CHAPTER X THE REVIVAL OF LEARNING

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THE PERIOD OF CHANGE. The thirteenth century has often been called the wonderful century of the mediaeval world. It was wonderful largely in that the forces struggling against mediaevalism to evolve the modern spirit here first find clear expression. It was a century of rapid and unmistakable progress in almost every line. By its close great changes were under way which were destined ultimately to shake off the incubus of mediaevalism and to transform Europe. In many respects, though, the fourteenth was a still more wonderful century.

The evolution of the universities which we have just traced was one of the most important of these thirteenth-century manifestations. Lacking in intellectual material, but impelled by the new impulses beginning to work in the world, the scholars of the time went earnestly to work, by speculative methods, to organize the dogmatic theology of the Church into a system of thinking. The result was Scholasticism. From one point of view the result was barren; from another it was full of promise for the future. Though the workers lacked materials, were overshadowed by the mediaeval spirit of authority, and kept their efforts clearly within limits approved by the Church, the "heroic industry" and the "in tense application" displayed in effecting the organization, and the logical subtlety developed in discussing the results, promised much for the future. The rise of university instruction, and the work of the Scholastics in organizing the knowledge of the time, were both a resultant of new influences already at work and a prediction of larger consequences to follow. In a later age, and with men more emancipated from church control, the same spirit was destined to burst forth in an effort to discover and reconstruct the historic past.

During the thirteenth century, too, the new Estate, which had come into existence alongside of the clergy and the nobility, began to assume large importance. The arts-and-crafts guilds were attaining a large development, and out of this new burgher class the great general public of modern times has in time evolved. Trade and industry were increasing in all lands, and merchants and successful artisans were becoming influential through their newly obtained wealth and rights. The erection of stately churches and town halls, often beautifully carved and highly ornamented, was taking place. Great cathedrals, those "symphonies in stone," of which Notre Dame (Figure 53) is a good example, were rising or being further expanded and decorated at many places in western Europe. Mystery and miracle plays had begun to be performed and to attract great attention. In the fourteenth century religious pageants were added. "All art was still religion," but an art was unmistakably arising amid cathedral-building and the setting- forth of the Christian mysteries, and before long this was to flower in modern forms of expression in painting, sculpture, and the drama.

THE NEW SPIRIT OF NATIONALITY. The new spirit moving in western Europe also found expression in the evolution of the modern European States, based on the new national feeling. As the kingly power in these was consolidated, the developing States, each in its own domain, began to curb the dominion of the universal Church, slowly to deprive it of the governmental functions it had assumed and exercised for so long, and to confine the Pope and clergy more and more to their original functions as religious agents. The Papacy as a temporal power passed the maximum period of its greatness early in the thirteenth century; in the nineteenth century the last vestiges of its temporal power were taken away.

New national languages also were coming into being, and the national epics of the people—the Cid, the Arthurian Legends, the Chansons, and the Nibelungen Lied—were reduced to writing. With the introduction from the East, toward the close of the thirteenth century, of the process of making paper for writing, and with the increase of books in the vernacular, the English, French, Spanish, Italian, and German languages rapidly took shape. Their development was expressive of the new spirit in western Europe, as also was the fact that Dante (1264-1321), "the first literary layman since Boethius" (d. 524), wrote his great poem, The Divine Comedy, in his native Italian instead of in the Latin which he knew so well—an evidence of independence of large future import. New native literatures were springing forth all over Europe. Beginning with the troubadours in southern France (p. 186), and taken up by the trouvÈres in northern France and by the minnesingers in German lands, the new poetry of nature and love and joy of living had spread everywhere. [1] A new race of men was beginning to "sing songs as blithesome and gay as the birds" and to express in these songs the joys of the world here below.

