Charles Dickens

1850 NARRATIVE. In the spring Charles Dickens took a short holiday again, with his wife and sister-in-law, at Brighton, from whence he wrote to Mr. Wills, on "Household Words" business. The first number of this journal appeared on the 30th March.

This autumn he succeeded, for the first time, in getting possession of the "Fort House," Broadstairs, on which he had always set his affections. He was hard at work on the closing numbers of "David Copperfield" during all the summer and autumn. The family moved to Broadstairs in July, but as a third daughter was born in August, they were not joined by Mrs. Dickens until the end of September. "David Copperfield" was finished in October.

The beginning of his correspondence with Mrs. Gaskell is in his asking her to contribute to "Household Words," which she did from the first number, and very frequently afterwards both to "Household Words" and "All the Year Round."

The letter to Mr. David Roberts, R.A., is one thanking him for a remembrance of his (Mr. Roberts's) travels in the East—a picture of a "Simoom in the Desert," which was one of Charles Dickens's most highly prized possessions.

A letter to Mr. Sheridan Knowles contains allusions which we have no means of explaining, but we publish it, as it is characteristic, and addressed to a literary celebrity. Its being inscribed to "Daddy" Knowles illustrates a habit of Charles Dickens—as does a letter later in this year to Mr. Stone, beginning, "My dear P."—of giving nicknames to the friends with whom he was on the most affectionate and intimate terms. Mr. Stone—especially included in this category—was the subject of many such names; "Pump," or "Pumpion," being one by which he was frequently addressed—a joke as good-humouredly and gladly received as it was kindly and pleasantly intended.

There were no public amateur theatricals this year; but in November, the greater part of the amateur company played for three nights at Knebworth Park, as the guests of Sir Edward Bulwer Lytton (afterwards Lord Lytton), who entertained all his county neighbours to witness the performances. The play was "Every Man in his Humour," and farces, varied each night.

This year we have our first letter to Miss Mary Boyle, a cousin of Mrs. Watson, well known as an amateur actress and an accomplished lady. Miss Boyle was to have acted with the amateur company at Knebworth, but was prevented by domestic affliction. Early in the following year there was a private play at Rockingham Castle, when Miss Boyle acted with Charles Dickens, the play being "Used Up," in which Mrs. Dickens also acted; and the farce, "Animal Magnetism," in which Miss Boyle and Miss Hogarth played. The letters to Mrs. Watson in this year refer chiefly to the preparations for the play in her house.

The accident mentioned in the letter addressed to Mr. Henry Bicknell (son-in-law of Mr. David Roberts, R.A., and a much-esteemed friend of Charles Dickens) was an accident which happened to Mrs. Dickens, while rehearsing at a theatre. She fell through a trap-door, spraining her ankle so badly as to be incapacitated from taking her part in the theatricals at Knebworth.

Mr. David Roberts, R.A.

Devonshire Terrace, January 3rd, 1850.

My dear Roberts,

I am more obliged to you than I can tell you for the beautiful mark of your friendly remembrance which you have sent me this morning. I shall set it up among my household gods with pride. It gives me the highest gratification, and I beg you to accept my most cordial and sincere thanks. A little bit of the tissue paper was sticking to the surface of the picture, and has slightly marked it. It requires but a touch, as one would dot an "i" or cross a "t," to remove the blemish; but as I cannot think of a recollection so full of poetry being touched by any hand but yours, I have told Green the framer, whenever he shall be on his way with it, to call on you by the road. I enclose a note from Mrs. Dickens, which I hope will impress you into a country dance, with which we hope to dismiss Christmas merrily.

Ever, my dear Roberts,
Faithfully yours.

Mr. James Sheridan Knowles.

Devonshire Terrace, January 3rd, 1850.

My dear good Knowles,

Many happy New Years to you, and to all who are near and dear to you. Your generous heart unconsciously exaggerates, I am sure, my merit in respect of that most honourable gentleman who has been the occasion of our recent correspondence. I cannot sufficiently admire the dignity of his conduct, and I really feel indebted to you for giving me the gratification of observing it.

