A, B, C, D, E, F, G, H, I, J, K, L, M, N, O, P, Q, R, S, T, U, V, W, Y, Z

‘Aging’ of clay, 19-20
Alcora, attempts to make porcelain at, 324
‘Alumina’ Company at Copenhagen, 388
Alumina, proportion of, in hard pastes, 7, 385
Amiot, PÈre, sends china from Pekin, 52 note, 298 note
Amoy, export of porcelain from, 127, 142
—— stoneware made near, 166
Annam, porcelain made in, 175
Arab trade with China, 209
—— traders, Chinese porcelain distributed by, 210 seq.
—— writers on Chinese porcelain, 60, 209-217
Arabian Nights, Martabani ware mentioned, 216
Arabic inscriptions on Chinese porcelain, 94
Aranjuez, porcelain gabineto at, 323
Arita, porcelain district of Japan, 181-182, 193
Armorial china, 164, 253, 369
—— —— decorated at Canton, 114, 164
Arras, porcelain made at, 289
Arrow-holders in Chinese porcelain, 139
Assyrian and Babylonian glazes, 33
Augustus the Strong, collects Chinese porcelain, 159
—— —— his collection of porcelain, 227
—— —— porcelain in exchange for dragoons, 228
—— —— his taste as a collector, 244-245
Augustus the Strong, his ambition to imitate Oriental porcelain, 245
Bachelier, art inspector at SÈvres, 291
—— his memoir on the SÈvres works, 290
—— quoted, 294, 295, 296, 301
Bacon, John, modeller at Bow, 348
Barbin at Mennecy, 287
Barbotine, or slip, 19, 312
Batavian porcelain, 102
—— —— term how used, 223
Baxter, family of enamellers, 362-363, 369
Belleek porcelain, 374
Bemrose, Mr., on Derby porcelain, 350
Berlin, Meissen staff removed to, 262
—— Wegeli’s earlier porcelain, 262
—— contemporary porcelain, 389, 391
—— porcelain and Frederick the Great, 262
—— —— methods of sale, 263
—— —— marks on, 264
Bertin, the French minister, his Chinese porcelain, 52 note, 298 note
Billingsley, W., 366, 367-368, 371
Bing and GrÖndhal factory at Copenhagen, 388, 393
Binns, Mr., documents relating to English porcelain, 357, 358
Biscuit oven, 27
Bismuth used in glaze, 374, 388, 390
Black glazes on Chinese porcelain, 149
Bloor, Robert, at Derby, 356
‘Blue and white,’ origin of Chinese, 75, 156
—— —— of Ming period, 81-85, 157
—— —— how distinguished, 83
—— —— of Wan-li period, 95, 157
—— —— Chinese name for, 155
—— —— Chinese porcelain, 155-160
—— —— earliest Chinese, 156
—— —— origin of Chinese, 156
—— —— Chinese porcelain, with hatched lines, 160
Blue decoration sous couverte, 43
—— enamel, difficulty of successful application, 99 note
—— —— used with famille verte, 101
Boccaro ware, made in China, 166
—— —— imitated by BÖttger, 247
Bohemia, Northern, contemporary porcelain, 392
Bondy, Rue de, Paris, factory at, 313
Bone, Henry, employed at Bristol, 381
—— —— paints on slabs of porcelain, 381
Bone-ash in English porcelain, 329, 330, 338, 343, 372-373
Borneo, Chinese porcelain found in, 156, 209-210
—— Chinese trade with, 209
BÖttger, his life, 246-248
—— as an alchemist, 246, 248
—— his porcelain at the Leipsic Fair, 247, 249
—— compared with other great potters, 250
—— assistance from Dutch potters, 250 note
—— the number of his experiments with enamels and glazes, 252
BÖttger-ware, polished, 248
—— with enamel colours, 249
—— with brown glaze, 249
Boucher, his models used at SÈvres, 296
Bourbon, Duc de, and Chantilly, 286
Bow, fragments of porcelain found at, 343
—— nature of porcelain there made, 344-345
—— Craft’s punch-bowl, 345-346
—— marks on porcelain, 348
—— factory, origin of, 342
—— —— bought by Duesbury, 352
—— porcelain, 342-348
