembled. Umbrageous walks, open parterres, and cool porticos, displayed their various attractions. Amidst shrubs and flowers of every hue and odour, interspersed with statues of the most exquisite workmanship, pure streams of [pg 83]water preserved the verdure of the earth and the temperature of the air; and while, on the one hand, the distant prospect caught the eye, on the other, the close retreat invited to repose or meditation187. These gardens included within their precincts the most magnificent baths, a temple to Venus, and a circus, which Sallust repaired and ornamented. Possessed of such attractions, the Sallustian palace and gardens became, after the death of their original proprietor, the residence of successive emperors. Augustus chose them as the scene of his most sumptuous entertainments. The taste of Vespasian preferred them to the palace of the CÆsars. Even the virtuous Nerva, and stern Aurelian, were so attracted by their beauty, that, while at Rome, they were their constant abode. “The palace,” says Eustace, “was consumed by fire on the fatal night when Alaric entered the city. The temple, of singular beauty, sacred to Venus, was discovered about the middle of the sixteenth century, in opening the grounds of a garden, and was destroyed for the sale of the materials: Of the circus little remains, but masses of walls that merely indicate its site; while statues and marbles, found occasionally, continue to furnish proofs of its former magnificence188.” Many statues of exquisite workmanship have been found on the same spot; but these may have been placed there by the magnificence of the imperial occupiers, and not of the original proprietor.

In his urban gardens, or villa at Tibur, Sallust passed the close of his life, dividing his time between literary avocations and the society of his friends—among whom he numbered Lucullus, Messala, and Cornelius Nepos.

Such having been his friends and studies, it seems highly improbable that he indulged in that excessive libertinism which has been attributed to him, on the erroneous supposition that he was the Sallust mentioned by Horace, in the first book of his Satires189. The subject of Sallust’s character is one which has excited some investigation and interest, and on which very different opinions have been formed. That he was a man of loose morals is evident; and it cannot be denied that he rapaciously plundered his province, like other Roman governors of the day. But it seems doubtful if he was that monster of iniquity he has been sometimes represented. He was extremely unfortunate in the first permanent notice taken of his character by his contemporaries. The decided enemy of Pompey and his faction, he had said of that celebrated chief, in his general history, that he was a man “oris probi, animo [pg 84]inverecundo.” LenÆus, the freedman of Pompey, avenged his master, by the most virulent abuse of his enemy190, in a work, which should rather be regarded as a frantic satire than an historical document. Of the injustice which he had done to the life of the historian we may, in some degree, judge, from what he said of him as an author. He called him, as we learn from Suetonius, “Nebulonem, vit scriptisque monstrosum: prÆterea, priscorum Catonisque ineruditissimum furem.” The life of Sallust, by Asconius Pedianus, which was written in the age of Augustus, and might have acted, in the present day, as a corrective, or palliative, of the unfavourable impression produced by this injurious libel, has unfortunately perished; and the next work on the subject now extant, is a professed rhetorical declamation against the character of Sallust, which was given to the world in the name of Cicero, but was not written till long after the death of that orator, and is now generally assigned by critics, to a rhetorician, in the reign of Claudius, called Porcius Latro. The calumnies invented or exaggerated by LenÆus, and propagated in the scholiastic theme of Porcius Latro, have been adopted by Le Clerc, professor of Hebrew at Amsterdam, and by Professor Meisner, of Prague191, in their respective accounts of the Life of Sallust. His character has received more justice from the prefatory Memoir and Notes of De Brosses, his French translator, and from the researches of Wieland in Germany.

From what has been above said of Fabius Pictor, and his immediate successors, it must be apparent, that the art of historic composition at Rome was in the lowest state, and that Sallust had no model to imitate among the writers of his own country. He therefore naturally recurred to the productions of the Greek historians. The native exuberance, and loquacious familiarity of Herodotus, were not adapted to his taste; and simplicity, such as that of Xenophon, is, of all things, the most difficult to attain: He therefore chiefly emulated Thucydides, and attempted to transplant into his own language the vigour and conciseness of the Greek historian; but the strict imitation, with which he has followed him, has gone far to lessen the effect of his own original genius.