As to that "cross note," which, rightly considered, was nothing of the sort, if ever you refer to it again, I'll do—I don't exactly know what, but something perfectly desperate and ferocious. If I have ever thought of it, it has only been to remember with delight how soon we came to a better understanding, and how heartily we confirmed it with a most expressive shake of the hand, one evening down in that mouldy little den of Miss Kelly's.

Heartily and faithfully yours.

"Daddy" Knowles.

Mrs. Gaskell.

Devonshire Terrace, January 31st, 1850.

My dear Mrs. Gaskell,

You may perhaps have seen an announcement in the papers of my intention to start a new cheap weekly journal of general literature.

I do not know what your literary vows of temperance or abstinence may be, but as I do honestly know that there is no living English writer whose aid I would desire to enlist in preference to the authoress of "Mary Barton" (a book that most profoundly affected and impressed me), I venture to ask you whether you can give me any hope that you will write a short tale, or any number of tales, for the projected pages.

No writer's name will be used, neither my own nor any other; every paper will be published without any signature, and all will seem to express the general mind and purpose of the journal, which is the raising up of those that are down, and the general improvement of our social condition. I should set a value on your help which your modesty can hardly imagine; and I am perfectly sure that the least result of your reflection or observation in respect of the life around you, would attract attention and do good.

Of course I regard your time as valuable, and consider it so when I ask you if you could devote any of it to this purpose.

If you could and would prefer to speak to me on the subject, I should be very glad indeed to come to Manchester for a few hours and explain anything you might wish to know. My unaffected and great admiration of your book makes me very earnest in all relating to you. Forgive my troubling you for this reason, and believe me ever,

Faithfully yours.

P.S.—Mrs. Dickens and her sister send their love.

Rev. James White.

Devonshire Terrace, Tuesday, Feb. 5th, 1850.

My dear White,

I have been going to write to you for a long time, but have always had in my mind that you might come here with Lotty any day. As Lotty has come without you, however (witness a tremendous rampaging and ravaging now going on upstairs!), I despatch this note to say that I suppose you have seen the announcement of "the" new weekly thing, and that if you would ever write anything for it, you would please me better than I can tell you. We hope to do some solid good, and we mean to be as cheery and pleasant as we can. (And, putting our hands in our breeches pockets, we say complacently, that our money is as good as Blackwood's any day in the week.)

Now the murder's out!

Are you never coming to town any more? Must I come to Bonchurch? Am I born (for the eight-and-thirtieth time) next Thursday, at half-past five, and do you mean to say you are not coming to dinner? Well, well, I can always go over to Puseyism to spite my friends, and that's some comfort.

Poor dear Jeffrey! I had heard from him but a few days, and the unopened proof of No. 10 was lying on his table when he died. I believe I have lost as affectionate a friend as I ever had, or ever shall have, in this world.

Ever heartily yours, my dear White.

Mr. Charles Knight.

Devonshire Terrace, February 8th, 1850.

My dear Knight,

Let me thank you in the heartiest manner for your most kind and gratifying mention of me in your able pamphlet. It gives me great pleasure, and I sincerely feel it.

I quite agree with you in all you say so well of the injustice and impolicy of this excessive taxation. But when I think of the condition of the great mass of the people, I fear that I could hardly find the heart to press for justice in this respect, before the window-duty is removed. They cannot read without light. They cannot have an average chance of life and health without it. Much as we feel our wrong, I fear that they feel their wrong more, and that the things just done in this wise must bear a new physical existence.

I never see you, and begin to think we must have another play—say in Cornwall—expressly to bring us together.

Very faithfully yours.

SUGGESTIONS FOR TITLES OF "HOUSEHOLD WORDS."
THE FORGE:
A Weekly Journal,
Conducted by Charles Dickens.

