CONCLUSION.

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Thus, gentle reader, we have led thee through a labyrinth of strange sights, of land-monsters and sea-monsters, many of man's own making, others the offspring of freakish nature, of Jove mellow with nectar and ambrosia. If the “proper study of mankind is man,” where can he be studied in a greater variety of character than in the scenes we have visited? The well-dressed automaton of a drawing-room, (a tailor made him!) fenced in with fashions and forms, moving, looking, and speaking but as etiquette pulls the wires, exhibits man in artificial life, and must no more be taken as a fair sample of the genus, than must pharmacy, in the person of the pimple-faced quack * mounted on his piebald pad, or charlatan's stage.

* “Quacksalvers and mountebanks are as easy to be knowne as
an asse by his eares, or the lyon by his pawes, for they
delight most commonly to proclaime their dealings in the
open streets and market-places, by prating, bragging, lying,
with their labells, banners, and wares, hanging them out
abroade.” Morbus Gallicus, 1585, by William Clowes.

“In the yeare 1587, there came a Flemming into the cittie of
Gloceter (Gloucester) named Wolfgang Frolicke, and there
hanged forth his pictures, his flagges, his instruments, and
his letters of marte, with long labells, great tassels,
broad scales closed in boxes, with such counterfeit showes
and knackes of knauerie, coesining the people of their
monie, without either learning or knowledge.” A most
excellent and compendious Method of curing Wounds, &c.
translated by John Read, 8vo. 1588.

We have shewn thee to what odd inventions men are put to provide fun for their fellows, and food for themselves. Yet if we ascend the scale of society it will be found that the Merry-Andrew is not the only wearer of the Fool's coat; that buffoons and jesters are not exclusively confined to fairs; that the juggler, * who steals his five pecks of corn out of a bushel.

* The following description of an itinerant juggler of the
olden time is exceedingly curious, and probably unique.

“The third (as the first) was an olde fellowe, his beard
milkewhite, his head couered with a round lowe-crownd rent
silke hat, on which was a band knit in many knotes, wherein
stucke two round stickes after the jugler's manner.
Hisierkin was of leather cut, his cloake of three coulers,
his hose paind with yellow drawn out with blew, his
instrument was a bagpipe, and him I knew to be William
Cuckoe, better knowne than lou'd, and yet, some thinke, as
well lou'd as he was worthy.” Kind-Hart's Dreame.

Hocus Pocus, junior, in his Anatomy of Legerdemaine, 1634,
mentions one “whose father while he lived was the greatest
jugler in England, and used the assistance of a familiar; he
lived a tinker by trade, and used his feats as a trade by
the by; he lived, as I was informed, alwayes betattered, and
died, for ought I could hear, in the same estate.”

The nostrum-vender who cures all diseases in the world, and one disease more; the Little-go man and thimble-rigger have their several prototypes among the starred and gartered; the laced and tinselled “Noodles” and “Doodles” of more elevated spheres, where the necessity for such ludicrous metamorphoses does not exist; except to shake off the ennui of idleness,—and idleness, said the great Duke of Marlborough, is a complaint quite enough to kill the stoutest General. How, gentle reader, has thy time been spent? If Utilitarian, * thou wilt say “Unprofitably!”

* “To set downe the jugling in trades, the crafty tricks of
buyers and sellers, the swearing of the one, the lying of
the other, were but to tell the worlde that which they well
knowe, and, therefore, I will ouerslip that. There is an
occupation of no long standing about London, called broking,
or brogging, whether ye will; in which there is pretty
juggling, especially to blind law, and bolster usury. If any
man be forst to bring them a pawne, they will take no
interest, not past twelve pence a pound for the month:
marry, they must haue a groat for a monthly bill, which is a
bill of sale from month to month; so that no advantage can
be taken for the usurie.

