THE MONASTERY.

We proceed next to give some account of the buildings which compose the fabric of a monastery. And first as to the site. The orders of the Benedictine family preferred sites as secluded and remote from towns and villages as possible. The Augustinian orders did not cultivate seclusion so strictly; their houses are not unfrequently near towns and villages, and sometimes a portion of their conventual church—the nave, generally—formed the parish church. The Friaries, Colleges of secular canons, and Hospitals, were generally in or near the towns. There is a popular idea that the monks chose out the most beautiful and fertile spots in the kingdom for their abodes. A little reflection would show that the choice of the site of a new monastery must be confined within the limits of the lands which the founder was pleased to bestow upon the convent. Sometimes the founder gave a good manor, and gave money besides, to help to build the house upon it; sometimes what was given was a tract of unreclaimed land, upon which the first handful of monks squatted like settlers in a new country. Even the settled land, in those days, was only half cultivated; and on good land, unreclaimed or only half reclaimed, the skill and energy of a company of first-rate farmers would soon produce great results; barren commons would be dotted over with sheep, and rushy valleys would become rich pastures covered with cattle, and great clearings in the forest would grow green with rye and barley. The revenues of the monastic estates would rapidly augment; little of them would be required for the coarse dress and frugal fare of the monks; they did not, like the lay landowners, spend them on gilded armour and jewelled robes, and troops of armed retainers, and tournaments, and journeys to court; and so they had enough for plentiful charity and unrestricted hospitality, and the surplus they spent upon those magnificent buildings whose very ruins are among the architectural glories of the land. The Cistercians had an especial rule that their houses should be built on the lowest possible sites, in token of humility; but it was the general custom in the Middle Ages to choose low and sheltered sites for houses which were not especially intended as strongholds, and therefore it is that we find nearly all monasteries in sheltered spots. To the monks the neighbourhood of a stream was of especial importance: when headed up it supplied a pond for their fish, and water-power for their corn-mill. If, therefore, there were within the limits of their domain a quiet valley with a rivulet running through it, that was the site which the monks would select for their house. And here, beside the rivulet, in the midst of the green pasture land of the valley dotted with sheep and kine, shut in from the world by the hills, whose tops were fringed with the forest which stretched for miles around, the stately buildings of the monastery would rise year after year; the cloister court, and the great church, and the abbot’s lodge, and the numerous offices, all surrounded by a stone wall with a stately gate-tower, like a goodly walled town, and a suburban hamlet of labourers’ and servants’ cottages sheltering beneath its walls.

There was a certain plan for the arrangement of the principal buildings of a monastery, which, with minor variations, was followed by nearly all the monastic orders, except the Carthusians. These latter differed from the other orders in this, that each monk had his separate cell, in which he lived, and ate, and slept apart from the rest, the whole community meeting only in church and chapter.[65] Our limits will not permit us to enter into exceptional arrangements.The nucleus of a monastery was the cloister court. It was a quadrangular space of green sward, around which were arranged the cloister buildings, viz., the church, the chapter-house, the refectory, and the dormitory.[66] The court was called the Paradise—the blessed garden in which the inmates passed their lives of holy peace. A porter was often placed at the cloister-gate, and the monks might not quit its seclusion, nor strangers enter to disturb its quiet, save under exceptional circumstances.

The cloister-court had generally, though it is doubtful whether it was always the case, a covered ambulatory round its four sides. The ambulatories of the twelfth and thirteenth centuries have usually an open arcade on the side facing the court, which supports the groined roof. In the fourteenth and fifteenth centuries, instead of an open arcade, we usually find a series of large traceried windows, tolerably close together; in many cases they were glazed, sometimes with painted glass, and formed doubtless a grand series of scriptural or historical paintings. The blank wall opposite was also sometimes painted. This covered ambulatory was not merely a promenade for the monks; it was the place in which the convent assembled regularly every day, at certain hours, for study and meditation; and in some instances (e.g., at Durham) a portion of it was fitted up with little wooden closets for studies for the elder monks, with book-cupboards in the wall opposite for books. The monks were sometimes buried in the cloister, either under the turf in the open square, or beneath the pavement of the ambulatory. There was sometimes a fountain at the corner of the cloister, or on its south side near the entrance to the refectory, at which the monks washed before meals.The church was always the principal building of a monastery. Many of them remain entire, though despoiled of their shrines, and tombs, and altars, and costly furniture, and many more remain in ruins, and they fill us with astonishment at their magnitude and splendour. Our existing cathedrals were, in fact, abbey churches; nine or ten of them were the churches of Benedictine monasteries, the remainder of secular Augustines. But these, the reader may imagine, had the wealth of bishops and the offerings of dioceses lavished upon them, and may not be therefore fair examples of ordinary abbey churches. But some of them originally were ordinary abbey churches, and were subsequently made Episcopal sees, such as Beverley, Gloucester, Christ Church Oxford, and Peterborough, which were originally Benedictine abbey churches; Bristol was the church of a house of regular canons; Ripon was the church of a college of secular canons. The Benedictine churches of Westminster and St. Alban’s, and the collegiate church of Southwell, are equal in magnitude and splendour to any of the cathedrals; and the ruins of Fountains, and Tintern, and Netley, show that the Cistercians equalled any of the other orders in the magnitude and beauty of their churches.