"Thus at the glowing Forge of Life our actions must be wrought,
Thus on its sounding anvil shaped
Each burning deed and thought."—Longfellow.

The Hearth.	Home-Music.
The Forge.	Change.
The Crucible.	Time and Tide.
The Anvil of the Time.	Twopence.
Charles Dickens's Own.	English Bells.
Seasonable Leaves.	Weekly Bells.
Evergreen Leaves.	The Rocket.
Home.	Good Humour.

Mr. W. H. Wills.

148, King's Road, Brighton,
Tuesday Night, March 12th, 1850.

My dear Wills,

I have made a correction or two in my part of the post-office article. I still observe the top-heavy "Household Words" in the title. The title of "The Amusements of the People" has to be altered as I have marked it. I would as soon have my hair cut off as an intolerable Scotch shortness put into my titles by the elision of little words. "The Seasons" wants a little punctuation. Will the "Incident in the Life of Mademoiselle Clairon" go into those two pages? I fear not, but one article would be infinitely better, I am quite certain, than two or three short ones. If it will go in, in with it.

I shall be back, please God, by dinner-time to-morrow week. I will be ready for Smithfield either on the following Monday morning at four, or any other morning you may arrange for.

Would it do to make up No. 2 on Wednesday, the 20th, instead of Saturday? If so, it would be an immense convenience to me. But if it be distinctly necessary to make it up on Saturday, say by return, and I am to be relied upon. Don't fail in this.

I really can't promise to be comic. Indeed, your note put me out a little, for I had just sat down to begin, "It will last my time." I will shake my head a little, and see if I can shake a more comic substitute out of it.

As to two comic articles, or two any sort of articles, out of me, that's the intensest extreme of no-goism.

Ever faithfully.

Rev. James White.

Devonshire Terrace, July 13th, 1850.

My dear White,

Being obliged (sorely against my will) to leave my work this morning and go out, and having a few spare minutes before I go, I write a hasty note, to hint how glad I am to have received yours, and how happy and tranquil we feel it to be for you all, that the end of that long illness has come.[8] Kate and Georgy send best loves to Mrs. White, and we hope she will take all needful rest and relief after those arduous, sad, and weary weeks. I have taken a house at Broadstairs, from early in August until the end of October, as I don't want to come back to London until I shall have finished "Copperfield." I am rejoiced at the idea of your going there. You will find it the healthiest and freshest of places; and there are Canterbury, and all varieties of what Leigh Hunt calls "greenery," within a few minutes' railroad ride. It is not very picturesque ashore, but extremely so seaward; all manner of ships continually passing close inshore. So come, and we'll have no end of sports, please God.

I am glad to say, as I know you will be to hear, that there seems a bright unanimity about "Copperfield." I am very much interested in it and pleased with it myself. I have carefully planned out the story, for some time past, to the end, and am making out my purposes with great care. I should like to know what you see from that tower of yours. I have little doubt you see the real objects in the prospect.

"Household Words" goes on thoroughly well. It is expensive, of course, and demands a large circulation; but it is taking a great and steady stand, and I have no doubt already yields a good round profit.

To-morrow week I shall expect you. You shall have a bottle of the "Twenty." I have kept a few last lingering caskets with the gem enshrined therein, expressly for you.

Ever, my dear White,
Cordially yours.

Mr. W. H. Wills.

HÔtel Windsor, Paris, Thursday, July 27th, 1850.
After post-time.

My dear Wills,

I have had much ado to get to work; the heat here being so intense that I can do nothing but lie on the bare floor all day. I never felt it anything like so hot in Italy.

There is nothing doing in the theatres, and the atmosphere is so horribly oppressive there that one can hardly endure it. I came out of the FranÇais last night half dead. I am writing at this moment with nothing on but a shirt and pair of white trousers, and have been sitting four hours at this paper, but am as faint with the heat as if I had been at some tremendous gymnastics; and yet we had a thunderstorm last night.

