A large variety of yarns other than pure woollens are employed for knitted goods and there is no branch of the textile industry where such free use is made of materials of different type and character. For the plain knitted stitch in particular "the yarn is the fabric" and the qualities of touch and handle as well as colour form the chief features sought after in the yarn. Cotton Yarns.—Yarns spun from cotton are utilized for a large selection of the trade in knitted articles which perform an indispensable function in clothing. When examined with the naked eye cotton yarns can be distinguished by their dense structure, the fibre is soft when in fibre form, but when spun into yarns takes a firm structure. Cotton yarns used for knitting are usually spun with as slack a twist as is consistent with strength, and an effort is made to throw a considerable portion of fibre to the surface of the thread. When examined under a low-power microscope much useful information may be gained by scrutiny of the lie of the fibres and of the way in which they dispose themselves. A photo-micrograph of a fine counts of cotton yarn used in knitting is given in Fig. 38 where the fibres are noted to be densely packed in the yarn with copious material round the surface to enable the thread to cover up the loop interspaces. From this sample also may be noted the twisted appearance common to all cotton fibres; the single fibres have an irregular twist like a twisted ribbon. This distorted aspect of the fibre is one of the best means of distinguishing this material, and when the feature is noted, it is a sure sign that cotton is present. Another evidence which confirms this is the peculiar manner in which the fibres dispose of themselves, they appear disjointed, form sharp corners and shoot away at steep angles. Wool fibres in a yarn appear curved and dispose of themselves in elegant waves, whilst cotton strands strike out in divergent directions. Fig. 39 gives another view of a type often employed for cotton knitted goods, this being a single thread of long stapled cotton loosely twisted so as to give a soft full handle. This character of thread is often employed for the so-called fleecy underwear where the soft yarn is raised or brushed on the teasles to give an effect extremely pleasant to the touch. In this example the fibres are shown freely scattered from the core of the yarn, and a closer examination of them will show that they have the sharp angles and the spiral twists just referred to as being indicative of the cotton fibre. Fig. 38 Fig. 39 Artificial Silk.—The application of artificial silk or wood pulp to the manufacture of knitted goods has been extensively made and gives results in every way brilliant in character. The structure of this type is shown in photo-micrograph 40 which is a view of a single thread of artificial silk, where it will be noted that the fibres are exactly parallel to one another and there are no straggling members whatever, each and all of them taking their place in the thread in a perfectly parallel and orderly fashion. The substance from which these yarns is produced is at first in a fluid condition and is pressed through tubes in a container in very fine strands, a certain number of which are run together to constitute thread. This material is usually supplied two-fold for knitting purposes and has been in great demand for the scarf and knitted coat trade, where brilliance of shade and elegance of appearance are outstanding features. Care must be taken that the goods are correctly described, as the Silk Association of Great Britain maintains a continuous campaign to have these goods distinct in description from those of real silk. One famous case hinged on the term art silk. If the word art is written art. with a full-stop it is recognized as a contraction for the word artificial, but without this period the term art is misleading as indicating a variety of real silk and as such constitutes a mis-description for which penalties are provided. Fig. 40 Fig. 41 Fig. 42 Silk and Wool Knitted Articles.—The free use of pure silk yarns is rendered prohibitive in many branches of the trade on account of the enormous price of the yarns, and generally for knitted goods it is not possible to produce a garment of sufficient weight for normal use. If silk is employed for the entire fabric, much of it is lost by intersecting on the back, only a tithe of the material being visible on the face. There is no real advantage in having silk on the back of the texture, and fuller effectiveness and greater comfort and weight are attained by bringing a heavier material on to the back, preferably a woollen thread with the silk showing on the face only. The back woollen thread by its bulk gives greater proportional weight and at the same time pushes the silk yarn prominently on to the surface and enables it to exhibit its full lustre. This is certainly the most effective way of obtaining the utmost utility from the silk material in the texture. The silk and wool hosiery folded yarn is also employed largely for these goods, one yarn of silk being folded in a loose twist Fig. 44 Merino.