IT WAS the belief of Saxe and his friends that the person guilty of the outrage against them was none other than Hartley Masters. Now, at last, Roy confided to his associates the adventure in the night, when he had discovered the presence of the safe hidden within the wall. The others flouted him as he had anticipated over his failure to capture the intruder and his subsequent inability to learn the secret of the spring in the wainscoting. They accepted without hesitation his assurance that the night prowler had been Masters, and their wrath flamed hot against the engineer, who in his later effort had not scrupled to attempt the murder of five men. They determined to take active measures against the fellow for the sake of their own safety. Roy volunteered to wage a campaign against the enemy, to seek out his whereabouts, to trail him, to get evidence against him, and finally to make him prisoner. The others, meantime, would continue Roy visited the hamlet at the foot of the lake, where was situated the hotel in which the engineer had been a guest. He learned, to his disappointment, that Masters had taken his departure a week before. He assured himself that this departure had been a real one by inquiries at the station. Further questioning of residents elicited the information that the engineer had thereafter been seen by none. Nevertheless, Roy was far from being convinced by this information that the engineer had actually taken himself off. He was, on the contrary, almost, if not quite, certain that Masters had merely made use of the train for an ostensible departure, in order to avoid the possibility of his presence in the neighborhood appearing as evidence against him in the event of any suspicion that might arise. Afterward, as Roy This improved method was adopted. Roy told the girl nothing as to his desire of finding Masters, but he told her other things a-plenty; and the two of them grew daily more content. It was Margaret West who finally hit on the spring that moved the wainscoting, for Saxe had let her know the story told by Roy, and she had amused herself by seeking to master the mystery. Actually, beyond her satisfaction in having succeeded where the Billy Walker’s pride of intellect had been aroused to the utmost by the difficulty of the task that confronted him. Hour after hour, day after day, he pored over the manuscript, of which the cryptic significance ever escaped all efforts of his ingenuity. It seemed to him that he had, in fact, scrutinized every possible aspect in which the writing might be viewed, and still the veil lay impenetrable over the mystery. He would have been in despair, had he been of a humbler mind, but his intellectual egotism would not suffer him to confess defeat, even to himself. So, he persisted in the struggle to solve this baffling problem—did indeed but strive the harder as the days passed. The others admitted that the difficulties were too great for their overcoming. Billy replied to their lamentations with braggart boasting that he would yet conquer. Nevertheless, at the last, he owed the hint he needed to Saxe. The real activity was on the part of Billy, Of a sudden, wonder grew on his face. Doubt, fear, hope, joy, followed. He bent awkwardly, but swiftly, snatched the paper, and immediately stalked off into the cottage and up the stairs to his bedroom, without a word of explanation or apology. Saxe shrugged his shoulders, and smiled whimsically. The others paid no attention whatsoever. It was a half-hour later when Billy “Well, my dilatory friends,” he began genially, “your confidence in me, which has enabled you to retain your calm while yourselves accomplishing nothing, was not misplaced. After a considerable period of unremitting toil over the manuscript left for our guidance by the ingenious deceased—by the way, Saxe, that song of gold, as you call it, is perfectly good music, isn’t it?” The three were gazing on Billy Walker with wide eyes. Their astonishment was so great that, for the moment, they did not question the leisurely manner of the sage’s “It’s perfectly good music—in the sense you mean—yes.” “Then,” Billy declared, “I take off my hat to the late Mr. Abernethey. The reason for this burst of enthusiasm on my part lies in the fact that out of a perfectly good piece of music, he has made, also, a perfectly good chart—for our guidance to the treasure. As to the chart, I myself speak as an authority, since I have found it.” Billy regarded his friends with an expression of intense self-satisfaction. Roy was sitting up in the hammock now, with his jaw thrust forward a little, and his eyes hard in the excitement of the minute. David was goggling, with his mouth open in amazement over the unexpected announcement. Saxe betrayed his emotion by the tenseness of his features, the rigidity of his pose, the sparkle in his keen, gray eyes. It was