I hope we are doing pretty well in Wellington Street. My anxiety makes me feel as if I had been away a year. I hope to be home on Tuesday evening, or night at latest. I have picked up a very curious book of French statistics that will suit us, and an odd proposal for a company connected with the gambling in California, of which you will also be able to make something.

I saw a certain "Lord Spleen" mentioned in a playbill yesterday, and will look after that distinguished English nobleman to-night, if possible. Rachel played last night for the last time before going to London, and has not so much in her as some of our friends suppose.

The English people are perpetually squeezing themselves into courtyards, blind alleys, closed edifices, and other places where they have no sort of business. The French people, as usual, are making as much noise as possible about everything that is of no importance, but seem (as far as one can judge) pretty quiet and good-humoured. They made a mighty hullabaloo at the theatre last night, when Brutus (the play was "Lucretia") declaimed about liberty.

I shall be obliged to you if you will write to this man, and tell him that what he asks I never do—firstly, because I have no kind of connection with any manager or theatre; secondly, because I am asked to read so many manuscripts, that compliance is impossible, or I should have no other occupation or relaxation in the world.

left hand A foreign gentleman, with a beard, name unknown, but signing himself "A Fellow Man," and dating from nowhere, declined, twice yesterday, to leave this house for any less consideration than the insignificant one of "twenty pounds." I have had a policeman waiting for him all day.

I enclose a few lines from Georgy, and write these to say that I purpose going home at some time on Thursday, but I cannot say precisely when, as it depends on what work I do to-morrow. Yesterday Charles Knight, White, Forster, Charley, and I walked to Richborough Castle and back. Knight dined with us afterwards; and the Whites, the Bicknells, and Mrs. Gibson came in in the evening and played vingt-et-un.

Having no news I must tell you a story of Sydney. The children, Georgy, and I were out in the garden on Sunday evening (by-the-bye, I made a beautiful passage down, and got to Margate a few minutes after one), when I asked Sydney if he would go to the railroad and see if Forster was coming. As he answered very boldly "Yes," I opened the garden-gate, upon which he set off alone as fast as his legs would carry him; and being pursued, was not overtaken until he was through the Lawn House Archway, when he was still going on at full speed—I can't conceive where. Being brought back in triumph, he made a number of fictitious starts, for the sake of being overtaken again, and we made a regular game of it. At last, when he and Ally had run away, instead of running after them, we came into the garden, shut the gate, and crouched down on the ground. Presently we heard them come back and say to each other with some alarm, "Why, the gate's shut, and they're all gone!" Ally began in a dismayed way to cry out, but the Phenomenon shouting, "Open the gate!" sent an enormous stone flying into the garden (among our heads) by way of alarming the establishment. I thought it a wonderful piece of character, showing great readiness of resource. He would have fired a perfect battery of stones, or very likely have broken the pantry window, I think, if we hadn't let him in.

They are all in great force, and send their loves. They are all much excited with the expectation of receiving you on Friday, and would start me off to fetch you now if I would go.

Our train on Friday will be half-past twelve. I have spoken to Georgy about the partridges, and hope we may find some.

Your letter having arrived in time for me to write a line by the evening post, I came out of a paroxysm of "Copperfield," to say that I am perfectly delighted to read it, and to know that we are going to act together in that merry party. We dress "Every Man" in Queen Elizabeth's time. The acting copy is much altered from the old play, but we still smooth down phrases when needful. I don't remember anyone that is changed. Georgina says she can't describe the dress Mrs. Kitely used to wear. I shall be in town on Saturday, and will then get Maclise to make me a little sketch, of it, carefully explained, which I will post to you. At the same time I will send you the book. After consideration of forces, it has occurred to me (old Ben being, I daresay, rare; but I do know rather heavy here and there) that Mrs. Inchbald's "Animal Magnetism," which we have often played, will "go" with a greater laugh than anything else. That book I will send you on Saturday too. You will find your part (Lisette, I think it is called, but it is a waiting-maid) a most admirable one; and I have seen people laugh at the piece until they have hung over the front of the boxes like ripe fruit. You may dress the part to please yourself after reading it. We wear powder. I will take care (bringing a theatrical hairdresser for the company) of your wig! We will rehearse the two pieces when we go down, or at least anything with which you have to do, over and over again. You will find my company so well used to it, and so accustomed to consider it a grave matter of business, as to make it easy. I am now awaiting the French books with a view to "Rockingham," and I hope to report of that too, when I write to you on Saturday.

