A LADY AND GENTLEMAN, WHO HUNG FIRE. NATURAL HISTORY, AND ARTIFICIAL CHRONOLOGY. NEITHER WAS TWENTY YEARS YOUNGER. CONFIDENCES ABOUT ANOTHER LADY AND GENTLEMAN, SOME YEARS SINCE. HOW THE FIRST GENTLEMAN FINISHED HIS SECOND CIGAR. DR. LIVINGSTONE AND SEKELETU. MR. NORBURY'S QUORUM. WHY ADRIAN TORRENS WOKE UP, AND WHOSE VOICE PROMISED NOT TO MENTION HIS EYES. FEUDAL BEEF-TEA, AND MRS. BAILEY. AN EARLY VISIT, FROM AN EARL. AN EXPERIMENT THAT DISCLOSED A PAINFUL FACT

It is three weeks later at the Castle; three weeks later, that is, than the story's last sight of it. It is the hottest night we have had this year, says general opinion. Most of the many guests are scattered in the gardens after dinner, enjoying the night-air and the golden moon, which means to climb high in the cirrus-dappled blue in an hour or so. And then it will be a fine moonlight night.

On such a night there is always music somewhere, and this evening someone must be staying indoors to make it, as it comes from the windows of the great drawing-room that opens on the garden. Someone is playing a Beethoven sonata one knows well enough to pretend about with one's fingers, theoretically. Only one can't think which it is. So says Miss Smith-Dickenson, in the Shrubbery, to her companion, who is smoking a Havana large enough to play a tune on if properly perforated. But she wishes Miss Torrens would stop, and let Gwen and the Signore sing some Don Juan. That is Miss Dickenson's way. She always takes exception to this and to that, and wants t'other. It does not strike the Hon. Percival Pellew, the smoker of the big cigar, as a defect in her character, but rather as an indication of its illumination—a set-off to her appearance, which is, of course, at its best in the half-dark of a Shrubbery by moonlight, but is passÉe for all that. Can't help that, now, can we? But Mr. Pellew can make retrospective concession; she must have told well enough, properly dressed, fifteen years ago. She don't exactly bear the light now, and one can't expect it.

The Hon. Percival complimented himself internally on a greater spirituality, which can overlook such points—mere clay?—and discern a peculiar essence of soul in this lady which, had they met in her more palatable days, might have been not uncongenial to his own. Rather a pity!

Miss Dickenson could identify a glow-worm and correct the ascription of its light to any fellow's cigar-end thrown away. She made the best figure that was compatible with being indubitably passÉe when she went down on one knee in connection with this identification. Mr. Pellew felt rather relieved. Her outlines seemed somehow to warrant or confirm the intelligence he had pledged himself to. He remarked, without knowing anything about it, that he thought glow-worms didn't show up till September.

"Try again, Mr. Pellew. It's partridge-shooting that doesn't begin till September. That's what you're thinking of."

"Well—August, then!"

"No—that's grouse, not glow-worms. You see, you are reduced to July, and it's July still. Do take my advice, Mr. Pellew, and leave Natural History alone. Nobody will ever know you know nothing about it, if you hold your tongue."

The Hon. Percival was silent. He was not thinking about his shortcomings as a Natural Historian. The reflection in his mind was:—"What a pity this woman isn't twenty years younger!" He could discriminate—so he imagined—between mere flippancy and spontaneous humour. The latter would have sat so well on the girl in her teens, and he would then have accepted the former as juvenile impertinence with so much less misgiving that he was being successfully made game of. He could not quite shake free of that suspicion. Anyhow, it was a pity Miss Smith-Dickenson was thirty-seven. That was the age her friend Lady Ancester had assessed her at, in private conversation with Mr. Pellew. "Though what the deuce my cousin Philippa"—thus ran a very rapid thought through his mind—"could think I wanted to know the young woman's age for, I can't imagine."

"There it is!" said the lady, stooping over the glow-worm. "Little hairy thing! I won't disturb it." She got on her feet again, saying:—"Thank you—I'm all right!" in requital of a slight excursion towards unnecessary help, which took the form of a jerk cut short and an apologetic tone. "But don't talk ZoÖlogy or Botany, please," she continued. "Because there's something I want you to tell me about."

