HOW ADRIAN TORRENS COULD SING WITHOUT WINCING. FIGARO. DICTATION OF LETTERS. HOW ADRIAN BROKE DOWN. THE LERNAEAN HYDRA'S EYE-PEEPS. HOW ADRIAN COULD SEE NOTHING IN ANY NUMBER OF LOOKING-GLASSES. HOW GWEN, IN SPITE OF APPEARANCES, HELD TO THE SOLEMN COMPACT. SIR MERRIDEW'S TREACHERY. SEPTIMIUS SEVERUS. HOW GWEN HAD BEEN TO LOOK AT ARTHUR'S BRIDGE. A KINKAJOU IS NOT A CARCAJOU. OF THE PECULIARITIES OF FIRST-CLASS SERVANTS. MRS. PICTURE'S STORY DIVULGED BY GWEN. HOW DAVE'S RIVAL GRANNIES WERE SAFEST APART

Old folk and candles burn out slowly at the end. But before that end comes they flicker up, once, twice, and again. The candle says:—"Think of me at my best. Remember me when I shone out thus, and thus; and never guttered, nor wanted snuffing. Think of me when you needed no other light than mine, to look in Bradshaw and decide that you had better go early and ask at the Station." Thus says the candle.

And the old man says to the old woman, and she says it back to him:—"Think of me in the glorious days when we were dawning on each other; of that most glorious day of all when we found each other out, and had a tiff in a week and a reconciliation in a fortnight!" Then each is dumb for a while, and life ebbs slowly, till some chance memory stirs among the embers, and a bright spark flickers for a moment in the dark. The candle dies at last, and smells, and mixes with the elements. And some say you and I will do the very same—die and go out. Possibly! Just as you like! Have it your own way.

It is even so with the Old Year in his last hours. Is ever an October so chill that he may not bid you suddenly at midday to come out in the garden and recall, with him, what it was like in those Spring days when the first birds sang; those Summer days when the hay-scent was in Cheapside, and a great many roses had not been eaten by blights, and it was too hot to mow the lawn? Is ever a November so self-centred as to refuse to help the Old Year to a memory of the gleams of April, and the nightingale's first song about the laggard ash-buds? Is icy December's self so remorseless, even when the holly-berries are making a parade of their value as Christmas decorations?—even when it's not much use pretending, because the Waits came last night, and you thought, when you heard them, what a long time ago it was that a little boy or girl, who must have been yourself, was waked by them to wonder at the mysteries of Night? But nothing is of any use in December, because January will come, and this year will be dead and risen from its tomb, and the metaphorically disposed will be hoping that Resurrection is not so uncomfortable as all that comes to.

That time was eight weeks ahead one morning at Pensham Steynes, which has to be borne in mind, as the residence of Sir Hamilton Torrens, Bart., when the blind man, his son, was dictating to his sister Irene one of the long missives he was given to sending to his fiancÉe in London. It was just such a late October day as the one indirectly referred to above; in fact, it would quite have done for a Spring day, if only you could have walked across the lawn without getting your feet soaked. The chance primroses that the mild weather had deluded into budding must have felt ashamed of their stupidity, and disgusted at the sight of the stripped trees, although they may have reaped some encouragement from a missel-thrush that had just begun again after the holiday, and been grateful to the elms and oaks that had kept some decent clothing on them. Irene had found one such primrose in a morning walk, and a confirmation of it in the morning's Times.

"Why didn't you say the ground was covered with them, 'Re? I could have believed in any number on your authority. Surely, a chap with his eyes out is entitled to the advantages which seeing nothing confers on him. Do please perjure yourself about violets and crocuses on my behalf. It is quite a mistake to suppose I shall be jealous. You've no idea what a magnanimous elder brother you've got." So Adrian had said when they came in, and had felt his way to the piano—it was extraordinary how he had learned to feel his way about—and had played the air of "Sumer is ycumin in, lhude sing cucu," with the courage of a giant. Not only that, but actually sang it, and never flinched from:—"Groweth seed and bloweth meed and springeth wood anew." And his heart was saying to him all the while that he might never again see the springing of the young corn, and the daisies in the grass, and the new buds waiting for the bidding of the sun.

