FOOTNOTES:

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[1] History of Gothic Art in England, by E.S. Prior.

[2] There were some British Bishops of London. One of these, Restitutus, was present at the Council of Arles in A.D. 314, and Geoffrey mentions Theon, Bishop of London, amongst those who fled into Wales during the Saxon invasion.

[3] A pilaster is a column attached to a wall.

[4] When the queen was departing he apologised for his poor entertainment, but she replied "Satis" ("sufficient"), from which august reply Watts named his house.

[5] Authorities differ as to whether the colouring is ancient or modern. Mr. Palmer, in his recent and valuable history of the Cathedral, pronounces in favour of the latter; but Mr. St. John Hope considers it to be ancient.

[6] St. Swithun became bishop in 837; he was "a diligent builder of churches in places where there were none before, and a repairer of those that had been destroyed before." In modern times his name is best known as a weather prophet; according to the tradition that if it is fine or wet on St. Swithun's day (July 15th) the same weather will last for the next forty days. The legend arose from the moving of his body from the lowly grave in the churchyard to its golden shrine in the Cathedral being delayed on account of continued rain.

[7] The modern Pevensey.

[8] Mr. Micklethwaite considers these remains to have belonged to Ethelred's church.

[9] Mr. Micklethwaite believes these apses to have been part of Ethelred's church.

[10] Although Mr. Park Harrison's theory is attractive, we are unable to accept all his conclusions as to the pre-Norman character of the details of the church.

[11] Froude, Hist. Engl., vi. 468.

[12] Prior's Gothic Art.

[13] Murray's Cathedrals.

[14] Rot. Lit. Clans., 19, Henry III.; quoted by Britton and Murray.

[15] Baine's Lancashire, Vol. II., p. 365.

[16] We must except Lord Grimthorpe's modern innovations at St. Albans.

[17] This swineherd is said to have given a peck of silver pennies to the building of the Cathedral.

[18] Page 291.

[19] Registrum Primum.

[20] The restorers have been very busy here, and most of the windows are imitations of Norman work.

[21] Scottish Cathedrals and Abbeys, by M.E. Leicester Addis.


                                                                                                                                                                                                                                                                                                           

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