The first book of Sallust was the Conspiracy of Catiline. There exists, however, some doubt as to the precise period of its composition. The general opinion is, that it was written immediately after the author went out of office as Tribune of the People, that is, in the year 703: And the composition of the Jugurthine War, as well as of his general history, are fixed [pg 85]by Le Clerc between that period and his appointment to the PrÆtorship of Numidia. But others have supposed that they were all written during the space which intervened between his return from Numidia, in 708, and his death, which happened in 718, four years previous to the battle of Actium. It is maintained by the supporters of this last idea, that he was too much engaged in political tumults previous to his administration of Numidia, to have leisure for such important compositions—that, in the introduction to Catiline’s Conspiracy, he talks of himself as withdrawn from public affairs, and refutes accusations of his voluptuous life, which were only applicable to this period; and that, while instituting the comparison between CÆsar and Cato, he speaks of the existence and competition of these celebrated opponents as things that had passed over—“Sed mea memoria, ingenti virtute, diversis moribus, fuere viri duo, Marcus Cato et Caius CÆsar.” On this passage, too, Gibbon in particular argues, that such a flatterer and party tool as Sallust would not, during the life of CÆsar, have put Cato so much on a level with him in the comparison instituted between them. De Brosses agrees with Le Clerc in thinking that the Conspiracy of Catiline at least must have been written immediately after 703, as Sallust would not, subsequently to his marriage with Terentia, have commemorated the disgrace of her sister, for she, it seems, was the vestal virgin whose intrigue with Catiline is recorded by our historian. But whatever may be the fact as to Catiline’s Conspiracy, it is quite clear that the Jugurthine War was written subsequent to the author’s residence in Numidia, which evidently suggested to him this theme, and afforded him the means of collecting the information necessary for completing his work.

The subjects chosen by Sallust form two of the most important and prominent topics in the history of Rome. The periods, indeed, which he describes, were painful, but they were interesting. Full of conspiracies, usurpations, and civil wars, they chiefly exhibit the mutual rage and iniquity of embittered factions, furious struggles between the patricians and plebeians, open corruption in the senate, venality in the courts of justice, and rapine in the provinces. This state of things, so forcibly painted by Sallust, produced the Conspiracy, and even in some degree formed the character of Catiline: But it was the oppressive debts of individuals, the temper of Sylla’s soldiers, and the absence of Pompey with his army, which gave a possibility, and even prospect of success to a plot which affected the vital existence of the commonwealth, and which, although arrested in its commencement, was one of those violent shocks which hasten the fall of a state. The [pg 86]History of the Jugurthine War, if not so important or menacing to the vital interests and immediate safety of Rome, exhibits a more extensive field of action, and a greater theatre of war. No prince, except Mithridates, gave so much employment to the arms of the Romans. In the course of no war in which they had ever been engaged, not even the second Carthaginian, were the people more desponding, and in none were they more elated with ultimate success. Nothing can be more interesting than the account of the vicissitudes of this contest. The endless resources, and hair-breadth escapes of Jugurtha—his levity, his fickle faithless disposition, contrasted with the perseverance and prudence of the Roman commander, Metellus, are all described in a manner the most vivid and picturesque.

