From May 19th, 1836, to December 18th, 1860, was twenty-four years and seven months. Add to this nine years, her age when captured, and at the later date Cynthia Ann Parker was in her thirty-fourth year. During the last ten years of this quarter of a century, which she spent as a captive among the Comanches, no tidings had been received of her. She had long been given up as dead or irretrievably lost to civilization. Notwithstanding the long lapse of time which had intervened since the Capture of Cynthia Ann Parker, Ross, as he interrogated his “blue eyed” but bronzed captive, more than suspected that she was the veritable “Cynthia Ann Parker,” of which he had heard so much from his boyhood. She was dressed in female attire, of course, according to the custom of the Comanches, which being very similar to that of the males, doubtless, gave rise to the Upon the arrival of Col. Parker at Fort Cooper, interrogations were made her through the Mexican interpreter, for she remembered not one word of English, respecting her identity; but she had forgotten absolutely everything, apparently, at all connected with her family or past history. In As thorough an Indian in manner and looks as if she had been so born, she sought every opportunity to escape, and had to be closely watched for some time. Her uncle carried herself and child to his home, then took them to Austin, where the secession convention was in session. Mrs. John Henry Brown and Mrs. N. C. Raymond interested themselves in her, dressed her neatly, and on one occasion took her into the gallery of the hall while the convention was in session. They soon realized that she was greatly alarmed by the belief that the assemblage was a council of chiefs, sitting in judgment on her life. Mrs. Brown beckoned to her husband, Hon. John Henry Brown, who was a member of the convention, who appeared and succeeded in reassuring her that she was among friends. Gradually her mother tongue came back, and with it occasional incidents of her childhood, including a recognition of the venerable Mr. Anglin, and perhaps one or two others. The civil war coming on soon after, which necessitated the resumption of such primitive arts, she learned to spin, weave and to perform the domestic duties. The ruling passion of her bosom seemed to be the maternal instinct, and she cherished the hope that when the war was concluded she would at last succeed in reclaiming her two children who were still with the Indians. But it was written otherwise, and Cynthia Ann and her little “barbarian” were called hence ere “the cruel war was over.” She died at her brother’s in Anderson county, Texas, in 1864, preceded a short time by her sprightly little daughter, “Prairie Flower.” Thus ended the sad story of a woman far famed along the border. * * * * * * * * How fared it with the two young orphans we may only imagine. The lot of these helpless ones is too often one of trials, heart-pangs, and want, even among our enlightened people; and it would require a painful recital to follow the children of Peta Nocona and Cynthia Ann Parker from the terrible fight on Pease river, across trackless prairies, and rugged mountain-ways, in the inhospitable month of December, tired, hungry, and carrying a load upon their hearts far heavier than the physical evils which so harshly beset them. Their father was slain, and their mother a captive. Doubtless they were as intent upon her future recovery, during the many years in which they shared the vicissitudes Finally, in 1874, the Comanches were forced upon a “reservation,” near Fort Sill, to lead the beggarly life of “hooded harlots and blanketed thieves,” and it was at this place that the “war-chief” Quanah, learned that it was possible he might secure a photograph of his mother.9 An advertisement to that effect was inserted in the Fort Worth Gazette, when General Ross at once forwarded him a copy. To his untutored mind it seemed that a miracle had been wrought in response to his “paper prayer;” and his exclamations, as he gazed intently and long upon the faithful representation of “Preloch,” or Cynthia Ann, were highly suggestive of Cowper’s lines on his mother’s picture; and we take My mother! and do my weeping eyes once more— Half doubting—scan thy cherished features o’er? Yes, ’tis the pictured likeness of my dead mother, How true to life! It seems to breathe and move; Fire, love, and sweetness o’er each feature melt; The face expresses all the spirit felt; Here, while I gaze within those large, dark eyes, I almost see the living spirit rise; While lights and shadows, all harmonious, glow, And heavenly radiance settles on that brow. What is the “medicine” I must not know, Which thus can give to death life’s bloom and glow. O, could the white man’s magic art but give As well the happy power, and bid her live! My name, me thinks, would be the first to break The seal of silence, on those lips, and wake Once more the smile that charmed her gentle face, As she was wont to fold me in her warm embrace. Yes, it is she, “Preloch,” Nocona’s pale-faced bride, Who rode, a matchless princess, at his side, ’Neath many a bloody moon afar, O’er tortuous paths devoted alone to war. Long since she’s joined him on that blissful shore,— Where parting and heart-breakings are no more,— And since our star with him went down in gloom, No more to shine above the blighting doom, ’Neath which my people’s hopes, alas, are fled, I, too, but long that silent path to tread,— A child, to be with her and him again, Healed every wound an orphan’s heart can pain!
In 1885 Quanah Parker visited the World’s Fair at New Orleans. The following extract from the Fort Worth Gazette, is a recent incident in his career:
The new town of Quanah, in Hardeman county, Texas, was named in honor of chief Quanah Parker. We will now conclude our little work by appending the following letter, which gives a true pen portrait of the celebrated chief as he appears at his home on the “reservation:”
The following changes to the original publication have been made:
The following issues were noted when transcribing from the original publication but have not been changed. The first line is as the text appears in the original publication; the second as it might have been intended.
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