"Anything consistent with previous engagements. Can't break any promises."

"Have you made any promises about the man upstairs?"

"Not the ghost of a one! But he isn't 'the man upstairs' to me. He's the man in the room at the end of my passage. That's how I came to see him."

"You did see him?"

"Oh yes—talked to him till the nurse stopped it. I found we knew each other. Met him in the Tyrol—at Meran—ten years ago. He was quite a boy then. But he remembered me quite well. It was this morning."

"Did he recognise you, or you him?"

"Why—neither exactly. We found out about Meran by talking. No—poor chap!—he can't recognise anybody, by sight at least. He won't do that yet awhile."

The lady said "Oh?" in a puzzled voice, as though she heard something for the first time; then continued: "Do you know, I have never quite realised that ... that the eyes were so serious. I knew all along that there was something, but ... but I understood it was only weakness."

"They have been keeping it dark—quite reasonably and properly, you know—but there is it! He can't see—simply can't see. His eyes look all right, but they won't work. His sister knows, of course, but he has bound her over to secrecy. He made me promise to say nothing, and I've broken my promise, I suppose. But—somehow—I thought you knew."

"Only that there was something—no idea that he was blind. But I won't betray your confidence."

"Thank you. It's only a matter of time, as I gather. But a bad job for him till he gets his sight again."

"He will, I suppose, in the end?"

"Oh yes—in the end. Sir Coupland is cautious, of course. But I don't fancy he's really uneasy. His sight might come back suddenly, he said, at any moment. Of course, he believes his eyesight will come back. Only meanwhile he wants—it was a phrase of his own—to keep all the excruciation for his own private enjoyment. That's what he said!"

"I see. Of course, that makes a difference. And you think Sir Coupland thinks he will get all right again?"

Mr. Pellew says he does think so, reassuringly. "It has always struck me as peculiar," says he, "that Tim's family ... I beg pardon—I should have said the Earl's. But you see I remember him as a kid—we are cousins, you know—and his sisters always called him Tim.... Well, I mean the family here, you know, seem to know so little of the Torrenses. Lady Gwen doesn't seem to have recognised this chap in the Park."

"I believe she has never seen him. He has been a great deal abroad, you know."

"Yes, he's been at German Universities, and games of that sort."

"Is that your third cigar, Mr. Pellew?"

"No—second. Come, I say, Miss Dickenson, two's not much...."

But her remark was less a tobacco-crusade than a protest against too abrupt a production of family history by a family friend. Mr. Pellew felt confident it would come, though; and it did, at about the third whiff of the new cigar.

"I suppose you know the story?"

"Couldn't say, without hearing it first to know."

"About Philippa and Sir Hamilton Torrens?"

"Can't say I have. But then I'm the sort of fellah nobody ever tells things to."

"I suppose I oughtn't to have mentioned it."

"I shall not tell anyone you did so. You may rely on that." Mr. Pellew gave his cigar a half-holiday to say this seriously, and Miss Dickenson felt that his type, though too tailor-made, was always to be relied on; you had only to scratch it to find a Gentleman underneath. No audience ever fails to applaud the discovery on the stage. Evidently there was no reserve needed—a relation of the Earl, too! Still, she felt satisfied at this passing recognition of Prudence on her part. Preliminaries had been done justice to.

She proceeded to tell what she knew of the episode of her friend's early engagement to the father of the gentleman who had been shot. It was really a very flat story; so like a thousand others of its sort as scarcely to claim narration-space. Youth, beauty, high spirits, the London season, first love—warranted the genuine article—parental opposition to the union of Romeo and Juliet, on the vulgar, unpoetical ground of Romeo having no particular income and vague expectations; the natural impatience of eighteen and five-and-twenty when they don't get their own way in everything; misunderstandings, ups-and-downs, reconciliations and new misunderstandings; finally one rather more serious than its predecessors, and judicious non-interference of bystanders—underhanded bystanders who were secretly favouring another suitor, who wasn't so handsome and showy as Romeo certainly, but who was of sterling worth and all that sort of thing. Besides, he was very nearly an Earl, and Hamilton Torrens was three-doors off his father's Baronetcy and Pensham Steynes. This may have had its weight with Juliet. Miss Dickenson candidly admitted that she herself would have been influenced; but then, no doubt she was a worldling. Mr. Pellew admired the candour, discerning in it exaggeration to avoid any suspicion of false pretence. He did not suspect himself of any undue leniency to this lady. She was altogether too passÉe to admit of any such idea.

