I don’t believe anybody knows what the political prospects are; this students’ movement has introduced a new and uncalculable factor—and all in the three weeks we have been here. You heard nothing but gloom about political China at first, corrupt and traitorous officials, soldiers only paid banditti, the officers getting the money from Japan to pay them with, no organizing power or cohesion among the Chinese; and then the students take things into their hands, and there is animation and a sudden buzz. There are a hundred students being coached here to go out and make speeches, they will have a hundred different stations scattered through the city. It is also said the soldiers are responding to the patriotic propaganda; a man told us that the soldiers wept when some students talked to them about the troubles of China, and the soldiers of Shantung, the province turned over to Japan, have taken the lead in telegraphing the soldiers in the other provinces to resist the corrupt traitors. Of course, what they all are afraid of is that this is a flash in the pan, but they are already planning to make the student movement permanent and to find something for them to do after this is settled. Their idea here is to reorganize them for popular propaganda for education, more schools, teaching adults, social service, etc.

It is very interesting to compare the men who have been abroad with those who haven’t—I mean students and teachers. Those who haven’t are sort of helpless, practically; the height of literary and academic minds. Those who have studied abroad, even in Japan, have much more go to them. Certainly the classicists in education have a noble example here in China of what their style of education can do if only kept up long enough. On the other hand, there must be something esthetically very fine in the old Chinese literature; even many of the modern young men have a sentimental attachment to it, precisely like that which they have to the fine writing of their characters. They talk about them with all the art jargon: “Notice the strength of this down stroke, and the spirituality of the cross stroke and elegant rhythm of the composition.” When we visited a temple the other day, one of the chief Buddhist shrines in China, we were presented with a rubbing of the writing of the man who is said to be the finest writer ever known in China—these characters were engraved in the rock from his writing some centuries ago—I don’t know how many. It is very easy to see how cultivated people take refuge in art and spirituality when politics are corrupt and the general state of social life is discouraging; you see it here, and how in the end it increases the decadence.

I think we wrote you from Shanghai that we had been introduced to all the mysteries of China, ancient eggs, sharks’ fins, birds’ nests, pigeon eggs, the eight precious treasures, rice pudding, and so on. We continue to have Chinese meals; yesterday lunch in the home of an adviser to a military official. He is very outspoken, doesn’t trim in politics, and gives you a more hopeful feeling about China. The most depressing thing is hearing it said, “When we get a stable government, we can do so and so, but there is no use at present.” But this man’s attitude is rather, “Damn the government and go ahead and do something.” He is very proud of having a “happy, Christian home” and doesn’t cover up his Christianity as most of the official and wealthy class seem to do. He expects to have his daughters educated in America, one in medicine and one in home affairs, and to have help in a campaign for changing the character of the Chinese home—from these big aggregates of fifty people or so living together, married children, servants, etc., where he says the waste is enormous, to say nothing of bickerings and jealousies. In the old type of well-to-do home, breakfast would begin for someone about seven, and someone would have cooking done for him to eat till noon; then about two, visitors would come, and the servants would be ordered to cook something for each caller—absolutely no organization or planning in anything, according to him.