'O'CONNOR, you are to do my hair plain to-day,' said the mistress dreamily, as she sat before her glass. 'Plain, miss! Plain!' exclaimed the maid, in astonishment. 'Are you going to sit in your room all day?' 'No. I am going down to breakfast, and after breakfast I am going to see Westminster Abbey,' said Miss Gordon, with a sigh. 'I will wear my light-blue silk. O'Connor groaned. 'And my pearl-grey hat with the blue feathers.' O'Connor sat down and looked uneasily at her mistress. After a few seconds she asked,-- 'And wouldn't you like to put green paint on your eyebrows and a blue stripe down your nose?' 'Come, O'Connor, and do my hair, or I shall be late.' 'I'll have no hand, act, or part in it,' said the maid quietly, as she folded her arms and stared with scrupulous sincerity at the window. 'Come at once, I say, O'Connor; no more nonsense. You really must learn to do what I tell you at once, or you and I shall part.' For a moment the maid remained immoveable. Suddenly she rose to her feet, turned round, and placed herself between her mistress and the glass, and said excitedly,-- 'I often helped to make you look what you are--the loveliest lady I ever saw. And I will not now help you to make a fool of yourself. You know your hair plain does not suit you; you know that dress you never wore, for it does not suit you; you know that hat only made you laugh when you put it on. You can dress as you like and do your hair as you like; but if you think I'll do what you say, you're mistaken.' 'O'Connor, I will have no more of your impertinent nonsense. Do what I tell you!' 'Is that the way you treat me after all I've done for you? Give me what you owe me and I'll go back to Cork.' 'Leave the room at once!' cried Miss Gordon excitedly. 'Not till you give me my money,' replied the girl vehemently, at the same time holding out her hand. 'Leave the room, I say, at once. How dare you stay when I tell you to go?' 'I am waiting for my money. I want to go back to Cork before you disgrace me.' 'O'Connor, I will take no further notice of you. Your conduct is unpardonable. Go, or I shall have to ring the bell.' 'Ring the bell! Ring the bell! Is that what you say after all I've done and suffered for you, and all the outlandish victuals I have eaten, and all the outlandish gibberishes I have listened to--is that my thanks?' 'If you don't go at once, I'll ring.' 'Pay me my money and I'll go.' Miss Gordon rose and went towards the bell. 'Pay me my money, or I'll call in the police.' Miss Gordon rang the bell. All at once the manner of the maid changed. Her lips trembled, she put her hand before her face, walked towards the door, and left the room sobbing. The chambermaid appeared in a few minutes. To her Miss Gordon said,-- 'I shall be late for the table d'hÔte breakfast. Get me a little for myself in about three-quarters of an hour.' When the chambermaid came down to the kitchen she found Judith O'Connor moving about the place restlessly. 'What did my mistress ring for?' asked Judith. 'To say she'd want breakfast for herself in three-quarters of an hour.' 'She did not say anything else?' 'No.' Judith sat down and sighed. In a few moments she said to the chambermaid,-- 'Isn't my missis beautiful?' 'She is.' 'The most beautiful lady you ever saw here?' 'We've had no one so good-looking lately.' 'You never had,' said Judith firmly. 'Oh yes; there's Mrs Loftus.' 'Yes, I know what Mrs Loftus is like, all frills and tuckers, and frizzed hair and paint.' 'Mrs Loftus didn't wear frills or tuckers; she wears her hair flat: and as to paint, well, I never saw any sign of it about her. Did you?' 'No; and I don't want to see Mrs Loftus, or any other missis but my own. Mrs Loftus may be a very handsome lady--and I am sure she is when you say it--but there isn't a finer missis in all England than mine.' 'How do you mean? Mrs Barclay is as good a missis as any servant could have.' 'Yes; but my missis doesn't know she's a missis at all.' As Miss Gordon had predicted, she was late for breakfast that morning. All the guests had left the table, and Mrs Barclay had risen and gone out of the room. Two gentlemen were seated on the couch farthest from the table, looking at newspapers. As Miss Gordon entered, each lowered his newspaper, looked at the girl for a moment, and resumed reading without breaking silence. One was the solid-looking gentleman, the other George Osborne. The light in the room was dull. Miss Gordon, too, kept silence. Her breakfast was soon over; she rose and left the room. In a few minutes the solid-looking man went out also, and George Osborne was left to himself. He looked at the clock on the chimney-piece. He looked at his watch. He put away The Times, and walked slowly up and down the room. He sat down, took up The Times again, and thought resolutely to himself,--'I'll read a column, and make myself think of it. That will pass away the minutes until she comes. It is sickening to be looking at the door every time it opens, and see the way blocked by commonplace people seeking something or other, or expressing wonder as to what they shall have for dinner.' The door opened twice, but he kept his resolution. It was hard to be obliged to look down at this white sheet and these dark words, and try to fix the mind on the dreary drone of a leading article, when raising the eyes might reveal to him a feast of colour and a charm of grace that would make the heart rich and life a poem. The door opened a third time. A light, swift footstep approached where he sat. He deliberately waited to finish reading the sentence before looking up. He had been in haste as long as there was doubt; now that he was certain he delayed. He had been a poor man, anxiously expecting wealth; now he was opulent, and squandered recklessly to convince himself his fortune was real. He could feel the beauty of her presence surrounding him and intoxicating him. The moment he raised his eyes he started to his feet with an exclamation of displeased surprise. 