Because she had said she would, and they had come expressly when the tide was out, the Princess didn’t wait to be asked; she only looked to see what kind of an Ocean it was, while the others hunted for a pointed shell like the one she used before—and it was a cool blue one, with little waves running on it and cloud shadows moving across. Then she took the shell that Miss Phyllisy brought, with the Others following; and perhaps it was the very one that flew out of her hand! Anyway, it was exactly They chose a place to begin, and the Princess drew a circle around her, as large as she could reach from the middle; and it was surprisingly round—when it wasn’t mechanical. Then she came to the line of it and reached over and drew another, larger, circle just so far outside; then she made marks—little neat ones—on the edge, to have it even, and drew lines across to divide it into spaces; and there would be twelve. And the Princess was inside, drawing, and the Others were outside, watching to see what it was going to be—like a Bewitchment, with nobody speaking. For each time Pat started to say: “Whatever is it?” Prudence said: “Don’t speak!” and she stopped. But the Kitten lay on the sand, propped on her elbows, watching and making a song for herself, inside, until the Princess was ready to talk. As she drew the last line across, that made twelve spaces, she began, sing-song: “Walk right up, ladies and gentlemen! The greatest show in Skyland is now ready to begin. Unrivaled aggregation of animals and galaxy of talented artists. Old Sol’s Menagerie, in Sky-Language called the Zodiac. Something between a zoÖlogical garden “What does it mean?” asked Pat. “I’m going to show you. These are twelve great cages that make a splendid ring all around the Sky—Houses, the Star People call them. They think it sounds better; but they aren’t in the least like either cages or houses; they’re more like a place; and it isn’t a flat circle like this. It’s that way in Starland. You can’t really describe it, because it’s so different; but we can draw it this way, and call it what we like.” The Princess stooped down and began to draw: “In this first cage, Sol keeps the Ram that had the Golden Fleece, that they took away from him, to take such care of! And now that he’s a Star-Ram, he has it back and takes care of it himself.” “So Draco needn’t watch it any more,” observed Phyllisy. “The Ram likes it much better this way,” said the Princess. “And here is his name, like a doorplate on his house.” She made a funny little mark in the corner of the space. “Wherever you see that mark, Beloveds, it’s the Sign of the Ram; and it looks like his curving horns. Next door is a great white Bull. One time he was grazing in a meadow where some children were playing. He was “The Star ones?” asked Pat. “No; the real ones. We want two beautiful pebbles for the stars that they wear in their helmets. And up here”—the Princess whirled across—“in this last House that brings it around the circle are two more twins—the Fishes that Cassiopeia sang about to Little Bear. They can have only small stars, because they were discontented.” When they were done the Princess turned back to the place where she left off. “In this cage at the North is a Crab; and in the cage “What did they do?” asked Phyllisy. “It’s poetry,” said the Princess. She stopped drawing and clasped her hands around her knees, sitting in the middle of the Zodiac to say the poetry; and the Others sitting outside to listen. A kindly gentleman was Mr. Sol. He sallied forth one day, to take a stroll, Saying: “This morning I will make my goal, The South Pole.” With smiles for all he met, and greetings gay, He southward bent his steps,—nor would delay Because he saw, directly in his way, A Billy-Goat stood at bay! “Yez can’t go anny farther!” cried the Goat. “The language on that sign I’d have yez note: ‘The passage South is closed.’ Kape on yer coat! That’s the Law! Ye’d orter know’t!” His language rude could only cause surprise, And Sol advanced. Oh, who’d believe his eyes! Knocked flat!—sprawly-wise! Old Sol arose and said: “I’d have you learn” (So grieved his rage had scarce begun to burn) “There’s still a Pole to visit; and I’ll turn To the North! Your Pole I spurn!” But as he walked and thought upon his wrong, His rage waxed hotter, his resolve more strong. “The next who thwarts me won’t be happy long! Just let him try!—I think he’ll change his song!” So striding northward, with his face ablaze, He overtook a Crab, who’d paused to gaze Where stood the Pole. His courteous amaze Sol’s wrath allays. Now, even as the Goat was set to guard The Southern Pole, and visitors retard, The task of Mr. Crab was just as hard: The North he barred. But what’s the use of knock-down argument, When courtesy will answer your intent? If with a little tact ’tis wisely blent. Why break a will, that may as well be bent? “Shall we not walk together, sir?” he said. Sol—still determined, though his rage was fled— Agreed, if to the Pole his friend’s path led. Waving his claw, the Crab said: “Straight ahead!” “SHALL WE NOT WALK TOGETHER, SIR?” (And Sol was far too much engrossed to guess, So pleasant and straightforward his address), He backward walked,—like all crabs—none the less! They strolled together down the road awhile With jest and chat, that might the way beguile; Then bade adieu. And then Sol saw the wile That turned him from his purpose with a smile! He had not noticed that they backward walked, Because the Crab so pleasantly had talked.— Thus, twice in his ambition was he balked: The Goat had felled him—and the Crab had mocked! Since then, he’s fixed a limit for his stroll; He never tries to go around the Pole. Deceit and rudeness worry Mr. Sol Past his control! “That is the poetry,” said the Princess, “and this is very truly true: Old Sol makes a visit and spends a little while every year in each of the Houses of the Zodiac. But when he comes to the farthest North—which is the Crab—in the Summer, he turns back and goes South until he comes to the Goat’s House, which is the farthest South, in the Winter; then he turns and comes back, and so forever and always.” “Won’t they let him go?” asked the Kitten. “But they might have told him politely,” said Phyllisy. “It means something behind, doesn’t it, Dearie?