Books are now printed in large sheets from 4 to 64 pages at a time. In many cases paper is drawn from a roll (as it is in the printing of a newspaper), printed on both sides in large sections of 64 pages, and cut and folded as it leaves the press. These sheets, of several pages each, after being printed, are gathered into a complete book, sometimes by a machine, and are then sewn together by a machine. This machine for sewing is a comparatively recent invention. In most cases sewing done on a machine is not as strong as the old-fashioned hand sewing. The sections, or signatures, or folds of the book, as the several sets of several pages each are called, are caught together only by thread; strings or tapes are not used. This sewing is then reinforced by a piece of cloth, usually thin, cheap muslin, or poor super, which is pasted over the back and allowed to extend a little way down each side. But sewing on a machine can be done with strings added and made very strong. Sewing ASection of Fifteenth Century sewing on double bands with head and tail bands. BSection of modern “flexible” sewing round single bands. CSection of ordinary sewing with sunk bands. DSection of tape sewing advocated for cheap work in place of C. From report of the Committee on Leather for Bookbinding. Edited for Society of Arts. London: Bell & Sons, 1905. Covers for books are now made by machines into which are fed pieces of cardboard and a roll of cloth. The machine cuts the cloth into the proper size, pastes it and folds it over the boards into a cover, leaving a loose place between the two boards to be filled by the body of the book. This cover is then printed in a machine much like a printing press; the gold of the title on the back or sides or both, and the colors or blank impressions, for ornament, all being impressed on it with great rapidity. The completed cover, called a case, is then pasted to the Books printed with more care, on better paper, with a better quality of cloth on the cover, and a more elaborate title in real gold instead of some cheaper imitation of it, books, that is, like the novels issued by the better class of publishers, can be produced in quantities of from one to three thousand, for from 15 to 30 cents each. Few of the novels put on the market today cost the publishers, for their making alone, as much as the latter price. To this must be added a royalty to the author, generally 10% of the retail price, the cost of the management of the business and the advertising. In the case of small editions, one or two thousand, this brings the original cost of the average work up to 50 or 75 cents. Suppose this book to be offered at retail at $1.25. There must then be deducted from this retail price the discount to the jobber, 25 to 40 +10%, and the royalty, and the advertising, and the cost of production, etc., leaving a profit to the publisher of from 5 to 20 cents on each volume. A well-made The school text-books issued by the more reputable publishing houses are generally very well made. They are printed on good paper, usually rather highly calendered, with good ink, are bound with extra care, and have good material in their covers. The competition between school book publishers makes it necessary for them in self-defense to produce books which will wear well in the hands of the average pupil. Up to a few years ago all books were sewn by hand, the covers were made by hand, and hand work was employed in putting book and cover together. The process of sewing by hand may be briefly described as follows: Two or more strings or tapes are stretched between the edge of a board and a stick held horizontally above it by two uprights. The book folded and ready for sewing, after having been either pressed or beaten with a hammer to make it lie smooth, is held in a vise and two saw cuts are made in the back at about the same distance from each other and from the ends. Two smaller saw cuts are also made in the back of the book, one between each of the larger ones and the opposite ends of the back. The first signature—the fold or section made of a large sheet folded—of the book is laid on the board so that the larger saw cuts are opposite the two strings. A thread is passed through the small cut at one end, into the middle In old bindings, to give the book a better appearance at top and bottom, what is called a headband was put on with thread, the thread passing through the signatures and from one signature to another in such a way as still more securely to hold these together. Today the headband is still used; but usually it is simply pasted in and is little more than an ornament. Sometimes the book’s back is still further reinforced by pasting or gluing to it a piece of vellum, leather or heavy cloth before the process of putting on the cover begins. Set rules for sewing books should not be laid down. Each book is treated by the skillful binder, or should be, in accordance with the character of its paper, the number of inserts, the thickness of the paper, the size of the signatures, the size of the leaves, the use it is to receive, and other facts. The good binder binds each book well according to its kind. Showing a Method of Sewing on Tapes The catching up of the alternate groups of threads as they cross the bands renders the sewing firmer. There are other methods of achieving this end. From report of the Committee on Leather for Bookbinding. Edited for Society of Arts. London: Bell & Sons, 1905. After the book is properly sewn, the strings on which it is gathered are cut off a short distance from the sides. Pieces of cardboard are cut of the proper size for a cover. The ends of the strings are laced into them or fastened down upon them with paste The back of the book is always covered with glue after the sewing and before the leather or cloth is put on. This glue is thin and hot, and is put on to hold together the backs of the signatures. In rounding, the binder manipulates the book with the hands, and taps it with a hammer until the proper shape is secured. This is done after the coat of glue has been applied. In edition work this is done on a machine. In backing the book is held between two metal, or metal-edged, plates close up to the back, the back having been stiffened previously with a coat of glue which has not set very firmly; and with a hammer the backs of the signatures are pounded down and out, making a slight ledge or groove along the outer edges against which set later the boards of the covers. If the book is to be tight back the cloth or leather is glued direct to the backs of the signatures thus rounded, though often a thin piece of cloth, super, is first glued on, extending over onto the sides. If Showing Method of Attaching Tape Slips or Ends of Bands to a Split Board Leaving a “French Joint” From report of the Committee on Leather for Bookbinding. Edited for Society of Arts. London: Bell & Sons, 1905. This description of the process of binding is a suggestive outline only. Enough has been said, |