When Crawford reached the roof it was still dark. The intense darkness of a few hours ago had passed away, and it was possible on the roof to see dimly the figure of the old man, the parapet, and the lead. Towards each of the four corners of the lead the roof sloped gently, and in each corner was a shoot leading to a pipe. In each of the four corners, but so placed as not to obstruct the shoot wholly, and yet to impinge upon it, lay a heap of something. To each of those heaps the old man went in succession, moving the heaps so as to make them impinge a little more upon the gutter. When this was done he put down his spade, resting it against the parapet, and leaned out of one of the embrasures. All was still as death below. The darkest hour is the hour before the dawn; the most silent hour is the hour before the reawakening. It was raining heavily now. The old man did not heed the rain. His eyes were turned vacantly towards the east. He was watching for the dawn, not with eyes busily occupied on the dim outline of the huge stores and warehouses before him. His gaze was directed to the east simply because he knew that in the east the sun would rise, and that as the light grew broad, and the top of the tower was overpeered by lofty buildings on higher ground, he must, soon after daylight, intermit his work on the roof if he would keep his secret. When the gray had moved up in the east, the old man went his rounds once more, spade in hand. The rain still continued. When he had finished, he paused and leaned once more at the embrasure he had formerly occupied. "I always," he thought, "take care to keep the clay heaps about the same size. Rain is very good, no doubt. It works off more than wind, except the wind is very high. The worst of the rain is that when the clay gets soaked through and cakes, I have to take it down to dry the minute the weather gets fine, and bring up more sieved earth, for the wind would have no effect on the hardened clay. At first I thought of putting all I excavated on the lofts; but I found them so old, and weak and shaky, that I durst not trust them beyond a little each. There, I have put all the large stones too big to carry out and leave quietly here and there. There are tons and tons of stones upon the lofts, and I am afraid the floors will bear very little more. It would never do to overload the lofts and have the labour of my two years all undone. The rain has stopped. It will help me no more. Heaven send the wind. Here is the day." It was now bright enough to see that the roof of the tower was covered all over with a coating of thin mud, washed into streaks here and there by the rain. In each corner lay a heap of clay. There were a basket and a large pail also on the roof. The old man now began to work energetically. He filled the pail with the mud, and in four journeys down to the first loft, succeeded in removing all that had been on the roof. Then he carried up four large baskets of finely-sifted clay, and put one basket in each corner near the shoots, so that those who had seen the roof of the tower from afar off the previous day would notice very little, if any, difference, even with the aid of a glass; for the nearest building that overlooked the tower was a mile distant. It was now broad daylight, and as the old man stood, his work completed, all round him rose the muffled murmurs of awaking day. He was wet through, but he did not care for this. He was used to it. The rain and the wind were his great friends, and he hailed their advent with delight. It was plain what his object was. By day he worked in the base of the tower, at which the ground stood now twelve feet higher than at the time of the Great Fire, and twelve feet below this was the foundation of the tower. For two years Lionel Crawford had slaved in the daylight digging down towards the foundation. He had a pickaxe and shovel and sieve. When he had dug up some earth and rubbish, he sifted this on a piece of old carpet and carried the sittings up to the top loft, there to dry and become friable for the purpose of being got rid of on the roof. Everything that would not go through the sieve, he carried out with him, and dropped here and there as occasion offered, and the larger stones, which he never put on the sieve at all, he carried up to the lofts. When he had wind instead of rain he stood on the tower in the dark, and when all was quiet, threw away the sifted earth to leeward, handful by handful. So that although he might thus in a night get rid of several hundred pounds weight of earth, no trace whatever of it appeared below the tower. When he was not helped by rain or wind he could not dispose of more than fifty or sixty pounds weight a night, without drawing attention to his operations. This quantity he got rid of by throwing handful after handful out of the embrasure all round the tower. When he found himself on the loft where he slept he took off his wet clothes, hung them up, and then lay down and slept. It was late in the forenoon when he awoke. He dressed himself and went down to what may be called the sitting-room. Here he found Dora awake. "If it would