Title: The King Behind the King Author: Warwick Deeping Language: English Character set encoding: UTF-8 E-text prepared by Mardi Desjardins, Alex White, |
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The King Behind
the King
By
Warwick Deeping
New York
McBride, Nast & Company
1914
Table of Contents
THE KING BEHIND THE KING
CHAPTER I
Fulk of the Forest had taken the way towards Witch’s Cross, with the full moon shining like a silver buckler behind him, to find himself standing at gaze among the yews of the Black Gill.
Straight before him stretched a black aisle pillared and arched with huge yews. The aisle ended, like the choir of a church, in a great woodland window where the full moon hung, one yellow rim touching a flurry of clouds. Fulk had drawn aside against the trunk of a tree, lean, alert, shadowy, conscious of something stirring away yonder in the glooms.
As he stood there watching, and straining his ears in the windless silence of the April night, he saw a figure move suddenly into the opening of this woodland window and remain there, outlined against the moon. The figure was wrapped in a loose cloak, and the peak and jagged edge of a hood showed up sharply. Moreover, a curved black line beside it betrayed the line of a strung bow.
Fulk’s sinews were as taut as lute cords. Here was a blessed chance sent after many nights of grim watching and waiting for certain elusive rascals who had been slaying my Lord of Lancaster’s deer. He began to move like a cat, slowly, sinuously, with a queer trailing action of the legs, slipping from tree to tree. The yews had dropped no dead wood; the turf was soft and sleek, and Fulk moved as silently as an owl flitting down a hedgerow.
The figure with the bow stood above him on a low bank where the yews ended and the fern and gorse began. It was motionless save for a slight turning of the head from side to side, and wholly intent upon scanning the heath beyond. Fulk drew a deep breath, gathered himself, and sprang.
The figure whipped round with a sharp cry. A wave of Fulk’s arm knocked aside the stabbing point of the horn end of the bow. The two black shapes grappled, one striving to break away, the other to hold its quarry. Someone’s foot slipped in a rabbit hole, and the two came down the bank in a tangle into the dense shade under the yews.
A cloud came over the moon, and out yonder a fat hart had risen and was galloping over the heath. Fulk, on top in the tussle, had a grip of a wrist whose hand had darted for a girdle knife. The figure under him ceased to struggle.
“Caught, you lousel!”
The voice that answered him had a fine edge of anger.
“Let me go, you clown. Have you no more wit than——”
Fulk sprang back and up.
“What!”
“Fool, let me but get my knife.”
“Blood of St. Thomas—a woman!”
CHAPTER II
A woman it was, and a very angry one at that: breathless, a little frightened, yet whole-heartedly defiant. She sat up, feeling her throat that had felt the grip of Fulk’s fingers, and looking about her in the darkness for the bow she had dropped in the scuffle.
Fulk had his foot on it, and since it would bear witness against her at the swainmote, and might be dangerous if left too near an angry woman’s hand, he picked it up and broke it across his knee. Moreover, he was as angry as she was, but with the cold, dry anger of a man who could not wholly escape from feeling a fool. It was so dark under the yews that he could see next to nothing of the creature that he had captured, nor could he tell whether she was young or old, mean or gentle.
She half lay against the bank, making a little moaning sound, one hand clutching the hilt of the knife at her girdle. Her eyes were two great black circles, her lips thin with scorn and pain. Fulk stood and waited, wondering who the devil the woman might be and whether he had handled her very roughly.
She did not speak for awhile, but lay there like a snake in the grass, ready to strike at him with the naked steel. Neither of them moved. The moon came from behind a cloud, and a stroke of light slashed the woman’s figure and glimmered on the blade of the knife.
Fulk saw it, and for the moment it stabbed a half contemptuous pity into him.
“You can put away that bodkin. How was I to know?” he shrugged laconically. “Seven deer lost in three weeks. The forest’s full of rogues and trailbastons, and folk who go out with bows by moonlight——”
She put the knife back into its sheath, and shook her hood back from her shoulders.
