Give me a woman as old as Hecuba, or as ugly as Caifacaratadaddera, rather than Mrs. Flumgarten! Were the annoyance confined to herself, I should cry, 'Content,'—for she who sows nettles and thorns is entitled to reap a stinging and prickly harvest. Ill temper should ride quarantine, and have a billet de santÉ, before it is let loose upon society.” These were among the ruminations of Uncle Timothy as he sauntered homeward through the green fields. Two interesting objects lay before him: the village church and grave-yard, and a row of ancient almshouses, the pious endowment of a bountiful widow, who having been brought to feel what sorrow was, had erected them, as the last resting-place but one, for the aged and the poor. There dwelt in our ancestors * a fine spirit of humanity towards the helpless and the needy. The charitable pittance was not doled out to them by the hand of insolent authority; but the wayfarer, heart-weary, and foot-sore, claimed at the gates of these pious institutions ** (a few of which still remain in their primitive simplicity) his loaf, his lodging, and his groat, which were dispensed, generally with kindness, and always with decency. Truly we may say, that what the present generation has gained in head (and even this admission is subject to many qualifications), it has lost in heart!! * “Before the Reformation, there were no Poor's Rates. The charitable dole, given at the religious houses, and the church-ale in every parish, did the business. “In every parish there was a Church-house, to which belonged spits, pots, &c. for dressing provision. Here the housekeepers met, and were merry, and gave their charity. The young people came there too, and had dancing, bowling, shooting at butts, &c. Mr. A. Wood assures me, that there were few or no almshouses before the time of Henry the Eighth; that at Oxon, opposite Christchurch, was one of the most ancient in England.”—Aubrey MSS. ** Was it ever intended—is it just—is it fitting, that the Masterships of St. Cross at Winchester, and St. Katharine's, London, should be such sumptuous sinecures? A grave had just received its “poor inhabitant the mourners had departed, and two or three busy urchins, with shovels and spades, were filling in the earth; while the sexton, a living clod, nothing loth to see his work done by proxy, looked, with open mouth and leaden eyes, carelessly on. Uncle Timothy walked slowly up the path, and pausing before the “narrow cell,” enforced silence and decency by that irresistible charm that ever accompanied his presence. His pensive, thoughtful look, almost surprised the gazers into sympathy. Who was the silent tenant? None could tell. He was a stranger in the village; but their pastor must have known something of his story; for his voice faltered whilst reading the funeral service, and he was observed to weep. Uncle Timothy passed on, and continued his peregrination among the tombs. How grossly had the dead been libelled by the flattery of the living! Here was “a tender husband, a loving father, and an honest man,” who certainly had never tumbled his wife out at window, kicked his children out of doors, or picked his neighbour's pocket in broad daylight on the King's highway; yet was he a hypocritical heartless old money-worshipper! There lay a “disconsolate widow,” the names of whose three “lamented husbands” were chiselled on her tombstone! To the more opulent of human clay, who could afford plenty of lead and stone,—perchance the emblems of their dull, cold heads and hearts,—what pompous quarries were raised above ground! what fulsome inscriptions dedicated! But the poor came meanly off. Here and there a simple flower, blooming on the raised sod, and fondly cherished, told of departed friends and kindred not yet forgotten! And who that should see a rose thus affectionately planted would let it droop and wither for want of a tear? “Ah!” thought Uncle Timothy, “may I make my last bed with the poor!— “Let not unkind, untimely thrift These little boons deny; Nor those who love me while I live Neglect me when I die!” A monument of chaste and simple design attracted his attention. It was to the memory of a gentle spirit, whom he mourned with a brother's love. Four lines were all that had been thought essential to say; but they were sufficiently expressive. Father! thy name we bless, Thy providence adore. Earth has a mortal less, Heaven has an angel more! The “Giver of every good and perfect gift” had taken her daughter before she knew sin or sorrow. Her epitaph ran thus:— Oh! happy they who call'd to rest Ere sorrow fades their bloom, Awhile a blessing are—and bless'd— Then sink into the tomb. From fleeting joys and lasting woes On youthful wing they fly— In heaven they blossom like the rose, The flowers that early die! A. deep and holy calm fell upon Uncle Timothy, with a sweet assurance that a happier meeting with departed friends was not far distant. And as the guardianship of ministering angels was his firm belief and favourite theme, his secret prayer at this solemn moment was, that they might save him from the bodily and mental infirmities, the selfishness and apathy of protracted years. He read the inscriptions over again, with a full conviction of their truthfulness. They were his own. At an obscure corner—and afar off—Truth, for a wonder, had written an epitaph upon one who loved, not his species, but his specie! Beneath this stone old Nicholas lies; Nobody laughs, and nobody cries. Where he's gone, and how he fares, Nobody knows, and nobody cares! And at no great distance was a tomb entirely overgrown with rank weeds, nettles, and thorns; and there was a superstitious legend attached to it, that they all grew up in one night, and though they had been several times rooted up, still, in one night, they all grew up again! Stones had been ignominiously cast upon it; and certain ancient folks of the village gravely affirmed that, on the anniversary of the burial of the miserable crone, the Black Sanctus * was performed by herself and guardian spirits! * Isaac Reed informs us (see note upon Chapman's Widow's Tears, in Dodsley's Old Plays) that “the Black Sanctus was a hymn to Saint Satan, written in ridicule of Monkish luxury.” And Tarlton (see News out of Purgatory) quotes it in “the Tale of Pope Boniface.” “And' upon this there was a general mourning through all Rome: the cardinals wept, the abbots howled, the monks rored, the fryers cried, the nuns puled, the curtezans lamented, the bels rang, the tapers were lighted, that such a Blacke Sanctus was not seene a long time afore in Rome.”, The Black Sanctus here said to be performed was of a different kind. It was assuredly “a hymn to Satan,” in which the crone and the most favoured of her kindred took the base; Hypocrisy leading the band, and Avarice scraping the fiddle. “The rest God knows—perhaps the Devil” A yew-tree stretched forth its bare branches over the tomb, which in one night also became withered and blasted! 0226m |