  - Alternation in Ornament, 24.
- America, Depraved Artistic Taste in, 104.
- Anthemion; a Greek Decorative Device, 9.
- Arabian Metal-work, 137.
- Arch used in Furniture, 51, 52.
- Art may be Degrading, 2;
- aims at producing Repose, 63;
- the Object of, 144.
- Art-knowledge, The Value of, 2.
- Baptism, Symbol of, in Gothic Art, 12.
- Beauty in Decoration, 16, 17.
- Bed-room, Decoration for a, 15.
- Birmingham Ware, 144, 145, 152.
- Black, a Neutral in Decorative Work, 45.
- Buhl-work, 64.
- Buildings, Decoration of, 73, et seq.
- Byzantine Ornament, 11.
- Cabinet, Construction of a, 61.
- Calico, Patterns on, 107.
- Carpets, Art-qualities and Patterns of, 94, et seq.;
- Different Sorts of, 94, 95;
- Foreign-made, 102, 103;
- how they should be laid down, 105;
- the Conditions which Govern the Application of Ornament to, 106.
- Carving, when to be used, 61, 62.
- Casting in Metal, 136.
- Casting, the least Artistic Mode of Treating Iron, 147.
- Ceilings, Decoration of, 75, et seq.;
- Various, worthy of Study, 82;
- with Painted Pictures Objectionable, 82.
- Celtic Ornament, 25.
- Chair-coverings, 72.
- Chairs, Construction of, 52-57.
- Character of the Designer shown by his Work, 163.
- Chinese Enamels, 143.
- Chinese Harmony of Colour, 48.
- Chinese Ornament, 11.
- Christian Art, 11, 12.
- Clay as a Material for Art-purposes, 117, et seq.
- Colour—in Decoration, 30, et seq.;
- Contrast in, 32, 33;
- Primary, Secondary, and Tertiary, 32;
- Harmony in, 33, 39, et seq.;
- Qualities of, 33, 34;
- Analytical Tables of, 34;
- Teachings of Experience in regard to, 34, 118.
- Preface, v., vi.
- Pretence in Art-decoration, 157-159.
- Proportion must be Subtle, 23.
- Purpose, Adaptation to, Taught by Plants, 21.
- Renaissance Ornament, 13.
- Repetition of Parts in Ornament, 23.
- Roman Ornament, 11.
- Shams in Decoration, 89.
- Silk, Patterns on, 107.
- Silk Wall Damasks, 114.
- Silversmiths' Work, 135, et seq.
- Skidmore, Mr., and his Theory of Colouring Metals, 152.
- Sofa-coverings, 70, 72.
- South Kensington Museum, 48, note.
- Spouts of Vessels, 139, et seq.
- Stools, 53.
- Study of Art-decoration, how it should be carried on, 14, 160, 161, 162.
- Styles of Architecture, 73.
- Sugar-basin, its Form, 138.
- Surface Decoration, 73, et seq.
- Symbols in Christian Art, 12.
- Table-covers, The Borders of, 109, 111.
- Taste of the Uneducated, 15.
- Trinity, Symbols of the, in Gothic Art, 12.
- Truth an Art-principle, 15, 16, 89, 158, 159.
- Utility must Govern the Production and Application of Ornament, 17-22, 145.
- Utility in Architecture, 20.
- Utility Professor George Wilson on, 19, 20.
- Utility Various Writers on, 20.
- Vehicles for Art, The Best, the least Costly, 3.
- Veneering, 69.
- Venetian Glass, 130, 131.
- Vessels, Primitive, 120.
- Wall Decorations, 83, et seq.
- Wall Papers, 87, 90, et seq.
- Walls should be Unobtrusive, 90.
- Water-vessels, Egyptian and Greek, 121-124.
- White a Neutral in Decorative Work, 45.
- Window-hangings, 69, 70, 108.
- Windows, 69, 70;
- the Object of, 153;
- how they should be Treated, 153.
- Wine-bottles, Forms of, *******
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