'Miss Gordon! Miss Gordon, pray excuse me! I did not recognise you until now. You have altered your appearance so--' 'So much for the worse,' she concluded the sentence, smiling. 'Well, I cannot say I see an improvement.' 'I did not intend you should think it an improvement.' 'Why?' he asked, contracting his brows, and looking at her in a puzzled way. 'You said yesterday you wanted to look your best; you say you do not want to look your best to-day, although--' He paused. She added,--' Although I am going out with you to-day also. Well, I have altered my mind since. I am jealous of that hat and dress and tunic. You did nothing yesterday but stare at my hat.' 'Miss Gordon--' 'Silence! You did nothing, I say, yesterday, but stare at my hat, and I won't have that. I have put on all the most hideous things in my baggage, to see if you will give poor me a look to-day.' 'I not look at you?' he cried. 'What do you mean?' He did not know what he meant by asking this question. He did not care what he meant. He meant nothing at all, but to look at that warm young face now, and lose his mind in the alluring depths of those dark soft eyes. 'Mad or drunk or love,' he thought. 'God keep me thus a little while, and I shall die content.' 'What are you looking at now?' she asked. 'At you,' he answered. 'Ah,' she laughed,' is this to compensate for your neglect yesterday?' 'It would compensate me,' he said, 'for a whole life of labour and pain.' 'Let us go,' she said, 'or you will be proposing to me, and I am weary of that kind of thing--that is, unless you have a great novelty. I am glad you intend to be better behaved to-day than yesterday, and give me some of your attention. But do you know even to-day you have not said good-morning to me? I change my dress and do up my hair in a different way from yesterday, and when I come down to breakfast you do not know me. Then when you do recognise me, you do not even hold out your hand and say good-morning. Ah, it is all very well when I remind you of it,' she added, placing her hand in his. Why, why was she flippant when he wanted to be calm and quiet, or rash and mad--anything but flippant? Why did she undo the spell of her beauty by the triviality of her words and ways? Such words and ways profaned the sanctuary of her loveliness as riot would a church. He not take her hand! If he dared, he would hold it and place it on his breast, and cover it with both his hands, and cherish it there for ever. Or cherish it until he could no longer hold it, but let it go to clasp that marvel to his breast, and cry into her ear the passion that shook him. She took her hand away and said briskly,-- 'I think it's time for us to go if we are to walk along the Embankment and do the Abbey.' They left Mrs Barclay's and moved south. 'Mind,' she said, as she took his arm and they turned out of Peter's Row, 'I am not going to be dull and stupid and proper to-day, like you.' 'Why not to-day?' he asked, with a weary smile. This struggle was trying. 'It is only when I wear my prettiest things I can afford to be proper. You can't expect me to be a guy and a frump at the same time. It's not reasonable of you to expect that of me.' 'I assure you I do not expect it of you.' 'Then what do you expect of me?' 'A little mercy,' he said, looking gravely, sadly at her. 'Well, let us have a truce. It won't last long, I know. Tell me, which do you prefer me, as a guy or a frump?' 'I have not thought of it.' 'Look and think, and tell me.' 'I think I prefer the grey sober style of yesterday.' 'And the hat?' 'And the Bellini hat.' 'Do you intend taking me out to see any tombs or vaults, or crypts or catacombs, or anything lively tomorrow?' 'You will make me very happy if you will let me.' 'Very good. I want to try another experiment.' 'With what view?' he asked wearily. 'With a view to getting your opinion. You are the only poet I ever met, and I am curious to know what poets think.' 'You have already got more than my opinion; you have got all my--' 'What!' she exclaimed, interrupting him. 'On the Thames Embankment, before luncheon, and with the thermometer at ten degrees of frost! I never heard of such a thing. As you are a poet I'll forgive you this time. But the next time you want to say anything pretty or sentimental to me, be more careful. You are a poet, and ought to know you should not make love except when the birds are singing and the flowers blowing. The only thing that's blowing here is the east wind and the penny steamer. For shame, sir!' 'But when the flowers have come, you will have gone away?' Silence. 'You will have gone away, Miss Gordon?' Silence. 'Will you not?' 'Oh, perhaps.'