“Your fingers bit like the teeth of a dog. For being a clown and a fool, you can let me go, just where I desire.”
Her touch was a little imperious, and it was hawk hovering against hawk.
“It is three miles to the White Lodge. The swainmote court is held after the next new moon.”
“My friend, I shall not be there.”
“Good lady, I judge you will.”
He saw her give an angry flirt of the head.
“By my troth, to be pulled down by a Sussex badger and rolled on the grass! Pah! What manner of clown are you to stand there and talk of the swainmote?”
He grew the colder as she grew the more fierce.
“I am Lord of the Deer.”
She laughed and clapped her hands together.
“Listen to the lousel! Lord of the Deer! Lord of the Swine more likely. Now, Sir Legion, old Roger Ferrers is master of this forest, and you——”
He cut her short, chin in air.
“Roger Ferrers has gone with the duke to bargain with the Scots. Fulk Ferrers, the duke’s riding forester, lords it here. I am he. Come, let’s have no more scuffling—even with words.”
She sprang up suddenly.
“The riding forester! Messire Fulk Ferrers! Good, very good! Messire Fulk, I make you a curtsy. Maybe, you can tell the slot of a deer from the hoof-mark of a mule, even if you cannot tell a man from a woman. Messire Fulk, since you are gentle born, I will dare to wish you good-night.”
“You can wish me with the devil, madam, but it will be good-morrow in the White Lodge over yonder. Am I a fool?”
“Oh—well, but not a gallant fool! You will let me go?”
“No.”
“Yes.”
“I said nay to you.”
“So have better men before now—and repented of it.”
He was challenged, despite his boyish shrewdness, by a laughing audacity in the woman’s voice. Her meek mood was no more than spilt milk. She walked beside him with a swinging motion and an air of provocative insolence, and though her face was a mere grey blur he could imagine a curling of the lips and a gleaming of the eyes.
“I have said nay. Let it stand. As a matter of gossip I’ll ask you why I should let you go?”
“Only a fool would ask that!”
“Dub me a fool.”
“Because I am a woman—and I ask it.”
He laughed ironically, not looking at her but away over the heath.
“Put that in your girdle with your knife. A woman is no more than a man to me when I cherish the deer.”
She swung closer, and her voice changed to a mischievous, pleading whisper.
“Ah, but Messire Fulk, listen a moment.”
“You may find the verderers more easily cozened when the swainmote meets.”
“Good sir, how young you are!”
“Younger than an old fool, perhaps.”
“Be careful. It is the young fools who boast.”
She became ominously mute and docile of a sudden, and, turning from him, walked out slowly from under the shadow of the yews. Fulk went with her, step for step. She paused where the heathland began, and even as she paused the moon began to disappear behind a black drift of clouds.
“Wretch—traitor moon! Look!”
Fulk looked at the sky when she had meant him to look at her.
“What’s amiss with the moon?”
She gave him a significant side-glance, lids half closed, eyes glimmering.
“It is so dark again. Ah, Messire Fulk, you may not see me until to-morrow.”
“There is light enough for me to see you safe to the White Lodge.”
“Only the shadow of me. Look, now, am I young or old? Oh, come, be gallant!”
He stalked along beside her, lean, powerful, agile, old for his age, which was two-and-twenty, very sure of himself, and more than a little mistrustful of women. A vast silence possessed the night, save for the occasional rustling of the wind in the withered fern. The horizon was the edge of an upturned silver bowl powdered with faint stars. Scattered clouds drifted. Down in the bottoms white mists had gathered, and the woods looked black and cold, and grim. Westwards, about a furlong away, the Ghost Oak stood out on the ridge of a hill, showing like the antlered head of some huge hart.
