Eve's silken couch with gorgeous tints adorn, Or fire the arrowy throne of rising morn.

CANTO I. l. 119.

The rays from the rising and setting sun are refracted by our spherical atmosphere, hence the most refrangible rays, as the violet, indigo, and blue are reflected in greater quantities from the morning and evening skies; and the least refrangible ones, as red and orange, are last seen about the setting sun. Hence Mr. Beguelin observed that the shadow of his finger on his pocket-book was much bluer in the morning and evening, when the shadow was about eight times as long as the body from which it was projected. Mr. Melville observes, that the blue rays being more refrangible are bent down in the evenings by our atmosphere, while the red and orange being less refrangible continue to pass on and tinge the morning and evening clouds with their colours. See Priestley's History of Light and Colours, p. 440. But as the particles of air, like those of water, are themselves blue, a blue shadow may be seen at all times of the day, though much more beautifully in the mornings and evenings, or by means of a candle in the middle of the day. For if a shadow on a piece of white paper is produced by placing your finger between the paper and a candle in the day light, the shadow will appear very blue; the yellow light of the candle upon the other parts of the paper apparently deepens the blue by its contrast; these colours being opposite to each other, as explained in note II.

Colours are produced from clouds or mists by refraction, as well as by reflection. In riding in the night over an unequal country I observed a very beautiful coloured halo round the moon, whenever I was covered with a few feet of mist, as I ascended from the vallies; which ceased to appear when I rose above the mist. This I suppose was owing to the thinness of the stratum of mist, in which I was immersed; had it been thicker, the colours refracted by the small drops, of which a fog consists, would not have passed through it down to my eye.

There is a bright spot seen on the cornea of the eye, when we face a window, which is much attended to by portrait painters; this is the light reflected from the spherical surface of the polished cornea, and brought to a focus; if the observer is placed in this focus, he sees the image of the window; if he is placed before or behind the focus, he only sees a luminous spot, which is more luminous and of less extent, the nearer he approaches to the focus. The luminous appearance of the eyes of animals in the dusky corners of a room, or in holes in the earth, may arise in some instances from the same principle; viz. the reflection of the light from the spherical cornea; which will be coloured red or blue in some degree by the morning, evening, or meridian light; or by the objects from which that light is previously reflected. In the cavern at Colebrook Dale, where the mineral tar exsudes, the eyes of the horse, which was drawing a cart from within towards the mouth of it, appeared like two balls of phosphorus, when he was above 100 yards off, and for a long time before any other part of the animal was visible. In this case I suspect the luminous appearance to have been owing to the light, which had entered the eye, being reflected from the back surface of the vitreous humour, and thence emerging again in parallel rays from the animals eye, as it does from the back surface of the drops of the rainbow, and from the water-drops which lie, perhaps without contact, on cabbage-leaves, and have the brilliancy of quicksilver. This accounts for this luminous appearance being best seen in those animals which have large apertures in their iris, as in cats and horses, and is the only part visible in obscure places, because this is a better reflecting surface than any other part of the animal. If any of these emergent rays from the animals eye can be supposed to have been reflected from the choroid coat through the semi-transparent retina, this would account for the coloured glare of the eyes of dogs or cats and rabits in dark corners.