T. W. Doane

After what we have seen concerning the numerous virgin-born, crucified and resurrected Saviours, believed on in the Pagan world for so many centuries before the time assigned for the birth of the Christian Saviour, the questions naturally arise: were they real personages? did they ever exist in the flesh? whence came these stories concerning them? have they a foundation in truth, or are they simply creations of the imagination?

The historical theory—according to which all the persons mentioned in mythology were once real human beings, and the legends and fabulous traditions relating to them were merely the additions and embellishments of later times—which was so popular with scholars of the last century, has been altogether abandoned.

Under the historical point of view the gods are mere deified mortals, either heroes who have been deified after their death, or Pontiff-chieftains who have passed themselves off for gods, and who, it is gratuitously supposed, found people stupid enough to believe in their pretended divinity. This was the manner in which, formerly, writers explained the mythology of nations of antiquity; but a method that pre-supposed an historical Crishna, an historical Osiris, an historical Mithra, an historical Hercules, an historical Apollo, or an historical Thor, was found untenable, and therefore, does not, at the present day, stand in need of a refutation. As a writer of the early part of the present century said:

"We shall never have an ancient history worthy of the perusal of men of common sense, till we cease treating poems as history, and send back such personages as Hercules, Theseus, Bacchus, etc., to the heavens, whence their history is taken, and whence they never descended to the earth."

The historical theory was succeeded by the allegorical theory, which supposes that all the myths of the ancients were allegorical and symbolical, and contain some moral, religious, or philosophical truth or historical fact under the form of an allegory, which came in process of time to be understood literally.

In the preceding pages we have spoken of the several virgin-born, crucified and resurrected Saviours, as real personages. We have attributed to these individuals words and acts, and have regarded the words and acts recorded in the several sacred books from which we have quoted, as said and done by them. But in doing this, we have simply used the language of others. These gods and heroes were not real personages; they are merely personifications of the Sun. As Prof. Max MÜller observes in his Lectures on the Science of Religion:

"One of the earliest objects that would strike and stir the mind of man, and for which a sign or a name would soon be wanted, is surely the Sun.[467:1] It is very hard for us to realize the feelings with which the first dwellers on the earth looked upon the Sun, or to understand fully what they meant by a morning prayer or a morning sacrifice. Perhaps there are few people who have watched a sunrise more than once or twice in their life; few people who have ever known the meaning of a morning prayer, or a morning sacrifice. But think of man at the very dawn of time.... think of the Sun awakening the eyes of man from sleep, and his mind from slumber! Was not the sunrise to him the first wonder, the first beginning of all reflection, all thought, all philosophy? Was it not to him the first revelation, the first beginning of all trust, of all religion? ....

"Few nations only have preserved in their ancient poetry some remnants of the natural awe with which the earlier dwellers on the earth saw that brilliant being slowly rising from out of the darkness of the night, raising itself by its own might higher and higher, till it stood triumphant on the arch of heaven, and then descended and sank down in its fiery glory into the dark abyss of the heaving and hissing sea. In the hymns of the Veda, the poet still wonders whether the Sun will rise again; he asks how he can climb the vault of heaven? why he does not fall back? why there is no dust on his path? And when the rays of the morning rouse him from sleep and call him back to new life, when he sees the Sun, as he says, stretching out his golden arms to bless the world and rescue it from the terror of darkness, he exclaims, 'Arise, our life, our spirit has come back! the darkness is gone, the light approaches.'"

Many years ago, the learned Sir William Jones said:

"We must not be surprised at finding, on a close examination, that the characters of all the Pagan deities, male and female, melt into each other, and at last into one or two; for it seems as well founded opinion, that the whole crowd of gods and goddesses of ancient Rome, and modern Varanes, mean only the powers of nature, and principally those of the SUN, expressed in a variety of ways, and by a multitude of fanciful names."[467:2]

Since the first learned president of the Royal Asiatic Society paved the way for the science of comparative mythology, much has been learned on this subject, so that, as the Rev. George W. Cox remarks, "recent discussions on the subject seem to justify the conviction that the foundations of the science of comparative mythology have been firmly laid, and that its method is unassailable."[468:1]

If we wish to find the gods and goddesses of the ancestors of our race, we must look to the sun, the moon, the stars, the sky, the earth, the sea, the dawn, the clouds, the wind, &c., which they personified and worshiped. That these have been the gods and goddesses of all nations of antiquity, is an established fact.[468:2]

The words which had denoted the sun and moon would denote not merely living things but living persons. From personification to deification the steps would be but few; and the process of disintegration would at once furnish the materials for a vast fabric of mythology. All the expressions which had attached a living force to natural objects would remain as the description of personal and anthropomorphous gods. Every word would become an attribute, and all ideas, once grouped around a simple object, would branch off into distinct personifications. The sun had been the lord of light, the driver of the chariot of the day; he had toiled and labored for the sons of men, and sunk down to rest, after a hard battle, in the evening. But now the lord of light would be Phoibos Apollon, while Helios would remain enthroned in his fiery chariot, and his toils and labors and death-struggles would be transferred to Hercules. The violet clouds which greet his rising and his setting would now be represented by herds of cows which feed in earthly pastures. There would be other expressions which would still remain as floating phrases, not attached to any definite deities. These would gradually be converted into incidents in the life of heroes, and be woven at length into systematic narratives. Finally, these gods or heroes, and the incidents of their mythical career, would receive each "a local habitation and a name." These would remain as genuine history, when the origin and meaning of the words had been either wholly or in part forgotten.

For the proofs of these assertions, the Vedic poems furnish indisputable evidence, that such as this was the origin and growth of Greek and Teutonic mythology. In these poems, the names of many, perhaps of most, of the Greek gods, indicate natural objects which, if endued with life, have not been reduced to human personality. In them Daphne is still simply the morning twilight ushering in the splendor of the new born sun; the cattle of Helios there are still the light-colored clouds which the dawn leads out into the fields of the sky. There the idea of Hercules has not been separated from the image of the toiling and struggling sun, and the glory of the life-giving Helios has not been transferred to the god of Delos and Pytho. In the Vedas the myths of Endymion, of Kephalos and Prokris, Orpheus and Eurydike, are exhibited in the form of detached mythical phrases, which furnished for each their germ. The analysis may be extended indefinitely: but the conclusion can only be, that in the Vedic language we have the foundation, not only of the glowing legends of Hellas, but of the dark and sombre mythology of the Scandinavian and the Teuton. Both alike have grown up chiefly from names which have been grouped around the sun; but the former has been grounded on those expressions which describe the recurrence of day and night, the latter on the great tragedy of nature, in the alternation of summer and winter.

Of this vast mass of solar myths, some have emerged into independent legends, others have furnished the groundwork of whole epics, others have remained simply as floating tales whose intrinsic beauty no poet has wedded to his verse.[469:1]

"The results obtained from the examination of language in its several forms leaves no room for doubt that the general system of mythology has been traced to its fountain head. We can no longer shut our eyes to the fact that there was a stage in the history of human speech, during which all the abstract words in constant use among ourselves were utterly unknown, when men had formed no notions of virtue or prudence, of thought and intellect, of slavery or freedom, but spoke only of the man who was strong, who could point the way to others and choose one thing out of many, of the man who was not bound to any other and able to do as he pleased.

