It is Fate who comes hurrying to Lynette under the becoming shadow of a red umbrella, on the starched and rustling skirts of the agitated nurse, whose mouth is seen to be shaping sentences long before she can be heard panting:

"Did you call, 'm? Her ladyship thought you did, and might have found ... Oh, ma'am! have you seen a baby? We've lost ours!"

Lynette nods and laughs reassuringly, pointing down into the hollow. The nurse, with a squawk of relief, leaves her perambulator bogged in the sand, flutters up the powdery rise like some large species of seagull, squawks again, and swoops to retrieve her lost charge. Miss Baby, perfectly contented until the scarlet face and whipping ribbons of her attendant appear over the edge of her Paradise, throws herself backwards, strikes out with kicking, dimpled legs, and sets up an indignant roar.

"There now—there! 'A was a pessus!" vociferates the owner of the streaming ribbons and the scarlet countenance. "And did she tumble out of her pram, the duck, and wicked Polly never see her? And thank Good Gracious, not a bruise on her blessed little body-woddy, nor nothing but the very tiddiest scratch!"

"Which is not your fault, Watkins, I am compelled to say it," pronounces the Red Umbrella, arriving breathless and decidedly indignant, on the scene. "The idea of a person of your class being so wrapped up in a rotten penny novel that you can't even keep your eye upon the darling entrusted to your charge is too perfectly shameful for words. Baby, don't cry," she continues, as the repentant Polly appears, bearing the retrieved treasure. "Come to mummy and kiss her, and tell her all about it, do!"

"I sa-t!" bellows Baby, now keenly alive to the pathos of the situation, and digging a sandy pink fist into either eye ...

"Don't, then, you obstinate little pig!" returns Red Umbrella, with maternal asperity. She looks up to the fair vision that stands on high amongst the poppies, and nods and smiles. "However I am to thank you!... Such a turn when we missed her!..." She utters these incoherences with a great deal of eye-play, pressing a small, plump, jewelled hand, with short, broad fingers, and squat, though elaborately rouged and polished, nails, upon the bountiful curve of a Parisian corsage. "My heart did a double flip-flap ... hasn't done thumping yet. Am I pale still, Watkins?" She appeals to the recreant Watkins, who is busily repacking Baby in her luxurious perambulator. "I felt to go as white as chalk!"

"Perfect gassly, my lady!" agrees Watkins, and it occurs to Lynette that the process of blanching must, taking into consideration the artificial blushes that bloom so thickly upon the pretty, piquante face under the red umbrella, have been attended with some difficulty.

Everything is round in the coquettish face, shaded by a hat that is an expensive triumph of Parisian millinery, trimmed with a whole branch of wistaria in bloom. The big brown eyes are round, so is the cherry-stained mouth, so is the pert, button nose. The thick, dark eyebrows are like inky half-moons, in the middle of the little round chin a circular dimple is cunningly set. Round, pinky-olive shoulders and rounded arms gleam temptingly through the bodice of heliotrope chiffon. Other roundnesses, artfully exaggerated by the Parisian modiste, are liberally suggested, as Red Umbrella gathers her frothy draperies about her hips, lifting her multitudinous frills to reveal black and scarlet openwork silk stockings, bedecking her plump legs and tiny feet, whose high-heeled silver-buckled shoes are sinking in the hot, white, powdery sand.

"Please don't go on! I haven't half thanked you," she pleads, still pressing the podgy little bejewelled paw upon the heaving corsage. Then she sinks, with an air of graceful languor, down upon a long, prostrate monolith of granite, that is thickly crusted with velvety orange lichen and grey-green moss, starred with infinitesimal yellow flowers. And Lynette, habitually courteous and rather amused, and not at all unwilling to know a little more of the affected, slangy, overdressed little woman, sits down upon the other end of the sprawling stone column, and says, smiling at Baby, who is clutching at a hovering butterfly with her eager, dimpled hands:

"Of course, it was a terrible shock to you when you missed her. She is such a darling! Aren't you, Baby?"

Baby, her long, grey-green eyes melting and gleaming dangerously, her golden head tilted coquettishly, and a gay, provoking laugh on the bold red mouth, makes another snatch, captures the hovering blue butterfly, opens the rosy hand, and with a wry face of disgust, drops the crushed morsel over the edge of the perambulator. The superb, unconscious cruelty of the act gives Lynette a little pang even as she goes on:

"She was not in the least shy. I think we should soon be very great friends. May her nurse bring her to see me sometimes? Most babies love flowers, and there is a garden full of them where I am staying. Do you live here?"