The upshot of the flat episode, of course, was that Philippa "became engaged" to her new suitor, and did not fall out with him. They were married within the year, and three months later her former fiancÉ's father died, rather unexpectedly. His eldest son, coming home from Burmah on sick-leave, died on the voyage, of dysentery; and his second brother, a naval officer, was in the autumn of the same year killed by a splinter at the Battle of Navarino. So by a succession of fatalities Romeo found himself the owner of his father's estate, and a not very distant neighbour of Juliet and his successful rival.

It appeared that he had consoled himself by marrying a Miss Abercrombie, Miss Dickenson believed. These Romeos always marry a Miss Something; who, owing to the way she comes into the story, is always on the top-rung of the ladder of insipidity. Nobody cares for her; she appears too late to interest us. No doubt there were several Miss Abercrombies on draught, and he selected the tallest or the cleverest or the most musical, avoiding, of course, the dowdiest.

However, there was Lady Ancester's romance, told to account for the languid intercourse between the Castle and Pensham Steynes, and the non-recognition of one another by Gwen and the Man in the Park. Miss Dickenson added a rider to the effect that she could quite understand the position. It would be a matter of mutual tacit consent, tempered down by formal calls enough to allay local gossip. "I think Miss Torrens has stopped," said she collaterally; you know how one speaks collaterally? "Shall we walk towards the house?"

Then the Hon. Percival made a speech he half repented of later; videlicet, when he woke next morning. It became the fulcrum, as it were, of an inexplicable misgiving that Miss Dickenson would be bearing the light worse than ever when he saw her at breakfast. The speech was:—"It's very nice out here. One can hear the Don at Covent Garden. Besides ... one can hear out here just as well." This must have been taken to mean that two could. For the lady's truncated reply was:—"Till you've finished your cigar, then!"

Combustion was lip-close when the cigar-end was thrown away. The reader of this story may be able to understand a thing its writer can only record without understanding—the fact that this gentleman felt grateful to the fine moonlight night, now nearly a fait-accompli, for enhancing this lady's white silk, which favoured a pretence that she was only reasonably passÉe, and enabled him to reflect upon the contour of her throat without interruption from its skin. For it had a contour by moonlight. Well!—sufficient to the day is the evil thereof; daylight might have its say to-morrow. Consider the clock put back a dozen years!

"Oh yes, he's asleep still, but I've seen him—looked in on my way down. Do you know, I really believe he will be quite fit for the journey to-morrow. He's getting such a much better colour, and last night he seemed so much stronger." Thus the last comer to the morning-rally of breakfast claimants, in its ante-room, awaiting its herald. Miss Irene Torrens is a robust beauty with her brother's eyes. She has been with him constantly since she came with her father three weeks ago, and the two of them watched his every breath through the terrible day and night that followed.

"Then perhaps he will let us see him," says Lady Gwen. "At last!"

"You must not expect too much," says Miss Torrens. She does not like saying it, but facts are overpowering. Her brother has exacted a pledge from her to say nothing, even now, about his blindness—merely to treat him as weak-eyed temporarily. He will pass muster, he says—will squeak through somehow. "I can't have that glorious girl made miserable," were the words he had used to her, half an hour since. This Irene will be all on tenterhooks till the interview is safely over. Meanwhile it is only prudent not to sound too hopeful a note. It is as well to keep a margin in reserve in case the performance should fall through.

Irene's response to her brother's words had been, "She is a glorious girl," and she was on the way to "You should have seen her eyes last night over that Beethoven!" But she broke down on the word eyes. How else could it have been? Then the blind man had laughed, in the courage of his heart, as big a laugh as his pitiable weakness could sustain, and had made light of his affliction. He had never given way from the first hour of his revival, when he had asked to have the shutters open, and had been told they were already wide open, and the July sun streaming into the room.

