| PAGE | Introduction | 1 | CHAPTER I | The Renascence of Wonder | 11 | CHAPTER II | Cowslip Country | 26 | CHAPTER III | The Critic in the Bud | 40 | CHAPTER IV | Characters in the Microcosm | 50 | CHAPTER V | Early Glimpses of the Gypsies | 61 | CHAPTER VI | Sport and Work | 65 | CHAPTER VII | East Anglia | 72 | CHAPTER VIII | London | 87 | CHAPTER IX | George Borrow | 95 | CHAPTER X | The Acted Drama | 117 | CHAPTER XI | Dante Gabriel Rossetti | 138 | CHAPTER XII | William Morris | 170 | CHAPTER XIII | The ‘Examiner’ | 183 | CHAPTER XIV | The ‘AthenÆum’ | 190 | CHAPTER XV | The Great Book of Wonder | 228 | CHAPTER XVI | A Humourist upon Humour | 242 | CHAPTER XVII | ‘The Life Poetic’ | 262 | CHAPTER XVIII | American Friends: Lowell, Bret Harte, and Others | 295 | CHAPTER XIX | Wales | 312 | CHAPTER XX | Imaginative and Didactic Prose | 321 | CHAPTER XXI | The Methods of Prose Fiction | 345 | CHAPTER XXII | A Story With Two Heroines | 363 | CHAPTER XXIII | The Renascence of Wonder in Religion | 372 | CHAPTER XXIV | The Renascence of Wonder in Humour | 382 | CHAPTER XXV | Gorgios and Romanies | 389 | CHAPTER XXVI | ‘The Coming of Love’ | 393 | CHAPTER XXVIII | “Christmas at the ‘Mermaid’” | 422 | CHAPTER XXVIII | Conclusion | 442 |
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