—just plainly true without anything around it?” The Princess laughed suddenly, because Miss Phyllisy was so earnest and so funny; but she nodded, “Yes.” “And the ‘House’ just means that part of the sky where they are?” The Princess nodded again. “And Old Sol has put a Bewitchment around it so they can’t get out—instead of bars,” Phyllisy added, going back of her own accord to the make-believe, because she preferred it. And that was one of the ways she was wise. What was plainly true could very well wait until she was older and had more time to think about it. “Here, in Mr. Crab’s House, Sol keeps a beehive.” The Princess went back to her drawing where she had left off the Crab to draw the Goat; and the Others found very tiny yellow shells that looked like them, for the bees. “Now, here is a Lion who doesn’t have to be any lion in particular because he’s so splendid just being himself. He’s like ‘Terrible as an army with banners,’ not because “What is she for?” asked Pat, while the Princess was drawing her. “She does ‘poses plastiques’—which means that she looks perfectly lovely being all kinds of statuary on top of a pedestal, and when she doesn’t do that she does remarkable juggling with a pair of great scales that are carefully kept in the cage next hers, so they shan’t get out of order.” “Could they weigh anything?” asked the Kitten. “Yes, indeed! The Star People may go in and be weighed on them, if Mlle. Virgo goes with them. But the Scorpion really does the weighing—puts on the weights for her—because she’s so ladylike. He lives next door, on the other side, and he’s very handy with his claws.” “The Orion one?” asked Pat. “The Orion one,” said the Princess, beginning in the middle to draw him. “Somebody will have to find a splendiferous red something for the star he wears above his fiery heart.” She drew down his body into his curled-up tail; then she put on his lobstery claws. “And this gentleman is Mr. Sagittarius, with a head and body like a man joined to the body of a horse; and “You’re making two spouts,” said the Kitten. “Because it has. If you want to garden, and have no garden but a watering-pot, you can’t have too many spouts. The Ancients said the two streams that flowed from it watered all the gardens of the world.” “It must have felt funny to be an Ancient,” said Pat. “Why?” asked Phyllisy. “With those queer ideas in them,” said Pat. The Princess looked around the Zodiac ring, to see what was left out; and it was all done but signs in the Fishes, and three more she had not put in when she made them. She put them in now, in the corners of the Houses. So it was finished; and it had taken a good while—drawing and talking and starring them all; but, because she wasn’t tired, they moved along a little farther and began afresh. “I’ve heard about him,” said Pat. “He killed lions, and strangled some snakes when he was just a little baby in his cradle—immense ones; he must have been always strong.” “I suppose he inherited it,” said the Kitten—very grown-up. “Just hear the child!” said Miss Phyllisy. “What does that mean, Kit?” “I know,” the Kitten insisted. “He could do it.” “Course he could!” said the Princess; “and because of that. He came of a very fine family—none better. He was a God of the Greeks.” “A God!” exclaimed Pat. “Do you—mean—to say—that Hercules was a God?” “I do,” said the Princess; and, “One of those Ancients, you know, Pat,” explained Phyllisy. But Pat paid no attention. “Well! For pitysakes! Hercules—a God!” she said once more. And that was all; and nobody will ever know why it surprised her so. “That’s what he was,” said the Princess, drawing Miss Phyllisy suddenly thought of something. “Oh, Dearie!” she exclaimed. “There’s somebody you never drew.” “Who is that, Miss Phyllisy?” “The Big Bear. You never talk about him.” The Princess made little marks in the sand, all in a row, that didn’t mean anything. When she spoke it was in a slow, thinking-it-out way: “There is something curious about that Bear, that makes him not do the things the other Star People do; and this is it:”—she spoke very impressively,—“The Great Bear doesn’t know whether he’s a bear or a dipper!” “Oh-h!” cried the Others. “What do you mean?” asked Phyllisy. CASSIOPEIA “Wouldn’t the Star People let him go with them?” asked the Kitten. “Certainly they would—be glad to. But he doesn’t want to. And they let him have his way. They call him ‘Major’; and that pleases him when he thinks he’s a bear, and when they see he has a ‘dipper-fit’ they don’t talk to him at all, because he doesn’t like it.” “I should think they’d be glad,” said Pat. “What could they talk about?” “Nothing intelligent,” agreed the Princess, “so they let him alone, to be happy in his own way.” “Is Little Bear his child?” asked the Kitten. “No, Kitten. They aren’t related; they only both happen to be bears and neighbors. Major never goes away from his place—almost never,” she corrected herself. Then she stopped, and began again, talking to herself. “Aren’t you going to tell it?” asked Pat. “Bimeby,” said the Princess, suddenly energetic. “I’m going to draw him now. “Now, my Hearties! How’s that for a bear? and just crying for stars. Look alive! and see what you’ll see when he has them on.” They placed his pebbles, and seven were especially large, and all the time Pat kept saying: “I don’t see anything. What is it?”—and all the Princess would say was, “Look at him hard,—his stars,—never mind his legs.” And then Phyllisy saw something that made her laugh. “Oh, Dearie! Is that what made you think of it?—The Dipper—what he thinks?” “S-sh,” said the Princess. “What are you laughing at? Tell me now,” said Pat. “Don’t you see, Pat?” explained Phyllisy. “It’s the old Dipper we always knew—part of it is. I never thought of it’s being the same.” “Two names for it?” asked Pat, looking at the Princess. She nodded. “I know another one.” “Aren’t you going to tell it?” And that was drawing enough, and no time for a story, but much better for a scamper on the beach, along the edge of the waves that had stopped going out and were running all the time nearer. |