It was the Countess who answered Irene's caution, as accompaniment to her morning salute. "We are not to expect anything, my dear. That is quite understood. It would be unreasonable. And we won't stop long and tire him. But this girl of mine will never be happy if he goes away without our—well!—becoming acquainted, I might almost say. Because really we are perfect strangers. And when one has shot a man, even by accident...." Her ladyship did not finish, but went on to hope the eyesight was recovering.

"Oh yes!" said Irene audaciously. "We are quite hopeful about it now. It will be all right with rest and feeding up. Only, if I let you in to see him you will promise me, won't you—not to say a word about his eyes? It only frightens him, and does no one any good." Of course, Miss Torrens got her promise. It was an easy one to make, because reference to the eyes only seemed a means towards embarrassment. Much easier to say nothing about them. Gwen and Miss Torrens, very liÉes already, went out by the garden window to talk, but would keep within hearing because breakfast was imminent.

More guests, and the newspapers; as great an event in the early fifties as now, but with only a fraction of the twentieth century's allowance of news. Old General Rawnsley, guilty of his usual rudeness in capturing the Times from all comers, had to surrender it to the Hon. Percival because none but a dog-in-the-manger could read a letter from Sir C. Napier of Scinde, and about Dr. Livingstone and Sekeletu and the Leeambye all at the same time. All comers, or several male comers at least, essayed to pinion the successful captor of the Times, thirsting for information about their own special subjects of interest. No—the Hon. Percival did not see anything, so far, about the new Arctic expedition that was to unearth, or dis-ice, the Erebus and Terror; but the inquirer, a vague young man, shall have the paper directly. Neither has he come on anything, as yet, about a mutiny in the camp at Chobham. But the paper shall be at the disposal of this inquirer, too, as soon as the eye in possession has been run down to the bottom of this column. In due course both inquirers get hold of corners at the moment of surrender, and then have paroxysms of polite concession which neither means in earnest, during which the bone of contention becomes the prey of a passing wolf. Less poetically, someone else gets hold of the paper and keeps it.

The Hon. Percival really surrendered the paper, not because his interest in Lord Palmerston's speech had flagged, but because he had heard Miss Dickenson come in, and that consideration about her endurance of the daylight weighed upon him. On the whole, she is standing the glare of day better than he expected, and her bodice seems very nicely cut. It may have been an accident that she looked so dowdy yesterday morning. He and she exchange morning greetings, passionlessly but with civility. The lady may be accounting a tÊte-À-tÊte by moonlight with a gentleman, an hour long, an escapade, and he may be resolving on caution for the future. By-the-by, can a lady have a tÊte-À-tÊte with another lady by moonlight? Scarcely!

Mr. Norbury, the butler, always feels the likeness of the breakfast rally to fish in a drop-net. If he acts promptly, he will land his usual congregation. He must look in at the door to see if there is a quorum. A quarum would do. A cujus is a great rarity; though even that happens after late dances, or when influenza is endemic. Mr. Norbury looked in at the rally and recognised its psychological moment. More briefly, he announced that breakfast was ready, while a gong rang up distant sheep astray most convincingly.

Adrian Torrens, too weak still to show alacrity in waking, hears the sound and is convinced. How he would rejoice to join the party below! He knows that, in his sleep; and resolves as soon as he can speak to tell Mrs. Bailey the nurse he could perfectly well have got up for breakfast. Yet he knows he is glad to be kept lying down, for all that.

He wakes cherishing his determination to say this to his tyrant, and is conscious of the sun by the warmth, and the unanimity of the birds. He knows, too, that the casement is open, by the sound of voices in the garden below. His sister's voice and another, whose owner's image was the last thing human he had seen, with the eyes that he dared not think had looked their last upon the visible world when the crash came from Heaven-knows-where and shut it out. He could identify it beyond a doubt; could swear to it, now that he had come to understand the real story of his terrible mishap, as the first sound that mixed with his returning life, back from a painless darkness which was a Heaven compared to the torture of his reviving consciousness. It was strange to be told now that at that moment the medical verdict had been given that he was dead. But he could swear to the voice—even to the words! What was it saying now?