"Live here? Gracious, no!" Red Umbrella opens the round, brown eyes that Baby's are so unlike in shape and expression, and shrugs her pretty shoulders as high as the big ruby buttons that blaze in her pretty ears. "Me and Baby are only visiting—stopping with her nurse and my two maids for a change at the Herion Arms—me having been recommended sea-air by the doctors for tonsils in the throat. The house is advertised as an up-to-date hotel in the ABC Railway Guide, but diggings more wretched I never struck, and you do fetch up in some queer places on tour in the Provinces, let alone the States," says Red Umbrella, tossing the wistaria-wreathed hat. "Which may be a surprise to people who think it must be nothing but jam for those ladies and gentlemen that have made their mark in the Profession."

"Yes?"

Lynette's golden eyes smile back into the laughing brown ones with pleasant friendliness, combined with an irritating lack of comprehension. And Red Umbrella, who derives a considerable income from percentages upon the sale of her photographs, and is conscious that her celebrated features are figuring upon several of the postcards that hang up for sale in the window of the only stationer in Herion, is a little nettled.

"I refer to the stage, of course." She fingers a long neck-chain of sapphires, and tinkles her innumerable bangles with their load of jingling charms. "But perhaps you're not a Londoner? Or you don't patronise the theatre?"

"Oh yes. We have a house in Harley Street. And I am very fond of the Opera," says Lynette, smiling still, "and of seeing plays too; and I often go to the theatre with Lord and Lady Castleclare, or Major Wrynche and Lady Hannah, when my husband is too much engaged to take me. One of the last pieces we saw before we left town was 'The Chiffon Girl' at The Variety," she adds.

"Indeed! And how did you like 'The Chiffon Girl'?" asks the lady of the red umbrella, with a gracious and encouraging smile. Unconscious tribute rendered to one's beauty and one's genius is ever well worth the having. And the editor of the Keyhole, a certain weekly journal of caterings for the curious, will gladly publish any little anecdote which will serve the dual purpose of amusing his readers and keeping the name of Miss Lessie Lavigne before the public eye. "How did you enjoy the performance of the lady who played the part?"

Lynette ponders, and her fine brows knit. Vexed and indignant, Red Umbrella, scanning the thoughtful face, admits its youth, its high-breeding, its delicate, chiselled beauty, and the slender grace of the supple figure in the grey-blue serge skirt and white silk blouse; nor is she slow to appreciate the value of the diamond keeper on the slight, fine, ungloved hand that rests upon the sun-hot moss between them.

"I think I felt rather sorry for her," says the soft cultured voice with the exquisite, precise inflections. The golden eyes look dreamily out over the undulating sand-dunes beyond the crisp line of foam to the silken shimmer of the smoothing water. The little wind has fallen. It is very still. The nurse, sitting on a hillock of bents in dutiful nearness to the perambulator, has taken out her paper-covered volume, and is deep in a story of blood and woe. And Baby, a sleepy, pink rosebud, dozes among her white embroidered pillows, undisturbed by Red Umbrella's shrill exclamation:

"Sorry for her! Why on earth should you be?"

The shriek startles Lynette. She brings back her grave eyes from the distance, flushing faint coral pink to the red-brown waves at her fair temples.

"She—she had on so few clothes!" she says. And there is a profound silence, broken by Lessie's saying with icy dignity:

"If the Lord Chamberlain opined I'd got enough on, I expect that ought to do for you!"

"I—don't quite understand."

Lynette opens her golden eyes in sincere wonder at the marvellous change that has been wrought in the little lady who sits beside her.

"I am Miss Lessie Lavigne," says the little lady, with an angry toss of the pretty head, adorned with the wistaria-trimmed hat. "At least, that is the name I am known by in the profession."

"I beg your pardon," Lynette falters. "I did not recognise you. I am afraid you must think me rather rude!"

"Oh, pray don't mention it!" cries the owner of the red umbrella. "Rude?—not in the least!"

Mere rudeness would be preferable, infinitely, to the outrage the little lady has suffered. She, Lessie Lavigne, the original exponent of the rÔle of "The Chiffon Girl," the idol of the pit and gallery, Queen regnant over the hearts beating behind the polished shirt-fronts in the stalls, has lived to hear herself pitied—not envied, but commiserated—for the scantiness of the costume in which it is alike her privilege and her joy to trill and caper seven times in the week before her patrons and adorers. Small wonder that she feels her carefully-manicured nails elongating with the desire to scratch and rend.