I enclose you the book of "Animal Magnetism," and the book of "Every Man in his Humour;" also a sketch by Mr. Maclise of a correct and picturesque Mrs. Kitely. Mr. Forster is Kitely; Mr. Lemon, Brainworm; Mr. Leech, Master Matthew; Mr. Jerrold, Master Stephen; Mr. Stone, Downright. Kitely's dress is a very plain purple gown, like a Bluecoat-boy's. Downright's dress is also very sober, chiefly brown and gray. All the rest of us are very bright. I am flaming red. Georgina will write you about your colour and hers in "Animal Magnetism;" the gayer the better. I am the Doctor, in black, with red stockings. Mr. Lemon (an excellent actor), the valet, as far as I can remember, in blue and yellow, and a chintz waistcoat. Mr. Leech is the Marquis, and Mr. Egg the one-eyed servant.

What do you think of doing "Animal Magnetism" as the last piece (we may play three in all, I think) at Rockingham? If so, we might make Quin the one-eyed servant, and beat up with Mrs. Watson for a Marquis. Will you tell me what you think of this, addressed to Broadstairs? I have not heard from Bulwer again. I daresay I have crossed a letter from him by coming up to-day; but I have every reason to believe that the last week in October is the time.

P.S.—This is quite a managerial letter, which I write with all manner of appointments and business discussions going on about me, having my pen on the paper and my eye on "Household Words," my head on "Copperfield" and my ear nowhere particularly.

I will let you know about "A Day after the Wedding." I have sent for the book on Monday.

Coming out of "Copperfield" into a condition of temporary and partial consciousness, I plunge into histrionic duties, and hold enormous correspondence with Miss Boyle, between whom and myself the most portentous packets are continually passing. I send you a piece we purpose playing last at Rockingham, which "my company" played in London, Scotland, Manchester, Liverpool, and I don't know where else. It is one of the most ridiculous things ever done. We purpose, as I have said, playing it last. Why do I send it to you? Because there is an excellent part (played in my troupe by George Cruikshank) for your brother in it—Jeffrey; with a black patch on his eye, and a lame leg, he would be charming—noble! If he is come home, give him my love and tell him so. If he is not come home, do me that favour when he does come. And add that I have a wig for him belonging to the part, which I have an idea of sending to the Exposition of '51, as a triumph of human ingenuity.

I am the Doctor; Miss Boyle, Lisette; Georgy, the other little woman. We have nearly arranged our "bill" for Rockingham. We shall want one more reasonably good actor, besides your brother and Miss Boyle's, to play the Marquis in this piece. Do you know a being endowed by nature with the requisite qualities?

There are some things in the next "Copperfield" that I think better than any that have gone before. After I have been believing such things with all my heart and soul, two results always ensue: first, I can't write plainly to the eye; secondly, I can't write sensibly to the mind. So "Copperfield" is to blame, and I am not, for this wandering note; and if you like it, you'll forgive me. With my affectionate remembrances to Watson,

P.S.—I find I am not equal to the flourish.

We are all extremely concerned and distressed to lose you. But we feel that it cannot be otherwise, and we do not, in our own expectation of amusement, forget the sad cause of your absence.