It is indeed hard to conceive that communities of a score or two of monks should have built such edifices as Westminster and Southwell as private chapels attached to their monasteries. And this, though it is one aspect of the fact, is not the true one. They did not build them for private chapels to say their daily prayers in; they built them for temples in which they believed that the Eternal and Almighty condescended to dwell; to whose contemplation and worship they devoted their lives. They did not think of the church as an appendage to their monastery, but of their monastery as an appendage to the church. The cloister, under the shadow and protection of the church, was the court of the Temple, in which its priests and Levites dwelt.

The church of a monastery was almost always a cross church, with a nave and aisles; a central tower (in Cistercian churches the tower was only to rise one story above the roof); transepts, which usually have three chapels on the north side of each transept, or an aisle divided into three chapels by parclose screens; a choir with or without aisles; a retro-choir or presbytery; and often a Lady chapel, east of the presbytery, or in some instances parallel with the choir.

The entrance for the monks was usually on the south side opposite to the eastern alley of the cloisters; there was also in Cistercian churches, and in some others, a newel stair in the south transept, by means of which the monks could descend from their dormitory (which was in the upper story of the east side of the cloister court) into the church for the night services, without going into the open air. The principal entrance for the laity was on the north side, and was usually provided with a porch. The great western entrance was chiefly used for processions; the great entrance gate in the enclosure wall of the abbey being usually opposite to it or nearly so. In several instances stones have been found, set in the pavements of the naves of conventual churches, to mark the places where the different members of the convent were to stand before they issued forth in procession, amidst the tolling of the great bell, with cross and banner, and chanted psalms, to meet the abbot at the abbey-gate, on his return from an absence, or any person to whom it was fitting that the convent should show such honour.

A Semi-choir of Franciscan Friars.

The internal arrangements of an abbey-church were very nearly like those of our cathedrals. The convent occupied the stalls in the choir; the place of the abbot was in the first stall on the right-hand (south) side to one entering from the west—it is still appropriated to the dean in cathedrals; in the corresponding stall on the other side sat the prior; the precentor sat in the middle stall on the right or south side; the succentor in the middle stall on the north side.

The beautiful little picture of a semi-choir of Franciscan friars on the opposite page is from a fourteenth-century psalter in the British Museum (Domitian, A. 17). It is from a large picture, which gives a beautiful representation of the interior of the choir of the church. The picture is worth careful examination for the costume of the friars—grey frock and cowl, with knotted cord girdle and sandalled feet; some wearing the hood drawn over the head, some leaving it thrown back on the neck and shoulders; one with his hands folded under his sleeves like the Cistercians at p. 17. The precentor may be easily distinguished in the middle stall beating time, with an air of leadership. There is much character in all the faces and attitudes—e.g., in the withered old face on the left, with his cowl pulled over his ears to keep off the draughts, or the one on the precentor’s left, a rather burly friar, evidently singing bass.[67] On the next page is an engraving from the same MS. of a similar semi-choir of minoresses, which also is only a portion of a large church interior.

A Semi-choir of Minoresses.

When there was a shrine of a noted saint[68] it was placed in the presbytery, behind the high-altar; and here, and in the choir aisles, were frequently placed the monuments of the abbots, and of founders and distinguished benefactors of the house; sometimes heads of the house and founders were buried in the chapter-house.