"That even this stage was not the earliest in the history of language is now a growing opinion among philologists; but for the comparison of legends current in different countries it is not necessary to carry the search further back. Language without words denoting abstract qualities implies a condition of thought in which men were only awakening to a sense of the objects which surrounded them, and points to a time when the world was to them full of strange sights and sounds, some beautiful, some bewildering, some terrific, when, in short, they knew little of themselves beyond the vague consciousness of their existence, and nothing of the phenomena of the world without. In such a state they could but attribute to all that they saw or touched or heard, a life which was like their own in its consciousness, its joys, and its sufferings. That power of sympathizing with nature which we are apt to regard as the peculiar gift of the poet was then shared alike by all. This sympathy was not the result of any effort, it was inseparably bound up with the words which rose to their lips. It implied no special purity of heart or mind; it pointed to no Arcadian paradise where shepherds knew not how to wrong or oppress or torment each other. We say that the morning light rests on the mountains; they said that the sun was greeting his bride, as naturally as our own poet would speak of the sunlight clasping the earth, or the moonbeams as kissing the sea.

"We have then before us a stage of language corresponding to a stage in the history of the human mind in which all sensible objects were regarded as instinct with a conscious life. The varying phases of that life were therefore described as truthfully as they described their own feelings or sufferings; and hence every phase became a picture. But so long as the conditions of their life remained unchanged, they knew perfectly what the picture meant, and ran no risk of confusing one with another. Thus they had but to describe the things which they saw, felt, or heard, in order to keep up an inexhaustible store of phrases faithfully describing the facts of the world from their point of view. This language was indeed the result of an observation not less keen than that by which the inductive philosopher extorts the secrets of the natural world. Nor was its range much narrower. Each object received its own measure of attention, and no one phenomenon was so treated as to leave no room for others in their turn. They could not fail to note the changes of days and years, of growth and decay, of calm and storm; but the objects which so changed were to them living things, and the rising and setting of the sun, the return of winter and summer, became a drama in which the actors were their enemies or their friends.

"That this is a strict statement of facts in the history of the human mind, philology alone would abundantly prove; but not a few of these phrases have come down to us in their earliest form, and point to the long-buried stratum of language of which they are the fragments. These relics exhibit in their germs the myths which afterwards became the legends of gods and heroes with human forms, and furnished the groundwork of the epic poems, whether of the eastern or the western world.

"The mythical or mythmaking language of mankind had no partialities; and if the career of the Sun occupies a large extent of the horizon, we cannot fairly simulate ignorance of the cause. Men so placed would not fail to put into words the thoughts or emotions roused in them by the varying phases of that mighty world on which we, not less than they, feel that our life depends, although we may know something more of its nature.

"Thus grew up a multitude of expressions which described the sun as the child of the night, as the destroyer of the darkness, as the lover of the dawn and the dew—of phrases which would go on to speak of him as killing the dew with his spears, and of forsaking the dawn as he rose in the heaven. The feeling that the fruits of the earth were called forth by his warmth would find utterance in words which spoke of him as the friend and the benefactor of man; while the constant recurrence of his work would lead them to describe him as a being constrained to toil for others, as doomed to travel over many lands, and as finding everywhere things on which he could bestow his love or which he might destroy by his power. His journey, again, might be across cloudless skies, or amid alternations of storm and calm; his light might break fitfully through the clouds, or be hidden for many a weary hour, to burst forth at last with dazzling splendor as he sank down in the western sky. He would thus be described as facing many dangers and many enemies, none of whom, however, may arrest his course; as sullen, or capricious, or resentful; as grieving for the loss of the dawn whom he had loved, or as nursing his great wrath and vowing a pitiless vengeance. Then as the veil was rent at eventide, they would speak of the chief, who had long remained still, girding on his armor; or of the wanderer throwing off his disguise, and seizing his bow or spear to smite his enemies; of the invincible warrior whose face gleams with the flush of victory when the fight is over, as he greets the fair-haired Dawn who closes, as she had begun, the day. To the wealth of images thus lavished on the daily life and death of the Sun there would be no limit. He was the child of the morning, or her husband, or her destroyer; he forsook her and he returned to her, either in calm serenity or only to sink presently in deeper gloom.

"So with other sights and sounds. The darkness of night brought with it a feeling of vague horror and dread; the return of daylight cheered them with a sense of unspeakable gladness; and thus the Sun who scattered the black shade of night would be the mighty champion doing battle with the biting snake which lurked in its dreary hiding-place. But as the Sun accomplishes his journey day by day through the heaven, the character of the seasons is changed. The buds and blossoms of spring-time expand in the flowers and fruits of summer, and the leaves fall and wither on the approach of winter. Thus the daughter of the earth would be spoken of as dying or as dead, as severed from her mother for five or six weary months, not to be restored to her again until the time for her return from the dark land should once more arrive. But as no other power than that of the Sun can recall vegetation to life, this child of the earth would be represented as buried in a sleep from which the touch of the Sun alone could arouse her, when he slays the frost and cold which lie like snakes around her motionless form.

"That these phrases would furnish the germs of myths or legends teeming with human feeling, as soon as the meaning of the phrases were in part or wholly forgotten, was as inevitable as that in the infancy of our race men should attribute to all sensible objects the same kind of life which they were conscious of possessing themselves."

Let us compare the history of the Saviour which we have already seen, with that of the Sun, as it is found in the Vedas.

We can follow in the Vedic hymns, step by step, the development which changes the Sun from a mere luminary into a "Creator," "Preserver," "Ruler," and "Rewarder of the World"—in fact, into a Divine or Supreme Being.

The first step leads us from the mere light of the Sun to that light which in the morning wakes man from sleep, and seems to give new life, not only to man, but to the whole of nature. He who wakes us in the morning, who recalls all nature to new life, is soon called "The Giver of Daily Life."

Secondly, by another and bolder step, the Giver of Daily Light and Life becomes the giver of light and life in general. He who brings light and life to-day, is the same who brought light and life on the first of days. As light is the beginning of the day, so light was the beginning of creation, and the Sun, from being a mere light-bringer or life-giver, becomes a Creator, and, if a Creator, then soon also a Ruler of the World.

Thirdly, as driving away the dreaded darkness of the night, and likewise as fertilizing the earth, the Sun is conceived as a "Defender" and kind "Protector" of all living things.

Fourthly, the Sun sees everything, both that which is good and that which is evil; and how natural therefore that the evil-doer should be told that the sun sees what no human eye may have seen, and that the innocent, when all other help fails him, should appeal to the sun to attest his guiltlessness!

Let us examine now, says Prof. MÜller, from whose work we have quoted the above, a few passages (from the Rig-Veda) illustrating every one of these perfectly natural transitions.

"In hymn vii. we find the Sun invoked as 'The Protector of everything that moves or stands, of all that exists.'"

"Frequent allusion is made to the Sun's power of seeing everything. The stars flee before the all-seeing Sun, like thieves (R. V. vii.). He sees the right and the wrong among men (Ibid.). He who looks upon the world, knows also all the thoughts in men (Ibid.)."

"As the Sun sees everything and knows everything, he is asked to forget and forgive what he alone has seen and knows (R. V. iv.)."

"The Sun is asked to drive away illness and bad dreams (R. V. x.)."

"Having once, and more than once, been invoked as the life-bringer, the Sun is also called the breath or life of all that moves and rests (R. V. i.); and lastly, he becomes the maker of all things, by whom all the worlds have been brought together (R. V. x.), and ... Lord of man and of all living creatures."

