As soon as you lay down on the sack of straw in the corner of the outhouse, slipping out of the ragged frock if the weather were hot, or pulling the thin old horse-blanket over you if the night were a cold one, keeping your eyes tight shut, for this was quite indispensable, you looked into the thick dark, shot with gleams of lovely colours, sometimes with whirling rings of stars, and gradually, as you looked, all these concentrated into two stars, large and not twinkling, but softly radiant, and you were happy, for you knew that the Lady was coming.

For she always came, even when you had been most wicked: when you were sent to bed without even the supper-crust to gnaw, and when your body and arms and legs were bruised and aching from the beating they told you you deserved. The stars would go a long way off, and while you tingled and trembled and panted with expectation, would come back again as eyes. Looking up into them, you saw them clearly; the rest of the person they belonged to arrived quite a little while after her eyes were there. Such eyes—neither grey, nor brown, nor violet, but a mingling of all these colours, and deepening as you gazed up into them into bottomless lakes of love.

Then her face, framed in a soft darkness, which was hair—the Kid never knew of what colour—her face formed itself out of the darkness that framed those eyes, and a warm, balmy breath came nearer, and you were kissed. No other lips, in your short remembrance, had ever touched you. You had learned the meaning of a kiss only from her, and hers was so long and close that your heart left off beating, and only began again when it was over. Then arms that were soft and warm, and strong and beautiful, came round you and gathered you in, and you fell asleep folded closely in them, or you lay awake, and the Lady talked to you in a voice that was mellow as honey and soft as velvet, and sounded like the cooing of the wild pigeons that nested in the krantzes, or the sighing of the wind among the high veld grasses, and the murmur of the little river playing among the boulders and gurgling between the roots of the tree-fern. You talked, too, and told her everything. And no matter how bad you had been, though she was sorry, because she hated badness, she loved you just as dearly as she did when you were good. And oh! how you loved her—how you loved her!

"Please," you said that night when she came first—you remember it quite well, though it is so long ago—"please, why did you never come before?"

And she answered, with her cool, sweet, fragrant lips upon your eyelids, and your head upon her breast:

"Because you never wanted me so much as now."

"Please take me back home with you," you begged, holding her fast. And she answered in the voice that is always like the sigh of the wind amongst the tree-tops and the murmur of the river:

"I cannot yet—but I will come again."

And she does come, and again and again. By degrees, though she comes to you only at night, when the outhouse is dark, or lighted only by the stars or the moonshine, you learn exactly what the Lady is like.

She wears a silken, softly-rustling gown that is of any lovely colour you choose. The hue of the blue overarching sky at midday, or the tender rose of dawn, or of the violet clouds that bar the flaming orange-ruby of the sunset: or the mysterious robe of twilight drapes her, or her garment is sable as the Night. The grand sweep of her shoulders and the splendid pillar of her throat reveal the beauty of her form even to the eyes of an untaught, neglected child. Her face is pale, but as full of sunlight as of shadow, and her eyes are really grey and deep as mountain lakes. The sorrow of all the world and all its joy seem to have rolled over her like many waters, and when she smiles the sweetness of it is always almost more than the Kid can bear.

Who is the Lady!

She has no other name than that. She is very, very good, as well as beautiful, and you can bear to tell her when you have been most wicked, because she is so sorry for you. She can play with you, and laugh so softly and clearly and gaily that you, who have never learned but to dread grown people's cruel merriment, join in and laugh too. When she laughs the corners of her eyes crinkle so like the corners of her lips that you have to kiss them, and there are dimples that come with the laughter, and make her dearer than ever.

Who is the Lady, tall, and strong, and tender? That dead woman lying out there under the Little Kopje was small, and slight, and frail. Who may the Lady be? Is she a dream or a mere illusion born of loneliness and starvation, physical and mental? Or has Mary, the Mother of Pity, laid aside her girdle of decades of golden roses, her mantle of glory, and her diadem of stars, and come stepping fair-footed down the stairway that Night builds between Earth and Heaven, to comfort a desolate child lying in a stable who never heard the story of the Christ-Babe of Bethlehem?

You ask no questions—you to whom she comes. You call her softly at night, stretching out your arms, and the clasp of her arms answers at once. You whisper how you love her, with your face hidden in her neck. The great kind dark that brings her is your real, real daytime in which you live and are glad. Each morning to which you waken, bringing its stint of hunger and abuse and blows renewed, is only a dreadful dream, you say to yourself, and so can face your world.

Oh, deep beyond fathoming, mysterious beyond comprehension is the hidden heart of a child!

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