This time no one broke the silence, and for a little space the quiet was like the reverent stillness of a death-chamber. The awe inseparable from sudden death possessed them. And yet, after the first shock of natural horror, La Mothe was conscious of a great relief. Not till then did he realize how tense the strain had been, how acute the fear. But at the slow dropping of Commines' bitter-hearted words there came a revulsion of feeling, and he was ashamed to find a gladness in such a cause of grief. For the loss to France he cared little. To him Louis had been but a name, the figurehead of state. If not Louis, then another, and France would still be France. But as Commines turned away and, following that other instinct of nature which, in the dumb animal, hides its wounds, covered his face with his arms as he leaned against the wall, the lad's heart went out in sympathy to the man who had lost his friend. And surely over and above his greatness of mind there must have been some deep heart of goodness in the dead man when he moved affection to such a grief. But at last the silence came to an end, and again it was Ursula de Vesc who spoke. "Monsieur d'Argenton, you will, of course, go to Valmy at once?" "To Valmy?" Commines brushed his hand across his forehead with a characteristic gesture and paused, hesitating. "Why—I—Monseigneur, have you nothing to say?" "What is there to say?" answered the boy. "Do you think he loves me any better than he did? Why are you in Amboise at all?" It was only a bow at a venture, the ill-tempered fling of a petulant boy, but the shaft struck home. Why was he in Amboise? His hope was that the full purpose of his lengthened stay at the castle would never be known, the truth would ruin him with the new King, ruin him utterly. Hastily he searched his memory how far he had committed himself. Not too deeply, he thought, so far as Charles was concerned. Ursula de Vesc was of less consequence, and Saxe could always be made a scapegoat. Saxe had lied, Saxe had deceived him, and, except Stephen La Mothe, no one knew how ready he had been to be deceived. Perhaps Saxe had also deceived the father? Yes, he would take that line, if necessary; Saxe was the evil genius of them all, but the first essential was to placate the boy with a generality. Liars and successful diplomatists are rapid thinkers, and no too obvious a silence followed Charles' blunt question. "Monseigneur, for ten years I have been your father's trusted and faithful servant——" "Ursula, I am tired and shall go to bed. Thank you, Monsieur La Mothe, but I do not think you need sleep at my door. To-night I shall be safe. All the same, I would be Dauphin again if it could bring Hugues back. I don't understand what it means to be King; perhaps in time I shall see the difference. Good night, Ursula. I do not know what they were saying to you, but they had better leave you in peace. Good night, Monsieur La Mothe." "The King is dead; long live the King! and service to the dead is soon forgotten," said Commines bitterly as the door closed. The significant ignoring of his presence had stung him to the quick. It might be said it was only the rudeness of an ill-taught boy, but the boy was King of France, and the suggestive omission was an evil augury to the hopes of his unsatisfied ambition. "Can you blame him? He is a very loyal boy, and was quite honest when he said he would be the Dauphin again if that would bring Hugues back, and as Dauphin he has been miserably unhappy." "He is very fortunate in your love, mademoiselle." Commines had never heard Villon's opinion, but it was his own, and he acted upon it promptly. Win the girl and the boy will follow. "I loved him for himself and for his unhappiness," she answered simply. "But will you not return to Valmy at once? Surely death does not end all service!" "My duty and service are to the living," replied Commines shortly. "I shall remain in Amboise. The dead take no offence." "You will forgive me if I speak too plainly, Monsieur d'Argenton, but the King was so jealous and, may I add, so generous, it would vex his ghost to think he was so soon forgotten." "Mademoiselle, I serve France, and to-night France is in Amboise." "Is the letter from Coictier, his doctor, Uncle?" Hitherto La Mothe had kept silence. He agreed with Mademoiselle de Vesc, but found himself in a difficulty. In spite of his gratitude and reverence for Commines, in spite even of his profound belief in his shrewder, sounder judgment, he revolted from this callous opportunism which abandoned a dead master for a new service without the apparent compunction of a moment. Surely the grave should first shut out all that was mortal of the old obedience? And yet, because of that unfailing gratitude and profound faith, he could not join with the girl in her open condemnation. But crumpling the letter anew, Commines shook his head as if the question was distasteful. "No." "From the King's son-in-law, Monsieur de Beaujeu, then? He would, of course, send you word immediately. Or Leslie? or Saint-Pierre?" But after each name Commines made a gesture of dissent, pushing the paper into his pocket at the last to end the questioning. "Not from any of these?" said mademoiselle. "Who, then, has written? "Tristan," answered Commines, and, turning, he looked her full in the face. "Tristan?" she said icily, drawing herself back with a movement which La Mothe recognized by an unhappy experience. "You choose your friends strangely." "But he is no friend," protested La Mothe, full of scorn and indignation for Commines' sake at the shame of the suggestion. "It would be impossible with such a man. And Monsieur de Commines has told me more than once that Tristan is jealous of his influence with the King, and is his bitterest enemy." "And yet out of all Valmy it is Tristan—and Tristan only—who is friend enough to send the terrible news to Monsieur d'Argenton? Is that not strange? Monsieur d'Argenton, you are a learned man; is there not some proverb about distrusting the Greeks when they bring presents?" "Tristan would never dare to spread such a report never, never." "But Tristan's master might. You