"He is the God among gods (R. V. i.); he is the divine leader of all the gods (R. V. viii.)."

"He alone rules the whole world (R. V. v.). The laws which he has established are firm (R. V. iv.), and the other gods not only praise him (R. V. vii.), but have to follow him as their leader (R. V. v.)."[473:1]

That the history of Christ Jesus, the Christian Saviour,—"the true Light, which lighteth every man that cometh into the world,"[473:2]—is simply the history of the Sun—the real Saviour of mankind—is demonstrated beyond a doubt from the following indisputable facts:

1. The birth of Christ Jesus is said to have taken place at early dawn[473:3] on the 25th day of December. Now, this is the Sun's birthday. At the commencement of the sun's apparent annual revolution round the earth, he was said to have been born, and, on the first moment after midnight of the 24th of December, all the heathen nations of the earth, as if by common consent, celebrated the accouchement of the "Queen of Heaven," of the "Celestial Virgin of the Sphere," and the birth of the god Sol. On that day the sun having fully entered the winter solstice, the Sign of the Virgin was rising on the eastern horizon. The woman's symbol of this stellar sign was represented first by ears of corn, then with a new-born male child in her arms. Such was the picture of the Persian sphere cited by Aben-Ezra:

This denotes the Sun, which, at the moment of the winter solstice, precisely when the Persian magi drew the horoscope of the new year, was placed on the bosom of the Virgin, rising heliacally in the eastern horizon. On this account he was figured in their astronomical pictures under the form of a child suckled by a chaste virgin.[474:2]

Thus we see that Christ Jesus was born on the same day as Buddha, Mithras, Osiris, Horus, Hercules, Bacchus, Adonis and other personifications of the Sun.[474:3]

2. Christ Jesus was born of a Virgin. In this respect he is also the Sun, for 'tis the sun alone who can be born of an immaculate virgin, who conceived him without carnal intercourse, and who is still, after the birth of her child, a virgin.

This Virgin, of whom the Sun, the true "Saviour of Mankind," is born, is either the bright and beautiful Dawn,[474:4] or the dark Earth,[474:5] or Night.[474:6] Hence we have, as we have already seen, the Virgin, or Virgo, as one of the signs of the zodiac.[474:7]

This Celestial Virgin was feigned to be a mother. She is represented in the Indian Zodiac of Sir William Jones, with ears of corn in one hand, and the lotus in the other. In Kircher's Zodiac of Hermes, she has corn in both hands. In other planispheres of the Egyptian priests she carries ears of corn in one hand, and the infant Saviour Horus in the other. In Roman Catholic countries, she is generally represented with the child in one hand, and the lotus or lily in the other. In Vol. II. of Montfaucon's work, she is represented as a female nursing a child, with ears of corn in her hand, and the legend IAO. She is seated on clouds, a star is at her head. The reading of the Greek letters, from right to left, show this to be very ancient.

In the Vedic hymns Aditi, the Dawn, is called the "Mother of the Gods." "She is the mother with powerful, terrible, with royal sons." She is said to have given birth to the Sun.[475:1] "As the Sun and all the solar deities rise from the east," says Prof. Max MÜller, "we can well understand how Aditi (the Dawn) came to be called the 'Mother of the Bright Gods.'"[475:2]

The poets of the Veda indulged freely in theogonic speculations without being frightened by any contradictions. They knew of Indra as the greatest of gods, they knew of Agni as the god of gods, they knew of Varuna as the ruler of all; but they were by no means startled at the idea that their Indra had a mother, or that Varuna was nursed in the lap of Aditi. All this was true to nature; for their god was the Sun, and the mother who bore and nursed him was the Dawn.[475:3]

We find in the Vishnu Purana, that Devaki (the virgin mother of the Hindoo Saviour Crishna, whose history, as we have seen, corresponds in most every particular with that of Christ Jesus) is called Aditi,[475:4] which, in the Rig-Veda, is the name for the Dawn. Thus we see the legend is complete. Devaki is Aditi, Aditi is the Dawn, and the Dawn is the Virgin Mother. "The Saviour of Mankind" who is born of her is the Sun, the Sun is Crishna, and Crishna is Christ.

In the Mahabharata, Crishna is also represented as the "Son of Aditi."[475:5] As the hour of his birth grew near, the mother became more beautiful, and her form more brilliant.[475:6]

Indra, the sun, who was worshiped in some parts of India as a Crucified God, is also represented in the Vedic hymns as the Son of the Dawn. He is said to have been born of Dahana, who is Daphne, a personification of the Dawn.[475:7]

The humanity of this SOLAR GOD-MAN, this demiurge, is strongly insisted on in the Rig-Veda. He is the son of God, but also the son of Aditi. He is Purusha, the man, the male. Agni is frequently called the "Son of man." It is expressly explained that the titles Agni, Indra, Mitra, &c., all refer to one Sun god under "many names." And when we find the name of a mortal, Yama, who once lived upon earth, included among these names, the humanity of the demiurge becomes still more accentuated, and we get at the root idea.

Horus, the Egyptian Saviour, was the son of the virgin Isis. Now, this Isis, in Egyptian mythology, is the same as the virgin Devaki in Hindoo mythology. She is the Dawn.[476:1] Isis, as we have already seen, is represented suckling the infant Horus, and, in the words of Prof. Renouf, we may say, "in whose lap can the Sun be nursed more fitly than in that of the Dawn?"[476:2]

Among the goddesses of Egypt, the highest was Neith, who reigned inseparably with Amun in the upper sphere. She was called "Mother of the gods," "Mother of the sun." She was the feminine origin of all things, as Amun was the male origin. She held the same rank at Sais as Amun did at Thebes. Her temples there are said to have exceeded in colossal grandeur anything ever seen before. On one of these was the celebrated inscription thus deciphered by Champollion:

She was mother of the Sun-god Ra, and, says Prof. Renouf, "is commonly supposed to represent Heaven; but some expressions which are hardly applicable to heaven, render it more probable that she is one of the many names of the Dawn."[476:3]

If we turn from Indian and Egyptian, to Grecian mythology, we shall also find that their Sun-gods and solar heroes are born of the same virgin mother. Theseus was said to have been born of Aithra, "the pure air," and Œdipus of Iokaste, "the violet light of morning." Perseus was born of the virgin Danae, and was called the "Son of the bright morning."[476:4] In IÔ, the mother of the "sacred bull,"[476:5] the mother also of Hercules, we see the violet-tinted morning from which the sun is born; all these gods and heroes being, like Christ Jesus, personifications of the Sun.[476:6]

"The Saviour of Mankind" was also represented as being born of the "dusky mother," which accounts for many Pagan, and so-called Christian, goddesses being represented black.[477:1] This is the dark night, who for many weary hours travails with the birth of her child. The Sun, which scatters the darkness, is also the child of the darkness, and so the phrase naturally went that he was born of her. Of the two legends related in the poems afterwards combined in the "Hymn to Apollo," the former relates the birth of Apollo, the Sun, from Leto, the Darkness, which is called his mother.[477:2] In this case, Leto would be personified as a "black virgin," either with or without the child in her arms.