Brameld, Thomas, and Rockingham porcelain, 372
Brancas Lauraguais, experiments with kaolin, 305, 313, 378, 379
Brinkley, Captain, on Japanese ceramics, 194
—— —— quoted, 196
Bristol porcelain, 379-386
—— —— marks on, 380
—— —— colours on statuettes, 381-382
—— —— medallions with floral wreaths, 382
—— —— ‘cottage china,’ 382
—— —— glaze on, 382
—— —— hardness of paste, 384
—— —— great infusibility, 384
—— —— composition, 384
—— —— plasticity of clay, 384
British Museum, Oriental porcelain in, 53
Brongniart, director at SÈvres, 303
—— sells stock of undecorated SÈvres soft paste, 304
—— introduces severe type of paste, 307
—— his influence at SÈvres, 308-309
Bronzes, early Chinese, influence of shapes on porcelain, 57
Brown glazes of Chinese, 74 note
BrÜhl, Count, armorial china for, 253
Brunswick, Duke of, and FÜrstenberg porcelain, 265
Buen Retiro, Madrid, porcelain factory at, 322-324
Buonicelli, director at Buen Retiro, 323
Burke at Bristol, 383
Burleigh House, early Chinese porcelain formerly at, 85, 222
Bushell, Dr., work on Chinese porcelain, 15, 54, 91, 153
—— translations from Chinese works on Korea, 171
—— manuscript, 61
—— —— quoted, 86, 138
Cailloux in French porcelain, 16
Canton, early Arab trade, 209
—— enamellers on porcelain, 108, 114, 164, 165
Capo di Monte, Naples, porcelain factory at, 318-320
Capo di Monte factory removed to Portici, 320
Carlos, Don, at Naples, makes porcelain, 319
—— —— now Charles iii. of Spain, carries his workmen to Buen Retiro, 319
Cassettes. See Seggars.
Casting, process described, 25, 354
—— used for Derby statuettes, 354
Catherine ii., her SÈvres dinner-service, 298
Caughley porcelain, 365
Celadon glazes, 42
—— word used in restricted sense, 64
—— of Sung dynasty, 63-65, 132, 144
—— origin of term, 64 note
—— early examples in European collections, 71
—— later Chinese ware, 145
—— made in Siam, 173, 212 note
—— Japanese, 192, 195, 197
—— old pieces in Japan, 178, 201
—— (martabani) in Persia, 215
—— earliest specimen at Oxford, 218
Censors, influence of, on Chinese arts, 74
Ch’ai yao, early Chinese ware, 62
Chambrelans or chamberers, term explained, 303
Champion, R., 375, 377, 379, 382-383
Chang, the elder and younger brothers, 65
Cha-no-yu, Japanese tea ceremony, 178
Chantilly, porcelain made at, 285-287
—— sprig pattern, 286
—— marks on porcelain, 287
Chao Ju-kua, his report on early Chinese trade, 210
Chardin on porcelain in Persia, 215
Charlottenburg factory, 389, 391
Chelsea-Derby porcelain, 341, 352-355
—— —— marks on, 352
—— —— new forms introduced, 352-353
—— —— statuettes made by ‘casting,’ 354
Chelsea factory, site of, 335
—— —— end of, 341
—— porcelain, 331-342
Chelsea porcelain, an early ware, 332
—— —— marks on earliest pieces, 332
—— —— Japanese wares imitated, 336
—— —— sales of, 337, 341
—— —— claret colour on, 338, 340
—— —— use of gold on, 338
—— —— rococo forms, 339
—— —— turquoise on, 339
—— —— statuettes, 340
—— —— models of birds and fruit, 340
—— —— marks on, 342
Cheng-hua (1464-87), use of date-mark, 82
—— enamelled ware, 86
—— porcelain of, 93
Cheng-tai enamels on copper, 88, 93
Cheng-te (1505-21), porcelain of, 94
Cheng-tung (1435-49), double date-mark, 93
Cheyne Row called China Row, 333
‘Chicken cups’ of Cheng-hua, 93
Chicoineau family, 240, 282, 284, 288
Chimie, in French soft pastes, 280
China collecting, ridicule attached to, 61, 243
—— origin of English term, 222
—— clay. See Kaolin.