Irene, quite alive to her brother's intrepidity, but abstaining resolutely from spoken acknowledgment—for would not that have been an admission of the need for courage?—had gone through a dramatic effort on her own behalf, a kind of rehearsal of the part she had to play. She had arranged writing materials for action, and affected the attitude of a patient scribe, longing for dictation. She had assumed a hardened tone, to say:—"When you're ready!" Then Adrian had deserted the piano, and addressed himself to dictation. "Where were we?" said he. For the letter was half written, having been interrupted by visitors the day before.

"When the Parysfort women came in?" said Irene. "We had got to the old woman. After the old woman—what next?"

Adrian repeated, "After the old woman—after the old woman." Then he said suddenly:—"Bother the old woman. I tell you what, 'Re, we must tear this letter up, and start fair. Those people coming in spoiled it." His tone was vexed and restless. The weariness of his blindness galled him. This fearful inability to write was one of his worst trials. He fought hard against his longing to cry out—to lighten his heart, ever so little, by expression of his misery; but then, the only one thing he could do in requital of the unflagging patience of this dear amanuensis, was to lighten the weight of her sorrow for him. And this he could only do by showing unflinching resolution to bear his own burden. One worst unkindest cut of all was that any word of exasperation against the cruelty of a cancelled pen might seem an imputation on her of ineffective service, almost a reproach. It was perhaps because the visitors of yesterday were so evidently to blame for the miscarriage of this letter, that Adrian felt, in a certain sense, free to grieve aloud. It was a relief to him to say:—"The Devil fly away with the Honourable Misses Parysforts!"

"Suppose we have a clean slate, darling, and I'll tear the letter up, old woman and all. Or shall I read back a little, to start you?"

"Oh no—please! On no account read anything again.... Suppose I confess up! Make some stars, and go on like this:—'These are not Astronomy, but to convey the idea that I have forgotten where I was, and that we have to make it a rule never to re-read, for fear I should tear it up. I believe I was trying to find a new roundabout way of saying how much more to me you were than anything in Heaven or Earth.'" The dictation paused.

"Go on," said the amanuensis. "After 'Heaven and Earth'?" She paused with an expectant pen, her eyes on the paper. Then she looked up, to see that her brother's face was in his hands, dropped down on the side-cushion of the sofa. She waited for him to speak, knowing he would only think she did not see him. But she had to wait overlong for the lasting powers of this excuse; so she let it lapse, and went to sit beside him, and coaxed his hands from his face, kissing away something very like a tear. "But why now, darling?" said she. "You know what I mean. What was it in the letter?"

"Why—I was going to say," replied Adrian, recovering himself, "I was going on to 'the thing that makes day of my darkness' or something of that sort—some poetical game, you know—and then I thought what a many things I could write if I could write them myself, and shut them in the envelope for Gwen alone, that I can't say now, though the dearest sister ever man had yet writes them for me. I can say to her, darling, that if I were offered my eyesight back, by some irritating fairy godmother—that kind of thing—in exchange for the Gwen that is mine, I would not accept her boon upon the terms. I should, on the contrary, wish I were the LernÆan Hydra, that I might give the balance of seven pairs of eyes rather than....

"Rather than lose Gwen." Irene spoke, because he had hesitated.

"Exactly. But I got stuck a moment by the reflection that Gwen's sentiments might not have remained altogether unchanged, in that case. In fact, she might have run away, at Arthur's Bridge. It is an obscure and difficult subject, and the supply of parallel cases is not all one could wish."

"I don't see why we shouldn't put all or any of that in the letter." For Irene always favoured her brother's incurable whimsicality as a resource against the powers of Erebus and dark Night, and humoured any approach to extravagance, to disperse the cloud that had gathered. This one pleased him.

"How shall we put it?... somehow like this.... By-the-by, do you know how to spell LernÆan?..." He paused abruptly, and seemed to listen. "Sh—sh a minute! What's that outside? I thought I heard somebody coming." Irene listened too.

"Ply hears somebody," she said. And then she had all but said "Look at him!" in an unguarded moment.

An instant later the dog had started up and scoured from the room as if life and death depended on his presence elsewhere. Adrian heard something his sister did not, and exclaimed "What's that?"

"Nothing," said Irene. "Only someone at the front-door. Ply's always like that."

"I didn't mean Ply. Listen! Be quiet." The room they were in was remote from the front-door of the house, and the voice they heard was no more than a musical modulation of silence. It had a power in it, for all that, to rouse the blind man to excitement. He had to put a restraint on himself to say quietly:—"Suppose you go and see! Do you mind?" Irene left the room.