The dark earth was also represented as being the mother of the god Sun, who apparently came out of, or was born of her, in the East,[477:3] as Minos (the sun) was represented to have been born of Ida (the earth).[477:4]

In Hindoo mythology, the Earth, under the name of Prithivi, receives a certain share of honors as one of the primitive goddesses of the Veda, being thought of as the "kind mother." Moreover, various deities were regarded as the progeny resulting from the fancied union of the Earth with Dyaus (Heaven).[477:5]

Our Aryan forefathers looked up to the heavens and they gave it the name of Dyaus, from a root-word which means "to shine." And when, out of the forces and forms of nature, they afterwards fashioned other gods, this name of Dyaus became Dyaus pitar, the Heaven-father, or Lord of All; and in far later times, when the western Aryans had found their home in Europe, the Dyaus pitar of the central Asian land became the Zeupater of the Greeks, and the Jupiter of the Romans, and the first part of his name gave us the word Deity.

According to Egyptian mythology, Isis was also the Earth.[477:6] Again, from the union of Seb and Nut sprung the mild Osiris. Seb is the Earth, Nut is Heaven, and Osiris is the Sun.[477:7]

Tacitus, the Roman historian, speaking of the Germans in A. D. 98, says:

These virgin mothers, and virgin goddesses of antiquity, were also, at times, personifications of the Moon, or of Nature.[478:1]

Who is "God the Father," who overshadows the maiden? The overshadowing of the maiden by "God the Father," whether he be called Zeus, Jupiter or Jehovah, is simply the Heaven, the Sky, the "All-father,"[478:2] looking down upon with love, and overshadowing the maiden, the broad flushing light of Dawn, or the Earth. From this union the Sun is born without any carnal intercourse. The mother is yet a virgin. This is illustrated in Hindoo mythology by the union of Pritrivi, "Mother Earth," with Dyaus, "Heaven." Various deities were regarded as their progeny.[478:3] In the Vedic hymns the Sun—the Lord and Saviour, the Redeemer and Preserver of Mankind—is frequently called the "Son of the Sky."[478:4]

According to Egyptian mythology, Seb (the Earth) is overshadowed by Nut (Heaven), the result of this union being the beneficent Lord and Saviour, Osiris.[478:5] The same thing is to be found in ancient Grecian mythology. Zeus or Jupiter is the Sky,[478:6] and Danae, Leto, Iokaste, Io and others, are the Dawn, or the violet light of morning.[478:7]

This union has been sung in the following verses by Virgil:

(Geor. ii.)

The Phenician theology is founded on the same principles. Heaven and Earth (called Ouranos and GhÈ) are at the head of a genealogy of Æons, whose adventures are conceived in the mythological style of these physical allegorists.[479:2]

In the Samothracian mysteries, which seem to have been the most anciently established ceremonies of the kind in Europe, the Heaven and the Earth were worshiped as a male and female divinity, and as the parents of all things.[479:3]

The Supreme God (the Al-fader), of the ancient Scandinavians was Odin, a personification of the Heavens. The principal goddess among them was Frigga, a personification of the Earth. It was the opinion among these people that this Supreme Being or Celestial God had united with the Earth (Frigga) to produce "Baldur the Good" (the Sun), who corresponds to the Apollo of the Greeks and Romans, and the Osiris of the Egyptians.[479:4]

Xiuletl, in the Mexican language, signifies Blue, and hence was a name which the Mexican gave to Heaven, from which Xiuleticutli is derived, an epithet signifying "the God of Heaven," which they bestowed upon Tezcatlipoca, who was the "Lord of All," the "Supreme God." He it was who overshadowed the Virgin of Tula, Chimelman, who begat the Saviour Quetzalcoatle (the Sun).

3. His birth was foretold by a star. This is the bright morning star—

which heralds the birth of the god Sol, the beneficent Saviour.

A glance at a geography of the heavens will show the "chaste, pure, immaculate Virgin, suckling an infant," preceded by a Star, which rises immediately preceding the Virgin and her child. This can truly be called "his Star," which informed the "Wise Men," the "Magi"—Astrologers and Sun-worshipers—and "the shepherds who watched their flocks by night" that the Saviour of Mankind was about to be born.

4. The Heavenly Host sang praises. All nature smiles at the birth of the Heavenly Being. "To him all angels cry aloud, the heavens, and all the powers therein." "Glory to God in the highest, and on earth peace, good will towards men." "The quarters of the horizon are irradiate with joy, as if moonlight was diffused over the whole earth." "The spirits and nymphs of heaven dance and sing." "Caressing breezes blow, and a marvelous light is produced." For the Lord and Saviour is born, "to give joy and peace to men and Devas, to shed light in the dark places, and to give sight to the blind."[480:1]

5. He was visited by the Magi. This is very natural, for the Magi were Sun-worshipers, and at early dawn on the 25th of December, the astrologers of the Arabs, Chaldeans, and other Oriental nations, greeted the infant Saviour with gold, frankincense and myrrh. They started to salute their God long before the rising of the Sun, and having ascended a high mountain, they waited anxiously for his birth, facing the East, and there hailed his first rays with incense and prayer.[480:2] The shepherds also, who remained in the open air watching their flocks by night, were in the habit of prostrating themselves, and paying homage to their god, the Sun. And, like the poet of the Veda, they said:

And when the Sun rose, they wondered how, just born, he was so mighty. They greeted him:

And the human eye felt that it could not bear the brilliant majesty of him whom they called, "The Life, the Breath, the Brilliant Lord and Father." And they said:

6. He was born in a Cave. In this respect also, the history of Christ Jesus corresponds with that of other Sun-gods and Saviours, for they are nearly all represented as being born in a cave or dungeon. This is the dark abode from which the wandering Sun starts in the morning.[481:1] As the Dawn springs fully armed from the forehead of the cloven Sky, so the eye first discerns the blue of heaven, as the first faint arch of light is seen in the East. This arch is the cave in which the infant is nourished until he reaches his full strength—in other words, until the day is fully come.

As the hour of his birth drew near, the mother became more beautiful, her form more brilliant, while the dungeon was filled with a heavenly light as when Zeus came to Danae in a golden shower.[481:2]

At length the child is born, and a halo of serene light encircles his cradle, just as the Sun appears at early dawn in the East, in all its splendor. His presence reveals itself there, in the dark cave, by his first rays, which brightens the countenances of his mother and others who are present at his birth.[481:3]

6. He was ordered to be put to death. All the Sun-gods are fated to bring ruin upon their parents or the reigning monarch.[481:4] For this reason, they attempt to prevent his birth, and failing in this, seek to destroy him when born. Who is the dark and wicked Kansa, or his counterpart Herod? He is Night, who reigns supreme, but who must lose his power when the young prince of glory, the Invincible, is born.

The Sun scatters the Darkness; and so the phrase went that the child was to be the destroyer of the reigning monarch, or his parent, Night; and oracles, and magi, it was said, warned the latter of the doom which would overtake him. The newly-born babe is therefore ordered to be put to death by the sword, or exposed on the bare hillside, as the Sun seems to rest on the Earth (Ida) at its rising.[481:5]

In oriental mythology, the destroying principle is generally represented as a serpent or dragon.[482:1] Now, the position of the sphere on Christmas-day, the birthday of the Sun, shows the Serpent all but touching, and certainly aiming at the woman—that is, the figure of the constellation Virgo—who suckles the child Iessus in her arms. Thus we have it illustrated in the story of the snake who was sent to kill Hercules, when an infant in his cradle;[482:2] also in the story of Typhon, who sought the life of the infant Saviour Horus. Again, it is illustrated in the story of the virgin mother Astrea, with her babe beset by Orion, and of Latona, the mother of Apollo, when pursued by the monster.[482:3] And last, that of the virgin mother Mary, with her babe beset by Herod. But like Hercules, Horus, Apollo, Theseus, Romulus, Cyrus and other solar heroes, Christ Jesus has yet a long course before him. Like them, he grows up both wise and strong, and the "old Serpent" is discomfited by him, just as the sphynx and the dragon are put to night by others.