Bulwer was here yesterday; and if I were to tell you how earnestly he and all the other friends whom you don't know have looked forward to the projected association with you, and in what a friendly spirit they all express their disappointment, you would be quite moved by it, I think. Pray don't give yourself the least uneasiness on account of the blank in our arrangements. I did not write to you yesterday, in the hope that I might be able to tell you to-day that I had replaced you, in however poor a way. I cannot do that yet, but I am busily making out some means of filling the parts before we rehearse to-morrow night, and I trust to be able to do so in some out-of-the-way manner.

Mrs. Dickens and Bridget send you their kindest remembrances. They are bitterly disappointed at not seeing you to-day, but we all hope for a better time.

Being well home from Knebworth, where everything has gone off in a whirl of triumph and fired the whole length and breadth of the county of Hertfordshire, I write a short note to say that we are yours any time after Twelfth-night, and that we look forward to seeing you with the greatest pleasure. I should have made this reply to your last note sooner, but that I have been waiting to send you "Copperfield" in a new waistcoat. His tailor is so slow that it has not yet appeared; but when the resplendent garment comes home it shall be forwarded.

I have not your note at hand, but I think you said "any time after Christmas." At all events, and whatever you said, we will conclude a treaty on any terms you may propose. And if it should include any of Charley's holidays, perhaps you would allow us to put a brass collar round his neck, and chain him up in the stable.

Kate and Georgina (who has covered herself with glory) join me in best remembrances and regards to Watson and you and all the house. I have stupendous proposals to make concerning Switzerland in the spring.

I promised Bulwer to make enquiry of you about "Miss Watson," whom he once knew and greatly wished to hear of. He associated her (but was not clear how) with Lady Palmer.

If I ever did such a thing, believe me I would do it at your request. But I don't, and if you could see the ramparts of letters from similar institutions with which my desk bristles every now and then, you would feel that nothing lies between total abstinence (in this regard) and utter bewilderment and lecturation.

Mrs. Dickens and her sister unite with me in kind regards to you and Mrs. Bicknell. The consequences of the accident are fast fading, I am happy to say. We all hope to hear shortly that Mrs. Bicknell has recovered that other little accident, which (as you and I know) will occasionally happen in well-regulated families.

I have been (a strange thing for me) so very unwell since Sunday, that I have hardly been able to hold up my head—a bilious attack, I believe, and a very miserable sort of business. This, my dear friend, is the reason why I have not sooner written to you in reference to your noble letter, which I read in The Examiner, and for which—as it exalts me—I cannot, cannot thank you in words.

We had been following up the blow in Kinkel's[9] favour, and I was growing sanguine, in the hope of getting him out (having enlisted strong and active sympathy in his behalf), when the news came of his escape. Since then we have heard nothing of him. I rather incline to the opinion that the damnable powers that be connived at his escape, but know nothing. Whether he be retaken or whether he appear (as I am not without hope he may) in the streets of London, I shall be a party to no step whatever without consulting you; and if any scrap of intelligence concerning him shall reach me, it shall be yours immediately.

Horne wrote the article. I shall see him here to-night, and know how he will feel your sympathy and support. But I do not wait to see him before writing, lest you should think me slow to feel your generosity. We said at home when we read your letter, that it was like the opening of your whole munificent and bare heart.

Your note to me of Saturday has crossed mine to you, I find. If you open both of mine together, please to observe this is No. 2.

You may rely on Mr. Tucker's doing his work thoroughly well and charging a fair price. It is not possible for him to say aforehand, in such a case, what it will cost, I imagine, as he will have to adapt his work to the place. Nathan's stage knowledge may be stated in the following figures: 00000000000. Therefore, I think you had best refer Mr. Tucker to me, and I will apply all needful screws and tortures to him.

I have thought of one or two very ingenious (hem!) little contrivances for adapting the difficulties of "Used Up" to the small stage. They will require to be so exactly explained to your carpenter (though very easy little things in themselves), that I think I had better, before Christmas, send my servant down for an hour—he is quite an old stager now—to show him precisely what I mean. It is not a day's work, but it would be extremely difficult to explain in writing. I developed these wonderful ideas to the master carpenter at one of the theatres, and he shook his head with an intensely mournful air, and said, "Ah, sir, it's a universal observation in the profession, sir, that it was a great loss to the public when you took to writing books!" which I thought complimentary to "Copperfield."