Sallust had attained the age of twenty-two when the conspiracy of Catiline broke out, and was an eyewitness of the whole proceedings. He had therefore, sufficient opportunity of recording with accuracy and truth the progress and termination of the conspiracy. Sallust has certainly acquired the praise of a veracious historian, and I do not know that he has been detected in falsifying any fact within the sphere of his knowledge. Indeed there are few historical compositions of which the truth can be proved on such evidence as the Conspiracy of Catiline. The facts detailed in the orations of Cicero, though differing in some minute particulars, coincide in everything of importance, and highly contribute to illustrate and verify the work of the historian. But Sallust lived too near the period of which he treated, and was too much engaged in the political tumults of the day, to give a faithful account, unvarnished by animosity or predilection; he could not have raised himself above all hopes, fears, and prejudices, and therefore could not in all their extent have fulfilled the duties of an impartial writer. A contemporary historian of such turbulent times would be apt to exaggerate through adulation, or conceal through fear, to instil the precepts not of the philosopher but partizan, and colour facts into harmony with his own system of patriotism or friendship. An obsequious follower of CÆsar, he has been accused of a want of candour in varnishing over the views of his patron; yet I have never been able to persuade myself that CÆsar was deeply engaged in the conspiracy of Catiline, or that a person of his prudence should have leagued with such rash associates, or followed so desperate an adventurer. But the chief objection urged against Sallust’s impartiality, is the feeble and apparently reluctant commendation which he bestows on Cicero, who is now acknowledged to have been the principal actor in detecting and [pg 87]frustrating the conspiracy. Though fond of displaying his talent for drawing characters, he exercises none of it on Cicero, whom he merely terms “homo egregius et optumus Consul,” which was but cold applause for one who had saved the commonwealth. It is true, that, in the early part of the history, praise, though sparingly bestowed, is not absolutely withheld. The election of Cicero to the Consulship is fairly attributed to the high opinion entertained of his capacity, which overcame the disadvantage of his obscure birth. The mode adopted for gaining over one of Catiline’s accomplices, and fixing his own wavering and disaffected colleague,—the dexterity manifested in seizing the Allobrogian deputies with the letters, and the irresistible effect produced, by confronting them with the conspirators, are attributed exclusively to Cicero. It is in the conclusion of these great transactions that the historian withholds from him his due share of applause, and contrives to eclipse him by always interposing the character of Cato, though it could not be unknown to any witness of the proceedings that Cato himself, and other senators, publicly hailed the Consul as the Father of his country, and that a public thanksgiving to the gods was decreed in his name, for having preserved the city from conflagration, and the citizens from massacre192. This omission, which may have originated partly in enmity, and partly in disgust at the ill-disguised vanity of the Consul, has in all times been regarded as the chief defect, and even stain, in the history of the Catilinarian conspiracy.

Although not an eye-witness of the war with Jugurtha Sallust’s situation as PrÆtor of Numidia, which suggested the composition, was favourable to the authority of the work, by affording opportunity of collecting materials and procuring information. He examined into the different accounts, written as well as traditionary, concerning the history of Africa193, particularly the documents preserved in the archives of King Hiempsal, which he caused to be translated for his own use, and which proved peculiarly serviceable for his detailed description of the continent and inhabitants of Africa. He has been accused of showing, in this history, an undue partiality towards the character of Marius, and giving, for the sake of his favourite leader, an unfair account of the massacre at [pg 88]Vacca. But he appears to me to do even more than ample justice to Metellus, as he represents the war as almost finished by him previous to the arrival of Marius, though it was, in fact, far from being concluded.

Veracity and fidelity are the chief, and, indeed, the indispensable duties of an historian. Of all the ornaments of historic composition, it derives its chief embellishment from a graceful and perspicuous style. That of the early annalists, as we have already seen, was inelegant and jejune; but style came to be considered, in the progress of history, as a matter of primary importance. It is unfortunate, perhaps, that so much value was at length attached to it, since the ancient historians seldom gave their authorities, and considered the excellence of history as consisting in fine writing, more than in an accurate detail of facts. Sallust evidently regarded an elegant style as one of the chief merits of an historical work. His own style, on which he took so much pains, was carefully formed on that of Thucydides, whose manner of writing was in a great measure original, and, till the time of Sallust, peculiar to himself. The Roman has wonderfully succeeded in imitating the vigour and conciseness of the Greek historian, and infusing into his composition something of that dignified austerity, which distinguishes the works of his great model; but when I say that Sallust has imitated the conciseness of Thucydides, I mean the rapid and compressed manner in which his narrative is conducted,—in short, brevity of idea, rather than language. For Thucydides, although he brings forward only the principal idea, and discards what is collateral, yet frequently employs long and involved periods. Sallust, on the other hand, is abrupt and sententious, and is generally considered as having carried this sort of brevity to a vicious excess. The use of copulatives, either for the purpose of connecting his sentences with each other, or uniting the clauses of the same sentence, is in a great measure rejected. This omission produces a monotonous effect, and a total want of that flow and that variety, which are the principal charms of the historic period. Seneca accordingly talks of the “AmputatÆ sententiÆ, et verba ante expectatum cadentia194,” which the practice of Sallust had rendered fashionable. Lord Monboddo calls his style incoherent, and declares that there is not one of his short and uniform sentences which deserves the name of a period; so that supposing each sentence were in itself beautiful, there is not variety enough to constitute fine writing.