Then she reveals the chief arrow in her quiver. Not for nothing is she the widow of an English nobleman. With all the hereditary dignities of the Foltlebarres she will arm herself, and reduce this presuming stranger to the level of the dust. At the thought of the humiliation it is in her power to inflict she smiles quite pleasantly, displaying a complete double row of beautifully stopped teeth. And she says, as she fumbles in a chÂtelaine bag of golden links, studded with turquoises, and with elaborately ostentatious dignity produces therefrom a card-case, as precious as regards material, and emblazoned with a monogram and coronet, enriched with diamonds and pearls:

"I think you mentioned that you lived in the neighbourhood? May I know who I have the a—pleasure of being indebted to for finding my daughter to-day?"

"I am Mrs. Owen Saxham. I live at that grey stone house up there on the cliff. 'Plas Bendigaid,' they call it," explains Lynette, a little nervously, as her reluctant eyes scan the face and figure of the woman who owns the legal right to bear Beauvayse's name. The encounter is distasteful to her. She is painfully conscious of an acute sensation of antagonism and dislike. "The house belongs to my husband, and this is my first visit to Herion," she adds hurriedly, "because we—my husband and I—have not been very long married. But I like the place. And the house is charming, and there is a hall that was once the chapel, when it was a Convent. It shall be a chapel again; that is"—the wild-rose colour deepens on the lovely face—"if my husband agrees? To have it so restored would make the Plas seem more like a home, because I was brought up in a Convent, though not in England."

Her eyes stray back to the sun-kissed beauty of Nantmadoc Bay and the dotted line of white spots that indicate the town of St. Tudwalls at the base of the green promontory beyond the Roads. She forgets that this little overdressed person is Beauvayse's wife. She forgets in the moment that she herself is Saxham's. She is back in the beloved past with the Mother.

"It was in South Africa, my Convent ... more than a thousand miles from Cape Town, in British Baraland, on the Transvaal Border—in a little village-town, dumped down in the middle of the veld."

"What on earth is the veld?" asks the lady of the red umbrella, with acerbity. "I'm sick of seeing the word in the papers, and nobody seems to know what it means."

Lynette's soft voice answers:

"You can never know what it means until you have lived its life, and it has become part of yours. It spreads away farther than your eyes can follow it, for miles and miles. It is jade colour in spring, blue-green in early summer, desolate, scorching yellow-brown in winter, with dreadful black tracts of cinders, where it has been burned to let the young grass grow up. There is hardly a tree; there is scarcely a bird, except a vulture, a black speck high in the hot blue sky. There are flat-topped mountains and cone-shaped kopjes, reddish, or pale pink, or mauve-coloured, as they are nearer or farther away. And that is all!"

"All?"

"All, except the sunshine, bathing everything, soaking you through and through."

"But there is not always sunshine? It must be sometimes night?" argues Lessie, a little peevishly.

"There are deep violet nights, full of great white stars," Lynette answers. "There are storms of dust and rain, lightning and thunder, such as are only read of here.... There are plots, conspiracies, raids, robberies, murders, slumps and losses, plagues and massacres. There are rebellions of white men, and native risings. There have been wars; there is war to-day, and there will be war again in the days that are yet to come!"

She has almost forgotten the little woman beside her, staring at her with big, brown, rather animal eyes. Now she turns to her with her rare and lovely smile:

"The war that is going on now began at the little village-town where I was a Convent schoolgirl. We were shut for months within the lines. But, of course, you have read the newspaper accounts of the Siege of Gueldersdorp? I am only telling you what you know!"

Lessie laughs, and the laugh has the hard, unpleasant, mirthless little tinkle of a toy dog's collar-bell, or bits of crushed ice rattled in a champagne-glass.

"What I have good reason to know!"

Her podgy, jewelled hands are clenching and unclenching in her heliotrope chiffon lap; there is a well-defined scowl between the black arched eyebrows, and the murky light of battle gleams in the eyes that no longer languish between their bistred eyelids as she scans the pure pale face under the sweep of her heavily blackened lashes. She would almost give the ruby buttons out of her ears to see it wince and quiver, and crimson into angry blushes. And yet Lessie is rather amiable than otherwise in her attitude towards other women. True, she has never before met one who had the insolence to pity her to her face.

"So quite too interesting!" she says, with an exaggerated affectation of amiability, and in high, fashionable accents, "you having been at Gueldersdorp through the Siege and all. Were you ever—I suppose you must have been sometimes—shot at with a gun?"

The faintest quiver of a smile comes over the lovely face her grudging eyes are trying to find a flaw in.