I shall be delighted to come on the seventh instead of the eighth. We consider it an engagement. Over and above the pleasure of a quiet day with you, I think I can greatly facilitate the preparations (that's the way, you see, in which we cheat ourselves into making duties of pleasures) by being at Rockingham a day earlier. So that's settled.

I was quite certain when that Child of Israel mentioned those dimensions, that he must be wrong. For which wooden-headedness the Child shall be taken to task on Monday morning, when I am going to look at his preparations, by appointment, about the door. Don't you observe, that the scenery not being made expressly for the room, it may be impossible to use it as you propose? There is a scene before that wall, and unless the door in the scene (supposing there to be one, which I am not sure of) should come exactly into the place of the door of the room, the door of the room might as well be in Africa. If it could be used it would still require to be backed (excuse professional technicality) by another scene in the passage. And if it be rather in the side of the bottom of the room (as I seem to remember it), it would be shut out of sight, or partially, by the side scenes. Do you comprehend these stage managerial sagacities? That piece of additional room in so small a stage would be of immense service, if we could avail ourselves of it. If we can't, I have another means (I think) of discovering Leech, Saville, and Coldstream at table. I am constantly turning over in my mind the capacities of the place, and hope by one means or other to make something more than the best of it. As to the fireplace, you will never be able to use that. The heat of the lamp will be very great, and ventilation will be the thing wanted. Thirteen feet and a half of depth, diminished by stage fittings and furniture, is a small space. I think the doorway could be used in the last scene, with the castle steps and platform for the staircase running straight through it toward the hall. Nous verrons. I will write again about my visit of inspection, probably on Monday.

Will you let them know that Messrs. Nathan, of Titchborne Street, Haymarket, will dress them, please, and that I will engage for their doing it thoroughly well; also that Mr. Wilson, theatrical hairdresser, Strand, near St. Clement's Churchyard, will come down with wigs, etc., to "make up" everybody; that he has a list of the pieces from me, and that he will be glad to measure the heads and consult the tastes of all concerned, if they will give him the opportunity beforehand? I should like to see Sir Adonis Leech and the Hon. T. Saville if I can. For they ought to be wonderfully made up, and to be as unlike themselves as possible, and to contrast well with each other and with me. I rather grudge caro sposo coming into the company. I should like him so much to see the play. If we do it all well together it ought to be so very pleasant. I never saw a great mass of people so charmed with a little story as when we acted it at the Glasgow Theatre. But I have no other reason for faltering when I take him to my arms. I feel that he is the man for the part.[10] I see him with a blue bag, a flaxen wig, and green spectacles. I know what it will be. I foresee how all that sessional experience will come out. I reconcile myself to it, in spite of the selfish consideration of wanting him elsewhere; and while I have a heavy sense of a light being snuffed out in the audience, perceive a new luminary shining on the stage!

Your brother[11] would make a capital tiger, too! Very short tight surtout, doeskins, bright top-boots, white cravat, bouquet in button-hole, close wig—very good, ve—ry good. It clearly must be so. The thing is done. I told you we were opening a tremendous correspondence when we first began to write on such a long subject. But do let me tell you, once and for all, that I am in the business heart and soul, and that you cannot trouble me respecting it, and that I wouldn't willingly or knowingly leave the minutest detail unprovided for. It cannot possibly be a success if the smallest peppercorn of arrangement be omitted. And a success it must be! I couldn't go into such a thing, or help to bring you poorly out of it, for any earthly consideration. Talking of forgetting, isn't it odd? I doubt if I could forget words I had learned, so long as I wanted them. But the moment the necessity goes, they go. I know my place and everybody's place in this identical piece of "Used Up" perfectly, and could put every little object on its own square inches of room exactly where it ought to be. But I have no more recollection of my words now (I took the book up yesterday) than if I had only seen the play as one of the audience at a theatre. Perhaps not so much. With cordial remembrances,

I am sorry to say that business ("Household Words" business) will keep me in town to-morrow. But on Monday I propose coming down and returning the same day. The train for my money appears to be the half-past six a.m. (horrible initials!), and to that invention for promoting early rising I design to commit myself.

