Indian summer now lay softly upon the land. On a wooded rise ten miles from the outskirts of the town, close by a bluff overlooking the bushland, the tan walls of a small tent warmed to the late afternoon sun. Here and there beyond the bushland the supper-smoke of scattered farms stood columned and motionless. The only sound on the still air was the harsh, labored breathing of the dying Homer. The dog lay in the open near the edge of the bluff, his eyes closed, his companions seated nearby. Phil "No, Uncle Phil. He'll live until sundown at least. Let him have that much." "I'm sorry this happened, Timmy, but now that it has I think we should make it easier for him." "You liked him, didn't you, Uncle Phil?" "Yes, Tim ... I'm a bit surprised to find that I really did. I can't say that I'm much of an animal-lover, but in his way Homer was the perfect Old Faithful. No beauty and not very bright, you must admit, but he never left your side. It won't seem the same." "It won't be the same, Uncle Phil." The boy raised his head to look over the distant bushland. His face was composed. "Timmy, I hesitate to say this, but—" "I don't seem very upset about it?" "Well, yes. Did you really care much for Homer? You never paid any attention to him, never petted or played with him, just let him tag along." "I had no need to pet or play with him, and it was enough that he give me all of his attention. I should have spared a thought for him, his needs and limitations, but it's too late now." The answering voice was subtly changed from that of a boy, and strangely gentle. "A dog's life is so short, hardly more than today and tomorrow. A breath or two, and it has begun and ended. When Homer dies he will be free, and I will no longer exist." A chill slid over the man. What makes a voice? Air and musculature and tissue, but what more? A brain, a mind—a life. An accumulative series of reactive patterns called Life grows like a fragile crystal around a seeding impulse that lacks a name acceptable to all, and the resulting structure is called "personality" or "character" and it influences what it touches in a manner peculiar to itself alone. Given the crude tools of a sound-producing mechanism it will, if it chooses and has the skill, disclose some trifle of its own true nature. Phil heard words that should have sounded idiotic coming from a boy, but they carried complete and instant conviction. Without elocutionary tricks, without fire and oratory, the boy-voice had changed in timbre, acquired a quality that could sway multitudes—the wild thought crossed Phil's mind that what it had acquired was the quality of complete sanity. A suspicion, planted deliberately and nurtured through the years, matured on the triggered instant. Phil twisted around—alert, wary, almost "Who are you?" he demanded bluntly. "What are you?" Timmy laughed lightly, patently at ease. "I am nothing, Phil. Nothing at all." "Rot. You are flesh and blood, human, and were born to Helen and Jerry. What else?" "Is there more?" "Stop playing!" Phil jumped up angrily, standing tall over the seated figure. "I've watched you for years. You've given yourself away repeatedly." "Ah, that 'advanced scientific knowledge' worried you badly, didn't it?" "I ... see. You revealed it deliberately. There are other things. Your aversion to crowds—" "Their thinking confused me. They were dangerous." "Were?" "After tonight, crowds will not matter." "Because Homer will be dead?" "Because Homer will be dead, poor beast. My conscience will be dead." "What on earth does that mean? I find it impossible either to doubt you or to think of you as a boy any longer." "That is because your mind is filled with uncertainties, mine with certainties. You have never before met anyone in whom certainty was a clear truth unquestioned on any level of any remote corner of the mind. I am such a one." Phil sat down helplessly. There was no point in standing. Whatever Tim was, he was not going to be dominated by tricks. "What are you?" "What can I say? I am a book that is being read, yet I am neither the pages nor the printing on the pages, but only the meaning inherent in the shapes and sequences of the letters that comprise the printing." "Can't you give me a straight answer?" "It is difficult. You must think about what I say." "But the ideas recorded in a book are merely—thoughts. They have no tangible existence." "Nor have I." "You're not a product of my imagination!" "Hardly." "Are you giving me that line about 'All is Illusion'?" "No," the boy laughed spontaneously. "Are you a mutant, a new evolutionary development?" "No, nor am I a machine or a monster." "At least you're alive!" "That, I think, is a matter of definition." "Then, for the third time, what are you! Stop baiting me!" Timmy's hand closed on Phil's—a firm, warm, dirty and somewhat "Take it easy, Uncle Phil." Perhaps he had pushed too hard. The dancing eyes veiled themselves a little and the