EDITION.

The Parson's Wedding, A Comedy. The Scene London. Written at Basil in Switzerland: by Thomas Killigrew. Dedicated to the Lady Vrsvla Bartv [Bertie] Widow. London: Printed by J. M. for Henry Herringman.... 1663.

This forms part of the collected edition of the works in folio, mentioned presently.

[PREFACE TO THE FORMER EDITION.]

Thomas Killigrew, one of the sons of Sir Robert Killigrew, Chamberlain to the Queen, was born at Hanworth, in the county of Middlesex, in the month of February 1611.[184] Although his writings are not wanting in those requisites which confer reputation on an author, yet [we are permitted to conclude that it was chiefly to his conversational and social qualities, that Killigrew owed his ascendancy at Charles II.'s court—first abroad, and afterwards in England. Hence Sir John Denham was probably led to write those lines—

But, as we know, for at least two generations the Killigrews were all men and women of genius, and were as remarkable, too, for their physical as for their intellectual graces. Killigrew] seems to have been early intended for the court; and to qualify him for rising there, every circumstance of his education appears to have been adapted. In the year 1635, while upon his travels, he chanced to be at London, and an eyewitness of the celebrated imposture of exorcising the devil out of several nuns belonging to a convent in that town. Of this transaction he wrote a very minute and accurate account,[185] still in MS. in the Pepysian Library at Magdalen College, Cambridge. He was appointed page-of-honour to King Charles I., and faithfully adhered to his cause until the death of his master, after which he attended his son in his exile, to whom he was highly acceptable, on account of his social and convivial qualifications. He married Mrs Cicilia Crofts, one of the maids-of-honour to Queen Henrietta. With this lady he had a dispute on the subject of jealousy, at which Thomas Carew was present, and wrote a poem, introduced into the masque of "Coelum Britannicum," and afterwards a copy of verses on their nuptials, printed in his works.[186]

[It appears from the original documents still preserved, that Killigrew was with Prince Charles at Paris in April 1647, and obtained from him a licence to travel, dated April 23. In 1649 he had a grant from James, Duke of York, of the office of Gentleman of the Bed-chamber; and from 1649 to 1652 he was engaged in diplomatic negotiations at Vienna and Florence. His papers, as well as those which he addressed to the Republic of Venice, are extant. Speaking of his mission to Venice], "Although," says Lord Clarendon,[187] "the king was much dissuaded from it, but afterwards his majesty was prevailed upon, only to gratify him (Killigrew) that in that capacity he might borrow money of English merchants for his own subsistence; which he did, and nothing to the honour of his master, but was at last compelled to leave the Republic for his vicious behaviour, of which the Venetian ambassador complained to the king, when he came afterwards to Paris." On his return from Venice, Sir John Denham wrote a copy of verses, printed in his works,[188] bantering the foibles of his friend Killigrew who, from his account, was as little sensible to the inconveniences of exile as his royal master. [But the curious preface to Killigrew's Plays where, under the thin veil of levity, so strong a vein of seriousness seems to be perceptible, tells a different story, perhaps. He wishes the public as much leisure to read his plays as he had to write them—a banishment of twenty years. One of the documents connected with the Killigrews which have come down to us, shows that in 1660 Thomas received the freedom of the city of Maastricht, in Holland. This was perhaps a parting compliment, when he prepared to return to England with his royal companion in exile. At the Restoration] he was appointed Groom of the Bedchamber, and became so great a favourite with his majesty, that he was admitted into his company on terms of the most unrestrained familiarity, and at times when audience was refused to the first ministers, and even on the most important occasions. It does not appear that he availed himself of his interest with the king, either to amass a fortune, or to advance himself in the state. We do not find that he obtained any other preferment than the post of Master of the Revels, which he held with that of Groom of the Bed-chamber. Oldys [very foolishly and absurdly] says he was king's jester at the same time; but although he might, and certainly did entertain his majesty in that capacity, it can scarce be imagined to have been in consequence of any appointment of that kind. He died at Whitehall on the 19th of March 1682,[189] having in 1664 published a collected edition of his plays, viz.:—

1. The Prisoners: a Tragi-Comedy. Written at London, and acted at the Phoenix in Drury Lane.

2. Claracilla: a Tragi-Comedy. Written in Rome, and acted at the Phoenix in Drury Lane. [Dedicated to his dear sister, the Lady Shannon.][190]

3. The Princess; or, Love at First Sight: a Tragi-Comedy. Written in Naples. [Dedicated to his dear Niece, the Lady Anne Wentworth, wife to the Lord Lovelace.]

4. The Parson's Wedding.

5. The Pilgrim: a Tragedy. Written in Paris.

6. The First Part of Cicilia and Clorinda; or, Love in Arms: a Tragi-Comedy. Written in Turin.

7. The Second Part of Cicilia and Clorinda; or, Love in Arms: a Tragi-Comedy. Written in Florence.

8. Thomaso; or the Wanderer: a Comedy. Written in Madrid.

9. The Second Part of Thomaso; or, The Wanderer. Written in Madrid.

10. The First Part of Bellamira, her Dream; or, The Love of Shadows: a Tragi-Comedy. Written in Venice.

11. The Second Part of Bellamira, her Dream; or, The Love of Shadows: a Tragi-Comedy. Written in Venice.

Thomas Killigrew had two brothers, both dramatic writers, viz., Sir William Killigrew,[191] author of Ormasdes, Pandora, Selindra, and The Siege of Urbin;[192] and Dr Henry Killigrew, a clergyman, author of a play called The Conspiracy, printed in 4^o, 1638, and afterwards altered, and printed in folio, 1653, under the title of Pallantus and Eudora.

Dr Henry Killigrew was father to Mrs Ann Killigrew, a young lady celebrated for her wit, beauty, and virtue, and who was the writer of several poems, very highly esteemed by Dryden.

DRAMATIS PERSONÆ.

Master Careless, a gentleman and a wit.

Master Wild, a gentleman, nephew to the Widow.

Master Jolly, a humorous gentleman, and a courtier.

Captain, a leading wit, full of designs.

Parson, a wit also, but overreached by the Captain and his Wanton.

two dull suitors to the lady Widow and Mistress Pleasant.

Crop, the Brownist, a scrivener.

Lady Wild, a rich (and somewhat youthful) widow.

Mistress Pleasant, a handsome young gentlewoman, of a good fortune.

Mistress Secret, her (indifferent honest) woman.

Lady Loveall, an old stallion-hunting widow.

Faithful, her (errant honest) woman.

Mistress Wanton, the Captain's livery punk, married to the Parson by confederacy.

Bawds, Servants, Drawers, Fiddlers.