7. He was tempted by the devil. The temptation by, and victory over the evil one, whether Mara or Satan, is the victory of the Sun over the clouds of storm and darkness.[482:4] Growing up in obscurity, the day comes when he makes himself known, tries himself in his first battles with his gloomy foes, and shines without a rival. He is rife for his destined mission, but is met by the demon of storm, who runs to dispute with him in the duel of the storm. In this struggle against darkness the beneficent hero remains the conqueror, the gloomy army of Mara, or Satan, broken and rent, is scattered; the Apearas, daughters of the demon, the last light vapors which float in the heaven, try in vain to clasp and retain the vanquisher; he disengages himself from their embraces, repulses them; they writhe, lose their form, and vanish.

Free from every obstacle, and from every adversary, he sets in motion across space his disk with a thousand rays, having avenged the attempts of his eternal foe. He appears then in all his glory, and in his sovereign splendor; the god has attained the summit of his course, it is the moment of triumph.

8. He was put to death on the cross. The Sun has now reached his extreme Southern limit, his career is ended, and he is at last overcome by his enemies. The powers of darkness, and of winter, which had sought in vain to wound him, have at length won the victory. The bright Sun of summer is finally slain, crucified in the heavens, and pierced by the arrow, spear or thorn of winter.[483:1] Before he dies, however, he sees all his disciples—his retinue of light, and the twelve hours of the day, or the twelve months of the year—disappear in the sanguinary mÊlÉe of the clouds of the evening.

Throughout the tale, the Sun-god was but fulfilling his doom. These things must be. The suffering of a violent death was a necessary part of the mythos; and, when his hour had come, he must meet his doom, as surely as the Sun, once risen, must go across the sky, and then sink down into his bed beneath the earth or sea. It was an iron fate from which there was no escaping.

Crishna, the crucified Saviour of the Hindoos, is a personification of the Sun crucified in the heavens. One of the names of the Sun in the Vedic hymns is Vishnu,[483:2] and Crishna is Vishnu in human form.[483:3]

In the hymns of the Rig-Veda the Sun is spoken of as "stretching out his arms," in the heavens, "to bless the world, and to rescue it from the terror of darkness."

Indra, the crucified Saviour worshiped in Nepal and Tibet,[484:1] is identical with Crishna, the Sun.[484:2]

The principal Phenician deity, El, which, says Parkhurst, in his Hebrew Lexicon, "was the very name the heathens gave to their god Sol, their Lord or Ruler of the Hosts of Heaven," was called "The Preserver (or Saviour) of the World," for the benefit of which he offered a mystical sacrifice.[484:3]

The crucified Iao ("Divine Love" personified) is the crucified Adonis, the Sun. The Lord and Saviour Adonis was called Iao.[484:4]

Osiris, the Egyptian Saviour, was crucified in the heavens. To the Egyptian the cross was the symbol of immortality, an emblem of the Sun, and the god himself was crucified to the tree, which denoted his fructifying power.[484:5]

Horus was also crucified in the heavens. He was represented, like Crishna and Christ Jesus, with outstretched arms in the vault of heaven.[484:6]

The story of the crucifixion of Prometheus was allegorical, for Prometheus was only a title of the Sun, expressing providence or foresight, wherefore his being crucified in the extremities of the earth, signified originally no more than the restriction of the power of the Sun during the winter months.[484:7]

Who was Ixion, bound on the wheel? He was none other than the god Sol, crucified in the heavens.[484:8] Whatever be the origin of the name, Ixion is the "Sun of noonday," crucified in the heavens, whose four-spoked wheel, in the words of Pindar, is seen whirling in the highest heaven.[484:9]

The wheel upon which Ixion and criminals were said to have been extended was a cross, although the name of the thing was dissembled among Christians; it was a St. Andrew's cross, of which two spokes confined the arms, and two the legs. (See Fig. No. 35.)

The allegorical tales of the triumphs and misfortunes of the Sun-gods of the ancient Greeks and Romans, signify the alternate exertion of the generative and destructive attributes.

Hercules is torn limb from limb; and in this catastrophe we see the blood-red sunset which closes the career of Hercules.[485:1] The Sun-god cannot rise to the life of the blessed gods until he has been slain. The morning cannot come until the EÔs who closed the previous day has faded away and died in the black abyss of night.

Achilleus and Meleagros represent alike the short-lived Sun, whose course is one of toil for others, ending in an early death, after a series of wonderful victories alternating with periods of darkness and gloom.[485:2]

In the tales of the Trojan war, it is related of Achilleus that he expires at the Skaian, or western gates of the evening. He is slain by Paris, who here appears as the Pani, or dark power, who blots out the light of the Sun from the heaven.[485:3]

We have also the story of Adonis, born of a virgin, and known in the countries where he was worshiped as "The Saviour of Mankind," killed by the wild boar, afterwards "rose from the dead, and ascended into heaven." This Adonis, Adonai—in Hebrew "My Lord"—is simply the Sun. He is crucified in the heavens, put to death by the wild boar, i. e., Winter. "Babylon called Typhon or Winter the boar; they said he killed Adonis or the fertile Sun."[485:4]

The Crucified Dove worshiped by the ancients, was none other than the crucified Sun. Adonis was called the Dove. At the ceremonies in honor of his resurrection from the dead, the devotees said, "Hail to the Dove! the Restorer of Light."[485:5] Fig. No. 35 is the "Crucified Dove" as described by Pindar, the great lyric poet of Greece, born about 522 B. C.

This "Divine Love," of whom Nimrod speaks, was "The First-begotten Son" of the Platonists. The crucifixion of "Divine Love" is often found among the Greeks. IÖnah or Juno, according to the Iliad, was bound with fetters, and suspended in space, between heaven and earth. Ixion, Prometheus, Apollo of Miletus, (anciently the greatest and most flourishing city of Ionia, in Asia Minor), were all crucified.[486:2]

Semi-Ramis was both a queen of unrivaled celebrity, and also a goddess, worshiped under the form of a Dove. Her name signifies the Supreme Dove. She is said to have been slain by the last survivor of her sons, while others say, she flew away as a bird—a Dove. In both Grecian and Hindoo histories this mystical queen Semiramis is said to have fought a battle on the banks of the Indus, with a king called Staurobates, in which she was defeated, and from which she flew away in the form of a Dove. Of this Nimrod says:

Here again we have the crucified Dove, the Sun, for it is well known that the ancients personified the Sun female as well as male.