"Often when I have been crossing the veld between the town and the Hospital, the Mauser bullets have hummed past like bees, or raised little spurts of dust close by my feet where they had hit the ground. And once a shell burst close to us, and a splinter knocked off my hat and tore a corner of her veil——"

"Weren't you in a petrified fright?" demands Lessie.

"I was with her!"

"Who was she?"

A swift change of sudden, quickening, poignant emotion passes over the still face. A sudden swelling of the white throat, a rising mist in the golden eyes, suggests to Lessie that she has been fortunate enough to touch upon a painful subject, and that possibly this presumptuous young woman who has pitied a Viscountess may be going to cry! But Lynette drives back the tears.

"She was the Reverend Mother, the Mother-Superior of the Convent where I lived at Gueldersdorp."

"Where is she now?"

"She is with God."

"With——"

Lessie is oddly nonplussed by the calm, direct answer. People who talk in that strangely familiar way of—of subjects that properly belong to parsons are rare in her world. She hastens to put her next question.

"Was yours the only Convent in Gueldersdorp where young ladies were taught?"

"It is the only Convent there."

"Did you know—among the pupils—a young person by the name of Mildare?"

There is such concentrated essence of spite in Lessie's utterance of the name, that Lynette winces a little, and the faint, sweet colour rises in her cheeks.

"I—know her, certainly; as far as one can be said to know oneself. My unmarried name was Mildare."

"You—don't say so! Lord, how funny!"

The seagulls fishing in the shallows beyond the foam-line, rise up affrighted by the shrill peal of triumphant laughter with which Lessie makes her discovery.

"Ha, ha, ha! Talk of a situation!... On the boards I've never seen one to touch it!" She jumps from the boulder, with more bounce than dignity, dropping the red umbrella and the jewelled card-case, and, extending in one pudgy ringed hand a highly-glazed and coroneted card, "Permit me to introduce myself," she says through set teeth, smiling rancorously. "My professional name, as I have had the honour and pleasure of explaining to you, is Lessie Lavigne, but in private"—the dignity of the speaker's tone is marred by its extreme huffiness—"in private I am Lady Beauvayse."

As Lynette looks in the painted, angry, piquante face she is more than ever conscious of that feeling of antagonism. Then her eyes, turning from it, encounter the cherub rosily sleeping on embroidered pillows, and a rush of blood colours her to the hair. His child—his child by the dancer—this dimpled creature she has clasped and kissed! The icy, tinkling giggle of the mother breaks in upon the thought.

"Of all the queer situations I ever struck, I do call this the queerest! Me, meeting you like this, and both of us getting quite pally! All over Baby, too!... Lord! isn't it enough to make you die? Don't mind me being a bit hysterical!" Lady Beauvayse dabs her tearful eyes with a cobwebby square of laced cambric. "It'll be over in a sec. And then, Miss Mildare—I beg pardon—Mrs. Saxham—you and me will have it out!"

"I am afraid I must be going." Lynette rises, and stands beside Lessie, looking down in painful hesitation at the blinking, reddened eyelids and the working mouth. "I have guests waiting for me at the Plas. And would it not be wise of you to go home and lie down?"

The words, for some obscure reason or other, convey an intolerable sting. Lessie jumps in her buckled Louis Quinze shoes, wheels, and confronts her newly-discovered enemy with glaring eyes.

"Go home ... lie down!" she shrieks, so shrilly that the sleeping cherub awakens, and adds her frightened roars to the clamour that scares the gulls. "If I had lain down and gone to my long home eighteen months ago, when you were cooped up in Gueldersdorp with my husband, it would have suited you both down to the ground!" She turns, with a stamp of her imperious little foot, upon the scared nurse, who is vainly endeavouring to still Baby. "Take her away! Carry her out of hearing! Do what you're told, you silly fool!" she orders. "And you"—she wheels again upon Lynette, her wistarias nodding, her chains and bangles clanking—"why do you stand there, like a white deer in a park—like an image cut out of ivory? Don't you understand that I, the woman you've pitied—my God! pitied, for singing and dancing on the public stage 'with so few clothes on'"—she savagely mimics the manner and tone—"I am the lawful wife of the man you tried to trap—the Right Honourable John Basil Edward Tobart!" The painted lips sneer savagely. "Beautiful Beau, who never went back on a man, or told the truth to a woman!—that's his character, and it pretty well sizes him up!"

Lessie stops, gasping and out of breath, the plump, jewelled hand clutching at her heaving bosom. The theatrical instinct in the daughter of the footlights has led her to work up the scene; but her rage of wounded love and jealousy is genuine enough, though not as real as the innocence in the eyes that meet hers, less poignant than the shame and indignation that drive the blood from those ivory cheeks.