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It was, perhaps, partly in imitation of Thucydides, that Sallust introduced into his history a number of words almost considered as obsolete, and which were selected from the works of the older authors of Rome, particularly Cato the Censor. It is on this point he has been chiefly attacked by Pollio, in his letters to Plancus. He has also been taxed with the opposite vice, of coining new words, and introducing Greek idioms; but the severity of judgment which led him to imitate the ancient and austere dignity of style, made him reject those sparkling ornaments of composition, which were beginning to infect the Roman taste, in consequence of the increasing popularity of the rhetoric schools of declamation, and the more frequent intercourse with Asia. On the whole, in the style of Sallust, there is too much appearance of study, and a want of that graceful ease, which is generally the effect of art, but in which art is nowhere discovered. The opinion of Sir J. Checke, as reported by Ascham in his Schoolmaster, contains a pretty accurate estimate of the merits of the style of Sallust. “Sir J. Checke said, that he could not recommend Sallust as a good pattern of style for young men, because in his writings there was more art than nature, and more labour than art; and in his labour, also, too much toil, as it were, with an uncontented care to write better than he could—a fault common to very many men. And, therefore, he doth not express the matter lively and naturally with common speech, as ye see Xenophon doth in Greek, but it is carried and driven forth artificially, after too learned a sort, as Thucydides doth in his orations. ‘And how cometh it to pass,’ said I, ‘that CÆsar’s and Cicero’s talk is so natural and plain, and Sallust’s writing so artificial and dark, when all the three lived in one time?’—‘I will freely tell you my fancy herein,’ said he; ‘CÆsar and Cicero, beside a singular prerogative of natural eloquence given unto them by God, were both, by use of life, daily orators among the common people, and greatest councillors in the Senate-house; and therefore gave themselves to use such speech as the meanest should well understand, and the wisest best allow, following carefully that good council of Aristotle, Loquendum ut multi; sapiendum ut pauci. But Sallust was no such man.’ ”

Of all departments of history, the delineation of character is that which is most trying to the temper and impartiality of the writer, more especially when he has been contemporary with the individuals he portrays, and in some degree engaged in the transactions he records. Five or six of the characters drawn by Sallust have in all ages been regarded as masterpieces: He has seized the delicate shades, as well as the pro[pg 90]minent features, and thrown over them the most lively and appropriate colouring. Those of the two principal actors in his tragic histories are forcibly given, and prepare us for the incidents which follow. The portrait drawn of Catiline conveys a vivid idea of his mind and person,—his profligate untameable spirit, infinite resources, unwearied application, and prevailing address. We behold, as it were, before us the deadly paleness of his countenance, his ghastly eye, his unequal troubled step, and the distraction of his whole appearance, strongly indicating the restless horror of a guilty conscience. I think, however, it might have been instructive and interesting had we seen something more of the atrocities perpetrated in early life by this chief conspirator. The historian might have shown him commencing his career as the chosen favourite of Sylla, and the instrument of his monstrous cruelties. The notice of the other conspirators is too brief, and there is too little discrimination of their characters. Perhaps the outline was the same in all, but each might have been individuated by distinctive features. The parallel drawn between Cato and CÆsar is one of the most celebrated passages in the history of the conspiracy. Of both these famed opponents we are presented with favourable likenesses. Their defects are thrown into shade; and the bright qualities of each different species which distinguished them, are contrasted for the purpose of showing the various merits by which men arrive at eminence.