We have also the fable of the Crucified Rose, illustrated in the jewel of the Rosicrucians. The jewel of the Rosicrucians is formed of a transparent red stone, with a red cross on one side, and a red rose on the other—thus it is a crucified rose. "The Rossi, or Rosy-crucians' idea concerning this emblematic red cross," says Hargrave Jennings, in his History of the Rosicrucians, "probably came from the fable of Adonis—who was the Sun whom we have so often seen crucified—being changed into a red rose by Venus."[487:1]

The emblem of the Templars is a red rose on a cross. "When it can be done, it is surrounded with a glory, and placed on a calvary (Fig. No. 36). This is the Naurutz, Natsir, or Rose of Isuren, of Tamul, or Sharon, or the Water Rose, the Lily Padma, Pena, Lotus, crucified in the heavens for the salvation of man."[487:2]

Christ Jesus was called the Rose—the Rose of Sharon—of Isuren. He was the renewed incarnation of Divine Wisdom. He was the son of Maia or Maria. He was the Rose of Sharon and the Lily of the Valley, which bloweth in the month of his mother Maia. Thus, when the angel Gabriel gives the salutation to the Virgin, he presents her with the lotus or lily; as may be seen in hundreds of old pictures in Italy. We see therefore that Adonis, "the Lord," "the Virgin-born," "the Crucified," "the Resurrected Dove," "the Restorer of Light," is one and the same with the "Rose of Sharon," the crucified Christ Jesus.

Plato (429 B. C.) in his PimÆus, philosophizing about the Son of God, says:

This brings to recollection the doctrine of certain so-called Christian heretics, who maintained that Christ Jesus was crucified in the heavens.

The ChrÈstos was the Logos, the Sun was the manifestation of the Logos or Wisdom to men; or, as it was held by some, it was his peculiar habitation. The Sun being crucified at the time of the winter solstice was represented by the young man slaying the Bull (an emblem of the Sun) in the Mithraic ceremonies, and the slain lamb at the foot of the cross in the Christian ceremonies. The Chrest was the Logos, or Divine Wisdom, or a portion of divine wisdom incarnate; in this sense he is really the Sun or the solar power incarnate, and to him everything applicable to the Sun will apply.

Fig. No. 37, taken from Mr. Lundy's "Monumental Christianity," is evidently a representation of the Christian Saviour crucified in the heavens. Mr. Lundy calls it "Crucifixion in Space," and believes that it was intended for the Hindoo Saviour Crishna, who is also represented crucified in space (See Fig. No. 8, Ch. XX.). This (Fig. 37) is exactly in the form of a Romish crucifix, but not fixed to a piece of wood, though the legs and feet are put together in the usual way. There is a glory over it, coming from above, not shining from the figure, as is generally seen in a Roman crucifix. It has a pointed Parthian coronet instead of a crown of thorns. All the avatars, or incarnations of Vishnu, are painted with Ethiopian or Parthian coronets. For these reasons the Christian author will not own that it is a representation of the "True Son of Justice," for he was not crucified in space; but whether it was intended to represent Crishna, Wittoba, or Jesus,[488:1] it tells a secret: it shows that some one was represented crucified in the heavens, and undoubtedly has something to do with "The next power to the Supreme God," who, according to Plato, "was decussated or figured in the shape of a cross on the universe."

Who was the crucified god whom the ancient Romans worshiped, and whom they, according to Justin Martyr, represented as a man on a cross? Can we doubt, after what we have seen, that he was this same crucified Sol, whose birthday they annually celebrated on the 25th of December?

In the poetical tales of the ancient Scandinavians, the same legend is found. Frey, the Deity of the Sun, was fabled to have been killed, at the time of the winter solstice, by the same boar who put the god Adonis to death, therefore a boar was annually offered to him at the great feast of Yule.[489:1] "Baldur the Good," son of the supreme god Odin, and the virgin-goddess Frigga, was also put to death by the sharp thorn of winter.

The ancient Mexican crucified Saviour, Quetzalcoatle, another personification of the Sun, was sometimes represented as crucified in space, in the heavens, in a circle of nineteen figures, the number of the metonic cycle. A serpent (the emblem of evil, darkness, and winter) is depriving him of the organs of generation.[489:2]

We have seen in Chapter XXXIII. that Christ Jesus, and many of the heathen saviours, healers, and preserving gods, were represented in the form of a Serpent. This is owing to the fact that, in one of its attributes, the Serpent was an emblem of the Sun. It may, at first, appear strange that the Serpent should be an emblem of evil, and yet also an emblem of the beneficent divinity; but, as Prof. Renouf remarks, in his Hibbert Lectures, "The moment we understand the nature of a myth, all impossibilities, contradictions, and immoralities disappear." The serpent is an emblem of evil when represented with his deadly sting; he is the emblem of eternity when represented casting off his skin;[489:3] and an emblem of the Sun when represented with his tail in his mouth, thus forming a circle.[489:4] Thus there came to be, not only good, but also bad, serpents, both of which are referred to in the narrative of the Hebrew exodus, but still more clearly in the struggle between the good and the bad serpents of Persian mythology, which symbolized Ormuzd, or Mithra, and the evil spirit Ahriman.[489:5]

As the Dove and the Rose, emblems of the Sun, were represented on the cross, so was the Serpent.[489:6] The famous "Brazen Serpent," said to have been "set up" by Moses in the wilderness, is called in the Targum (the general term for the Aramaic versions of the Old Testament) the Saviour. It was probably a serpentine crucifix, as it is called a cross by Justin Martyr. The crucified serpent (Fig. No. 38) denoted the quiescent Phallos, or the Sun after it had lost its power. It is the Sun in winter, crucified on the tree, which denoted its fructifying power.[490:1] As Mr. Wake remarks, "There can be no doubt that both the Pillar (Phallus) and the Serpent were associated with many of the Sun-gods of antiquity."[490:2]

This is seen in Fig. No. 39, taken from an ancient medal, which represents the serpent with rays of glory surrounding his head.

The Ophites, who venerated the serpent as an emblem of Christ Jesus, are said to have maintained that the serpent of Genesis—who brought wisdom into the world—was Christ Jesus. The brazen serpent was called the Word by the Chaldee paraphrast. The Word, or Logos, was Divine Wisdom, which was crucified; thus we have the cross, or Linga, or Phallus, with the serpent upon it. Besides considering the serpent as the emblem of Christ Jesus, or of the Logos, the Ophites are said to have revered it as the cause of all the arts of civilized life. In Chapter XII. we saw that several illustrious females were believed to have been selected and impregnated by the Holy Ghost. In some cases, a serpent was supposed to be the form which it assumed. This was the incarnation of the Logos. The serpent was held in great veneration by the ancients, who, as we have seen, considered it as the symbol of the beneficent Deity, and an emblem of eternity. As such it has been variously expressed on ancient sculptures and medals in various parts of the globe.

Although generally, it did not always, symbolize the god Sun, or the power of which the Sun is an emblem; but, invested with various meanings, it entered widely into the primitive mythologies. As Mr. Squire observes:

The serpent was the symbol of Vishnu, the preserving god, the Saviour, the Sun.[491:2] It was an emblem of the Sun-god Buddha, the Angel-Messiah.[491:3] The Egyptian Sun-god Osiris, the Saviour, is associated with the snake.[491:4] The Persian Mithra, the Mediator, Redeemer, and Saviour, was symbolized by the serpent.[491:5] The Phenicians represented their beneficent Sun-god Agathodemon, by a serpent.[491:6] The serpent was, among the Greeks and Romans, the emblem of a beneficent genius. Antipator of Sidon, calls the god Ammon, the "Renowned Serpent."[491:7] The Grecian Hercules—the Sun-god—was symbolized as a serpent; and so was Æsculapius and Apollo. The Hebrews, who, as we have seen in Chapter XI., worshiped the god Sol, represented him in the form of a serpent. This is the seraph—spoken of above—as set up by Moses (Num. xxi. 3) and worshiped by the children of Israel. Seraph is the singular of seraphim, meaning SemilicÉ—splendor, fire, light—emblematic of the fiery disk of the Sun, and which, under the name of Nehush-tan, "Serpent-dragon," was broken up by the reforming Hezekiah.