If he had any curiosity as to his companion’s age, looks, name, and degree, Fulk hid that curiosity very creditably. Her voice was neither the voice of an old woman nor of a mere strolling wench, and he noticed that she was slim, and that she held herself like a young girl who had never laboured nor carried burdens nor borne a child. But his hardihood did not flatter her by betraying any consciousness of the eternal mystery of the creature that walked at his side.
She gave a shrug of piqued resignation.
“How monstrous solemn for one so young! Good Master Fulk, you take life and yourself and the deer most seriously. Now, supposing you catechise me. Who am I? Whence have I come? Whither shall I go? Or am I a mere she-ass to be led at the end of a rope?”
His face remained a profile to her.
“Who are you?”
“Ah—we advance! I am neither an abbess nor a great lady, nor a dragonfly nor a windhover. I am something of everything. I can shoot with the bow, dance, sing, play the lute, stab a man for insolence, tell lies, laugh, run like a boy. Guess!”
“I am not good at guessing. Tell the plain truth, or wait till the morning.”
She looked at him, and then at the sky where the edge of the moon was swimming clear of a cloud. She smiled to herself, and then touched Fulk’s elbow.
“See, the moon is coming out. You can see the shine in my eyes.”
Pausing abruptly, she put her hood well back, and stood as though determined to provoke him into taking her challenge. Fulk swung round as the moon cleared the cloud, and saw her white face claiming him as a regarder. Her hair, black as charcoal, was fastened up in a net of some silvery stuff that shone like gossamer on a hedgerow. It was a face of ivory—clear, keen, with eyes that glimmered under straight, black eyebrows. The mouth was long, mobile, audacious. The nose, slightly curved at the bridge, had proud, fine-spirited nostrils. It was a face that could be fierce, contemptuous, yet passionately eager, heroic, wicked, adorable by turns. She held herself as though she could hold the whole world at her service, and had never found herself in a mood to be mastered by any man.
Fulk stared—beyond his expectations. Something flashed a subtle provocation before him, menacingly, temptingly. The chin in air was railing and audacious. The dark eyes glittered at his grave face.
“Am I young or old?”
“I can see no wrinkles by this light.”
“Fair to behold and beholden to no man. I have made fools of them by the score—yes, I! Isoult of the Rose. I go where I please and when I please, and no man has my heart. I am desired—and I desire not. I ask, and am obeyed. Go to, now; you will grant me my desire?”
“To go where you please?”
“Even so.”
He looked at her steadily, as though holding his manhood to the flame of her audacious comeliness.
“It is to be where—I please.”
“So you say.”
“And so I mean.”
Her eyes pressed his as one sword presses on another.
“So! The boy is not to be cozened?”
“I have been very patient.”
“Patient! Honey and wine—patient! Jack Frost in doublet and hose!”
She laughed, scanned his face with some quickening of her audacity, and drew her hood forward again, consenting to realise that he would abide by his words. Her resignation was frank and confident, the resignation of a fearless spirit whose blood flowed too hotly for little malicious and peevish impulses to live in it. She had a shrewd instinct for the worth of a man’s word, seeing that life and her own heart had taught her the saying, “There is no man whom I cannot fool.”
“Let us see the White Lodge, Messire Fulk. I am growing hungry.”
She caught the rapid side-glance he gave her as they moved on together over the heath. Her sudden surrender had made him suspicious, so that he held his head high and nosed the air like a stag to get wind of an ambuscado.
“I play fair,” she said; “the game is yours—to-night.”
His eyes were sweeping the heath.
“There may be more than one jay in the wood.”
“There was but one to-night; but to-morrow, or the next day——”
She broke off with suggestive abruptness, and walked on at his side with a casual complaisance, holding her head high, and watching him at her leisure. She marked the set of his shoulders, and the way he carried his head, as though he lived a hawk’s life, looking ever into the distance, alert, part of the wild. He swung along with sweeping strides, the action of a man who could run like a deer, not the busy strut of the townsman. Now and again his profile was sharply outlined for her—a straight, stark profile with firm lips and a thrustful chin.
