| SUBJECT. | | PAGE |
| Our Father. | From a Bust by his Son, Robert Dalziel | 3 |
| Our Mother. | From an Oil Painting by her Son, Robert Dalziel | 5 |
| Portrait of George Dalziel. | From an Oil Painting by his Brother Robert | 7 |
| " Edward Dalziel. | From an Oil Painting by his Brother Robert | 9 |
| " John Dalziel. | From a Photograph | 11 |
| " Thomas Dalziel. | From a Photograph | 13 |
| " William Harvey. | From a Wood Engraving | 15 |
| " Margaret Dalziel. | From a Photograph | 20 |
| ILLUSTRATED BY |
| The Earl of Leicester's Levee. | From the Abbotsford Edition of "Kenilworth" | William Harvey | 21 |
| Mackay, as the Bailie Nicol Jarvie. | From the Abbotsford Edition of "Rob Roy" | Sir William Allan, R.A., P.R.S.A. | 25 |
| Children in the Wood. | John Franklin | 27 |
| Sleeping Child and Lamb. | William Mulready, R.A. | 29 |
| "Evangeline." | From the Poetical Works of Longfellow | Sir John Gilbert, R.A., P.R.W.S. | 33 |
| "L'Allegro." | Kenny Meadows | 39 |
| A Ball-Room. | Frederick Walker, A.R.A., R.W.S. | 43 |
| "A Lay of St. Dunstan." | From the "Ingoldsby Legends" | George Cruikshank | 45 |
| "The Lord of Toulouse." | " | Sir John Tenniel | 47 |
| "The Wedding Day." | " | George Cruikshank | 49 |
| The Adoration of the Maji. | F. R. Pickersgill, R.A. | 53 |
| Fairy Dance. | W. E. Frost, R.A. | 55 |
| "Oriana." | Tennyson | F. R. Pickersgill, R.A. | 57 |
| Scotland. | From "An Overland Journey to the Great Exhibition of 1851" | Richard Doyle | 60 |
| Jack and the Giants. | | " | 63 |
| The Giants. | | " | 64 |
| The Arrival at Cologne. | | " | 65 |
| Evening on the Lago-Maggiore. | | " | 67 |
| "The Salamandrine." | Dr. Charles Mackay | Sir John Gilbert, R.A., P.R.W.S. | 69 |
| Lucy Gray. W. Wordsworth | | " | 71 |
| King Lear. | | " | 73 |
| King Lear and Fool in a Storm. | | " | 75 |
| Lear Fantastically Dressed with Flowers. | | " | 79 |
| "The Lord of Burleigh." | Tennyson | Sir J. E. Millais, P.R.A. | 83 |
| "The Talking Oak." | " | " | 87 |
| "Oriana." | " | Holman Hunt | 90 |
| "St. Cecillia." | " | Dante G. Rossetti<
href="@public@vhost@g@html@files@48721@48721-h@48721-h-14.htm.html#Page_305" class="pginternal">305 |
| Going Home to Love in a Cottage. | " | F. A. Fraser | 309 |
| Argumentum ad Hominem. | " | J. Mahoney | 311 |
| Oysters. | " | Ernest Griset | 313 |
| Àpropos to a Proposal. | " | Hal Ludlow | 315 |
| Madame. | From "Behind a Brass Knocker" ("Judy") | Frederick Barnard | 319 |
| Mister Mite. | " | " | 321 |
| On the Uselessness of Nursery Lore. | From "Judy" | E. G. Dalziel | 323 |
| On Love as a Passion. | " | " | 325 |
| Codlin and Short in the Churchyard. | From "The Old Curiosity Shop"—Charles Dickens | Charles Green, R.I. | 327 |
| Nell Stopping Miss Monflather. | From "The Old Curiosity Shop"—Charles Dickens | " | 329 |
| At the Dolphins Head. | From "The Uncommercial Traveller"—Charles Dickens | E. G. Dalziel | 331 |
| "Am I Red To-night?" | From "The Uncommercial Traveller"—Charles Dickens | " | 333 |
| The Marquis's Carriage Stopped by the Crowd. | From "A Tale of Two Cities"—Charles Dickens | Frederick Barnard | 335 |
| Nicholas Nickleby's Interview with Mr. Bray. | From "Nicholas Nickleby"—Charles Dickens | " | 337 |
| Portrait of George Dalziel. | From a Photograph | 340 |
| " Edward Dalziel. | From a Photograph | 341 |
| " Thomas Dalziel. | From a Photograph | 342 |
