Notes on Dacier's Preface

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Sig. [A 3], recto, 11. 17-18. "Horace's Art of Poetry." Published, Paris, 1689, in Vol. X of Dacier's Remarques Critiques sur les Oeuvres [d'Horace] Avec une Nouvelle Traduction.

Sig. [A 5], verso, 1.2, note. "Chap. 18, Rem. 8." In this remark, Dacier explicates Aristotle's injunction that the poet should sketch the general outline of the fable before filling in episodes and naming characters, thus making it general and universal.

Sig. [A 6], verso, 1.7, note. "Chap. 13, Rem. 25." Dacier says in this remark that a regular tragedy submitted to the judgment of the learned and the ignorant will always please best, "car l'un remarque une chose, l'autre une autre, & tous ensemble ils remarquent tout."

Sig. [A 8], recto, 1.7. "History is much less grave." "Ch. IX, Rem. 5" (Dacier's note) Dacier adds nothing to the traditional discussion of the superiority of poetry to history and philosophy.

Sig. [A 8], verso, 1.18. "Alexander of Pherea." See Plutarch's oration "On the Fortune or the Virtue of Alexander," II, in Moralia (tr. F.C. Babbitt, Loeb Classical Library), IV, 424.

Sig. [b 1], recto, 1.1. "A Very Grave Historian." Polybius, Histories, IV, 20.

Sig. [b 1], verso 1.20. "Mr. Racine ... his last two pieces..." Esther (1689) and Athalie, 1691.

Sig. [b 2], recto, 11. 23-24. "Victorius." Pietro Vettori, Commentarii in Primum Librum Aristotelis de Arte Poetarum, Florentiae, 1560.

Ibid., 1.27. "Castelvetro." Ludovico Castelvetro, La Poetica d'Aristotele vulgarizzata et sposta, 1570. This view of Castelvetro, who was remarkable for his independence of Aristotle, was fairly common in France. La MesnardiÈre, for instance, was extremely hostile to him.

Sig. [b 2], verso, 1.13. "MesnardiÈre." Jules de La MesnardiÈre, La PoËtique, Paris, 1693.

Ibid., 1.20. "D'Aubignac." Aubignac (abbÉ HÉdelin d'), La Pratique du Theatre, Paris, 1657. English translation, 1684.

Ibid., 1.26. "Father Bossu." TraitÉ du PoËme Epique, Paris, 1675.

Sig. [b 3], recto, 1.22. "Corneille." "Discours de l'UtilitÉ et des Parties du PoËme Dramatique," Oeuvres (ed. Ch. Marty-Laveaux), Paris, 1862, I, 16.

Sig. [b 4], verso, 1. 12. "Dionysius of Halicarnassus." See "Epistola ad Cn. Pompeio de Platone," Dionysii Halicarnassensis, Opera Omnia, Lipsiae, 1774-1777, VI, 750-752.

Sig. [b 6], verso, 1. 27. "Pindar" Fragment 159, Odes (tr. Sir John Sandys, Loeb Classical Library) p. 600.

Sig. [b 7], recto, 1. 5. "verse of Agathon" Ars atque fortuna invicem se diligunt. "Agathones Fragmenta" 6, in Fragmenta Euripides (ed. F.G. Wagner), Paris, 1843-1846, II, 58.

Ibid., 1.10. "Plato in his Phaedrus." "Phaedrus," 268, Dialogues (tr. B. Jowett) Third Edition, Oxford, 1892, I, 477.


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Publications for the thirteenth year [1958-1959]
(At least six items, most of them from the following list, will be reprinted.)

AndrÉ Dacier, Preface to Aristotle's Art of Poetry (1705). Introduction by Samuel Holt Monk.
William Herbert, Third Earl of Pembroke. Poems (1660). Introduction by Gaby Onderwyzer.
Francis Hutcheson, Reflections on Laughter (1729). Introduction by Scott Elledge.
Eighteenth-Century Newspaper Essays on the Theatre. Selected, with an introduction, by John Loftis.
Samuel Johnson, Notes to Shakespeare, Vol. III, Tragedies. Edited by Arthur Sherbo.
John Joyne, A Journal (1679). Edited by R. E. Hughes.
Richard Savage, An Author to be Let (1732). Introduction by James Sutherland.
Seventeenth-Century Tales of the Supernatural. Selected, with an introduction, by Isabel M. Westcott.

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Transcriber's Notes:
Elongated "s" has been modernized.
Additional spacing after some of the quotes is intentional to indicate both the end of a quotation and the beginning of a new paragraph as presented in the original text.





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