—— stone (see also Petuntse), 9, 10
—— —— preparation of, 16
Chinese characters, varieties of, 117-118
—— porcelain exported to different countries, 50
—— —— influence of old traditions, 51
—— —— mistakes in early classification, 52
—— —— late origin compared to other arts, 56
—— —— survival of old types, 58
—— —— classification of, 58, 141
—— —— old native accounts of, 60
—— —— composition of early wares, 69
—— —— plain white ware, 141-144
—— —— unglazed ware, 144
—— stonewares, 165-167
—— trade with the West, 209 seq.
Ching (blue), Julien’s wrong use of word, 64 note
Ching-tsu, Chinese term for celadon, 64
Chini, Persian word for china or porcelain, 49 note, 222
Christian subjects on Chinese and Japanese porcelain, 133, 182
Chromium, as a source of green, 304, 309
ChÜn yao, early Chinese ware, 65, 152
—— —— numbers engraved on, 66
Church G work, 390-391
—— trade with East, 221
Engobe. See Slip.
D’Entrecolles, PÈre, his letters, how written, 126
—— —— reception of letters in Europe, 126
—— —— summary of letters, 127-136
European enamelling on white Chinese porcelain, 165
—— influence on Chinese porcelain, 109, 135, 159, 162
—— market, Chinese porcelain for, 163-164
—— porcelain, early attempts at manufacture, 235-243
FaÇonnage, or shaping, 20
Falconet, his models used at SÈvres, 296
Famille rose, 106-110
—— —— European influence on painting, 109
Famille verte, 98-102
—— —— with black ground, 100
—— —— relation to Ming enamels, 100
Favorite, La, near Baden, porcelain cabinet, 227
Fawkner, Sir Everard, and Chelsea porcelain, 335-337
Fayence, enamelled, competition with porcelain in seventeenth century, 233
—— —— practical disadvantages of, 234
Felspar, 9, 10
—— decomposition of, 10
—— how far equivalent to china-stone, 16 note, 251
—— pure, used in Danish and Swedish porcelain, 388, 393
Feng Ting ware, white Chinese porcelain, 68, 142
Firing of porcelain, chemical reaction, 11
—— —— systems described, 26, 191
—— —— at King-te-chen, 133
Fischer, Herr, at Herend, 271, 392
FlambÉ glazes, 42
—— —— on Chinese porcelain,

152
—— —— firing of, 152, 153
—— —— how painted on, 153
—— ware, early type, 66
Florence, porcelain made in sixteenth century. See Medici.
Flour-spar used in glaze at FÜrstenberg, 265
Flowers in porcelain at Meissen, 254, 293 note
—— —— at Vincennes, 293
Fond laque on Chinese porcelain, 102
—— —— much found in Persia, 147
Forms of Chinese porcelain, 137-141
—— of Japanese porcelain, 192
FostÂt rubbish-heaps, fragment of Chinese porcelain found in, 216
Fouliang, Annals of, 127
France, early collectors of Oriental porcelain in, 229-231
Francesco, Grand Duke of Tuscany, makes porcelain, 237
Frankenthal, porcelain made at, 267
Franks, Sir A. W., on Oriental china, 53, 121, 185
—— —— on Strassburg porcelain, 270
—— —— on Parisian kilns, 314
—— —— on Lowestoft porcelain, 370
Frederick the Great and porcelain, 255, 262, 274, 275, 335
Frits, used in French soft pastes, 279
Frye, Thomas, at Bow, 342-343
Fuel used in firing porcelain, 28
Fukien, Chinese province, two wares made, 66, 142
—— white porcelain, 142-143
—— —— imitated in Europe, 142
—— —— decorated in England, 144
—— enamelled porcelain, 143
Fulda, porcelain made at, 268
Fulham, Dr. Dwight attempts to make porcelain at, 240
Furnaces for firing porcelain, three types described, 27
—— for Chinese porcelain, 134
—— for Japanese porcelain, 191
—— for French soft pastes, 280
FÜrstenberg, porcelain made at, 265
Fusibility of porcelain, experiments at SÈvres, 8, 18
Gardner, at Tver, makes porcelain, 275
Garnier, Édouard, late director at SÈvres, 310