I am shocked if I also made the mistake of confounding those two (and too) similar names.[12] But I think Mr. S-t-a-f-f-o-r-d had better do the Marquis. I am glad to find that we agree, but we always do.

I have closely overhauled the little theatre, and the carpenter and painter. The whole has been entirely repainted (I mean the proscenium and scenery) for this especial purpose, and is extremely pretty. I don't think, the scale considered, that anything better could be done. It is very elegant. I have brought "the Child" to this. For the hire of the theatre, fifteen pounds. The carriage to be extra. The Child's fares and expenses (which will be very moderate) to be extra. The stage carpenter's wages to be extra—seven shillings a day. I don't think, when you see the things, that you will consider this too much. It is as good as the Queen's little theatre at Windsor, raised stage excepted. I have had an extraction made, which will enable us to use the door. I am at present breaking my man's heart, by teaching him how to imitate the sounds of the smashing of the windows and the breaking of the balcony in "Used Up." In the event of his death from grief, I have promised to do something for his mother. Thinking it possible that you might not see the enclosed until next month, and hoping that it is seasonable for Christmas, I send it. Being, with cordial regards and all seasonable good wishes,

P.S.—This [blot] is a tear over the devotion of Captain Boyle, who (as I learned from the Child of Israel this morning) would not decide upon Farmer Wurzel's coat, without referring the question of buttons to managerial approval.

On the Sunday when I last saw you, I went straight to Lord John's with the letter you read. He was out of town, and I left it with my card.

On the following Wednesday I received a note from him, saying that he did not bear in mind exactly what I had told him of you before, and asking me to tell it again. I immediately replied, of course, and gave him an exact description of you and your condition, and your way of life in Paris and everything else; a perfect diorama in little, with you pervading it. To-day I got a letter from him, announcing that you have a pension of a hundred a year! of which I heartily wish you joy.

He says: "I am happy to say that the Queen has approved of a pension of one hundred pounds a year to Mr. Poole.

"The Queen, in her gracious answer, informs me that she meant to have mentioned Mr. Poole to me, and that she had wished to place him in the Charter House, but found the society there was not such as he could associate with.

"Be so good as to inform Mr. Poole that directions are given for his pension, which will date from the end of June last."

I have lost no time in answering this, but you must brace up your energies to write him a short note too, and another for the Queen.

If you are in Paris, shall I ascertain what authority I shall need from you to receive the half-year, which I suppose will be shortly due? I can receive it as usual.

With all good wishes and congratulations, seasonable and unseasonable,

As your letter is decided, the scaffolding shall be re-erected round Charley's boots (it has been taken down, and the workmen had retired to their respective homes in various parts of England and Wales) and his dressing proceeded with. I have been very much pleased with him in the matter, as he has never made the least demonstration of disappointment or mortification, and was perfectly contented to give in. (Here I break off to go to Boxall.) (Here I return much exhausted.)

Your time shall be stated in the bills for both nights. I propose to rehearse on the day, on Thursday and Friday, and in the evening on Saturday, that we may try our lights. Therefore:

I shall be delighted to see your brother, and so no more at present from

P.S.—As Boxall (with his head very much on one side and his spectacles on) danced backward from the canvas incessantly with great nimbleness, and returned, and made little digs at it with his pencil, with a horrible grin on his countenance, I augur that he pleased himself this morning.

"Tag" added by Mr. Dickens to "Animal Magnetism," played at Rockingham Castle.