It would require a more elaborate description than our plan will admit to endeavour to bring before the mind’s-eye of the reader one of these abbey churches before its spoliation;—when the sculptures were unmutilated and the paintings fresh, and the windows filled with their stained glass, and the choir hung with hangings, and banners and tapestries waved from the arches of the triforium, and the altar shone gloriously with jewelled plate, and the monuments[69] of abbots and nobles were still perfect, and the wax tapers burned night and day[70] in the hearses, throwing a flickering light on the solemn effigies below, and glancing upon the tarnished armour and the dusty banners[71] which hung over the tombs, while the cowled monks sat in their stalls and prayed. Or when, on some high festival, the convent walked round the lofty aisles in procession, two and two, clad in rich copes over their coarse frocks, preceded by cross and banner, with swinging censers pouring forth clouds of incense, while one of those angelic boy’s voices which we still sometimes hear in cathedrals chanted the solemn litany—the pure sweet ringing voice floating along the vaulted aisles, until it was lost in the swell of the chorus of the whole procession—Ora! Ora! Ora! pro nobis!

The Cloister was usually situated on the south side of the nave of the church, so that the nave formed its north side, and the south transept a part of its eastern side; but sometimes, from reasons of local convenience, the cloister was on the north side of the nave, and then the relative positions of the other buildings were similarly transposed.

The Chapter-house was always on the east side of the court. In establishments of secular canons it seems to have been always multi-sided[72] with a central pillar to support its groining, and a lofty, conical, lead-covered roof. In these instances it is placed in the open space eastward of the cloister, and is usually approached by a passage from the east side of the cloister court. In the houses of all the other orders[73] the chapter-house is rectangular, even where the church is a cathedral. Usually, then, the chapter-house is a rectangular building on the east side of the cloister, and its longest axis is east and west; at Durham it has an eastern apse.[74] It was a large and handsome room, with a good deal of architectural ornament;[75] often the western end of it is divided off as a vestibule or ante-room; and generally it is so large as to be divided into two or three aisles by rows of pillars. Internally, rows of stalls or benches were arranged round the walls for the convent; there was a higher seat at the east end for the abbot or prior, and a desk in the middle from which certain things were read. Every day after the service called Terce, the convent walked in procession from the choir to the chapter-house, and took their proper places. When the abbot had taken his place, the monks descended one step and bowed; he returned their salutation, and all took their seats. A sentence of the rule of the order was read by one of the novices from the desk, and the abbot, or in his absence the prior, delivered an explanatory or hortatory sermon upon it; then from another portion of the book was read the names of brethren, and benefactors, and persons who had been received into fraternity, whose decease had happened on that day of the year; and the convent prayed a requiescant in pace for their souls, and the souls of all the faithful departed this life. Then members of the convent who had been guilty of slight breaches of discipline confessed them, kneeling upon a low stool in the middle, and on a bow from the abbot, intimating his remission of the breach, they resumed their seats. If any had a complaint to make against any brother, it was here made and adjudged.[76] Convent business was also transacted. The woodcut gives an example of the kind. Henry VII. had made grants to Westminster Abbey, on condition that the convent should perform certain religious services on his behalf;[77] and in order that the services should not fall into disuse, he directed that yearly, at a certain period, the chief-justice, or the king’s attorney, or the recorder of London, should attend in chapter, and the abstract of the grant and agreement between the king and the convent should be read. The grant which was thus to be read still exists in the British Museum; it is written in a volume superbly bound, with the royal seals attached in silver cases; it is from the illuminated letter at the head of one of the deeds in this book[78] that our woodcut is taken. It rudely represents the chapter-house, with the chief-justice and a group of lawyers on one side, the abbot and convent on the other, and a monk reading the grant from the desk in the middle.

Monks and Lawyers in Chapter-house.

Lydgate’s “Life of St. Edmund” (Harl. 2,278) was written A.D. 1433, by command of his abbot—he was a monk of St. Edmund’s Bury—on the occasion of King Henry VI. being received—

“Of their chapter a brother for to be;”

that is, to the fraternity of the house. An illumination on f. 6 seems to represent the king sitting in the abbot’s place in the chapter-house, with royal officers behind him, monks in their places on each side of the chapter-house, the lectern in the middle, and a group of clerks at the west end. It is probably intended as a picture of the scene of the king’s being received to fraternity.

Adjoining the south transept is usually a narrow apartment; the description of Durham, drawn up soon after the Dissolution, says that it was the “Locutory.” Another conjecture is that it may have been the vestry. At Netley it has a door at the west, with a trefoil light over it, a two-light window at the east, two niches, like monumental niches, in its north and south walls, and a piscina at the east end of its south wall.