—— —— report on contemporary porcelain, 389-394
Garniture, term explained, 23
—— de cheminÉe in Chinese porcelain, 139
Geneva, porcelain painters at, 271, 311
Gersaint, his catalogue of Oriental porcelain, 230
Ginori family at Doccia, 320-321
Glass, possible influence on early Chinese glazes, 57
—— made by Hu imitated in porcelain, 113
Glazes, 12, 30-38
—— preparation of, 30
—— applied to unbaked ware by Chinese, 30
Glazes, called oil by Chinese, 31
—— distinguished from enamels, 31
—— fusibility of, 32
—— on Egyptian fayence, 32
—— composition of ancient, 33, 144-154
—— three main classes of, 34
—— on Chinese porcelain, 35
—— relation to subjacent paste, 35
—— containing lime, 35-36
—— at SÈvres of two types, 36
—— on European porcelain, composition of, 36
—— on Chinese porcelain, composition of, 37
—— when first used by Chinese, 69
—— sole source of decoration on early Chinese porcelain, 70
—— for French soft pastes, 281
—— for hard pastes at SÈvres and Limoges, 306
‘Glozing’ or glazing oven, 27
Gold as source of red colour (see also Rouge d’or), 89
Gotzkowski, Berlin banker, 262
Gotha, Museum at, early Chinese porcelain, 72, 174, 212
—— porcelain made at, 269
Gouyn, Charles, manager at Chelsea, 333
Granite, primary source of both kaolin and petuntse, 9
Granitic rocks, varieties of, 9
Granja, La, porcelain gabineto at, 323
Gravant, potter at SÈvres, 290, 294
Graviata bowls, 115
Green and blue enamels not successfully united by Chinese, 98 note
—— —— on two vases of Ming porcelain in British Museum, 99 note
—— glazes on Chinese porcelain, 149
—— of famille verte, how applied, 99-100
Grieninger, manager at Berlin, 263
Growan-stone and clay, 377
Hague, porcelain made at, 273, 389, 393
Hampton Court, Oriental porcelain at, 185, 225-226
Hampton Court, no specimens of famille rose or of ‘Old Japan,’ 225
—— —— age of porcelain represented at, 226
—— —— Queen Mary’s china cabinet, 226
Hancock, Robert, working at Battersea, 347
—— —— and transfer-printing, 360
Handles, fixing of, 23
Hannong family, Strassburg potters, 268, 269, 305, 313, 318
Hardness of porcelain, 5, 18
Haslem, J., on casting process at Derby, 26, 354
Hat-stands in Chinese porcelain, 139
Haviland factory at Limoges, 389, 390
Hellot, chemical adviser at SÈvres, 291, 300
—— his memoir quoted, 278-280, 294, 299
Herculaneum works at Liverpool, 371
Herend, in Hungary, porcelain factory at, 271, 392
Herold or HÖroldt at Meissen, 253
Hippisley, translations from Chinese, 91 note
Hirado or MikÔchi ware, 193-195
Hirth, Dr., on early Chinese trade, etc., 54, 210-213
—— —— collection of early Chinese porcelain, 72
HÖchst, porcelain made at, 264
Holdship, Richard, 358
Holland, Chinese ‘blue and white’ early imported, 158
—— Chinese porcelain in, 229
—— porcelain made in, 272-274, 389, 393
Hookah-bases of Chinese porcelain, 140
Hsuan-te (1425-35), porcelain of, 92
—— blue and white of, 83
Hua-shi, a stone used in Chinese porcelain, 131, 376
Hungary, porcelain made in, 271, 392
Hung-chi (1487-1505), porcelain of, 93, 147
Hunger, at Vienna, 260
Hunger, at Venice, 317
Hybrid pastes of Italy, 316
Imari porcelain, 186-193
—— —— elements of decoration, 187
—— —— relation to early Chinese enamelled wares, 187-188
—— —— relation to other Japanese wares, 188
—— —— copied at King-te-chen, 188 note
—— —— composition of paste, 190
—— —— source and nature of materials, 190
—— —— in Dresden collection, 229
Incense, vessels used in burning, of Chinese porcelain, 138
India, Chinese porcelain found in, 85, 158
—— porcelain enamelled at Canton for, 165
Insufflation of glaze by Chinese, 30