The principal god of the Aztecs was Tonac-atlcoatl, which means the Serpent Sun.[491:8]

The Mexican virgin-born Lord and Saviour, Quetzalcoatle, was represented in the form of a serpent. In fact, his name signifies "Feathered Serpent." Quetzalcoatle was a personification of the Sun.[491:9]

Under the aspect of the active principle, we may rationally connect the Serpent and the Sun, as corresponding symbols of the reproductive or creative power. Figure No. 40 is a symbolical sign, representing the disk of the Sun encircled by the serpent Uraeus, meaning the "King Sun," or "Royal Sun," as it often surmounts the persons of Egyptian monarchs, confirmed by the emblem of LIFE depending from the serpent's neck.[492:1]

The mysteries of Osiris, Isis, and Horus, in Egypt; Atys and Cybele, in Phrygia; Ceres and Proserpine, at Eleusis; of Venus and Adonis, in Phenicia; of Bona Dea and Priapus, in Rome, are all susceptible of one explanation. They all set forth and illustrated, by solemn and impressive rites, and mystical symbols, the grand phenomenon of nature, especially as connected with the creation of things and the perpetuation of life. In all, it is worthy of remark, the SERPENT was more or less conspicuously introduced, and always as symbolical of the invigorating or active energy of nature, the Sun.

We have seen (in Chapter XX.) that in early Christian art Christ Jesus also was represented as a crucified Lamb. This crucified lamb is "the Lamb of God taking away the sins of the world, and slain from the foundation of the world."[492:2] In other words, the crucified lamb typifies the crucified Sun, for the lamb was another symbol of the Sun, as we shall presently see.

We find, then, that the stories of the crucifixions of the different so-called Saviours of mankind all melt into one, and that they are allegorical, for "Saviour" was only a title of the Sun,[492:3] and his being put to death on the cross, signifies no more than the restriction of the power of the Sun in the winter quarter. With Justin Martyr, then, we can say:

9. "And many women were there beholding afar off."[493:3] The tender mother who had watched over him at his birth, and the fair maidens whom he has loved, will never forsake him. They yet remain with him, and while their tears drop on his feet, which they kiss, their voices cheer him in his last hour. In these we have the Dawn, who bore him, and the fair and beautiful lights which flush the Eastern sky as the Sun sinks or dies in the West.[493:4] Their tears are the tears of dew, such as EÔs weeps at the death of her child.

All the Sun-gods forsake their homes and virgin mothers, and wander through different countries doing marvellous things. Finally, at the end of their career, the mother, from whom they were parted long ago, is by their side to cheer them in their last hours.[493:5]

The ever-faithful women were to be found at the last scene in the life of Buddha. Kasyapa having found the departed master's feet soiled and wet, asked Nanda the cause of it. "He was told that a weeping woman had embraced Gautama's feet shortly before his death, and that her tears had fallen on his feet and left the marks on them."[493:6]

In his last hours, Œdipous (the Sun) has been cheered by the presence of Antigone.[493:7]

At the death of Hercules, Iole (the fair-haired Dawn) stands by his side, cheering him to the last. With her gentle hands she sought to soothe his pain, and with pitying words to cheer him in his woe. Then once more the face of Hercules flushed with a deep joy, and he said:

The black mists were spreading over the sky, but still Hercules sought to gaze on the fair face of Iole, and to comfort her in her sorrow.

The same story is related in the legend of Apollo. The Dawn, from whom he parted in the early part of his career, comes to his side at eventide, and again meets him when his journey on earth has well nigh come to an end.[494:1]

When the Lord Prometheus was crucified on Mt. Caucasus, his especially professed friend, Oceanus, the fisherman, as his name, PetrÆus, indicates,[494:2] being unable to prevail on him to make his peace with Jupiter, by throwing the cause of human redemption out of his hands,[494:3] "forsook him and fled." None remained to be witnesses of his dying agonies, but the chorus of ever amiable and ever-faithful women, which also bewailed and lamented him, but were unable to subdue his inflexible philanthropy.[494:4]

10. "There was darkness all over the land."[494:5] In the same manner ends the tale of the long toil and sorrows of other Sun-gods. The last scene exhibits a manifest return to the spirit of the solar myth. He must not die the common death of all men, for no disease or corruption can touch the body of the brilliant Sun. After a long struggle against the dark clouds who are arrayed against him, he is finally overcome, and dies. Blacker and blacker grow the evening shades, and finally "there is darkness on the face of the earth," and the din of its thunder clashes through the air.[494:6]

It is the picture of a sunset in wild confusion, of a sunset more awful, yet not more sad, than that which is seen in the last hours of many other Sun-gods.[494:7] It is the picture of the loneliness of the Sun, who sinks slowly down, with the ghastly hues of death upon his face, while none is nigh to cheer him save the ever-faithful women.

11. "He descended into hell."[494:8] This is the Sun's descent into the lower regions. It enters the sign Capricornus, or the Goat, and the astronomical winter begins. The days have reached their shortest span, and the Sun has reached his extreme southern limit. The winter solstice reigns, and the Sun seems to stand still in his southern course. For three days and three nights he remains in hell—the lower regions.[495:1] In this respect Christ Jesus is like other Sun-gods.[495:2]

In the ancient sagas of Iceland, the hero who is the Sun personified, descends into a tomb, where he fights a vampire. After a desperate struggle, the hero overcomes, and rises to the surface of the earth. "This, too, represents the Sun in the northern realms, descending into the tomb of winter, and there overcoming the power of darkness."[495:3]

12. He rose again from the dead, and ascended into heaven. Resurrections from the dead, and ascensions into heaven, are generally acknowledged to be solar features, as the history of many solar heroes agree in this particular.

At the winter solstice the ancients wept and mourned for Tammuz, the fair Adonis, and other Sun-gods, done to death by the boar, or crucified—slain by the thorn of winter—and on the third day they rejoiced at the resurrection of their "Lord of Light."[495:4]

With her usual policy, the Church endeavored to give a Christian significance to the rites which they borrowed from heathenism, and in this case, the mourning for Tammuz, the fair Adonis, became the mourning for Christ Jesus, and joy at the rising of the natural Sun became joy at the rising of the "Sun of Righteousness"—at the resurrection of Christ Jesus from the grave.

This festival of the Resurrection was generally held by the ancients on the 25th of March, when the awakening of Spring may be said to be the result of the return of the Sun from the lower or far-off regions to which he had departed. At the equinox—say, the vernal—at Easter, the Sun has been below the equator, and suddenly rises above it. It has been, as it were, dead to us, but now it exhibits a resurrection.[496:1] The Saviour rises triumphant over the powers of darkness, to life and immortality, on the 25th of March, when the Sun rises in Aries.

Throughout all the ancient world, the resurrection of the god Sol, under different names, was celebrated on March 25th, with great rejoicings.[496:2]

In the words of the Rev. Geo. W. Cox:

All this was Sun and Nature worship, symbolized by the Linga and Yoni. As Mr. Bonwick says:

Allegory alone explains it.