"You may rely on me—indeed you may—to say nothing about the eyes. He will be just able to see us, I suppose?"

"He will hardly recognise you. How long was it altogether, do you think?"

"At Arthur's Bridge? Five minutes—perhaps less."

"He took a good look at you?"

"I suppose so. I think he did, as soon as he had got the dog chained. Oh yes—I should say certainly! I fancied he might have seen me before, but it seems not."

"He says not. But you were not out when he went to Konigsberg."

"Oh no—I had quite a long innings after that.... Well!—it does sound like cricket, doesn't it? Go on."

"Oh—I see what you mean. What a ridiculous girl you are! What was I saying!... Oh, I recollect! That was just after he graduated at Oxford. Then he went to South America with Engelhardt. He really has been very little at home for three years—over three years—past."

"We shall see if he knows me. I won't say anything to guide him." Then he heard his sister's voice reply to the speaker with words she had used before:—"You know you must not expect too much." To which Lady Gwendolen reiterated: "Oh, you may trust me. I shall say nothing to him about it.... Oh, you darling!" This was to Achilles, manifestly. He had become restless at the sound of conversation below, and had been looking round the door-jamb to see if by any chance a dog could get out. The entry of the nurse a moment since, with a proto-stimulant on a tray, had let him out to tear down the stairs to the garden, rudely thrusting aside the noble owner of the house, out of bounds in a dressing-gown and able to defy Society.

No lack of sight can quench the image in its victim's brain of Achilles' greeting to the owners of the two voices. His sister has her fair share of it—no more!—but her friend gets an accolade of a piece with the one she received that morning by Arthur's Bridge, three weeks since. So his owner's brain-image says, confirmed by sounds from without. He is conscious of the absurdity of building so vivid and substantial a superstructure on so little foundation, and would like to protest against it.

"Good-morning, Nurse. I'm better. What is it?—beef-tea. Earls' cooks make capital beef-tea. On the whole I am in favour of Feudalism. Nothing can be sweeter or neater or completer—or more nourishing—than its beef-tea. Don't put any salt in till I tell you.... Oh no—I'm not going to spill it!" This is preliminary; the protest follows. "Who's talking to my sister under the window?... that's her voice." Of course, he knew perfectly well all the time.

The nurse listens a moment. "That's her ladyship," says she, meaning the Countess. Gwen's voice is not unlike her mother's, only fuller. "They are just going in to breakfast. The gong went a minute ago."

Now is his time to condemn the tyranny which keeps him in bed in the morning and lying down all day. "I could have got up and gone downstairs, Mrs. Bailey, you know I could."

Mrs. Bailey pointed out that had this scheme been carried out a life would have been sacrificed. She explained to a newcomer, no less a person than the Earl himself, that Mr. Torrens would kill himself in five minutes if she did not keep the eyes of a lynx on him all the blessed day. She is always telling him so without effect, he never being any the wiser, even when she talks her head off. Patients never are, being an unmanageable class at the best. A nurse with her head on ought to be a rarity, according to Mrs. Bailey.

The image of the Earl in the blind man's mind is very little helped by recollection of the few occasions, some years ago, on which he has seen him. It becomes now, after a short daily chat with him each morning since he gained strength for interviews, that of an elderly gentleman with a hesitating manner anxious to accommodate difficulties, soothing an unreasonable race with a benevolent optimism, pouring oil on the troubled waters of local religion and politics, taking no real interest in the vortices into which it has pleased God to drag him, all with one distinct object in view—that of adding to his collections undisturbed. That is the impression he has produced on Mr. Adrian Torrens in a dozen of his visits to his bedside. His lordship has made it a practice to look in at his victim—for that is the way he thinks of him, will he nill he!—as early every day as possible, and as late. He has suffered agonies from constant longings to talk about his Amatis or his Elzevirs or his Petitots, checked at every impulse by the memory of the patient's blindness. He is always beginning to say how he would like to show him this or that, and collapsing. This also is an inference of Mr. Torrens, drawn in the dark, from sudden hesitations and changes of subject.