evident that the successful investigator was hugely enjoying the sensation he had created. He delighted in the importance “I owe the final suggestion by which I won out to Saxe,” he declared frankly, with an appreciative nod in his friend’s direction. “He, however, really deserves no credit, since what he did was merely by chance, without any intention, and would never have amounted to anything, if it hadn’t been for the fact that I happened to see what he had done, and to take advantage of it in an orderly and logical way. Only, I wish it understood that he served as the unconscious instrument of destiny in the matter, and as such unconscious instrument he should be recognized. Probably, I should have arrived “What in the world did I do?” Saxe demanded, in amazement. “I’ll explain in a minute,” Billy replied. “I have in mind first to exhibit this to you.” He held up a sheet of paper, which he had drawn from his pocket. It was of about the size of that on which Abernethey’s composition had been written. It showed two irregular lines running across it, drawn by pencil. “Glance at this, if you please,” he directed. The others did so; but their bewildered expression showed that they were still unenlightened as to the bearing of the scant diagram on the revelation concerning the hidden gold. Billy chuckled again in contemplation of their failure to comprehend. Then, he brought forth a second sheet, and held it, also, for their inspection. In this instance, the paper was turned with its greater length horizontal, and the two lines of the other sheet had been joined, so that the one irregular tracing extended over the full page. David slapped his thigh with violence. Roy’s jaw shot out a bit farther. “Yes, it’s a map,” he agreed; and his voice was strangely gentle, as it usually was in his moments of greatest excitement. “It’s a map. Bully for Billy!” His face lighted with a charming smile, and his eyes grew soft as he turned them to the rough-hewn face of the discoverer, who appeared highly gratified. Saxe took the sheet of paper out of his friend’s hand, and studied it with eager eyes. For the first time in days, hope leaped in his breast. “Yes, it’s a map,” he declared, echoing the others. “But I don’t understand. Tell us, Billy.” Billy actually preened himself, in an ungainly manner peculiarly his own, and assumed a most pedantic air, as he went forward with the explanation: “Saxe was sitting here, with his eyes fixed on the old man’s manuscript, but with his “Oh, do get on with the explanation,” Temple urged. “What was it I did? I haven’t the shadow of an idea.” “It’s simple enough,” Billy said. “Just absent-mindedly, you sat there with a pencil in your hand, and made ticks over certain notes. As I looked down at the sheet, my attention was especially caught by these, for the excellent reason that they had not been there before. Without any volition on my part, I stood there considering the pencil Billy took from his pocket a third sheet, which he gave to Saxe. This proved to be the original manuscript of the music, with the pencil markings made by Saxe. The heir of Abernethey examined the page closely, but his expression of bewilderment did not pass. Roy and David left their places to look over the other’s shoulder. For nearly a minute, the three held their gaze curiously on the sheet. Then, of one accord, they looked up, to meet the amused glance of Billy Walker. “Well?” they demanded, in a single voice. “You have observed the pencil marks?” came the question; and the three nodded assent. This is the manner in which the manuscript had been affected by the absent-minded action of Saxe: “In pursuance of the idea that had come to me,” Billy continued, “I next made a tracing. I took a piece of tissue paper, and laid it over this manuscript. I could then see quite clearly, so that it was easy to make the outline I wished. I started at the beginning, with the notes checked by Saxe, from which I had received the hint as to what to do. I started my pencil It had this appearance. “Here, then,” he said, waving aloft Exhibit C to emphasize his meaning, “I present to you the chart which the late Mr. Abernethey left us as a guide to the spot where the treasure lies secreted. It is plain enough for even your eyes to read, I fancy. The pencil outline is to serve us as a map, which we are to follow to the gold. It represents—roughly, I take it—the sky-line of the country round about. As I had only just completed the drawing before I came back to you, I’ve had no time to compare it with the hills hereabouts; but I’m certain none the less. It’s a matter of inference. There remains now only the task of finding out what marks the precise point of the hiding-place on this line. It seems to me that some one of you with knowledge of music ought to work out that trifling detail. If not, of course I can do it—in time.” |