Anyone who had seen Adrian then for the first time, and watched him standing motionless with his hands on a chairback and the eyes that saw nothing gazing straight in front of him, but not towards the door, would have wondered to see a man of his type apparently so interested in his own image, repeated by the mirror before him as often as eyesight could trace its give-and-take with the one that faced it on the wall behind him. He was the wrong man for a Narcissus. The strength of his framework was wrong throughout. Narcissus had no bone-distances, as artists say, and his hair was in crisp curls, good for the sculptor. No one ever needed to get a pair of scissors to snip it. But though anyone might have marvelled at Adrian Torrens's seeming Narcissus-like intentness on his own manifold image, he could never have surmised that cruel blindness was its apology. He could never have guessed, from anything in their seeming, that the long perspective of gazing orbs, vanishing into nothingness, were not more sightless than their originals.

He only listened for a moment. For, distant as she was, Irene's cry of surprise on meeting some new-comer was decisive as to that new-comer's identity. It could be no one but Gwen. Irene's welcome settled that.

The blind man was feeling his way to the door when Gwen opened it. Then she was in his arms, and what cared he for anything else in the heavens above or the earth beneath? His exultation had to die down, like the resonant chords in the music he had played an hour since, before he could come to the level of speech. Then he said prosaically:—"This is very irregular! How about the solemn compact? How are we going to look our mamma in the face?"

"Did it yesterday evening!" said Gwen. "We had an explosion.... Well, I won't say that—suppose we call it a warm discussion, leading to a more reasonable attitude on the part of ... of the people who were in the wrong. The other people, that is to say!"

"Precisely. They always are. I vote we sit on the sofa, and you take your bonnet off. I know it's on by the ribbons under your chin—not otherwise."

"What a clever man he is—drawing inferences! However, bonnets have got very much out of sight, I admit. Hands off, please!... There!—now I can give particulars."

Irene, who—considerately, perhaps—had not followed closely, here came in, saying:—"Stop a minute! I haven't heard anything yet.... There!—now go on."

She found a seat, and Gwen proceeded.

"I came home yesterday, with an old woman I've picked up, who certainly is the dearest old woman...."

"Never mind the old woman. Why did you come?"

"I came home because I chose. I came here because I wanted to.... Well, I'll tell you directly. What I wish to mention now is that I have not driven a coach-and-six through the solemn compact. I assented to a separation for six months, but no date was fixed. I assure you it wasn't. I was looking out all the time, and took good care."

"Wasn't it fixed by implication?" This was Irene.

"Maybe it was. But I wasn't. We can put the six months off, and start fair presently. Papa quite agreed."

"Mamma didn't?" This was Adrian.

"Of course not. That was the basis of the ... warm discussion which followed on my declaration that I was coming to see you to-day. However, we parted friends, and I slept sound, with a clear conscience. I got up early, to avoid complications, and made Tom Kettering drive me here in the dog-cart. It took an hour and a half because the road's bad. It's like a morass, all the way. I like the sound of the horse's hoofs when I drive, not mud-pie thuds."

"We didn't hear any sound at all, except Ply.... Yes, dear!—of course you heard. I apologize." Irene said this to Achilles, who, catching his name, took up a more active position in the conversation, which he conceived to be about himself. Some indeterminate chat went on until Gwen said suddenly:—"Now I want to talk about what I came here for."

"Go it!" said Adrian.

"I want to know all about what 'Re said to Dr. Merridew in her letter.... Well, what's the matter?"

Amazement on Irene's fact had caused this. "And that man calls himself an F.R.C.S.!" said she.

Adrian, uninformed, naturally asked why not. Gwen supplied a clue for guessing. "He said he couldn't read your handwriting, and gave me your letter to make out."

"What nonsense! I write perfectly plainly."

"So I told him. But he maintained he had hardly been able to make out a word of it. Of course I read it. Your caution to him not to tell me was a little obscure, but otherwise I found it easy enough. Anyhow, I read all about it. And now I know."

"Well—I'll never trust a man with letters after his name again. Of course he was pretending."

"But what for?"

"Because he wanted to tell you, and didn't want to get in a scrape for betraying my confidence."

Adrian struck in. Might he ask what the rumpus was about? Why Sir Merridew, and why letters?