"How are we this morning, Nurse?" On the mend, it seems, being more refractory than ever; always a good sign with patients. But we must be kept in bed, till midday at any rate, for some days yet. Or weeks or months or years according to the degree of our intractability. The Earl accepts this as common form, and goes to the bedside saying sum-upwardly:—"No worse, at any rate!"

"Tremendously better, Lord Ancester! Tremendously better, thanks to you and Mrs. Bailey.... Catch hold of the cup, Nurse.... Yes, I've drained it to the dregs.... I know what you are going to say, my lord...."

"I was going to say that Mrs. Bailey and I are not on the same footing. Mrs. Bailey didn't shoot you.... Yes, now grip hard! That's right! Better since yesterday certainly—no doubt of it!"

"Mrs. Bailey didn't shoot me in the mere vulgar literal sense. But she was contributory, if not an accessory after the fact. It was written in the Book of Fate that Mrs. Bailey would bring me beef-tea this very day. If she had accepted another engagement the incident would have had to be rewritten; which is impossible by hypothesis. Moreover, so far as I can be said to have been shot, it was as a trespasser, not as a man.... Is there a close season for trespassers? If there is, I admit that you may be technically right. Qui facit per alium facit per se.... By-the-by, I hope poor Alius is happier in his mind...."

"Poor who?" says the Earl. He is not giving close attention to the convalescent's disconnected chatter. He has been one himself, and knows how returning life sets loose the tongue.

"The alius you facitted per. The poor chap that had the bad luck to shoot me. Old Stephen—isn't he? Poor old chap! What a mischance!"

"Oh yes—old Stephen! I see—he's alius, of course. He comes over two or three times a day to see how you are going on. They think him rather a nuisance in the house, I believe. I have tried to comfort him as well as I could. He will be glad of to-day's report. But he can't help being dispirited, naturally."

"He's so unaccustomed to homicide, poor old chap! People should be educated to it, in case of accidents. They might be allowed to kill a few women and children for practice—should never be left to the mercy of their consciences, all raw and susceptible. Poor old Stephen! I really think he might be allowed to come and see me now. I'm so very much improved that a visit from my assassin would be a pleasant experience—a wholesome stimulus. Wouldn't throw me back at all! Poor old Stephen!" He seemed seriously concerned about the old boy; would not be content without a promise that he and his wife should pay him an early visit.

He had been immensely better after that M.P. paid him a visit yesterday morning. Mrs. Bailey confirmed this, testifying to the difficulty with which the patient had been persuaded to remain in bed. But she had the whip-hand of him there, because he couldn't find his clothes without her help. This gives the Earl an idea of the condition of the patient's eyesight beyond his previous concept of its infirmities. He has been misled by its apparent soundness—for no one would have guessed the truth from outward seeming—and the nurse's accident of speech rouses his curiosity.

"Ah, by-the-by," he says, "I was just going to ask." Which is not strictly true, but apology to himself for his own neglect, "How are the eyes?"

"Oh, the eyes are right enough," says the patient. He goes on to explain that they are no inconvenience whatever so long as he keeps them shut. It is only when he opens them that he notices their defect; which is, briefly, that he can't see with them. His lordship seems to feel that eyes so conditioned are hardly satisfactory. It is really new knowledge to him, and he accepts it restlessly. He spreads his fingers out before the deceptive orbs that look so clear, showing indeed no defect but a kind of uncertainty; or rather perhaps a too great stillness as though always content with the object in front of them. "What do you see now?" he asks in a nervous voice.

"Something dark between me and the light."

"Is that all? Can't you see what it is?"

"A book." A mere guess based on the known predilections of the questioner.

"Oh dear!" says the Earl. "It was my hand." He sees that the nurse is signalling with headshakes and soundless lip-words, but has not presence of mind to catch her meaning.

The other seems to feel his speech apologetically, as though it were his own fault. "I see better later in the day," he says. Which may be true or not.