Presently she began to murmur a song, and the murmur grew into idle, irresponsible singing. She sang in an inward, dreamy voice, the notes flowing out smoothly like water from a marble conduit. It was a rich voice, capable of a delicious flux of sound, subtle, promising many emotions. Fulk kept his guard, though she sang as though it was as natural for her to sing as to breathe. This voice of hers might bring him adventures, brisk blows, and a sore head.
“Sing,” said he; “sing as you please. But if you sing any rascal within reach of this short sword of mine he’ll not bless your music.”
“I sing to please myself, good sir. Listen:
“The bed cover was of purple cloth,
All powdered with golden lilies.
The maid’s hair was the colour of gold
And violets and roses were strewn around.
The windows were of finest glass,
Painted with red hearts and silver crowns,
And the scent of her chamber was as the scent of May.
“Good words, Master Fulk—hey?”
“Why sing about maids with golden hair? And roses and violets don’t bloom together. Make a song about a hawk, or a bow, or a sword.”
“Some day, if it please you, I will sing of the sword, and perhaps of a broomstick. Raw apples should not grumble at sugar.”
Below them in a little valley between oak woods the White Lodge showed up under the moon. It was a great, low house of black beams and white plaster, thatched so thickly with heather that the shaggy eaves were two feet thick. The White Lodge lay in the lap of a narrow meadow, with stables, barns, and outbuildings clustered behind it, their steep roofs, black ridged, looking like the roofs of a little town. The oak woods made a dark shelter about the silver sheen of the meadowland. By the orchard a stew pond blinked at the moon. Stout palisades of rough timber shut in the house, outbuildings, courtyard, and garden.
Isoult of the Rose stood at gaze.
“I see the cage,” said she. “Tell me, will you let the bird go—or cage it?”
“The caged thrush sings on a sunny morning.”
“But a wild bird mopes.”
“Perhaps some of our old worthies will open the door.”
As they went on down into the valley the moon popped once more behind a cloud, and Isoult’s face seemed to grow dark and brooding. She moved beside Fulk of the Forest, mute, solemn, distraught, her eyes looking into the distance where the great downs lay like faint shadows against the sky. A mood of mystery held her, the sadness of foreseeing dolour and pain and blood and the snarling mouths of furious men.
Three old yew trees grew by the gate in the meadow fence, and Isoult paused there and gripped Fulk’s arm. Her white face looked into his, and he could see a gleaming inward light shining from her eyes.
“Consider, consider, I charge you. I shall bring you woe.”
He smiled in her eyes.
“A witch’s trick; an old woman’s warning!”
“If you and I were old I might have no pity. I give you your choice.”
“You chose for me when you came a-hunting,” he said laconically. “I am the friend of the deer.”
CHAPTER III
With the air of one who shakes off all ultimate responsibility with a shrug of the shoulders, she followed Fulk through the gate in the palisade.
“Oh, my good bachelor,” she said to herself, “you are likely to have your throat cut because of this, and someone will thrust a torch into yonder thatch. The dice cannot serve both players at one throw.”
The White Lodge loomed up over them, its long front frowning with black beams. The shaggy eaves threw a band of dense shadow, and the upper storey overhung the lower, being carried out on oak brackets and great carved corner posts. A path of rough stones sunk in the ground led to the porch, with the oak door studded with iron nails and hung on hand-wrought strap-hinges. There were beds of herbs, a grass plot, and a few rose bushes in front of the house; also a sundial set on a stone pillar.
Fulk knocked loudly with the pommel of his short sword. He and Isoult stood together in the gloom of the porch, so close that they could have touched each other; yet neither spoke, but listened to the sound of each other’s breathing. A tacit sense of antagonism possessed them. The man mistrusted the woman; the woman thought the man an obstinate fool.