Irene supplied the explanation. "I wrote to him about you and Septimius Severus.... Don't you recollect? And I cautioned him particularly not to tell Gwen.... Why not? Why—of course not! It was sheer, inexcusable dishonesty, and I shall tell him so next time I see him."

Gwen appeared uninterested in the point of honour. "I wonder," she said, "whether he thought telling me of it this way would prevent my building too much on it, and being disappointed. That would be so exactly like Dr. Merridew."

"I think," said Adrian deliberately, "that I appreciate the position. Septimius Severus figures in it as a bust, or as an indirect way of describing a circumstance; preferably the latter, I should say, for it must be most uncomfortable to be a bust. As an Emperor he is inadmissible. I remember the incident—but I suspect it was only a dream." His voice fell into real seriousness as he said this; then went back to mock seriousness, after a pause. "However, I am bound to say that 'inexcusable dishonesty' is a strong expression. I should suggest 'pliable conscience,' always keeping in view the motive of ... Yes, Pelides dear, but I have at present nothing for you in the form of cake or sugar. Explain yourself somehow, to the best of your ability." For Achilles had suddenly placed an outstretched paw, impressively, on the speaker's knee.

"I see what it was," said Gwen. "You said 'pliable conscience'—just now."

"Well?"

"He thought he was the first syllable. Never mind him! I want you to tell me about Septimius Severus. He's what I came about. What was it that happened, exactly?" Thereupon Adrian gave the experience which the story knows already, in greater detail.

In the middle, a casual housekeeper was fain to speak to Miss Torrens, for a minute. Who therefore left the room and became a voice, housekeeping, in the distance.

Then Gwen made Adrian tell the story again, cross-examining him as one cross-examines obduracy in the hope of admissions that will at least countenance a belief in the truth that we want to be true. If Adrian had seen his way to a concession that would have made matters pleasant, he would have jumped at the chance of making it. But false hope was so much worse than false despair. Better, surely, a spurious growth of the latter, with disillusionment to come, than a stinted instalment of the former with a chance of real despair ahead. Adrian took the view that Sir Coupland was really a weak, good-natured chap who had wanted Gwen to have every excuse for hope that could be constructed, even with unsound materials; but who also wanted the responsibilities of the jerry-builder to rest on other shoulders than his own. Gwen discredited this view of the great surgeon's character in her inner consciousness, but hardly had courage to raise her voice against it, because of the danger of fostering false hopes in her lover's mind. Nevertheless she could not be off fanning a little flame of comfort to warm her heart, from the conviction that so responsible an F.R.C.S. would never have gone out of his way to show her the letter if he had not thought there was some chance, however small, of a break in the cloud.

After Sir Coupland's letter and its subject had been allowed to lapse, Gwen said:—"So now you see what I came for, and that's all about it. What do you think I did, dearest, yesterday as soon as I had seen my old lady comfortably settled? She was dreadfully tired, you know. But she was very plucky and wouldn't admit it."

"Who the dickens is your old lady?"

"Don't be impatient. I'll tell you all in good time. First I want to tell you where I went yesterday afternoon. I went across the garden through the rose-forest ... you know?—what you said must be a rose-forest to smell like that...."

"I know. And you went through the gate you came through,"—even so a Greek might have spoken to Aphrodite of "the sea-foam you sprang from"—"and along the field-path to the little bridge fat men get stuck on...." This was an exaggeration of an overstatement of a disputed fact.

"Yes, my dearest, and I was there by myself. And I stood and looked over to Swayne's Oak and thought to myself if only it all could happen again, and a dog might come with a rush and kiss me, and paw me with his dirty paws! And then if you—you—you were to come out of the little coppice, and come to the rescue, all wet through and dripping, how I would take you in my arms, and keep you, and not let you go to be shot. I would. And I would say to you:—'I have found you in time, my darling, I have found you, in time to save you. And now that I have found you, I will keep you, like this. And you would look at me, and see that it was not a forward girl, but me myself, your very own, come for you.... I wonder what you would have said."

"I wonder what I should have said. I think I know, though. I should have said that although a perfect stranger, I should like, please, to remain in Heaven as long—I am quoting Mrs. Bailey—as it was no inconvenience. I might have said, while in Heaven, that we were both under a misapprehension, having taken for granted occurrences, to the development of which our subsequent experiences were essential. But I should have indulged the misapprehension...."