"He married me on the strict QT at the Registrar's at Cookham," goes on Lessie, her painted mouth twisting, "a fortnight before he was ordered out on the Staff. We'd been friends for over a year. There was a child coming, since we're by way of being plain-spoken," says Lessie, picking up the prostrate red umbrella and the jewelled card-case, possibly to conceal a blush; "and he swore he'd never look at another woman, and write by every mail. And so he did at first, and I used to cry over the blooming piffle he put into his letters, and wish I'd been a straighter woman, for his sake. And then the Siege began, and the letters stopped coming, and I cried enough to spoil my voice, little thinking how my husband was playing the giddy bachelor thousands of miles away. And then came the news of the Relief, and despatches, saying that he"—her pretty face is distorted by the wry grimace of genuine anguish—"he was killed! And a month later I got a copy of a rotten Siege newspaper, sent me by I don't know who, and never shall, with a flowery paragraph in it, announcing his lordship's engagement to Miss Something Mildare. Oh! it was merry hell to know how he'd done me—me that worshipped the very ground he trod!... Me that had made a Judy of myself in crape and weepers—widow's weepers for the man that wished me dead!"

Her voice is thick with rage. Her face is convulsed. Her eyes are burning coals. She has never been so nearly a great actress, this meretricious little dancer and comedian, as in this moment when she forgets her art.

"Picture it, you!... Don't you fancy me in 'em? Don't you see me in my bedroom tearing 'em off?" She rends her flimsy cobweb of a handkerchief into tatters and spurns them from her. "So!... so!... that's what I did to 'em!" She snarls with a sudden access of tigerishness. "And if that white face of yours had been within reach of my ten fingers, I'd have ragged it into ribbons like the blooming fallals. Don't dare tell me you'd not have done the same! Perhaps, though, you wouldn't. You're a lady, born and bred," owns Lessie grudgingly, "and I was a jobbing tailor's kid, that worked to keep myself and other folks as a baby imp in Pantomime, while you were being coddled up and kept in cotton-wool!"

She ends with a husky laugh and a shrug of the shoulders. The swollen face with the wet eyes is averted, or Lessie might be roused to fresh resentment by the tenderness of pity that is dawning in Lynette's.

"You have suffered cruelly, Lady Beauvayse; but I was not knowingly or wilfully to blame. Please try to believe it!"

Lessie blows her small nose with a toot of incredulity, and says through an intervening wad of damp lace-edged cambric:

"Go on!"

"I met Lord Beauvayse out at Gueldersdorp." The voice that comes from Lynette's pale lips is singularly level and quiet. "He was very handsome and very brave; he was an officer of the Colonel's Staff. He asked me to marry him, and I—I believed him honourable and true, and I said, 'Yes.' ... That was one Sunday, when we were sitting by the river. On Thursday he was killed, and later—nearly a year after my marriage to Dr. Saxham—I found out the truth."

Lessie shrugs her pretty shoulders, but the face and voice of the speaker have brought conviction. She realises that if she has been injured, her rival has suffered equal wrong.

"You were pretty quick in taking on another man, it strikes me. But that's not my business. You say you found out?" She shows her admirably preserved teeth in a little grin of sardonic contempt—"nearly a year after your marriage. Don't tell me your husband let you go on burning joss-sticks to Beau's angelic memory when he might have made you spit on it by telling you the truth!"

Lynette's lip curls, and she lifts her little head proudly.

"He never once hinted at the truth. Nor was it through him I learned it!"

"Ought to be kept under glass, then," comments Lessie, "as a model husband. Now, my poor——"

Lynette interrupts, with angry emphasis:

"I will not hear Dr. Saxham mentioned in the same breath with Lord Beauvayse!"

"He's dead—let him be!" Beau's widow snarls, her mouth twisting. Yet in the same breath, with another of the mental pirouettes characteristic of her class and type, she adds: "Do you suppose I don't know my own husband? Take him one way with another, you might have sifted the world for liars, and never found the equal of Beau."

She gathers up the red umbrella and the jewelled card-case with reviving briskness, and shakes out her crumpled chiffons in the bright hot sun.

"Me and Baby are leaving to-morrow. I don't suppose we're likely ever to come across you again. Good-bye! I forgive you for pitying me," she says frankly, holding out the plump, over-jewelled hand. "As for the other grudge.... What, are you going to kiss me?... Give Baby another before you go, dear ... and ... forgive him when you can!"

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