Again, between this and the chapter-house is often found a small apartment, which some have conjectured to be the penitential cell. In other cases it seems to be merely a passage from the cloister-court to the space beyond; in which space the abbot’s lodging is often situated, so that it may have been the abbot’s entrance to the church and chapter.

In Cistercian houses there is usually another long building south of the chapter-house, its axis running north and south. This was perhaps in its lower story the Frater-house, a room to which the monks retired after refection to converse, and to take their allowance of wine, or other indulgences in diet which were allowed to them; and some quotations in Fosbroke would lead us to imagine that the monks dined here on feast days. It would answer to the great chamber of mediÆval houses, and in some respects to the Combination-room[79] of modern colleges. The upper story of this building was probably the Dormitory. This was a long room, with a vaulted or open timber roof, in which the pallets were arranged in rows on each side against the wall. The prior or sub-prior usually slept in the dormitory, with a light burning near him, in order to maintain order. The monks slept in the same habits[80] which they wore in the day-time.

About the middle of the south side of the court, in Cistercian houses, there is a long room, whose longer axis lies north and south, with a smaller room on each side of it, which was probably the Refectory. In other houses, the refectory forms the south side of the cloister court, lying parallel with the nave of the church. Very commonly it has a row of pillars down the centre, to support the groined roof. It was arranged, like all mediÆval halls, with a dais at the upper end and a screen at the lower. In place of the oriel window of mediÆval halls, there was a pulpit, which was often in the embrasure of a quasi-oriel window, in which one of the brethren read some edifying book during meals.

The remaining apartments of the cloister-court it is more difficult to appropriate. In some of the great Cistercian houses whose ground-plan can be traced—as Fountains, Salley, Netley, &c.—possibly the long apartment which is found on the west side of the cloister was the hall of the Hospitium, with chambers over it. Another conjecture is, that it was the house of the lay brethren.

In the uncertainty which at present exists on these points of monastic arrangement, we cannot speak with any degree of certainty; but we throw together some data on the subject in the subjoined note.[81]The Scriptorium is said to have been usually over the chapter-house. It was therefore a large apartment, capable of containing many persons, and, in fact, many persons did work together in it in a very business-like manner at the transcription of books. For example, William, Abbot of Herschau, in the eleventh century, as stated by his biographer: “Knowing, what he had learned by laudable experience, that sacred reading is the necessary food of the mind, made twelve of his monks very excellent writers, to whom he committed the office of transcribing the holy Scriptures, and the treatises of the Fathers. Besides these, there were an indefinite number of other scribes, who wrought with equal diligence on the transcription of other books. Over them was a monk well versed in all kinds of knowledge, whose business it was to appoint some good work as a task for each, and to correct the mistakes of those who wrote negligently.”[82] The general chapter of the Cistercian order, held in A.D. 1134, directs that the same silence should be maintained in the scriptorium as in the cloister. Sometimes perhaps little separate studies of wainscot were made round this large apartment, in which the writers sat at their desks. Sometimes this literary work was carried on in the cloister, which, being glazed, would be a not uncomfortable place in temperate weather, and a very comfortable place in summer, with its coolness and quiet, and the peep through its windows on the green court and the fountain in the centre, and the grey walls of the monastic buildings beyond; the slow footfall of a brother going to and fro, and the cawing of the rooks in the minster tower, would add to the dreamy charm of such a library.[83]

Odo, Abbot of St. Martin’s, at Tournay, about 1093, “used to exult in the number of writers the Lord had given him; for if you had gone into the cloister you might in general have seen a dozen young monks sitting on chairs in perfect silence, writing at tables carefully and artificially constructed. All Jerome’s commentaries on the Prophets, all the works of St. Gregory, and everything that he could find of St. Augustine, Ambrose, Isodore, Bede, and the Lord Anselm, then Abbot of Bec, and afterwards Archbishop of Canterbury, he caused to be transcribed. So that you would scarcely have found such a monastery in that part of the country, and everybody was begging for our copies to correct their own.” Sometimes little studies of wainscot were erected in the cloisters for the monks to study or transcribe in. At Gloucester Cathedral, at Beaulieu, and at Melrose, for example, there are traces of the way in which the windows of the cloisters were enclosed and turned into such studies.[84]

Monk in Scriptorium.

