SIGNBOARD HUMOR. Another tavern sign, though of later date, was that of the Good Woman, at the North End. This Good Woman was painted without a head. The Good Woman Still another board had painted on it a bird, a tree, a ship, and a foaming can, with the legend,— “This is the bird that never flew, DOG AND POT. Not a few boards displayed a good deal of ingenuity and mother-wit, which was not without its effect, especially upon thirsty Jack, who could hardly be expected to resist such an appeal as this one of the Ship in Distress: “With sorrows I am compass’d round; We hear of another signboard hanging out at the extreme South End of the town, on which was depicted a globe with a man breaking through the crust, like a So much for the sign itself. The story goes that early one morning a continental regiment was halted in front of the tavern, after having just made a forced march from Providence. The men were broken down with fatigue, bespattered with mud, famishing from hunger. One of these veterans doubtless echoed the sentiments of all the rest when he shouted out to the man on the sign, “’List, darn ye! ’List, and you’ll get through this world fast enough!” “HOW SHALL I GET THROUGH THIS WORLD?” In time of war the taverns were favorite recruiting rendezvous. Those at the waterside were conveniently situated for picking up men from among the idlers who frequented the tap-rooms. Under date of 1745, when we were at war with France, bills were posted in the town giving notice to all concerned that, “All gentlemen sailors and others, who are minded to go on a cruise off of The following notice, given at the same date in the most public manner, is now curious reading. “To be sold, a likely negro or mulatto boy, about eleven years of age.” This was in Boston. The Revolution wrought swift and significant change in many of the old, favorite signboards. Though the idea remained the same, their symbolism was now put to a different use. Down came the king’s and up went the people’s arms. The crowns and sceptres, the lions and unicorns, furnished fuel for patriotic bonfires or were painted out forever. With them disappeared the last tokens of the monarchy. The crown was knocked into a cocked-hat, the sceptre fell at the unsheathing of the sword. The heads of Washington and Hancock, Putnam and Lee, Jones and Hopkins, now fired the martial heart instead of Vernon, Hawk, or Wolfe. Allegiance to old and cherished traditions was swept away as ruthlessly as if it were in truth but the Such acts are not to be referred to the fickleness of popular favor which Horace Walpole has moralized upon, or which the poet satirizes in the lines,— “Vernon, the Butcher Cumberland, Wolfe, Hawke, Rather should we credit it to that genuine and impassioned outburst of patriotic feeling which, having turned royalty out of doors, indignantly tossed its worthless trappings into the street after it. Not a single specimen of the old-time hostelries now remains in Boston. All is changed. The demon demolition is everywhere. Does not this very want of permanence suggest, with much force, the need of perpetuating a noted house or site by some appropriate memorial? It is true that a beginning has been made in this direction, but much more remains to be done. In this way, a great deal of curious and valuable information may be picked up in the streets, as all who run may read. It has been noticed that very few pass by such memorials without stopping to read the inscriptions. Certainly, no more popular method of teaching history could well be devised. This being done, on a liberal scale, the “Oh, but a wit can study in the streets, APPENDIX. |