They heard someone stirring within. There was an iron grille in the door, and the little shutter that closed it was shot back. A man’s voice bellowed a challenge as though he were bawling at a disobedient hound:
“Who’s there?”
The voice seemed to make a draught in the porch, and the high wooden palisade echoed it back.
“Open to us, John.”
The bars were withdrawn, and the door opened.
“A catch, master, surely!”
“Nothing to boast of. Get a light.”
The fellow made way for them, and went to light a torch at the embers that still glowed on the round hearth in the centre of the hall. He yawned hugely and scratched his head, the torch, as it flared up, throwing on the wall a large and shadowy travesty of a round head and a jogging elbow. Fulk rebarred the door, and the woman Isoult went to warm herself before the glowing ashes.
The forester turned, yawning in her face; but astonishment proved stronger than the incipient yawn.
“Strike me bloody—a woman!”
He held the torch high, and put his face near to hers. His breath, and the sodden hardness of his eyes told her that he was too fond of the mead horn.
“Hey, you hen-harrier! Master, it be a woman.”
Fulk turned on him fiercely.
“Kennel up, you fool of a sot! Put the torch in a bracket. Now, go and fetch us a jug of cider and some bread and honey. Hurry!”
The man blinked and went off yawning, but Fulk called him back before he reached the door leading towards the kitchen quarters.
“Dame Ferrers is abed?”
“These three hours, master.”
“Good. Bring the cider, bread and honey, and then go and set up the truckle bed in the store-room, and get clean straw.”
They were left alone together. Fulk pointed her to a stool by the fire.
“My mother and her wench are abed. They shall look to you to-morrow.”
She nodded, and said nothing, but stole a glance at him from under her hood. The smoky flare of the solitary torch was even more baffling than the moonlight, and Fulk was standing, half turned to the light, and examining the two halves of the bow he had taken from her, his face hard, inscrutable, and murky.
“This bow was not made in these parts.”
“It may tell you more than I can.”
John the forester returned with a jug of cider, and bread and honey on a hollywood platter. Fulk bade him set the food and drink before Isoult. The fellow, none too sober, stumbled against the hearth curb, and spilt half the cider.
Fulk struck him across the shoulders with half of the broken bow.
“Sot! Vanish—get out of my sight!”
When the man had gone he turned to Isoult, frowning:
“A man who cannot rule his body is no better than a beast. Eat.”
She took bread, and spread the honey with her girdle knife, nothing but the point of her chin showing under the shadow of her hood.
“Lording,” she said, “you are very masterful. Do you rule your men as you rule your dogs?”
“It serves. A cur is a villein; a hound a gentleman.”
She took the jug and drank.
“So! We are all dogs, if not of the same litter. And some of us are hated. What do the people sing now:
“When Adam delved and Eve span,
Where was then the gentleman?”
He looked down at her, as from a height.
“A fool’s ditty. Will you ask me to prove that a hart royal is no better than a rooting hog? A scullion’s forbears were scullions: that’s the sense of’t.”
She held out the loaf to him.
“Will you not eat?”
“I eat but twice a day.”
“Proud, even over a platter. Oh, my good bachelor, you will not be long-lived!”
When she had eaten, Fulk took a rushlight, lit it at the torch, and stood waiting. Isoult rose and followed him to the door of the store-room that opened out of a passage leading from the hall. He gave her the rushlight, and their fingers touched.
“Cold hand, Messire Fulk, hot heart.”
He said nothing, but waited for her to enter, and then locked the door after her and took the key.
Fulk slept in the hall that night on a deer-skin spread upon a bed of bracken, and so little had the feminine temper of the adventure stirred him that he slept till five of the clock, when he was wakened by John the forester opening the shutters.
“A touch of frost, master, but a fine morning. Peter of the Purlieus has been watching the Pippinford rides. He was to meet me at Stonegate two hours after sunrise.”
Fulk was still sleepy.
