Sitting at my window, gazing into space—in front of me that famous tower of Yaroslav, from which once pealed the Vechie bell; and, lying beyond this tower, the public square, the bridge, the Kremlin walls, Sophia's golden domes, and that proud pedestal of the present reign, which tells of a Russia counting already her thousand years of political life—I fall a dreaming of the past, until the sceneries and the people come and go in a procession; not of dead things, but of quick and passionate men, alive with the energies of past and coming times.

What were the shapes and meanings of that dream? A wide expanse of wood and waste; forests of fir and silver-birch; with tarns and lakes on which the wild fowl of the country feed their young; and by the shores of which the shepherds and herdsmen watch their scanty flocks. In the midst of this wood and water stands a low red wall of stone, engirding a mass of cabins, with here and there a bigger cabin, from the peak of which springs a cross. A river rolls beneath the wall, the waters of which come from a dark and sombre lake. The space within the wall is a kremlin, an inclosure, and in this kremlin dwell a band of traders and craftsmen; holding their own, with watchful eye and ready hand, like the lodgers in a Syrian khan, against wild and predatory tribes. The life of these men is hard and mean; the air is bleak, the soil unfruitful; and the marauders prowl forever at their gates.

A mist of time rolls up and hides the red stone wall and shingles from my sight, and, when it clears away, a vast and shining city stands exposed to view, with miles of street and garden, and an outer wall, of sweep so vast that the eye can hardly take it in, with massive gates and towers to defend these gates, of enormous strength. The river is now alive with boats and rafts; the streets are thronged with people, and a hundred domes and steeples glitter in the sun. The red kremlin, not now used as a castle of defense, is covered with public buildings; one a cathedral of gigantic size and surpassing beauty; another, a palace with a garden, belted by a moat; the citadel in which the traders nestled together for their common safety having now become the seat of temporal and spiritual power. Long trains of horses file through the city gates, bringing in the produce of a thousand hamlets, which the merchants store in their magazines for export and expose in their bazars for sale. These merchants bring their wares from East and West, and send them in exchange to the farthest ports and cities of the earth. Their town is a free town, to which men from all nations come and go; a republic in the wilderness; a station of the Hanseatic league, devoting itself to freedom, commerce, and the liberal arts. The life of a great country flows into their streets and squares; from which run out again the prosperous purple tides into the unknown regions of ice and storm. Forth from her gates march out the colonists of the North; the men of Kem and Holmogory; men who are going forth to plant on the shores of the Arctic Sea the free institutions under which they live at home. A prince, elected by the people, serving while they list, sits in the chair of state, like a Podesta in Italian towns; but the actual power is in the hands of the Vetchie: a popular council, summoned by the ringing of a bell—the great city bell—which swings in Yaroslav's Tower.

Now comes a change, which seems to be less a change in the outward show than in the inner spirit of the place. The merchant has become a boyar, the nobleman a prince. Pride of the eye, and lust of the heart, are stamped upon every face. The rich are very rich; the poor are very poor; and men in cloth of gold affront and trample on men in rags. The streets—so spacious and so busy!—are disturbed by faction fights; and the Vetchie bell is swinging day and night, as though some Tartar horde were at the gates. The boyars have grown too rich for freedom, and the ancients of the city sell their consciences for gold and state. Deeming themselves the equals of kings, they give their city not only the name of Great, but the name of Lord. On public documents they ask—as if in mockery—Who can stand against God, and Novgorod the Great?

Again falls the mist of time; and as it rolls away, the city, still as vast, though not so busy as of yore, seems troubled in her splendor by a sudden fear. The bell which tolls her citizens to council, seems wild with pain, and men are hurrying to and fro along her streets; none daring, as in olden days, to snatch down lance and sword, and counsel his fellows to go forth and fight. For an enemy is nigh their gates, whom they have much offended, without having virtue enough to resist his arms. Ivan the Fourth, returning from a disastrous raid on the Baltic seaboard, hears that in his absence from Moscow, the citizens of Novgorod, hating his rule, have sent an embassy to the Prince of Sweden, praying him to take them under his protection; and in his fury the tyrant swears to destroy that city, and to sow the site with salt. An army of Tartars and Kozaks is at the gates; an army sullen from defeat and loss, and only to be rallied by an orgy of drink and blood. Pale with terror, the citizens run to and fro; the women shriek and swoon; and help for them is none, until Father Nicolas, an ancient man, with flowing beard and saintly face, stands forward in their midst. A wild creature; an Elisha the prophet, a John the Baptist; he stands up in their meeting, naked from head to feet. Such a man suits the times; and as he offers to go forth and save the city from ruin, they gladly let him try. Nicolas marches forth, in his nakedness, to denounce his prince in the midst of his ravenous hordes; and when he comes into the camp, he walks up boldly to the Tsar. Ivan, himself a fanatic, listens to this naked man with a patience which his guards and ministers observe with wonder. "Bloodsucker and unbeliever!" cries the hermit, "thou who art a devourer of Christian flesh—listen to my words. If thou, or any of these thy servants, touch a hair of a child's head in yon city—which God preserves for a great purpose—then, I swear by the angel whom God has given unto me to serve me, thou shalt surely die; die on the instant, by a flash from heaven!" As he speaks, the sky grows dark, a storm springs up, and rages through the tents. A pall comes down, and covers the earth. "Spare me, fearful saint," shrieks the Tsar, "the city is forgiven; and let me, in remembrance of this day, have thy constant prayers." On these conditions Nicolas withdraws his curse; and Ivan, marching into the city with his captives and his treasures, lodges in the Kremlin and the palace, and kneeling before the shrine of St. Sophia, makes himself gracious to the people for the hermit's sake.

Once more a mist comes down—a thin white veil, which passes like a pout from an infant's face. The city is the same in size, in splendor, in the fullness of her fearful life. The Tsar, who went away from her gates low and humble, has come back, like a wild beast thirsting for blood and prey. His army camps beyond the walls, and a whisper passes through the city that the place is to be razed, the women given up to the Tartars, while the men and boys are to be put without mercy to the sword. The city razed! No fancy can take in the fact; for Novgorod is one of the largest cities in Europe, a republic older than Florence, a capital larger than London, a shrine more sacred than Kief. Her walls measure fifty miles, her houses contain eight hundred thousand souls. Yet Ivan has doomed her to the dust. Telling off ten thousand gunners of his guard, and thirty thousand Tartars from the steppe, he gives up the republic to their lust, bidding them sack and burn, and spare neither man nor maid. They rush upon the gates; they scale the wall; they seize the bridge, the Kremlin, the cathedral; and they make themselves masters of the city, quarter by quarter and street by street. No pen will paint the horrors of that sack. The wines are drunk, the people butchered, the houses fired. Day by day, and week after week, the club, the musket, and the torch are in constant use. The streets run blood, the river is choked with bodies of the slain. When the work of slaughter stops, and the Tartars are recalled into their camp, the tale of murdered men, women, and children is found to be greater than the population of Petersburg in the present day. The desolation is Oriental and complete.

The city bell—the bell of council and of prayer—is taken down from Yaroslav's Tower and sent to Moscow, where it hangs beside the Holy Gate—an exile from the city it roused to arms, and haply speaking to some burgher's ear and student's heart of a time when Russian cities were equal to those of Italy and England, and her people were as free as those of Germany and France!