Iron-red in fine lines to imitate the rouge-d’or, examples at Dresden, 162
Jade, highly esteemed in China, 57
—— influence on early Chinese glazes, 57
Japan, early pottery of, 177, 179
—— Korean potters in, 179
—— porcelain of, 177-207
Japanese experts on Chinese porcelain, 55
—— porcelain, how introduced from China, 180-181
—— —— early export of ‘blue and white,’ 182
—— —— exported by Dutch, 183-184
—— —— sources of information, 183 note, 193 note
—— —— export stimulated by troubles in China, 184
—— —— princely patronage of, 189, 194
—— —— founded on Ming types, 189, 197, 199
—— —— composition of paste, 190
Japanese porcelain, preliminary firing, 191
—— —— glazes how prepared, 191
—— —— furnaces, 191
—— —— marks of crows-feet, 191
—— —— shapes and uses, 192
—— —— colours employed, 192
—— —— celadon, 192, 195, 197, 201
—— —— stories of processes discovered by spies, 196, 202, 203
—— —— influence of conservative criticism on, 206
—— trade with China, 178
Julien, Stanislas, translations from Chinese, 53
Ju yao, early Chinese ware, 62
Kaga or Kutani ware, 203-206
Kai-feng Fu, old Sung capital, 62, 63, 65
Kakiyemon, a potter of Hizen, 183
—— ware, 185
—— —— blue enamel over glaze, 186
—— —— imitated at Meissen, 253
—— —— imitated at Chantilly, 286
KÄndler at Meissen, 253
—— chief modeller of ‘Dresden figures,’ 253
Kang-he (1661-1722), porcelain of, 96
—— his date-mark, why rare, 119
Kaolin, 8, 10
—— preparation of, 16
—— proportion of, in hard pastes, 17, 385
—— search for in France, 305-306
—— found at AlenÇon and St. Yrieix, 305-306, 378
—— found in Cornwall, 376-378
Kaolinic stoneware, use of term, 69
Karl Theodor, Elector Palatine, 260, 267
Kenzan, potter at Kioto, 197
Khanfu, Arab name for Hangchow, 209
Kia-king (1795-1820), porcelain of, 114, 155
Kia-tsing (1521-66), porcelain of, 94
Kien-lung (1735-1795), porcelain of, 105-114
—— his poems inscribed on porcelain, 113
Kien-lung, SÈvres porcelain for, 298
Kien yao, old Chinese ware, 66, 180
—— —— example in British Museum, 71
—— —— white porcelain, 142, 143
Kilns for firing porcelain. See Furnaces.
King-te-chen in early days, 62
—— oppression of court officials, 94
—— in Kang-he’s reign, 96
—— lists of porcelain made, 95, 104, 115
—— burned, 115, 125, 220
—— position, 123-125
—— Pekin, how reached from, 123
—— Canton, how reached from, 124
—— relation to Jao-chau and Fouliang, 124-125
—— description of town, 125, 127
—— materials brought down in junks, 128
—— foreign designs copied at, 165
—— works abandoned for long period in seventeenth century, 220
Kinsay or Hangchow, 62, 63, 209
Kioto, porcelain made at, 196-199
—— potters copied Ming enamelled wares, 198
—— wares, rÉcherchÉ rudeness of, 197
Kishiu ware or Ô-niwa yaki, 199
—— —— imitated for export at Tokiyo and Kobe, 200
Kiyomidzu, suburb of Kioto, porcelain made at, 197, 198
Kizayemon family, court purveyors of porcelain, 188 ref="@public@vhost@g@html@files@55118@55118-h@55118-h-3.htm.html#page_081" class="pginternal">81-85, 95, 157
Minton, Thomas, 366, 373
Mirror black glaze on Chinese porcelain, 130, 149
Mohammedan forms of Chinese porcelain, 140
Mo-hung, iron-red painted over glaze, 150
Mokubei, potter at Kioto, 201
Moore, Bernard, imitates Chinese glazes, 387
Morikaga, painted on Kaga ware, 204
Moulding, antiquity of process, 23-25
—— process described, 23-25, 128
—— largely used for Chinese porcelain, 112
Muffle-stoves for firing enamels, 47, 281
Nabeshima or OkÔchi ware, 195
Nantgarw porcelain, 367-368
Napoleon’s ideas for decoration of porcelain, 308
Niderwiller, porcelain made at, 270
Nien-hao. See Date-marks.
