Ojha.—The community of soothsayers and minstrels of the Gonds. The Ojhas may now be considered a distinct subtribe, as they are looked down upon by the Gonds and marry among themselves. They derive their name from the word ojh meaning ‘entrail,’ their original duty having been, like that of the Roman augurs, to examine the entrails of the victim immediately after it had been slain as an offering to the gods. In 1911 the Ojhas numbered about 5000 persons distributed over all Districts of the Central Provinces. At present the bulk of the community subsist by beggary. The word Ojha is of Sanskrit and not of Gond origin and is applied by the Hindus to the seers or magicians of several of the primitive tribes, while there is also a class of Ojha Brāhmans who practise magic and divination. The Gond Ojhas, who are the subject of this article, originally served the Gonds and begged from them alone, but in some parts of the western Satpūras they are also the minstrels of the Korkus. Those who beg from the Korkus play on a kind of drum called dhānk while the Gond Ojhas use the kingri or lyre. Some of them also catch birds and are therefore known as Moghia. Mr. Hislop1 remarks of them: “The Ojhas follow the two occupations of bard and fowler. They lead a wandering life and when passing through villages they sing from house to house the praises of their heroes, dancing with castanets in their hands, bells at their ankles and long feathers of jungle birds in their turbans. They sell live Mr. Tawney wrote of the Ojhas as follows:2 “The Ojha women do not dance. It is only men who do so, and when thus engaged they put on special attire and wear anklets with bells. The Ojhas like the Gonds are divided into six or seven god gots (classes or septs), and those with the same number of gods cannot intermarry. They worship at the same Deokhala (god’s threshing-floor) as the Gonds, but being regarded as an inferior caste they are not allowed so near the sacred presence. Like the Gonds they incorporate the spirits of the dead with the gods, but their manner of doing so is somewhat different, as they make an image of brass to represent the soul of the deceased and keep this with the household gods. As with the Gonds, if a household god makes himself too objectionable he is quietly buried to keep him out of mischief and a new god is introduced into the family. The latter should properly bear the same name as his degraded predecessor, but very often does not. The Ojhas are too poor to indulge in the luxury of burning their deceased friends and therefore invariably bury them.” The customs of the Ojhas resemble those of the Gonds. They will take food from the hands of all except the most impure castes, and will admit into the community any man who has taken an Ojha woman to live with him, even though he be a sweeper, provided that he will submit to the prescribed test of begging from the houses of five Gonds and eating the leavings of food of the other Ojhas. They will pardon the transgression of one of their women with an outsider of any caste whatever, if she is able and willing to provide the usual penalty feast. They have no sūtak or period of impurity after a death, but merely take a mouthful of liquor and consider themselves clean. In physical appearance the Ojhas resemble the Gonds but are less robust. They rank below the Gonds and are considered as impure by the Hindu castes. In 1865, an Ojha held a village in Hoshangābād District which he had obtained as follows:3 “He was singing and dancing before Rāja Rāghuji, when the Rāja said he would give a rent-free village to any one who would pick up and chew a quid of betel-leaf which he (the Rāja) had had in his mouth and had spat out. The Ojha did this and got the village.” The Maithil or Tirhūt Brāhmans who are especially learned in Tāntric magic are also sometimes known as Ojha, and a family bearing this title were formerly in the service of the Gond kings of Mandla. They do not now admit that they acted as augurs or soothsayers, but state that their business was to pray continuously for the king’s success when he was engaged in any battle, and to sit outside the rooms of sick persons repeating the sacred Gāyatri verse for their recovery. This is often repeated ten times, counting by a special method on the joints of the fingers and is then known as Jap. When it is repeated a larger number of times, as 54 or 108, a rosary is used. |