“Yes, get along. Take a couple of hounds and your quarterstaff, and blow three notes if you see aught that is strange.”
The forester started out, and Fulk dozed off again till he woke to the sound of someone singing. For the moment he had almost forgotten the woman in yonder, and to judge by her matins she was in a mood with the birds.
He sat up just as the solar door opened, and a grey figure appeared at the top of the wooden stairway leading down into the hall. The figure had paused, as though listening, its eyes fixed upon Fulk seated on the deer-skin where the morning sunlight poured in upon the floor.
“Fulk!”
“Mother!”
Margaret Ferrers came down slowly into the hall. She was clad all in grey, her head wrapped in a starched white wimple, a cold figure with cold eyes. Her face was as passionless as the face of one lying dead in a shroud, nostrils and lips thin and compressed, the skin bloodless and opaque. This woman had the air of having left her soul behind her somewhere in the past, but this morning her eyes were alert and mistrustful, her face as sharp and pinched as on a bitter winter morning. Isoult was still singing, and with such abandonment that the words could be heard in the hall:
“I put me on a new shift the morning I was wed.
My gown it was of cloth of gold, my hose of Flemish red.”
Margaret Ferrers asked no questions. She stood, waiting, like the ghost in the tale forbidden by pride to speak until spoken to. Fulk sprang up, the impetuous youth in him missing the look in his mother’s eyes.
“Listen to the caged bird singing. I caught it last night under the Witch Cross yews.”
“A woman?”
“Stalking a hart by moonlight, with a bow in her hand. I locked her in the store-room for the night.”
Margaret Ferrers still considered him with her mistrustful eyes.
“A woman!”
“Who calls herself Isoult of the Rose. Jade or lady, she goes before the verderers at the next swainmote. We shall have to lodge her here.”
His mother was wondering whether she should believe him. They came to all men, these adventures, and yet he carried it off like a boy who had brought home a snared rabbit.
“Who is she? Whence does she come?”
“I know no more than Father Adam. Some gay dame, perhaps, tired of her bower, and come adventuring. She tried to fool me.”
Margaret Ferrers listened to the singing voice.
“Some light wench,” she thought; but to her son she said, “Give me the key, Fulk. I may find out more than a man could.”
He gave her the key without demur, and leaving her to visit Isoult of the Rose, he passed out into the courtyard and washed in the great stone trough under the pump.
Dame Margaret approached the matter with all the uncharitableness of a woman who once in her life had stood in bitter need of the world’s charity. Her face seemed to grow thinner and sharper from the moment that she set eyes upon Isoult. The claws of a woman’s jealous instinct tore all fripperies aside, and laid bare the sinful body that good women imagine they see under richly coloured clothes.
Isoult was no less instantly upon her guard. She looked slantwise at Dame Margaret, holding her head high, and seeing in the grey and blighting figure mistrust, arrogance, and scorn.
“The day’s blessing on you, madame.”
Isoult chose to speak in the French tongue, mincingly yet railingly, with a gleam far back in her dark eyes. She spoke Breton French, and spoke it fluently, and with a little mischievous lilt that had the sparkle of fine wine. This solemn flapping heron was to be stooped at and struck with the talons, for Margaret Ferrers’ eyes had thrown out the one word that is unforgivable and not to be forgotten.
“I am in love with this fair chamber. It is good to smell the spicery, and the herbs, and the salted meat. Madame, it is through no wish of mine that messire, your son, has inflicted me upon you. But he was so obstinate in holding what he had taken!”
Margaret Ferrers looked her up and down with glances that slashed the gay clothes to ribbons. She had nothing pleasant to say to Isoult, and being the woman she was she said all that was unpleasant.
“Let us understand each other. Some of us go in our proper colours. My house is not an intake, though it must serve as a jail. Have you anything you wish to say?”
Isoult’s eyes glittered.
“Madame, nothing, save that grey twilight follows a red sunset. Let us not waste words on each other. I am not what you believe; you may not have been what you seem.”