There are numerous illuminations representing monks and ecclesiastics writing; they sit in chairs of various kinds, some faldstools, some armed chairs, some armed backed; and they have desks and bookstands before them of various shapes, commonly a stand with sloping desk like a Bible lectern, not unfrequently a kind of dumb-waiter besides on which are several books. We see also in these illuminations the forms of the pens, knives, inkstands, &c., which were used. We will only mention two of unusual interest. One is in a late fourteenth-century Psalter, Harl. 2,897, at p. 186, v., where St. Jude sits writing his Epistle in a canopied chair, with a shelf across the front of the chair to serve as a desk; a string with a weight at the end holds his parchment down, and there is a bench beside, on which lies a book. A chair with a similar shelf is at f. 12 of the MS. Egerton, 1,070. Our woodcut on the preceding page is from a MS. in the Library of Soissons. We also find representations of ecclesiastics writing in a small cell which may represent the enclosed scriptoria—e.g. St. Bonaventine writing, in the MS. Harl. 3,229; St. John painting, in the late fifteenth-century MS. Add. 15,677, f. 35.

The Abbot’s Lodging sometimes formed a portion of one of the monastic courts, as at St. Mary, Bridlington, where it formed the western side of the cloister-court; but more usually it was a detached house, precisely similar to the contemporary unfortified houses of laymen of similar rank and wealth. No particular site relative to the monastic buildings was appropriated to it; it was erected wherever was most convenient within the abbey enclosure. The principal rooms of an abbot’s house are the Hall, the Great Chamber, the Kitchen, Buttery, Cellars, &c., the Chambers, and the Chapel. We must remember that the abbots of the greater houses were powerful noblemen; the abbots of the smaller houses were equal in rank and wealth to country gentlemen. They had a very constant succession of noble and gentle guests, whose entertainment was such as their rank and habits required. This involved a suitable habitation and establishment; and all this must be borne in mind when we endeavour to picture to ourselves an abbot’s lodging. To give an idea of the magnitude of some of the abbots’ houses, we may record that the hall of the Abbot of Fountains was divided by two rows of pillars into a centre and aisles, and that it was 170 feet long by 70 feet wide.[85] Half a dozen noble guests, with their retinues of knights and squires, and men-at-arms and lacqueys, and all the abbot’s men to boot, would be lost in such a hall. On the great feast-days it might, perhaps, be comfortably filled. But even such a hall would hardly contain the companies who were sometimes entertained, on such great days for instance as an abbot’s installation-day, when it is on record that an abbot of one of the greater houses would give a feast to three or four thousand people.

Of the lodgings of the superiors of smaller houses, we may take that of the Prior of St. Mary’s, Bridlington, as an example. It is very accurately described by King Henry’s commissioners; it formed the west side of the cloister-court; it contained a hall with an undercroft, eighteen paces long from the screen to the dais,[86] and ten paces wide; on its north side a great chamber, twenty paces long and nineteen wide; at the west end of the great chamber the prior’s sleeping-chamber, and over that a garret; on the east side of the same chamber a little chamber and a closet; at the south end of the hall the buttery and pantry, and a chamber called the Auditor’s Chamber; at the same end of the hall a fair parlour, called the Low Summer Parlour; and over it another fair chamber; and adjoining that three little chambers for servants; at the south end of the hall the Prior’s Kitchen, with three houses covered with lead, and adjoining it a chamber called the South Cellarer’s Chamber.[87]

A Present of Fish.

There were several other buildings of a monastery, which were sometimes detached, and placed as convenience dictated. The Infirmary especially seems to have been more commonly detached; in many cases it had its own kitchen, and refectory, and chapel, and chambers, which sometimes were arranged round a court, and formed a complete little separate establishment.

The Hospitium, or Guest-house, was sometimes detached; but more usually it seems to have formed a portion of an outer court, westward of the cloister-court, which court was entered from the great gates, or from one of the outer gates of the abbey. In Cistercian houses, as we have said, the guest-house, with its hall below and its chambers above, perhaps occupied the west side of the cloister-court, and would therefore form the eastern range of buildings of this outer court. At St. Mary’s, Bridlington, where the prior’s lodging occupied this position, the “lodgings and stables for strangers” were on the north side of this outer court. The guest-houses were often of great extent and magnificence. The Guesten-hall of St. Augustine’s, Canterbury, still remains, and is a very noble building, 150 feet long by 50 broad, of Norman date, raised on an undercroft. The Guesten-hall of Worcester also remains, a very noble building on an undercroft, with a fine carved timber roof, and portions of the painting which decorated the wall behind the dais still visible.[88] Besides the hall, the guest-house contained often a great-chamber (answering to our modern drawing-room) and sleeping-chambers, and a chapel, in which service was performed for guests—for in those days it was the custom always to hear prayers before dinner and supper.