"Of course you would. Any man in his senses would...."

"I agree with you."

"Unless he was married or engaged or something."

"That might complicate matters. Morality is an unknown quantity.... But, darling, let's drop talking nonsense...."

"No—don't let's! It's such sensible nonsense. Indeed, dearest, I saw it all plain, as I stood there yesterday at Arthur's Bridge. I saw what it had all meant. I did not know at the time, but I should have done so if I had not been a fool. I did not see then why I stood watching you till you were out of sight. But I do see now."

Adrian answered seriously, thoughtfully, as one who would fain get to the heart of a mystery. "I knew quite well then—I am convinced of it—why I turned, when I thought I was out of sight, to see if you were still there. I turned because my heart was on fire—because my world was suddenly filled with a girl I had exchanged fifty words with. I was not unhappy before you dawned—only tranquil."

"What were you thinking of, just before you saw me, when you were wading through the wet fern? I think I was only thinking how wet the ferns must have been. How little I thought then who the man was, with the dog! You were only 'the man' then."

"And then—I got shot! I'm so glad. Just think, dearest, what a difference it would have made to me if that ounce of lead had gone an inch wrong...."

"And you had been killed outright!"

"I didn't mean that. I meant the other way. Suppose it had missed, and I had finished my walk with my eyes in my head, and come back here and got an introduction to the girl I saw in the Park, and not known what to say to her when I got it!"

"I should have known you at once."

"Dearest love, some tenses of verbs are kittle-cattle to shoe behind. 'Should have' is one of the kittlest of the whole lot. You would have thought me an interesting author, and I should have sent you a copy of my next book. And then we should have married somebody else."

"Where is the organ of nonsense in Poets' heads, I wonder. It must be this big one, on the top."

"No—that's veneration. My strong point. It shows itself in the readiness with which I recognise the Finger of Providence. I discern in the nicety with which old Stephen's bullet did its predestined work a special intervention on my behalf. A little more and I should have been sleeping with my fathers, or have joined the Choir of Angels, or anyhow been acting up to my epitaph to the best of my poor ability. A little less, and I should have gone my way rejoicing, ascribing my escape from that bullet to the happy-go-lucky character of the Divine disposition of human affairs. I should never have claimed the attentions due to a slovenly, unwholesome corpse...."

"You shall not talk like that. Blaspheme as much as you like. I don't mind blasphemy."

Adrian kissed the palm of the hand that stopped his mouth, and continued speech, under drawbacks. "An intelligent analysis will show that my remarks are reverential, not blasphemous. You will at least admit that there would have been no Mrs. Bailey."

Gwen removed her hand. "None whatever! Yes, you may talk about Mrs. Bailey. There would have been no Mrs. Bailey, and I should never have lain awake all night with your eyes on my conscience.... Yes—the night after mamma and I had tea with you...."

"My eyes on your conscience! Oh—my eyes be hanged! Would I have my eyes back now?—to lose you! Oh, Gwen, Gwen!—sometimes the thought comes to me that if it were not for my privation, my happiness would be too great to be borne—that I should scarcely dare to live for it, had the price I paid for it been less. What is the loss of sight for life to set against...."

"Are you aware, good man, that you are talking nonsense? Be a reasonable Poet, at least!"

She was drawing her hand caressingly over his, and just as she said this, lifted it suddenly, with a start. "Your ring scratches," said she.

"Does it?" said he, feeling it. "Oh yes—it does. I've found where. I'll have it seen to.... I wonder now why I never noticed that before."

"It's a good ring that won't scratch its wearer. I suppose I was unpopular with it. It didn't hurt. Perhaps it was only in fun. Or perhaps it was to call attention to the fact that you have never told me about it. You haven't, and you said you would."

"So I did, when we had The Scene." He meant the occasion on which, according to Gwen's mamma, she had made him an offer of her affections in the Jacobean drawing-room. "It's a ring with magic powers—nothing to do with any young lady, as you thought. It turns pale at the approach of poison."

"Let's get some poison, and try. Isn't there some poison in the house?"

"I dare say there is, in the kitchen. You might touch the bell and ask."

"I shall do nothing of the sort. I mean private poison—doctor's bottles—blue ones with embossed letters.... You know?"