She saw the elder woman’s face redden, her nostrils dilate, her mouth grow pinched and thin.
“Enough. I will leave you to my kitchen wench. She will bring you your food, and you can vent your sauciness on her; she will know how to answer properly to suit the colour of your gown.”
The dame tried to outstare Isoult, but her eyelids flickered, nor did the flush die out of her face till she had relocked the door upon this strolling jade.
In the hall she found Fulk throwing some brushwood on the hot ashes of the night’s fire. An instant flash of Margaret Ferrers’ eyes showed her jealous, doubting temper. She strove to become mistress of herself again—the cold woman whose heart had chastened itself through many years of dread and suspense and perilous pride.
Fulk looked round sharply, challenging her:
“Well, mother?”
She made an effort to put the heat of malice out of her mouth, and in the main she succeeded.
“I have little that needs saying. Trust a woman to see through a woman. We must feed the jade till the swainmote meets.”
“Who is she?”
“I neither know nor care.”
“Whence has she come?”
“I did not ask her. Such wenches come from nowhere and go nowhere, till the Father of Lies takes his own.”
The son looked thoughtful.
“You are no wiser than when you went in?”
“Yes, wiser; wise enough.”
He seemed to consider the matter as though all the authority were his.
“Give me the key, mother. I must read this rebus.”
Her face softened. Some instinct made her afraid, and yet urged her to dissemble her fear, for she was loath to let her son go into Isoult’s chamber.
“Do not vex your head about the jade, Fulk. I will see to it.”
He said quietly:
“Mother, the key.”
Her eyelids flickered as she looked at him with a troubled recognition of something that challenged her inmost conscience, for she saw, more suddenly than ever before, a likeness both in body and mind that was princely and almost terrible. His yea and nay were serenely imperious; he soared at a royal height and stooped to take his desire.
Margaret Ferrers gave him the key and stood stiff and mute, listening to his footsteps as he went along the passage leading to Isoult’s room.
The place had a narrow window that was barred with iron, but the morning sun poured in through it, and Isoult herself stood in the sunlight. She had let down her hair, and was combing it with an ivory comb.
Fulk paused in the doorway like a man who has stumbled on a milk-white hind couched in a secret thicket. Nor was the woman blind. She had thrown her green cloak and her sky-blue cote-hardie on a stool, the cote-hardie all embroidered with silver suns and stars, with green tippets at the elbows and buttons of blue enamel down the front. Fulk found her in her shift and kirtle, the latter of holly green, fitting close to the figure, and showing off the curves of hip and bosom. She wore a girdle of red leather with a gypsire hanging from it. Her shoes were of red leather, her hose of grass-green silk.
Fulk paused by the door, a little dazzled by the blackness of the woman’s hair, the whiteness of her throat, and all the rich colours of her garments. A strange hunting dress, and a strange huntress! Moreover, there was a world of raillery and laughter deep in her eyes. She had seemed pale by moonlight, but this morning her lips were very red and she was a creature of colour, of white curves, and of haunting health.
“Good-day to you, Messire Fulk.”
She looked at him steadily, provokingly, and went on combing her hair. And standing there, one hand on the door-post, he essayed to catechise her, only to be met with a kind of railing silence. It was a new notion to him that a woman should set out to treat him as though he were a clown and a fool.
“Take your chance or lose it. I am in no temper to be kept like a hawk on a perch.”
She ran the comb through her hair deliberately and at her leisure.
“If I had anything to say, Messire Fulk, I should have said it long ago. One thing: do not send your mother to me; we shall quarrel, and I have a devil’s tongue. Now, I will not hinder you——”
She turned her back and appeared busied with gathering up her hair ready for the silver net.
“You have nothing to say?”
She gave him one glance over her shoulder.
“No, Messire Fulk, nothing.”
He went out with a stiff face, conscious that he had fared no better than his mother.