Thus, at Durham, we are told that “a famous house of hospitality was kept within the abbey garth, called the Guest-hall, and was situate in the west side, towards the water. The sub-prior of the house was the master thereof, as one appointed to give entertainment to all estates, noble, gentle, or what other degree soever, came thither as strangers. Their entertainment was not inferior to that of any place in England, both for the goodness of their diet, the clean and neat furniture of their lodgings, and generally all things necessary for travellers; and, with this entertainment, no man was required to depart while he continued honest and of good behaviour. This hall was a stately place, not unlike the body of a church, supported on each side by very fine pillars, and in the midst of the hall a long range for the fire. The chambers and lodgings belonging to it were kept very clean and richly furnished.” At St. Albans, the Guest-house was an enormous range of rooms, with stabling for three hundred horses.

There is a passage in the correspondence of Coldingham Priory (published by the Surties Society, 1841, p. 52) which gives us a graphic sketch of the arrival of guests at a monastery:—“On St. Alban’s-day, June 17 [year not given—it was towards the end of Edward III.], two monks, with a company of certain secular persons, came riding into the gateway of the monastery about nine o’clock in the morning. This day happened to be Sunday, but they were hospitably and reverently received, had lodgings assigned them, a special mass service performed for them, and after a refection and washing their feet, it being supposed that they were about to pursue their journey to London the next morning, they were left at an early hour to take repose. While the bell was summoning the rest of the brotherhood to vespers, the monk who had been in attendance upon them (the hospitaller) having gone with the rest to sing his chant in the choir, the secular persons appear to have asked the two monks to take a walk with them to look at the Castle of Durham,” &c.[89]

There could hardly have been any place in the Middle Ages which could have presented such a constant succession of picturesque scenes as the Hospitium of a monastery. And what a contrast must often have existed between the Hospitium and the Cloister. Here a crowd of people of every degree—nobles and ladies, knights and dames, traders with their wares, minstrels with their songs and juggling tricks, monks and clerks, palmers, friars, beggars—bustling about the court or crowding the long tables of the hall; and, a few paces off, the dark-frocked monks, with faces buried in their cowls, pacing the ambulatory in silent meditation, or sitting at their meagre refection, enlivened only by the monotonous sound of the novice’s voice reading a homily from the pulpit!

Many of the remaining buildings of the monastery were arranged around this outer court. Ingulphus tells us that the second court of the Saxon monastery of Croyland (about 875 A.D.) had the gate on the north, and the almonry near it—a very usual position for it; the shops of the tailors and shoe-makers, the hall of the novices, and the abbot’s lodgings on the east; the guest-hall and its chambers on the south; and the stable-house, and granary, and bake-house on the west. The Gate-house was usually a large and handsome tower, with the porter’s lodge on one side of the arched entrance; and often a strong room on the other, which served as the prison of the manor-court of the convent; and often a handsome room over the entrance, in which the manorial court was held. In the middle of the court was often a stone cross, round which markets and fairs were often held.

In the “Vision of Piers Ploughman” an interesting description is given of a Dominican convent of the fourteenth century. We will not trouble the reader with the very archaic original, but will give him a paraphrase of it. The writer says that, on approaching, he was so bewildered by their magnitude and beauty, that for a long time he could distinguish nothing certainly but stately buildings of stone, pillars carved and painted, and great windows well wrought. In the quadrangle he notices the cross standing in the centre, surrounded with tabernacle-work: he enters the minster (church), and describes the arches carved and gilded, the wide windows full of shields of arms and merchants’ marks on stained glass, the high tombs under canopies, with armed effigies in alabaster, and lovely ladies lying by their sides in many gay garments. He passes into the cloister and sees it pillared and painted, and covered with lead and paved with tiles, and conduits of white metal pouring their water into latten (bronze) lavatories beautifully wrought. The chapter-house he says was wrought like a great church, carved and painted like a parliament-house. Then he went into the fratry, and found it a hall fit for a knight and his household, with broad boards (tables) and clean benches, and windows wrought as in a church. Then he wandered all about—

“And seigh halles ful heigh, and houses ful noble,
Chambres with chymneys, and chapeles gaye,
And kychenes for an high kynge in castels to holden,
And their dortoure ydight with dores ful stronge,
Fermerye, and fraitur, with fele more houses,
And all strong stone wall, sterne opon heithe,
With gay garites and grete, and ich whole yglazed,
And other houses ynowe to herberwe the queene.”