"I know. My maternal parent has any number. But all empty, I'm afraid. She always finishes them. Besides—don't let's bring her in! She has such high principles. However, I've got some poison—what an Irish suicide would consider the rale cratur—only I won't get it out even for this experiment, because I may want it...."

"You may want it!"

"Of course." He suddenly deserted paradox and levity, and became serious. "My dearest, think of this! Suppose I were to lose you, here in the dark!... Oh, I know all that about duty—I know! I would not kill myself at once, because it would be unkind to Irene. But suppose I lost Irene too?"

"I can't reason it out. But I can't believe it would ever be right to destroy oneself."

"Possibly not, but once one was effectually destroyed...."

"That sounds like rat-paste." Gwen wanted to joke her way out of this region of horrible surmise.

But Adrian was keen on his line of thought. "Exactly!" said he. "Vermin destroyer. I should be the vermin. But once destroyed, what contrition should I have to endure? Remorse is a game that takes two selves to play at it—a criminal and a conscientious person! Suppose the rat-paste had destroyed them both!"

"But would it?"

"Absolute ignorance, whether or no, means an even chance of either. I would risk it, for the sake of that chance of rich, full-blown Non-Entity. Oh, think of it!—after loneliness in the dark!—loneliness that once was full of life...."

"But suppose the other chance—how then?"

"Suppose I worked out as a disembodied spirit—and I quite admit it's as likely as not, neither more nor less—it does not necessarily follow that Malignity against Freethinkers is the only attribute of the Creator. When one contemplates the extraordinary variety and magnitude of His achievements, one is tempted to imagine that He occasionally rises above mere personal feeling. It certainly does seem to me that damning inoffensive Suicides would be an unwarrantable abuse of Omnipotence. The fact is, I have a much better opinion of the Most High than many of His admirers."

"But, nonsense apart.... Yes—it is nonsense!... do you mean that you would kill yourself about me?"

"Yes."

"I'm so glad, because I shan't give you the chance. But dear, silly man—dearest, silliest man!—I do wish you would give me up that bottle. I'll promise to give it back if ever I want to jilt you. Honour bright!"

"I dare say. With the good, efficacious poison emptied away; and tea, or rum, or Rowland's Macassar instead! I cannot conceive a more equivocal position than that of a suicide who has taken the wrong poison under the impression that he has launched himself into Eternity."

"Oh no—I could never do that! It would be such a cruel hoax. Now, dearest love, do let me have that bottle to take care of. Indeed, if ever I jilt you, you shall have it back. Engaged girls—honourable ones!—always give presents back on jilting. Do let me have it!"

Adrian laughed at her earnestness. "I'm not going to poison myself," said he. "Unless you jilt me! So it comes to exactly the same thing, either way. There—be easy now! I've promised. Besides, the Warroo or Guarano Indian who gave it me—out on the Essequibo; it was when I went to Demerara—told me it wouldn't keep. So I wouldn't trust it. Much better stick to nice, wholesome, old-fashioned Prussic Acid." He had quite dropped his serious tone, and resumed his incorrigible levity.

"Did you really have it from a wild Indian? Where did he get it? Did he make it?"

"No—that's the beauty of it. The Warroos of Guiana are great dabs at making poisons. They make the celebrated Wourali poison, the smallest quantity of which in a vein always kills. It has never disappointed its backers. But he didn't make this. He brought it from the World of Spirits, beyond the grave. It is intended for internal use only, being quite inoperative when injected into a vein. Irene unpacked my valise when I came back, and touched the bottle. And an hour afterwards she saw that her white cornelian had turned red."

"Nonsense! It was a coincidence. Stones do change."

"I grant you it was a coincidence. Sunrise and daybreak are coincidences. But one is because of t'other. Irene believed my poison turned her stone red, or she would never have refused to wear it a minute longer, from an unreasonable dislike of the Evil One, whose influence she discerned in this simple, natural phenomenon. I considered myself justified in boning the ring for my own use, so I had it enlarged to go on my finger, and there it is, on! I shall never see it again, unless Septimius Severus turns up trumps. What colour should you say it was now?"

Gwen took the hand with the mystic ring on it, turning it this way and that, to see the light reflected. "Pale pink," she said. "Yes—certainly pale pink." She appeared amused, and unconvinced. "I had no idea 'Re was superstitious. You are excusable, dearest, because, after all, you are only a man. One expects a woman to have a little commonsense. Now if...." She appeared to be wavering over something—disposed towards concessions.