—The great bulk of fabrics of this class are embraced Fig. 45 If Fig. 45 be examined it will be noticed that it is in the form of two-ply, one thread being composed of pure silk as shown by its density and fineness, whilst the thicker yarn is merino, that is, cotton and wool mixed in the fibre. The presence of the cotton and the wool may both be detected by an examination of the straggling fibres, the wool curving and bending in its usual characteristic manner, whilst the cotton fibres show their twisted convolutions and their furtive breaks into angles. The usual kinds of merino yarns used for underwear are folded two-ply, with a slack twist which Fig. 46 Cashmere.—The general use of this term includes open spun worsted yarns, used in underwear, but the original signification is the product of the Cashmere goat which inhabits the Himalayas. This material is natural coloured, the softest kinds are of a sandy fawn shade and are largely employed Angora Rabbit Fur.—The fur of the rabbit has recently come into prominence for the knitting industry and many new uses have been found for these materials. The product of the Angora rabbit reared in large numbers in France has been extensively used for knitted articles, notably gloves and vests, where its surpassing qualities of delicacy of handle have been greatly appreciated. One disadvantage of this fur is that it readily contracts when steeped in water, where the least scouring makes it almost vanish out of view. It is extremely difficult to spin into yarns which will bear the strains of knitting and of ordinary wear, the length of the fibres is rather variable and large portions of the rabbit coat consist of fibre of the most flimsy description, being perceptibly swayed by the ordinary air currents of a room. It will thus be seen that in employing this material the kind of article to which it has to be applied must be kept carefully in mind, and every effort should be made to utilize it where it will be protected from contact with excessive moisture. The article selected should not be one which encounters much friction during its period of wear because one of the troubles is that the loose floating fibres easily separate themselves from the parent fabric. This sort of material taken from the common rabbit is often vended in the shops in balls of thick, loose spun thread which can rapidly be made into plain stitch gloves, not very shapely but certainly having qualities of novelty and comfort. Camel Hair.—As the name indicates this material is secured from the camel, large tufts of good quality fibre growing on its chest and of a predominantly sandy tint, natural in hue. This is used in its life shade for a large number of varieties of knitted articles, perhaps its best-known use in knitting is in connection with the scarf trade, whilst it is also found in the knitted glove and cap industry. Alpaca.—This is the product of the goat of the same name which inhabits the Andes of South America and is very useful Peculiarities of Goat and Camel Hairs.—Materials such as camel hair, alpaca and cashmere all have certain properties in common. They have each two growths of material, one on the surface consisting of long, strong beard hairs which are rough in the extreme and quite unsuitable for manufacturing purposes. Under this overgrowth and protected by it is the variety which as a rule is much softer to touch and shorter in staple; the long hairs are a great nuisance to the manufacturer, but are in reality indispensable as they afford much needed protection to the soft undergrowth during the turbulent life of the goat. If they are not too coarse they may be employed as the dark colouring element in natural hosiery yarns, the browns and greys of alpaca being most useful in this regard. These materials belong to the most dirty class of materials used in knitting yarns, and it is very necessary that they should be thoroughly cleaned before use. Owing to the fact, however, that they are not dyed but generally employed as they stand, they may not be scoured so thoroughly as ordinary wool. The deadly germs of anthrax are often present on these materials, this disease being frequently transmitted to a worker handling the fleeces where clots of blood produced by careless clipping are a grave source of danger. There is also further evidence of uncleanness in the specks of dandruff-like matter which are often found sticking on the fibres of the yarn. Like other branches of the textile industry, hosiery manufacture has been the subject of numerous attempts at introducing new and novel fibres heralded on to the market with Fig. 47 Requirements of the Fancy Trade.—In the chapter on woollen underwear yarns the characteristics of material and structure were discussed in relation to the trade in underwear. In this chapter a number of materials have been referred to which take their place in the what is known as the fancy trade for outer and intermediate garments. If it is a question of the |