amuse you, child," he said, "you may light the fire and make the tea. It may be a novelty to you, and it will surely be a novelty to me if you do." Dora arose with alacrity and busied herself about the simple preparations for breakfast. "It is a long time," said he, "since I had anyone--man, woman, or child--at a meal with me. Sometimes I go out and have my dinner or supper or breakfast in the poor eating-houses around here; but that is not often. I have learned to shift for myself as well as Robinson Crusoe did in his time." When the breakfast was ready, Dora said: "I am sure you will forgive me, but the excitement and confusion of last night have made me forget your name. Yet I remember that when you mentioned it, it seemed familiar to me." "Lionel Crawford, my dear; Lionel Crawford is my name." "Crawford," she said, musingly resting her chin upon her hand. "I do not know how I could have forgotten that name, for Crawford was my mother's name before her marriage. It is not a very uncommon name in England, is it?" "Not very," he said. "There are several families of the name in London alone." They were now sitting at breakfast. No contrast could be much stronger than that between the young, soft, gentle, beautiful girl and the leather-hued, gnarled-browed old man. The bright sunlight fell through two long, narrow windows high up in the thick walls of the tower. It tinged the white hand of the young girl lying listlessly on the table. It lit up from behind the rich curve of her cheek. It touched with gleaming, grave bronze the outline of her dark hair. The old man sat at the other side of the small table, looking with abstracted eyes at the partly illumined head of the young girl opposite. "Ay," said the old man, "Crawford is not an uncommon name. There were several of us brothers when I was young. I was the only one that married, and I believe all my children are dead by this time. Their mother was sickly. She was everything to me while she was alive. No, Crawford is not an uncommon name." "We used not to consider it a common name in Canada," the girl said. The sunlight was gradually encroaching upon the mass of dark hair. "Ah," he said, still with the abstracted air, "you were in Canada. One of my daughters when she was young, a child of fourteen or fifteen, went to the United States." "How strange," said Dora, shifting her position, and bringing all her head under the influence of the summer sunlight. "No," he said, "not very strange. A great lot of people from these parts go to the United States, and, as I tell you, Crawford is not an uncommon name." "What I meant," said the girl, with a somewhat puzzled look on her face, "was that it is strange your daughter, whose name was Crawford, should have gone to the United States when young. My mother went to the United States when young. She married there and then moved up to Canada." "And you tell me your name is Harrington, Dora Harrington? My girl's name was Dora, too, and I heard she married a man named Harrington. What was your mother's Christian name?" "Dora was her name," said the girl, rising. "What do you think, sir, of all this?" The girl was now standing, so that from crown to heel the full sunlight shone upon her. "It is extremely strange," said he, still in his absent-minded way, "for I heard that my daughter moved up after her marriage." Suddenly the old man's eyes fixed themselves upon the illuminated figure of the girl. "I had not a good look at you before, child, and my eyes are dim with overmuch study. Yes! As heaven hears me, there is a look of my dead wife about you, child. Did they ever tell you you were like your mother? Do you remember your mother?" "I remember her very little, sir. I was very young when she died. They told me I was not like her." "Ay, ay. That is all in favour of my hopes, my child, for Dora was not like my wife, and you are. Marvellously like! I seem to feel the coil of forty years falling away from me." His eyes once more took the abstracted, faraway look of the lions. "Forty years ago," he said, "I was young and blithe, strong-limbed, and not repulsive as I am now. I wooed my Dora then, not in smoky London, but amid the green fields, and when the primroses were fresh with the early spring weather, and all the air was sweet with moist dews and fresh songs of birds. The leaves were all unsheathed, and each pulse of the wind brought a new perfume of the season. My Dora!" "And you think me like her?" said the girl. "Oh, if it should be, sir!" Suddenly the old man lost his abstracted look. He rose and stretched out his arms towards her, looking keenly at her the while. "You are she," he cried. "You are my Dora, my dead darling's grand-daughter. For her own daughter, whose child you are, was like me, all said." "Oh, sir," cried the girl, "it is too much happiness for me to believe this true." "I want some happiness now, my child," said he, "and no happiness greater than this could come to me, for I am tired of loneliness. Come to me, Dora." The illuminated figure of the girl moved, passed out of the sunlight into the gloom of the room--into the gloom of the old man's arms.