The introductory sketch of the genius and manners of Jugurtha is no less able and spirited than the character of Catiline. We behold him, while serving under Scipio, as brave, accomplished, and enterprizing; but imbued with an ambition, which, being under no control of principle, hurried him into its worst excesses, and rendered him ultimately perfidious and cruel. The most singular part of his character was the mixture of boldness and irresolution which it combined; but the lesson we receive from it, lies in the miseries of that suspicion and that remorse which he had created in his own mind by his atrocities, and which rendered him as wretched on the throne, or at the head of his army, as in the dungeon where he terminated his existence. The portraits of the other principal characters, who figured in the Jugurthine War, are also well brought out. That of Marius, in particular, is happily touched. His insatiable ambition is artfully disguised under the mask of patriotism,—his cupidity and avarice are concealed under that of martial simplicity and hardihood; but, though we know from his subsequent career the hypocrisy of his pretensions, the character of Marius is presented to us in a more favourable light than that in which it can be viewed on a survey of his [pg 91]whole life. We see the blunt and gallant soldier, and not that savage whose innate cruelty of soul was just about to burst forth for the destruction of his countrymen. In drawing the portrait of Sylla, the memorable rival of Marius, the historian represents him also such as he appeared at that period, not such as he afterwards proved himself to be. We behold him with pleasure as an accomplished and subtle commander, eloquent in speech, and versatile in resources; but there is no trace of the cold-blooded assassin, the tyrant, buffoon, and usurper.

In general, Sallust’s painting of character is so strong, that we almost foresee how each individual will conduct himself in the situation in which he is placed. Tacitus attributes all the actions of men to policy,—to refined, and sometimes imaginary views; but Sallust, more correctly, discovers their chief springs in the passions and dispositions of individuals. “Salluste,” says St Evremond, “donne autant au naturel, que Tacite À la politique. Le plus grand soin du premier est de bien connoitre le gÉnie des hommes; les affaires viennent aprÈs naturellement, par des actions peu recherchÉes de ces mÊmes personnes qu’il a depeintes.”

History, in its original state, was confined to narrative; the reader being left to form his own reflections on the deeds or events recorded. The historic art, however, conveys not complete satisfaction, unless these actions be connected with their causes,—the political springs, or private passions, in which they originated. It is the business, therefore, of the historian, to apply the conclusions of the politician in explaining the causes and effects of the transactions he relates. These transactions the author must receive from authentic monuments or records, but the remarks deduced from them must be the offspring of his own ingenuity. The reflections with which Sallust introduces his narrative, and those he draws from it, are so just and numerous that he has by some been considered as the father of philosophic history. It must always, however, be remembered, that the proper object of history is the detail of national transactions,—that whatever forms not a part of the narrative is episodical, and therefore improper, if it be too long, and do not grow naturally out of the subject. Now, some of the political and moral digressions of Sallust are neither very immediately connected with his subject, nor very obviously suggested by the narration. The discursive nature and inordinate length of the introductions to his histories have been strongly censured. The first four sections of Catiline’s conspiracy have indeed little relation to that topic. They might as well have been prefixed to any other history, and [pg 92]much better to a moral or philosophic treatise. In fact, a considerable part of them, descanting on the fleeting nature of wealth and beauty, and all such adventitious or transitory possessions, is borrowed from the second oration of Isocrates. Perhaps the eight following sections are also disproportioned to the length of the whole work; but the preliminary essay they contain, on the degradation of Roman manners and decline of virtue, is not an unsuitable introduction to the conspiracy, as it was this corruption of morals which gave birth to it, and bestowed on it a chance of success. The preface to the Jugurthine War has much less relation to the subject which it is intended to introduce. The author discourses at large on his favourite topics the superiority of mental endowments over corporeal advantages, and the beauty of virtue and genius. He contrasts a life of listless indolence with one of honourable activity; and, finally, descants on the task of the historian as a suitable exercise for the highest faculties of the mind.

