| I | THE DIFFERENT METHODS OF PRINTING | |
| II | ANTIQUE METHODS OF IMPRESSION AND THEIR FAILURE | |
| III | THE KEY TO THE INVENTION OF TYPOGRAPHY | |
| IV | THE IMAGE PRINTS OF THE FIFTEENTH CENTURY | |
| V | PRINTED AND STENCILED PLAYING CARDS | |
| VI | THE CHINESE METHOD OF PRINTING | |
| VII | THE EARLY PRINTING OF ITALY | |
| VIII | THE INTRODUCTION OF PAPER IN EUROPE | |
| IX | THE BOOK-MAKERS OF THE MIDDLE AGES | |
| X | THE PREPARATIONS FOR PRINTING | |
| XI | BLOCK-BOOKS OF IMAGES WITHOUT TEXT | |
| XII | BLOCK-BOOKS OF IMAGES WITH TEXT | |
| XIII | THE DONATUS, OR BOY’S LATIN GRAMMAR | |
| XIV | THE SPECULUM SALUTIS, OR MIRROR OF SALVATION | |
| XV | THE WORKS AND WORKMANSHIP OF AN UNKNOWN PRINTER | |
| XVI | THE PERIOD IN WHICH THE SPECULUM WAS PRINTED | |
| XVII | THE LEGEND OF LOURENS JANSZOON COSTER | |
| XVIII | THE GROWTH OF THE LEGEND | |
| XIX | THE DOWNFALL OF THE LEGEND | |
| XX | JOHN GUTENBERG AT STRASBURG | |
| XXI | GUTENBERG AND HIS EARLIER WORK AT MENTZ | |
| XXII | THE LATER WORK OF GUTENBERG | |
| XXIII | THE WORK OF PETER SCHŒFFER AND JOHN FUST | |
| XXIV | ALLEGED INVENTORS OF PRINTING | |
| XXV | THE SPREAD OF PRINTING | |
| XXVI | THE TOOLS AND USAGES OF THE FIRST PRINTERS | |
| AUTHORITIES CONSULTED | ||
| INDEX |
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