The nurse's signalling tells, and the questioner runs into an opposite extreme. "One is like that in the morning sometimes," says he absurdly, but meaning well. He is not an Earl who would be of much use in a hospital for the treatment of nervous disorders. However, having grasped the situation he shows tact, changing the conversation to the heat of the weather and the probable earliness of the crops. No one should ever show tact. He will only be caught flagrante delicto. Mr. Torrens is perfectly well aware of what is occurring; and, when he lies still and unresponsive with his eyes closed, is not really resting after exertion, which is the nurse's interpretation of the action, but trying to think out something he wants to say to the Earl, and how to say it. It is not so easy as light jesting.

The nurse telegraphs silently lipwise that the patient will doze now for a quarter of an hour till breakfast; and the visitor, alive to the call of discretion, has gone out gently before the patient knows he has left the bedside.

Things that creak watch their opportunity whenever they hear silence. So the Earl's gentle exit ends in a musical and penetrating arpeggio of a door-hinge, equal to the betrayal of Masonic secrecy if delivered at the right moment. "Is Mrs. Bailey gone?" says the patient, ascribing the wrong cause to it.

"His lordship has gone, Mr. Torrens. He thought you were dropping off."

"Stop him—stop him! Say I have something particular to say. Do stop him!" It must be something very particular, Nurse thinks. But in any case the patient's demand would have to be complied with. So the Earl is recaptured and brought back.

"Is it anything I can do for you, Mr. Torrens? I am quite at your service."

"Yes—something of importance to me. Is Mrs. Bailey there?"

"She is just going." She had not intended to do so. But this was a hint clearly. It was accepted.

"All clear!" says the Earl. "And the door closed."

"My sister has promised to ask the Countess and your daughter—Lady Gwen, is it not?"

"That is my daughter's name, Gwendolen. 'Has promised to ask them' ... what?"

"To give me an opportunity before I go of thanking them both for all the great kindness they have shown me, and of apologizing for my wish to defer the interview."

"Yes—but why me?... I mean that that is all quite in order, but how do I come in?" As the speaker's voice smiles as well as his face, his hearer's blindness does not matter.

"Only this way. You know the doctors say my eyesight is not incurable—probably will come all to rights of itself...."

"Yes—and then?"

"I want them—her ladyship and...."

"My wife and daughter. I understand."

"... I want them to know as little about it as possible; to know nothing about it if possible. You knew very little about it yourself till just now."

"I was misled—kindly, I know—but misled for all that. And the appearance is so extraordinary. Nobody could guess...."

"Exactly. Because the eyes are really unaffected and are sure to come right. See now what I am asking you to do for me. Help me to deceive them about it. They will not test my eyesight as you did just now...."

"How do you know that?"

"Because I heard Irene and your daughter talking in the garden a few minutes ago—just after the breakfast-bell rang—talking about me, and I eavesdropped as hard as I could. Lady Gwendolen has promised Irene to say nothing about my eyesight for my sake. She will keep her promise...."

"How do you know that?"

"By the sound of her voice."

"She is only a human girl."

"I am convinced that she will keep it; though, I grant you, circumstances are against her. And neither she nor her mother will try to find out, if they believe I see them dimly. That is where you come in. Only make them believe that. Don't let them suppose I am all in the dark. Say nothing of your crucial experiment just now. Irene—dear girl—has been a good sister to me, and has told many good round lies for my sake. But she will explain to God. I cannot ask you, Lord Ancester, to tell stories on my behalf. My petition is only for a modest prevarication—the cultivation of a reasonable misapprehension to attain a justifiable end. Consider the position analogous to that of one of Her Majesty's Ministers catechized by an impertinent demagogue. No fibs, you know—only what a truthful person tells instead of a fib! For my sake!"

"I am not thinking of my character for veracity," says the Earl thoughtfully. "You should be welcome to a sacrifice of that under the circumstances. I was thinking what form of false representation would be most likely to gain the end, and safest. Do you know, I am inclined to favour the policy of saying as little as possible? My dear wife is in the habit of imputing to me a certain slowness and defective observation of surrounding event. It is a common wifely attitude. You need not fear my being asked any questions. In any case, I fully understand your wishes, and you may rely on my doing my best. Here is your breakfast coming. I hope you will not be knocked up with all this talk."