"Now if what?"

"If the ring had had a character from its last place—if it had distinguished itself before...."

"Oh, I thought I told you about that. I forgot. It was a ring with a story, that came somehow to my great-great-grandfather, when he was in Paris. It had done itself great credit—gained quite a reputation—at the Court of Louis Quatorze, on the fingers I believe of the Marchioness de Brinvilliers and Louise de la ValliÈre.... Yes, I think both, but close particulars have always been wanting. 'Re only consented to wear it on condition she should be allowed to disbelieve in it, and then when this little stramash occurred through my bringing home the Warroo poison, her powers of belief at choice seem to have proved insufficient.... Isn't that her, coming back?"

It was; and when she came into the room a moment later, Gwen said:—"We've been talking about your ring, and a horrible little bottle of Red Indian poison this silly obstinate man has got hidden away and won't give me."

"I know," said Irene. "He's incorrigible. But don't you believe him, Gwen, when he justifies suicide. It's only his nonsense." Irene had come back quite sick and tired of housekeeping, and was provoked by the informal status quo of the young lady and gentleman on the sofa into remarking to the latter:—"Now you're happy."

"Or ought to be," said Gwen.

"Now, go on exactly where you were," said Irene.

"I will," said Adrian. "I was just expressing a hope that Gwen had been regular in her attendance at church while in London." He did not seem vitally interested in this, for he changed almost immediately to another subject. "How about your old lady, Gwen? She's your old lady, I suppose, whose house tumbled down?"

"Yes, only not quite. We got her out safe. The woman who lived with her, Mrs. Burr.... However, I wrote all that in my letter, didn't I?"

"Yes—you wrote about Mrs. Burr, and how she was a commonplace person. We thought you unfeeling about Mrs. Burr."

"I was, quite! I can't tell you how it has been on our consciences, Clo's and mine, that we have been unable to take an interest in Mrs. Burr. We tried to make up for it, by one of us going every day to see her in the hospital. I must say for her that she asked about Mrs. Prichard as soon as she was able to speak—asked if she was being got out, and said she supposed it was the repairs. She is not an imaginative or demonstrative person, you see. When I suggested to her that she should come to look after Mrs. Prichard in the country, till the house was rebuilt, she only said she was going to her married niece's at Clapham. I don't know why, but her married niece at Clapham seemed to me indisputable, like an Act of Parliament. I said 'Oh yes!' in a convinced sort of way, as if I knew this niece, and acknowledged Clapham."

"Then you have got the old lady at the Towers?"

"Yes—yesterday. I don't know how it's going to answer."

Adrian said: "Why shouldn't it answer?"

Irene was sharper. "Because of the servants, I suppose," said she.

Gwen said:—"Ye-es, because of the household."

"I thought," said Adrian, "that she was such a charming old lady." This took plenty of omissions for granted.

"So she is," said Gwen. "At least, I think her most sweet and fascinating. But really—the British servant!"

"I know," said Irene.

"Especially the women," said Gwen. "I could manage the men, easily enough."

"You could," said Adrian, with expressive emphasis. And all three laughed. Indeed, it is difficult to describe the subserviency of her male retinue to "Gwen o' the Towers." To say that they were ready to kiss the hem of her garment is but a feeble expression of the truth. Say, rather, that they were ready to fight for the privilege of doing so!

"I can't say," Gwen resumed, "precisely what I found my misgivings on. Little things I can't lay hold of. I can't find any fault with Lutwyche when she was attending on the dear old soul in Cavendish Square. But I couldn't help thinking...."

"What?"

"Well—I thought she showed a slightly fiendish readiness to defer to my minutest directions, and perhaps, I should say, a fell determination not to presume." Telegraphies of slight perceptive nods and raised eyebrows, in touch with shoulder shrugs not insisted on, expressed mutual understanding between the two young ladies. "Of course, I may be wrong," said Gwen. "But when I interviewed Mrs. Masham last thing last night, it was borne in upon me, Heaven knows how, that she had been in collision with Lutwyche about the old lady."

"What is it you call her?" said Irene. "Old Mrs. Picture? There's nothing against her, is there?"

Adrian had seemed to be considering a point. "Did you not say something—last letter but one, I think—about the old lady's husband having been convicted and transported?"

