A, B, C, D, E, F, G, H, I, J, K, L, M, N, O, P, Q, R, S, T, U, V, W, Y

Alexandria, Va., 71, 72;
Fairfax house, 71;
Carlyle house, 71.
Alice in Wonderland, reference, 31.
Alison, Archibald, historian cited, 108.
American Notes, Dickens’ criticisms in, 89-91.
American Renaissance explained, 17-20;
its local color, 21-27;
sincerity of, 21-23;
various observations concerning, 21-27;
its derivation, 25-27;
outraged by modern Romanesque, 27-29;
Andrew Jackson’s influence upon, 41, 48-50;
early architects of, 42-44;
designing a farmhouse in, 46-48;
modern farmer’s knowledge of, 40, 49, 50;
not taught in schools, 35, 49, 50;
contrasted with architecture of England, 51-53, 77;
restoration of an old house, 55-57;
various motives, 57-60;
roofs, 60;
development under aristocracy, 62-78;
Washington connoisseur of, 73;
originality of, 76, 77;
in Annapolis, 62-64;
in Bristol, 81, 82;
in Salem, 82, 83;
in Middletown, Conn., 84, 85;
in Philadelphia, 85-88;
influence of Ruskin Gothic, 95-97;
influence of Civil War, 108-17;
of Centennial Exposition, 118-20, 125;
Colonial revival, 128-31;
adaptations, 132;
criticised by writers, 132-34;
apprenticeship of, 140-41;
injured by financiers, 131, 166;
traditions of, 40-42;
legislative buildings, 134.
Amplification, modern, houses injured by, 75.
Annapolis, Md., 62-65, 68, 70, 82.
Anne Arundel Town, 62.
Applied ornament, 120, 131.
Architectural Record, articles in, mentioned, 62, 147.
Architectural Review, articles in, mentioned, 80, 102, 104.
Architecture, ignorance concerning, as a fine art, 132-33, 171;
adaptation, soul of, 136; contrasted with literature, 76, 136;
plagiarism in, 137, 151;
Jacobin, 41, 111-15, 117;
Elizabethan, 138-40;
Tudor, 96, 140;
Queen Anne, 125-28;
Jacobean, 25, 41, 138, 140, 168;
Romanesque, 28;
Gothic, 95-97, 146;
French Renaissance, 123-24, 135, 142-44;
eclectic style a fallacy, 20;
not taught in schools, 35, 49, 50;
newly invented, 30-33, 114;
American extravaganza, 46;
atmosphere necessary to, 116;
modern Colonial, 128-30;
cubic measure of art, 171.
Architects, different kinds of, 163-65;
publishers of plans, 170-71.
Arnold-Shippen house, Fairmount Park, 69.
Art and charity, 38, 39.
Art and commercialism contrasted, 37-39.
Artist temperament, 156-61.
Astor Library, mentioned, 105, 107.
Astor, John Jacob, 105, 106.
Atmosphere necessary to architecture, 116.
Azay-le-Rideau, chÂteau of, 143.
Back-buildings of Philadelphia, 86-88.
Bancroft, George, his history of United States cited, 77.
Bates & Guild Co., publications by, 63.
Beaconsfield, Earl of, mentioned, 123;
his use of flattery, 170.
Bell, Frederick A., buys the Danforth place at Madison, N. J., 122.
Bellwood, Madison, N. J., 121-23.
Belmont houses, New York City, 37.
Bennett house, New Bedford, Mass., 102, 104.
Bennett, James Gordon, his account of an assembly ball cited, 92.
Berkshires, modern architecture in, 35, 36.
Beau Brummel, quoted, 148.
Blickling Hall, 168.
Biltmore, North Carolina, 52, 167.
Bond Street, N. Y. City, No. 23, 99-101.
Boston, Mass., Scarcity of Colonial houses in, 68.
Bramante, architect, 45, 122.
Brandon, Va., mentioned, 63.
Brice-Jennings house, Annapolis, mentioned, 63.
Bristol, R. I., 68, 80-82;
Capt. Churchill house (house with the eagles), 81;
doorways, 82;
De Wolf-Colt house, 80, 81;
De Wolf-Middleton house, 81, 82;
Norris house, 81.
Brown, Albert F., book on early Connecticut houses, 57.
Browning the poet mentioned, 95, 98.
Burns, Robert, cottage of, 53.
Canterbury Keys, Wyoming, N. J., 139.
Capitol at Washington, 71, 134.
Carlyle house at Alexandria, Va., 71;
adaptation of, 71.
Carlyle, Thomas, cited, 108.
CarrÈre and Hastings, extension designed by, 122.
Centennial Exposition, its influence, 118, 120, 125.
Charity, its relation to architecture, 38, 39;
anatomy of, 107.
Charlecote Hall, 139.
Chambord, chÂteau of, 143;
mentioned, 145.
Charm not deducible by mathematics, 61.
Chase house, Annapolis, mentioned, 63.
Chenonceau, chÂteau of, 143-144.
Chew house, Germantown, 69.
Chopin, Étude by, cited, 67;
quoted, 106.
Coles house, Farmington, Conn., 23.
Colonial houses in Switzerland, 147.
Colonial houses, modern, 154;
scarcity of good ones, 169;
ultra-fashionable, 130.
Colonial revival, 128-30.
Colonnade, N. Y. City, 104-6.
Congress at Berlin, reference, 123.
Connecticut, early houses in, 57, 59.
Country house for Mrs. H. at Morristown, 144.
Country Life, the English periodical, 51;
illustration from, 52.
Cupolas (see chapter Reign of Terror, 108) correctly placed, 153.
Curious analogy between art and nature, 89.
Cypress as a building material, 147.
Delafield house on Long Island, 72-73.
Dickens, Charles, his criticisms, 89-91;
quoted, 108.
Don Juan, quotations from, 49, 78.
Du Barry, Madam, mentioned, 79.
Durham, Conn., Miles Merwin house, 46-48.
Dutch influences in New York and New Jersey, 59.
D’Israeli, his use of flattery, 170.