Besides the conspiracy of Catiline and the Jugurthine War, which have been preserved entire, and from which our estimate of the merits of Sallust must be chiefly formed, he was author of a civil and military history of the republic, in five books, entitled, Historia rerum in Republica Romana Gestarum. This work, inscribed to Lucullus, the son of the celebrated commander of that name, was the mature fruit of the genius of Sallust, having been the last history he composed. It included, properly speaking, only a period of thirteen years,—extending from the resignation of the dictatorship by Sylla, till the promulgation of the Manilian law, by which Pompey was invested with authority equal to that which Sylla had relinquished, and obtained, with unlimited power in the east, the command of the army destined to act against Mithridates. This period, though short, comprehends some of the most interesting and luminous points which appear in the Roman Annals. During this interval, and almost at the same moment, the republic was attacked in the east by the most powerful and enterprizing of the monarchs with whom it had yet waged war; in the west, by one of the most skilful of its own generals; and in the bosom of Italy, by its gladiators and slaves. This work also was introduced by two discourses—the one presenting a picture of the government and manners of the Romans, from the origin of their city to the commencement of the civil wars, the other containing a general view of the dissensions of Marius and Sylla; so that the whole book may be considered as connecting the termination of the Jugurthine war, and the breaking out of Catiline’s conspiracy. The loss of this [pg 93]valuable production is the more to be regretted, as all the accounts of Roman history which have been written, are defective during the interesting period it comprehended. Nearly 700 fragments belonging to it have been amassed, from scholiasts and grammarians, by De Brosses, the French translator of Sallust; but they are so short and unconnected, that they merely serve as land-marks, from which we may conjecture what subjects were treated of, and what events were recorded. The only parts of the history which have been preserved in any degree entire, are four orations and two letters. Pomponius LÆtus discovered the orations in a MS. of the Vatican, containing a collection of speeches from Roman history. The first is an oration pronounced against Sylla by the turbulent Marcus Æmilius Lepidus; who, (as is well known,) being desirous, at the expiration of his year, to be appointed a second time Consul, excited, for that purpose, a civil war, and rendered himself master of a great part of Italy. His speech which was preparatory to these designs, was delivered after Sylla had abdicated the dictatorship, but was still supposed to retain great influence at Rome. He is accordingly treated as being still the tyrant of the state; and the people are exhorted to throw off the yoke completely, and to follow the speaker to the bold assertion of their liberties. The second oration, which is that of Lucius Philippus, is an invective against the treasonable attempt of Lepidus, and was calculated to rouse the people from the apathy with which they beheld proceedings that were likely to terminate in the total subversion of the government. The third harangue was delivered by the Tribune Licinius: It was an effort of that demagogue to depress the patrician, and raise the tribunitial power, for which purpose he alternately flatters the people, and reviles the Senate. The oration of Marcus Cotta is unquestionably a fine one. He addressed it to the people, during the period of his Consulship, in order to calm their minds, and allay their resentment at the bad success of public affairs, which, without any blame on his part, had lately, in many respects, been conducted to an unprosperous issue. Of the two letters which are extant, the one is from Pompey to the Senate, complaining, in very strong terms, of the deficiency in the supplies for the army which he commanded in Spain against Sertorius; the other is feigned to be addressed from Mithridates to Arsaces, King of Parthia, and to be written when the affairs of the former monarch were proceeding unsuccessfully. It exhorts him, nevertheless, with great eloquence and power of argument, to join him in an alliance against the Romans: for this purpose, it places in a strong point of view their unprin[pg 94]cipled policy, and ambitious desire of universal empire—all which could not, without this device of an imaginary letter by a foe, have been so well urged by a national historian. It concludes with showing the extreme danger which the Parthians would incur from the hostility of the Romans, should they succeed in finally subjugating Pontus and Armenia. The only other fragment, of any length, is the description of a splendid entertainment given to Metellus, on his return, after a year’s absence, to his government of Farther Spain. It appears, from several other fragments, that Sallust had introduced, on occasion of the Mithridatic war, a geographical account of the shores and countries bordering on the Euxine, in the same manner as he enters into a topographical description of Africa, in his history of the Jugurthine war. This part of his work has been much applauded by ancient writers for exactness and liveliness; and is frequently referred to, as the highest authority, by Strabo, Pomponius Mela, and other geographers.

Besides his historical works, there exist two political discourses, concerning the administration of the government, in the form of letters to Julius CÆsar, which have generally, though not on sufficient grounds, been attributed to the pen of Sallust195.

As Sallust has obviously imitated, and, in fact, resembles Thucydides, so has