"Oh yes!—but that's not to be talked about, you know! Besides, it was her son, not her husband, that I wrote about. I only found out about the husband a day or two ago. Only you must be very careful, dearest, and remember it's a dead secret. I promise not to tell things, and then of course I forget, when it's you. Old Mrs. Picture would quite understand, though, if I told her."

Adrian said that he really must have some more of the secret to keep, or it would not be worth keeping.

So Gwen told them then and there all that old Mrs. Picture had told her of her terrible life-story. It may have contained things this present narrative has missed, or vice versa, but the essential points were the same in both.

"What a queer story!" said Adrian. "Did the old body cry when she told it?"

"Scarcely, if at all. She looked very beautiful—you've no idea how lovely she is sometimes—and told it all quite quietly, just as if she had been speaking of someone else."

"I have always had a theory," said Adrian, "that one gets less and less identical, as Time goes on...."

"What do you mean by that?" said Gwen.

"Haven't the slightest idea!" Adrian had been speaking seriously, but at this point his whimsical mood seized him. He went on:—"You don't mean to say, I hope, that you are going to make meaning a sine qua non in theories? It would be the death-knell of speculation."

"You don't know what a goose you are engaged to, Gwen," said Irene parenthetically.

"Yes, I do. But he meant something this time. He does, you know, now and again, in spite of appearances to the contrary. What did you mean, please?"

"I can only conjecture," said Adrian incorrigibly. Then, more in earnest:—"I think it was something like this. I know that I am the same man that I was last week so long as I remember what happened last week. Suppose I forget half—which I do, in practice—I still remain the same man, according to my notion of identity. But it is an academical notion, of no use in everyday life. A conjurer who forgets how to lay eggs in defiance of natural law, or how to find canaries in pocket-handkerchiefs, is not the same conjurer, in practical politics. And yet he is the same man. Dock and crop his qualities and attributes as you will, he keeps the same man, academically. But not for working purposes. By the time you can say nothing about him, that was true of him last week, he may just as well be somebody else."

"Mind you recollect all that, and it will do in a book," said his sister. "But what has it to do with Gwen's old woman?"

"Yes—what has it to do with my old woman?" said Gwen.

"Didn't you say," Adrian asked, "that the old lady told all about her past quite quietly, just as if she had been speaking of somebody else? Your very expression, ma'am! You see, she was to all intents and purposes somebody else then, or has become somebody else now. I always wonder, whether, if one had left oneself—one of one's selves—behind in the past, like old Mrs. Picture, and some strange navigation on the sea of life were to land one in a long-forgotten port, where the memory still hung on, in a mind or two, of the self one had left behind—would the self one had grown to be bring conviction to the mind or two? Wouldn't the chance survivors who admitted that you were Jack or Jim or Polly be discouraged if they found that Jack or Jim or Polly had forgotten the old pier that was swept away, or the old pub which the new hotel was, once. Wouldn't they discredit you? Wouldn't they decide that, for all your bald, uninteresting identity—mere mechanical sameness—you wouldn't wash?"

"Rip van Winkle washed," said Gwen.

"Because Washington Irving chose. I sometimes imagine Rip isn't really true. Anyhow, his case doesn't apply. He remembered everything as if it was yesterday. For him, it was yesterday. So he was the same man, both in theory and practice. Jack and Jim and Polly were to forget, by hypothesis."

"Does old Mrs. Picture?" asked Irene.

"I should say—very little," said Gwen. "Less now than when I took her first to Cavendish Square. She'll get very communicative, I've no doubt, if she's fed up, in the country air. I shall see to that myself. So Mrs. Masham had better look out."

"There's mamma!" said Irene suddenly. "I'll go and see that she gets her writing things.... No—don't you move! She won't come in here. She wants to write important letters. You sit still." And Irene went off to intercept the Miss Abercrombie her father had married all those years ago instead of Gwen's mother. She does not come much into this story, but its reader may be interested to know that she was an enthusiastic Abolitionist, and a friend of the Duchess of Sutherland. There was only one thing in those days that called for abolition—negro slavery in America; so everyone who recollects the fifties will know what an Abolitionist was. Nevertheless, though Lady Torrens happens to keep outside the story, it would have been quite another story without her.

Adrian was a good son, and loved his mother duly. She returned his affection, but could not stand his poetical effusions, which she thought showed an irreverent spirit. We are not quite sure they did not.