intangible, indescribable magnetism somehow faded. Phil, looking at him, was suddenly able to see him and to think of him once more as Timmy, a boy with unusual qualities, but the same boy he had watched for years. He shook his head and felt somewhat bemused, as he had done once before. "Look, let's get a fresh start, Tim, and stop going in circles." "O. K., Uncle Phil." He was an eleven-year-old again, responding obediently. "I've suspected for years that we didn't know the truth about you—that you were something special, something new." "Well—" Tim appeared to consider it gravely. "Yeah, I guess that's fair enough. I'm something new, all right." "For years, then, you've been concealing something—something that showed through whenever you made a slip." "Wanna bet on how many of those slips were deliberate?" Tim challenged, then joined Phil's rueful laugh. "Not all of them were, I got to admit, but most of them." "But today—apparently because Homer is dying—you've abandoned pretense, come out in the open." "Not all the way out, not yet. You've still got some shocks coming, Uncle Phil." "I don't doubt it, you young hoodlum. You were pretty overwhelming there for a few minutes. But why all the mystery? Why not just tell me?" "You explained why." "Overwhelming? Are you that terrific?" "I'm a humdinger, Bub. Think you can stand it now?" "I think the full blast would be better than any more of your 'gentle' hints." "That's what you think." Come now, the first shock had been fairly neatly delivered and fielded after all, the concept of difference proposed, established and accepted. "Well, here goes. You remember that spray of flowers I handed you in the car that night?" "I've had my suspicions about them ever since." "O. K.—now smell this pine cone." Phil looked at it with distrust. "The thing that beats me is how I can be morally certain that pine cone is loaded, cocked, and ready to fire, and yet I take it," he let Tim put it in his hand, "and smell it." He raised it to his nostrils, held his breath for a moment, then gingerly sniffed. Time stopped. All sense of duration was gone. Awareness drifted in formless inattention until a focal point, a mere nucleus of intellect, captured and held it. The nucleus strengthened, became an impression of identity—not Isolation, the sanctum of the mind, took the assault, melting like an ice-castle in the sun—but before the tempting surrender could become irrevocable alarms rang through his being and his mind gathered in on itself in confusion, holding its isolation intact and inviolate. Through the opposing desires to yield and to withhold, to break barriers down and to raise them up, he detected from the Other a reaction both of pity and of revulsion. The pressure decreased. He knew then that what he yielded willingly would be accepted as sufficient, and no more be asked of him than he was capable of giving. Somehow, it was not a victory, but a defeat. He became aware that the private domain he had claimed for his own was truly his own, a corridored, compartmented, dungeoned storehouse of filed fancies and forgotten files. A tunneled, revetted, embrasured and battlemented citadel filled with rusty armor and broken lances. A hock shop, a junkyard, a hall of distorting mirrors. A cemetery by the sea, a peak of glory, a slough of despond. A radiant light, an encroaching dark, the sweetest of melody, the sourest of discord. A library of trivia, museum of curiosa, sideshow of freaks, and shrine of greatness. It was the lowering pendulum, the waiting pit, the closing walls. It was the vaulting spirit, the gallant heart, the just and the kind and the merciful. Withal, it was a haunted castle, perpetually besieged, the towers soaring but the structure toppling. It was himself. His memories, his experiences, his actions and reactions, his life. And it was appalling. A gentle prompting from the Other roused him from his self-immersion and for a moment he was all panic lest his secret had been observed. Mechanisms he had not known he possessed slammed doors and banged shutters over windows in a fine frenzy, so that the Other winced and fell back, pleadingly, then softly and insistently drew near once more. He realized that there was a purpose that must be served. Something was desired from him. A voice. He tried, and the croak of a clogged throat would have held as much meaning as the disharmonious thrust of thought that began in chaos and ended in futility. Abashed, he would not try again. Silence crept around him, the silence of isolation. The most disarmingly hesitant, the most reassuringly inoffensive of thoughts touched as lightly as a breath and was accepted as his own. He saw no cause to take alarm. Such an insignificant invasion was of no more moment than the blowing of a grain of dust beneath a locked door. The thought lay among his own, and moved like a thread through his own, and the elements that it drew together became the acceptance of an |