don't think so? Forgive me if I am suspicious, but can you wonder, you of all men? In Amboise we have learned to doubt everything, even the friends who are ready to die for us," and, with a sudden impulse, as natural and gracious as it was touching, she held out her hand to La Mothe, a wistful, kindly tenderness, deeper than the emotion of gratitude, moistening her eyes. Very gravely he stooped and kissed it with a "Thank God, mademoiselle!" To say more was unnecessary, for in the three words he said everything. It was the formal wiping out of the day's misunderstanding, the knitting together of life-threads torn apart, and where there is such a knitting the union is firmer, closer, stronger, more indissoluble than before the rent. "Monsieur d'Argenton," she went on, the voice a little tremulous and yet with a clearer ring, "once before, when the King doubted the loyalty of Paris, did he not spread abroad such a rumour that he might test the spirit of the people?" "Yes, but there was a deep policy in that." "And is there no deep policy now! Is it for a shallow reason you have spent two weeks in Amboise, or that Jean Saxe has coined his lies with such carefulness of detail? May we hear Tristan's letter?" For a moment Commines hesitated. He had regained his full self-control, and it was with a growing surprise that La Mothe heard him debate the situation with Ursula de Vesc as with an equal. But not only was he impressed in spite of his prejudice against her, but he was too shrewd a politician to put aside any suggestion which commended itself to his reason just because he despised its source. And the girl was right. If there had been a deep policy in setting afloat the Paris rumour, there was a yet deeper policy now, a policy more subtle, darker, and pregnant with tragedy. Belief in the King's death might well loosen the tongues of those who had plotted against him, and their unguarded triumph furnish the very confirmation which had been vainly sought in Amboise these ten days. While he hesitated Ursula de Vesc urged her point afresh. "Monsieur d'Argenton, in the Dauphin's name I might claim to see the letter, I might even demand and compel it as a right; but there will be no need for that?" "No need at all," he answered. "This is the letter. As you see, it is very short: "'MONSIEUR,—A great misfortune has overtaken us, the greatest possible. The King is dead. It is being kept secret, but I send you the warning that you may make yourself secure in Amboise. Note carefully how the Dauphin takes it. I commend you to the keeping of God.—TRISTAN.' You see it is explicit." "And Saxe was explicit, but he lied." She was too much of a woman to spare him the thrust, but it was the only revenge she took, and having taken it, she sat silent, her brows knit, her fingers playing unconsciously with Charlemagne's soft ears. The dog's head was on her lap, motionless, the gentle brown eyes fixed upon her face. Charlot lay asleep at her feet, breathing little heavy breaths of contentment, as if enough of his brain was awake to enjoy the sleep of the remainder. "Yes," she said slowly, "I agree that the King's Provost-Marshal is explicit, but I do not read his letter as you do. Perhaps it is because Amboise has made me so suspicious. It is a sorrowful thing to say, but we have been taught that safety lies in distrust of Valmy. It is horrible, but it is not our fault, and I distrust now. Tristan is your enemy and ours. The King, the great King, is not above setting a trap. I think I see a double snare; a snare to catch the Dauphin, to catch all who are his friends in Amboise, and a snare to catch the great King's minister himself. Perhaps it is foolish, I know it is presumptuous, but let me read the letter my own way; you can show me afterwards where I am wrong. It is clever, but it is the cleverness of the man who thinks only of his own interests, who makes no allowance for love, loyalty, or single-hearted duty, and judges others by himself. Is that your great King, Monsieur d'Argenton?" and Commines, answering nothing, recognized the life-likeness of the portrait. "But no!" she went on, "your great King is dead, the letter says so, and this is your friend Tristan who sends you the warning that you may make yourself secure in Amboise! What does that mean? You know that better than I, but I suppose it means that, first in the field, you may win the Dauphin's confidence and govern France through the boy. That is a great gift from an enemy, Monsieur d'Argenton, and what would the King say if he were alive? But the King is dead! Then why are you to note carefully how the Dauphin takes the news? For whose benefit are you to note it? For your own? But you are to make yourself secure in Amboise! For Tristan's? But how does it touch Tristan? For the King, who is dead? That is absurd. For the King, who is alive? for the King, who dictates the letter that he may lay hold of some chance word and torture it into God knows what vile use against the boy? Bear witness, gentlemen, both of you, there was no such word. And what is the ending of the letter? He commends you to the keeping of God! Tristan, the hangman, commends Monsieur d'Argenton to the keeping of God. There will be much need for His keeping if you make yourself secure in Amboise while the King lives. Do you not smell the King's unctuous, perverted religiosity in that sentence, Monsieur d'Argenton? It is a snare, a snare for us all, and if I were you I would ride to Valmy this very hour, though I foundered a dozen horses on the road. Monsieur La Mothe, am I not right?" "Entirely right," said La Mothe heartily. He might have gone further and, following the precedent set by Adam in Eden, have said, "Eternally right!" for what lover ever thought his mistress in the wrong? But this time there was more than a lover's agreement. "Uncle, surely you see that Mademoiselle de Vesc is right, right every way? If that scoundrel has lied, then there is a trap set, but if it is the truth, surely your place is at Valmy?" "Why?" asked Commines, but as he spoke he read the letter afresh, weighing each sentence separately. "Why not at Amboise?" |