Nien Hsi-yao, superintendent at King-te-chen, 104-105
Nien yao, 105
Nightingale, Mr., on sales of Chelsea porcelain, 335 note, 336 note
Ninsei, potter at Kioto, 196
Nove, Le, porcelain factory at, 318
Nymphenburg, porcelain made at, 267
Nyon, porcelain made at, 271
Okeover plate in British Museum, 164
OkÔchi or Nabeshima ware, 195
‘Old Japan.’ See Imari.
Ô-niwa yaki or Kishiu ware, 199-200
Oriental porcelain, earliest specimens in Europe, 217-218
Orleans, Duke of, collector of Oriental porcelain, 230
—— —— and Saint-Cloud, 283
—— family, interest in porcelain,

314
—— porcelain made at, 288
Ormolu mountings at SÈvres, 297
—— —— on English porcelain, 339
Orry de Fulvi at Vincennes, 290
Oude Amstel, Dutch porcelain, 273
—— Loosdrecht, porcelain made at, 272
Ovens for firing porcelain. See Furnaces.
Owari porcelain, 201-203
—— —— materials and composition, 190
—— —— cheap ware for export, 203
Owen, Mr., on Bristol porcelain, 376, 381 note
Painted glazes, term explained, 44, 59
—— —— on Ming porcelain, 79
—— —— of Hsuan-te, 92
Painters on Chinese porcelain, 108
—— —— signatures of, 108
—— —— division of work, 129
—— on SÈvres porcelain, signatures of, 303
Painting, schools of, in China, 82
—— on porcelain. See also Enamelling.
Palissy probably endeavoured to make porcelain, 239 note
Parian ware, 373
Paris, soft-paste factories at, 288
—— hard-paste factories at, 312-314
PÂte-sur-pÂte, 41, 311
‘Peach-bloom’ glaze, 105, 154
Pen-rests in Chinese porcelain, 139
Persia, Chinese porcelain in, 147, 157, 215, 216
Persian fayence compared with Chinese porcelain, 73
Persian fayence, early use of blue under glaze, 74, 75
—— —— Chinese influence on, 76
—— Gulf, early Chinese trade with, 213
—— —— English trade with, 221
—— inscription on fifteenth century Chinese porcelain, 94
Petuntse (see also China-stone), 8, 10
—— proportion of, in hard pastes, 385
Pierced decoration in Chinese porcelain, 154
Pillows in Chinese porcelain, 139
Pinxton porcelain, 371
—— Billingsley makes porcelain at, 368, 371
Pirkenhausen factory, Carlsbad, 392
Place, Dr., of York, experiments with various clays, 242
PlanchÉ, modeller at Derby, 351
Plymouth porcelain, 375-381
—— —— composition of glaze, 380
—— —— marks on, 380
Poems on Chinese porcelain, 113
Poison detected by Chinese porcelain, 215
Polo, Marco, account of China, 72
—— —— on Chinese porcelain, 213-214
Pompadour, Marquise de, and SÈvres, 290, 292, 295, 300
Porcelain, physical properties of, 5
—— microscopical structure, 5
—— chemical composition, 6-12
—— materials, 14-18
—— transition to kaolinic stoneware in Japanese porcelain, 206
—— vague early use of the word, 217
—— early reports in Europe as to its composition, 223
‘Porcelain fever’ at time of Seven Years’ War, 255
Porcelain or purslane, word, how used in Elizabethan times, 222
Portugal, porcelain made in, 325
Portuguese in China, 219
—— as importers of porcelain, 222, 230
Poterat family of Rouen, 239, 282, 284
Potsherds of Chinese porcelain, ground up for paste of English porcelain, 326 note
Potter’s wheel, 20-22
—— —— early forms, 20-21
Pourcelainnes, the word, how used by Marco Polo, 214
Pressing, process described, 23
Quan-yin, or Kwan-yin (Jap. Kwannon), 135, 143, 226
Randall copies SÈvres porcelain, 366
Raynal, AbbÉ, on Chinese porcelain, 85
—— —— quoted, 166, 231
—— —— on classification of Oriental porcelain, 223 note
RÉaumur makes porcelain, 278
Red decoration sous couverte, 43
Red Sea ports, early Chinese trade with, 213
