Handel :: HANDEL'S WORKS OPERAS #NAME? Almira (Hamburg, 1705). #NAME?

HANDEL'S WORKS OPERAS #NAME? Almira (Hamburg, 1705). #NAME?

HANDEL'S WORKS OPERAS #NAME? Almira (Hamburg, 1705). #NAME? Nero (Hamburg, 1705, music lost). #NAME? Florindo (Hamburg, 1707, music lost). #NAME? Dafne (Hamburg, 1707, music lost). #NAME? Rodrigo (Florence, 1707?). #NAME? Agrippina (Venice, 1709).

The following operas were all produced in London:

Rinaldo (1711).
Il Pastor Fido (first version, 1712).
Teseo (1712).
Silla (1714).
Amadigi (1715).
Radamisto (1720).
Muzio Scevola (1721, only Act III by Handel).
Floridante (1721).
Ottone (1723).
Flavio (1723).
Giulio Cesare (1724).
Tamerlano (1724).
Rodelinda (1725).
Scipione (1726).
Alessandro (1726).
Admeto (1727).
Riccardo I (1727).
Siroe (1728).
Tolomeo (1728).
Lotario (1729).
Partenope (1730).
Poro (1731).
Ezio (1732).
Sosarme (1732).
Orlando (1733).
Arianna (1734).
Parnasso in Festa (1734).
Il Pastor Fido (second version, 1734).
Terpsichore (1734).
Ariodante (1735).
Alcina (1735).
Atalanta (1736).
Arminio (1737).
Giustino (1737).
Berenice (1737).
Faramondo (1738).
Serse (1738).
Jupiter in Argos (1739, announced but never performed).
Imeneo (1740).
Deidamia (1741).

ORATORIOS:

St. John Passion (German, Hamburg, 1704).
La Risurrezione (Italian, Rome, 1708).
Il Trionfo del Tempo e del Disinganno (Italian, Rome, 1708).
Aci, Galatea e Polifemo (Italian, Naples, 1709).
Brockes Passion (German, Hanover, 1716).

All the following oratorios are in English:

Esther (first version, London, 1720).
Acis and Galatea (London, 1720).
Esther (second version, London, 1732).
Debora (London, 1733).
Athalia (Oxford, 1733).
Alexander's Feast (London, 1736).
Saul (London, 1739).
Israel in Egypt (London, 1739).
Ode for St. Cecilia's Day (London, 1739).
L'Allegro, Il Penseroso ed Il Moderato (London, 1740).
Messiah (Dublin, 1742).

HANDEL 139

The following oratorios were all produced in London:

Samson (1743).
Semele (1743).
Joseph (1743).
Belshazzar (1744).
Hercules (1744).
Occasional Oratorio (1746).
Judas Maccabaeus (1747).
Alexander Balus (1747).
Joshua (1747).
Solomon (1748).
Susanna (1748).
Theodora (1749).
The Choice of Hercules (1749).
Jephtha (1752).
The Triumph of Time and Truth (1757).

SACRED WORKS:

Laudate Pueri (Rome, 1707).
Dixit Dominus (Rome, 1707).
Nisi Dominus (Rome, 1707).
Gloria Patri (Rome, 1707).
Salve Regina (1707?).
Silete Venti (1707?).
Utrecht Te Deum and Jubilate (London, 1713).
Te Deum in D (1714?).
Te Deum in B flat (Chandos) (1718-20).
Te Deum in A (1727?).
Twelve Chandos Anthems (1716-19).
Four Coronation Anthems (1727).
Wedding Anthem for Princess Anne (1734).
Wedding Anthem for the Prince of Wales (1736).
Funeral Anthem for Queen Caroline (1737).
Dettingen Te Deum (1743).
Dettingen Anthem (1743).
Foundling Hospital Anthem (1749).

SECULAR VOCAL MUSIC:

Birthday Ode for Queen Anne (1713).
Italian Cantatas, Duets and Trios.
German Songs.

INSTRUMENTAL MUSIC:

Six Concertos (so-called "Oboe Concertos"), published 1734.
Three Concertos ("Select Harmony"), published 1741.
Twelve Grand Concertos, op. 6 (published 1740).
Three Concertos a due cori.
Overtures, Marches, Dances, etc.
Concerto for Oboe and Orchestra.
Concerto for Violin and Orchestra.
Water Music (1715-17).
Forest Music (1742, probably spurious).
Music for the Royal Fireworks (1749).
Six Concertos for Harpsichord or Organ, op. 4 (1738).
Six Concertos for Harpsichord or Organ (1740).
Six Concertos for Harpsichord or Organ, op. 7 (1760).

Many of these are arrangements of other works.

Sonatas for Flute, Oboe or Violin and Bass (19).
Six Sonatas for two Oboes and Bass.
Six Sonatas for two Violins (Oboes or Flutes) and Bass, op. 2 (1733).
Seven Sonatas for two Violins (Flutes) and Bass, op. 5 (1739).
Sonata for Viola de Gamba.
Suites de PiÈces pour le Clavecin (8) (1720).
Suites de PiÈces pour le Clavecin (8) (1733).
Miscellaneous Harpsichord Music.

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