The Christian, then, may well say:

13. Christ Jesus is Creator of all things. We have seen (in Chapter XXVI.) that it was not God the Father, who was supposed by the ancients to have been the Creator of the world, but God the Son, the Redeemer and Saviour of Mankind. Now, this Redeemer and Saviour was, as we have seen, the Sun, and Prof. Max MÜller tells us that in the Vedic mythology, the Sun is not the bright Deva only, "who performs his daily task in the sky, but he is supposed to perform much greater work. He is looked upon, in fact, as the Ruler, as the Establisher, as the Creator of the world."[496:6]

Having been invoked as the "Life-bringer," the Sun is also called—in the Rig-Veda—"the Breath or Life of all that move and rest;" and lastly he becomes "The Maker of all things," by whom all the worlds have been brought together.[497:1]

There is a prayer in the Vedas, called Gayatree, which consists of three measured lines, and is considered the holiest and most efficacious of all their religious forms. Sir William Jones translates it thus:

With Seneca (a Roman philosopher, born at Cordova, Spain, 61 B. C.) then, we can say:

14. He is to be Judge of the quick and the dead. Who is better able than the Sun to be the judge of man's deeds, seeing, as he does, from his throne in heaven, all that is done on earth? The Vedas speak of SÛrya—the pervading, irresistible luminary—as seeing all things and hearing all things, noting the good and evil deeds of men.[497:2]

According to Hindoo mythology, says Prof. Max MÜller:

On the most ancient Egyptian monuments, Osiris, the Sun personified, is represented as Judge of the dead. The Egyptian "Book of the Dead," the oldest Bible in the world, speaks of Osiris as "seeing all things, and hearing all things, noting the good and evil deeds of men."

15. He will come again sitting on a white horse. The "second coming" of Vishnu (Crishna), Christ Jesus, and other Sun-gods, are also astronomical allegories. The white horse, which figures so conspicuously in the legend, was the universal symbol of the Sun among Oriental nations.

Throughout the whole legend, Christ Jesus is the toiling Sun, laboring for the benefit of others, not his own, and doing hard service for a mean and cruel generation. Watch his sun-like career of brilliant conquest, checked with intervals of storm, and declining to a death clouded with sorrow and derision. He is in constant company with his twelve apostles, the twelve signs of the zodiac.[498:1] During the course of his life's journey he is called "The God of Earthly Blessing," "The Saviour through whom a new life springs," "The Preserver," "The Redeemer," &c. Almost at his birth the Serpent of darkness attempts to destroy him. Temptations to sloth and luxury are offered him in vain. He has his work to do, and nothing can stay him from doing it, as nothing can arrest the Sun in his journey through the heavens. Like all other solar heroes, he has his faithful women who love him, and the Marys and Martha here play the part. Of his toils it is scarcely necessary to speak in detail. They are but a thousand variations on the story of the great conflict which all the Sun-gods wage against the demon of darkness. He astonishes his tutor when sent to school. This we might expect to be the case, when an incomparable and incommunicable wisdom is the heritage of the Sun. He also represents the wisdom and beneficence of the bright Being who brings life and light to men. As the Sun wakens the earth to life when the winter is done, so Crishna, Buddha, Horus, Æsculapius, and Christ Jesus were raisers of the dead. When the leaves fell and withered on the approach of winter, the "daughter of the earth" would be spoken of as dying or dead, and, as no other power than that of the Sun can recall vegetation to life, this child of the earth would be represented as buried in a sleep from which the touch of the Sun alone could rouse her.

Christ Jesus, then, is the Sun, in his short career and early death. He is the child of the Dawn, whose soft, violet hues tint the clouds of early morn; his father being the Sky, the "Heavenly Father," who has looked down with love upon the Dawn, and overshadowed her. When his career on earth is ended, and he expires, the loving mother, who parted from him in the morning of his life, is at his side, looking on the death of the Son whom she cannot save from the doom which is on him, while her tears fall on his body like rain at sundown. From her he is parted at the beginning of his course; to her he is united at its close. But Christ Jesus, like Crishna, Buddha, Osiris, Horus, Mithras, Apollo, Atys and others, rises again, and thus the myth takes us a step beyond the legend of Serpedon and others, which stop at the end of the eastward journey, when the night is done.

According to the Christian calendar, the birthday of John the Baptist is on the day of the summer solstice, when the sun begins to decrease. How true to nature then are the words attributed to him in the fourth Gospel, when he says that he must decrease, and Jesus increase.

Among the ancient Teutonic nations, fires were lighted, on the tops of hills, on the 24th of June, in honor of the wending Sun. This custom is still kept up in Southern Germany and the Scotch highlands, and it is the day selected by the Roman Catholic church to celebrate the nativity of John the Baptist.[499:1]

Mosheim, the ecclesiastical historian, speaking of the uncertainty of the time when Christ Jesus was born, says: "The uncertainty of this point is of no great consequence. We know that the Sun of Righteousness has shone upon the world; and although we cannot fix the precise period in which he arose, this will not preclude us from enjoying the direction and influence of his vital and salutary beams."

These sacred legends abound with such expressions as can have no possible or conceivable application to any other than to the "God of day." He is "a light to lighten the Gentiles, and to be the glory (or brightness) of his people."[499:2] He is come "a light into the world, that whosoever believeth in him should not abide in darkness."[499:3] He is "the light of the world."[499:4] He "is light, and in him no darkness is."[499:5]

"All are agreed," says Cicero, "that Apollo is none other than the Sun, because the attributes which are commonly ascribed to Apollo do so wonderfully agree thereto."

Just so surely as Apollo is the Sun, so is the Lord Christ Jesus the Sun. That which is so conclusive respecting the Pagan deities, applies also to the God of the Christians; but, like the Psalmist of old, they cry, "Touch not MY Christ, and do my prophets no harm."

Many Christian writers have seen that the history of their Lord and Saviour is simply the history of the Sun, but they either say nothing, or, like Dr. Parkhurst and the Rev. J. P. Lundy, claim that the Sun is a type of the true Sun of Righteousness. Mr. Lundy, in his "Monumental Christianity," says:

Mr. Lundy, who seems to adhere to this once-upon-a-time favorite theory, illustrates it as follows:

According to this theory, the whole Pagan religion was typical of Christ and Christianity. Why then were not the Pagans the Lord's chosen people instead of the children of Israel?

The early Christians were charged with being a sect of Sun worshipers.[501:2] The ancient Egyptians worshiped the god Serapis, and Serapis was the Sun. Fig. No. 11, page 194, shows the manner in which Serapis was personified. It might easily pass for a representation of the Sun-god of the Christians. Mr. King says, in his "Gnostics, and their Remains":

The Imperial Russian Collection boasts of a head of Christ Jesus which is said to be very ancient. It is a fine intaglio on emerald. Mr. King says of it:

It must not be forgotten, in connection with this, that the worshipers of Serapis, or the Sun, were called Christians.[501:5]

Mrs. Jameson, speaking on this subject, says:

The Rev. Mr. Geikie says, in his "Life of Christ":

One of the favorite ways finally, of depicting him, was, as Mr. Lundy remarks:

Thus we see that the Christians took the paintings and statues of the Sun-gods Serapis and Apollo as models, when they wished to represent their Saviour. That the former is the favorite at the present day need not be doubted when we glance at Fig. No. 11, page 194.

Mr. King, speaking of this god, and his worshipers, says:

"There is very good reason to believe that in the East the worship of Serapis was at first combined with Christianity, and gradually merged into it with an entire change of name, not substance, carrying with it many of its ancient notions and rites."[502:3]