Reine, porcelaine de la, made in Rue Thiroux, 313
Reproductions of old types of Chinese porcelain, 104, 115
RiaÑo, Don Juan, on Spanish porcelain, 322, 325
Rice-grain, in pierced decoration, 155
Ringler, the arcanist, 264, 266, 267
Risampei, a Korean, at Arita, 181
Ritual vessels in Chinese porcelain, colours of, 138
Rockingham porcelain, 371-372
RÖrstrand, porcelain made at, 273
—— —— contemporary work, 388, 393
Rose, John, 365, 366
Rose-red grounds (opaque), mei-kwei, on Chinese porcelain, 110
Roses on English porcelain, 352, 368
Rouen porcelain, 238-239, 282
—— —— examples where found, 239
Rouge d’or on Chinese porcelain, 107
—— —— date of introduction in China, 110 note
—— —— not mentioned by D’Entrecolles, 136
—— —— late introduction in Japan, 189, 205
—— —— used early at Saint-Cloud, 283
Rouge d’or, source of, 284 note
—— —— mentioned in De Frasnay’s poem, 284 note
Rozenburg works at the Hague, 389, 393
Russian porcelain, 274, 392
Sacrifice of the potter Tung, 113
Saint-Cloud, porcelain made at, 282-284
—— seventeenth century designs on porcelain, 283
St. Petersburg, porcelain made at, 274, 392
Saladin’s present of Chinese porcelain, 215
Salting collection, early vase with cloisons, 80
—— —— enamelled bowl with Cheng-te mark, 89, 161
—— —— famille verte with black ground, 101
SalvÉtat, notes to Julien’s work, 53
Samson, imitates old wares, 314
Sanda celadon, 201
Sang de boeuf glazes, 42
—— —— imitated in England, 387
—— —— on Chinese porcelain, 151
San tsai or ‘three-colour’ glazes, 44
—— —— the ‘three colours’ of Ming enamels, 89, 97
—— —— relation to Kishiu ware, 98
Saracenic glass, enamels on, 88
—— —— found in China, 88 note
—— motives and forms in Chinese porcelain, 76, 140
—— origin of enamelled porcelain, 87, 88
Sassanian influence on Far East, 70 note
Sawankalok, porcelain made at, 173, 212 note
Sceaux, porcelain made at, 288
Schneeball-vasen, 254
Schnorrische Erde used by BÖttger, 250
Seggars, preparation and arrangement in furnace, 28-29
—— arrangement in Chinese furnaces, 133
—— late introduction in Japan, 188
Sei-ji, Japanese term for celadon, 64
Sentoku, Japanese reading of Hsuan-te, 92
Seto, village in Owari, connection with Japanese porcelain, 180, 202
Seto-mono, Japanese equivalent to ‘china,’ 202
SÈve for SÈvres, 290 note
‘Severe’ or kaolinic porcelain, 17-18, 385-386
SÈvres, experimental work at, 15
—— hard paste, two types, 17
—— the new porcelain, 18
—— the soft paste of, 289-304
—— porcelain works removed to, 292
—— edicts against competing works, 295
—— the factory a fashionable lounge, 295
—— date of the best work, 297
—— soft paste abandoned, 303
—— —— repainted at later dates, 304
—— the hard paste of, 305-312
—— German workmen at, 305
—— Macquer succeeds Hellot, 305
—— early hard paste of mild type, 306
—— the new mild type of hard paste, 307, 390
—— proposed withdrawal of State support, 310, 311, 312
—— hard paste, analysis of, 386
—— contemporary porcelain, 389, 390
—— laboratory, chemical and technical researches on Chinese porcelain, 47-48, 55
—— porcelain sold at Versailles, 292
—— —— biscuit figures, 296
—— —— royal dinner-services, 297-298
—— —— colours of grounds on, 299
—— —— turquoise enamel, how prepared, 299
—— —— Rose carnÉe or Pompadour, 300
—— —— gilding on, 301
—— —— date-marks on, 302
—— —— jewelled decoration, 302
—— —— artists’ marks on, 303
—— —— felspathic glaze, 306
—— —— glaze on early hard paste, 306
—— —— big vases of, 307-308
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