Early Renaissance of England, book by Gotch, 140.
Eastlake School of Design, 119-20.
Eclectic style, its fallacy in architecture, 20.
Ecole des Beaux Arts, Paris, 121, 142;
graduates of, 143.
Efflorescence of commercialism, 85.
Elmington, Gloucester Co., Va., 73.
Emerson, Ralph Waldo, mentioned, 95.
English Renaissance under the Georges, 124, 140;
a vast treasure house, 77;
various other allusions, 22-27, 51-53, 61, 77, 96, 138-41, 168.
Fanciful houses (see Reign of Terror), 108.
Farmhouse, modern, 49, 50.
Farmington, Conn., Coles house, 23.
Field of art an enchanted garden, 149.
Financier architects, 164.
Financiers, their love of flowers, 160;
their influence upon American Renaissance, 131.
Flat-iron Building, N. Y. City, 37.
Florence, Italy, mentioned, 28.
Fontainebleau, ChÂteau of, 135, 142, 145.
Ford Mansion, Morristown, N. J., 75.
Fouquet, minister of Louis XIV, mentioned, 44.
Fourth Street, N. Y. City, doorway, 99.
French Renaissance, 123-24, 135, 142-44.
French Revolution cited, 79, 108.
Gabriel, architect, mentioned, 144.
George, Henry, cited, 109.
Germantown, Pa., 70;
Colonial houses in, 69, 70;
Morris house, 69;
Wyck, 60, 61, 69;
Stenton-in-the-fields, 69;
Wister house, 69.
Gerry, Mrs., engages Mr. Hunt to be her architect, 124.
Girondists and mountain, cited, 113.
Gloucester Co., Va., 73, 74.
Gotch’s Early Renaissance in England, 140.
Gothic architecture, in wood, 24;
recommended by Ruskin, 95-97.
Grace Church, N. Y. City, 134;
rectory, 96-97.
H. Mrs., her house at Morristown, N. J., 144.
Haddon Hall, 138.
Hackensack, N. J., old house in, 60.
Halleck, Fitz-Greene, 105.
Hampton Court, Wolsey palace, 141;
South palace, 141.
Hancock house, Boston, mentioned, 68.
Hartford, Conn., mentioned, 83.
Harwood house, Annapolis, mentioned, 63.
Hawthorne, Nat’l, reference, 83.
Historical succession in architecture, 116.
Hone, Philip, diary of, 91-94.
Hoods, Dutch, 59, 60;
Germantown, 59, 60.
House Beautiful, articles in, cited, 80, 82, 137, 139.
House with the eagles, Bristol, R. I., 81.
How to make a successful house, reference, 137.
Hunnewell Gardens, cited, 53.
Hunt, Richard M., architect, 83;
Mme. Brown mansion on Benefit Street, 35.
Psychological needs of domestic architecture, 61, 116.
Psychological preparation to understand architecture, 19.
Quartered oak, toughness of, 97.
Queen Anne architecture, 125-28.
Queen Anne and Romanesque composite style, 127.
Queen Anne house at Short Hills, N. J., 126.
Queen Anne house ultra-fashionable, 126.
Randall, T. Henry, architect, article by, referred to, 62;
architect of Mr. Poor’s house, 168-69.
Renwick, James, architect, mentioned, 134.
Restoration of houses in Philadelphia, 86.
Reveries of a Bachelor, quoted, 34.
Rich young man in Bible, cited, 39.
Richardson, H. H., architect, 27-29, 120.
Richmond-Dow house, Warren, R. I., 97.
Robespierre, his love of flowers, 159.
Rockingham Hotel, Portsmouth, N. H., 66.
Rococo style, cited, 119.
Roland, Madam, quoted, 146.
Romanesque architecture, 28, 120.
Roofs, French Renaissance, 144;
gambrel, 60;
Mansart, 117.
Rosewell, Gloucester Co., Va., 73.
Ruskin, John, 25;
advocates Gothic architecture, 95-98;
mentioned, 135.
Sabine Hall, 74.
St. Paul’s Cathedral, London, cited, 77.
St. Peter’s Cathedral, Rome, 45;
an adaptation, 141.
Saint-Simon, Memoirs of, quoted, 135, 165-66.
San Marco, Library of, 142.
Sansovino, architect, references, 26, 142.
Salem, Mass., 24, 68, 70, 82;
Derby-Ward house, 55;
Pickering house, 25;
Capt. White house, 83.
Scammozzi, architect, reference, 26.
Scaramouch houses. See chapter, Reign of Terror, 108, 117.
Scarlet Letter morals, 55.
Schopfer, Jean, articles by, 147.
Schuyler, Montgomery, quoted, 122.
Searles cottage, Block Island, 152-54.
Sesame and Lilies, 98.
Sharon, Conn., 36;
John Cotton Smith house, 36, 37.
Shingles, wide gauge

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