I heare say it's well multiplied since I died; but I
beshrewe them, for, in my life, many a time haue I borrowed
a shilling on my pipes, and paid a groat for the bill, when
I haue fetclit out my pawne in a day.” William Cuckoe to all
close juglers, &c. “c.—Kind-Hart's Dreame. O the villany of
these ancient pawnbrokers!

If Puritan, “Profanely Presuming,” however, that thou art neither the greedy, all-grasping nor the over-reaching, preaching second; but a well-conditioned happy being, with religion enough to shew thy love to God by thy benevolence to man, thou wilt regard with an approving smile the various recreations that lighten the toil and beguile the cares of thy humbler brethren; and thy compassion (not the world's,—Heaven save them and thee from the bitterness of that!) will fall on the poor Mime and Mummer, whose antic tricks and contortions, grinning mask of red ochre and white paint, but ill conceal his poverty-broken spirit, hollow ghastly eyes, and sunken cheeks—and thou wilt not turn scornfully from the multitudes (none are to be despised but the wicked, and they rather deserve our pity) that such ( perhaps to thee) senseless sights can amuse.

Self-complacent, predominant Self will be lost in generous sympathy, the electrical laughing fit will go round, and, though at the remotest end of the chain, thy gravity will not escape the shaking shock. Believing that thou art merry and wise; sightly, sprightly; learned, yet nothing loth to laugh; as we first met in a mutual spirit of communication and kindness, so we part. And when good fortune shall again throw us into thy company, not forgetting Mr. Bosky and the middle-aged gentleman with the satirical nose! we shall be happy to shake thy hand, ay, and thy sides to boot, with some merry tale or ballad, * (“Mirth, in seasonable time taken, is not forbidden by the austerest sapients,”) if haply time spare us one to tell or sing. Till then, health be with thee, gentle reader! a light heart and a liberal hand.

* Henry Chettle, in his Kind-Hart's Dreame, gives the
following description of a Ballad Singer. “The first of the
first three was an od old fellow, low of stature, his head
was couered with a round cap, his body with a side-skirted
tawney coate, his legs and feete trust vppe in leather
buskins, his gray haires and furrowed face witnessed his
age, his treble violl in his hande assured me of his
profession. On which (by his con-tinuall sawing, hauing left
but one string,) after his best manner, he gaue me a
huntsvp: whome, after a little musing, I assuredly remembred
to be no other but old Anthony Now now.” Anthony Munday is
supposed to be ridiculed in the character of cc Old Anthony
Now now the latter was an itinerant fiddler, of whom this
curious notice occurs in The Second Bart of the Gentle
Craft, by Thomas Deloney, 1598.

“Anthony cald for wine, and drawing forth his fiddle began
to play, and after he had scrapte halfe a score lessons, he
began thus to sing:—

“When should a man shew himselfe gentle and kinde? When
should a man comfort the sorrowful minde?

O Anthony, now, now, now,

O Anthony, now, now, now.

When is the best time to drinke with a friend?

When is the meetest my money to spend?

O Anthony, now, now, now,

O Anthony, now, now, now.

When goeth the King of good fellows away,

That so much delighted in dancing and play?

O Anthony, now, now, now,

O Anthony, now, now, now.

And when should I bid my good master farewell,

Whose bounty and curtesie so did excell?

O Anthony, now, now, now,

O Anthony, now, now, now.

“Loe yee now, (quoth hee,) this song have I made for your
sake, and by the grace of God when you are gone, I will sing
it every Sunday morning under your wives' window.* *

“Anthony in his absence sung this song so often in S.
Martin's, that thereby he purchast a name which he never
lost till his dying day, for ever after men cald him nothing
but Anthony now now.”

Braithwait thus describes one of the race of “metre ballad
mongers.”

“Now he counterfeits a natural base, then a perpetual
treble, and ends with a counter-tenure. You shall heare him
feigne an artfull straine through the nose, purposely to
insinuate into the attention of the purer brother-hood.”


                                                                                                                                                                                                                                                                                                           

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