The churches of the friars differed from those of monks. They were frequently composed either of a nave only or a nave and two (often very narrow) aisles, without transepts, or chapels, or towers; they were adapted especially for preaching to large congregations—e.g. the Austin Friars’ Church in the City of London, lately restored; St. Andrew’s Hall, Norwich. In Viollet le Duc’s “Dictionary of Architecture” is given a bird’s-eye view of the monastery of the Augustine Friars of St. Marie des Vaux Verts, near Brussels, which is a complete example of one of these houses.[90]

Every monastery had a number of dependent establishments of greater or less size: cells on its distant estates; granges on its manors; chapels in places where the abbey tenants were at a distance from a church; and often hermitages under its protection. A ground-plan and view of one of these cells, the Priory of St. Jean-les-Bons-hommes, of the end of the twelfth century, still remaining in a tolerably perfect state, is given by Viollet le Duc (Dict Arch., i. 276, 277). It is a miniature monastery, with a little cloistered court, surrounded by the usual buildings: an oratory on the north side; on the east a sacristy, and chapter-house, and long range of buildings, with dormitory over; on the south side the refectory and kitchen; and another exterior court, with stables and offices. The preceptory of Hospitallers at Chibburn, Northumberland, which remains almost as the knights left it, is another example of these small rural houses. It is engraved in Turner’s “Domestic Architecture,” vol. ii. p. 197. It also consists of a small court, with a chapel about forty-five feet long, on the west side; and other buildings, which we cannot appropriate, on the remaining sides. Of the monastic cells we have already spoken in describing the office of prior. The one or two brethren who were placed in a cell to manage the distant estates of the monastery would probably be chosen rather for their qualities as prudent stewards than for their piety. The command of money which their office gave them, and their distance from the supervision of their ecclesiastical superiors, brought them under temptation, and it is probably in these cells, and among the brethren who superintended the granges, and the officials who could leave the monastery at pleasure on the plea of convent business, that we are to look for the irregularities of which the Middle-Age satirists speak. The monk among Chaucer’s “Canterbury Pilgrims” was prior of a cell, for we read that—

“When he rode, men might his bridel here
Gingeling in a whistling sound, as clere
And eke as loud as doth the chapelle belle,
Ther as this lord was keeper of the celle.”

The monk on whose intrigue “The Shipman’s Tale” is founded, was probably the cellarer of his convent:—

“This noble monk of which I you devise,
Had of his abbot, as him list, licence;
Because he was a man of high prudence,
And eke an officer, out for to ride
To seen his granges and his bernes wide.”

An Abbot travelling.

The abbot, too, sometimes gave license to the monks to go and see their friends, or to pass two or three days at one or other of the manors of the house for recreation; and sometimes he took a monk with him on his own journeys. In a MS. romance, in the British Museum (Add. 10,293, f. 11), is a representation of a monk with his hood on, journeying on horseback. We give here, from the St. Alban’s Book (Nero, D. vii.), a woodcut of an abbot on horseback, with a hat over his hood—“an abbot on an ambling pad;” he is giving his benediction in return to the salute of some passing traveller.

Hermitages or anchorages sometimes depended on a monastery, and were not necessarily occupied by brethren of the monastery, but by any one desirous to embrace this mode of life whom the convent might choose. The hermit, however, probably, usually wore the habit of the order. The monastery often supplied the hermit with his food. In a picture in the MS. romance, before quoted (Add. 10,292, f. 98), is a representation of a knight-errant on horseback, conversing by the way with a clerk, who is carrying bread and wine to a hermitage.

The woodcut with which we conclude, from the Harleian MS., 1,527, represents the characteristic costume of three orders of religious with whom we have been concerned—a bishop, an abbot, and a clerk.

Bishop, Abbot, and Clerk.

THE HERMITS AND RECLUSES OF THE MIDDLE AGES.