TRANSFORMATION OF THE MEDIAEVAL MAN. The fourteenth century was a period of still more rapid change and transformation. New objects of interest were coming to the front, and new standards of judgment were being applied. National spirit and a national patriotism were finding expression. The mediaeval man, with his feeling of personal insignificance, lack of self-confidence, "no sense of the past behind him, and no conception of the possibilities of the future before him," [2] was rapidly giving way to the man possessed of the modern spirit—the man of self-confidence, conscious of his powers, enjoying life, feeling his connection with the historic past, and realizing the potentialities of accomplishment in the world here below. It was the great work of the period of transition, and especially of the thirteenth and fourteenth centuries, to effect this change, "to awaken in man a consciousness of his powers, to give him confidence in himself, to show him the beauty of the world and the joy of life, and to make him feel his living connection with the past and the greatness of the future he might create." [3] As soon as men began clearly to experience such feelings, they began to inquire, and inquiry led to the realization that there had been a great historic past of which they knew but little, and of which they wanted to know much. When this point had been reached, western Europe was ready for a revival of learning.

THE BEGINNINGS IN ITALY. This revival began in Italy. The Italians had preserved more of the old Roman culture than had any other people, and had been the first to develop a new political and social order and revive the refinements of life after the deluge of barbarism which had engulfed Europe. They, too, had been the first to feel the inadequacy of mediaeval learning to satisfy the intellectual unrest of men conscious of new standards of life. This gave them at least a century of advance over the nations of northern Europe. The old Roman life also was nearer to them, and meant more, so that a movement for a revival of interest in it attracted to it the finest young minds of central and northern Italy and inspired in them something closely akin to patriotic fervor. They felt themselves the direct heirs of the political and intellectual eminence of Imperial Rome, and they began the work of restoring to themselves and of trying to understand their inheritance.

[Illustration: FIG. 68. PETRARCH (1304-74)
"The Morning Star of the Renaissance"]

In Petrarch (1304-74) we have the beginnings of the movement. He has been called "the first modern scholar and man of letters." Repudiating the other-worldliness ideal and the scholastic learning of his time, [4] possessed of a deep love for beauty in nature and art, a delight in travel, a desire for worldly fame, a strong historical sense, and the self-confidence to plan a great constructive work, he began the task of unearthing the monastic treasures to ascertain what the past had been and known and done. At twenty-nine he made his first great discovery, at LiÈge, in the form of two previously unknown orations of Cicero. Twelve years later, at Verona, he found half of one of the letters of Cicero which had been lost for ages. All his life he collected and copied manuscripts. His letter to a friend telling him of his difficulty in getting a work of Cicero copied, and his joy in doing the work himself (R. 125), is typical of his labors. He began the work of copying and comparing the old classical manuscripts, and from them reconstructing the past. He also wrote many sonnets, ballads, lyrics, and letters, all filled with a new modern classical spirit. He also constructed the first modern map of Italy.

[Illustration: FIG. 69. BOCCACCIO (1313-75)
"The Father of Italian Prose"]

Through Boccaccio, whom he first met in 1350, Petrarch's work was made known in Florence, then the wealthiest and most artistic and literary city in the world, [5] and there the new knowledge and method were warmly received. Boccaccio equaled Petrarch in his passion for the ancient writers, hunting for them wherever he thought they might be found. One of his pupils has left us a melancholy picture of the library at Monte Cassino, as Boccaccio found it at the time of his visit (R. 126). He wrote a book of popular tales and romances, filled with the modern spirit, which made him the father of Italian prose as Dante was of Italian poetry; prepared the first dictionaries of classical geography and Greek mythology; and was the first western scholar to learn Greek.

"In the dim light of learning's dawn they stand,
Flushed with the first glimpses of a long-lost land."

A CENTURY OF RECOVERY AND RECONSTRUCTION. The work done by these two friends in discovering and editing was taken up by others, and during the century (1333-1433) dating from the first great "find" of Petrarch the principal additions to Latin literature were made. The monasteries and castles of Europe were ransacked in the hope of discovering something new, or more accurate copies of previously known books. At monasteries and churches as widely separated as Monte Cassino, near Naples: Lodi, near Milan; Milan, itself; and Vercelli, in Italy: Saint Gall and other monasteries, in Switzerland: Paris; Cluny, near the present city of Macon; Langres, near the source of the Marne; and monasteries in the Vosges Mountains, in France: Corvey, in Westphalia; and Hersfeld, Cologne, and Mainz in Germany—important finds were made. [6] Thus widely had the old Latin authors been scattered, copied, and forgotten. In a letter to a friend (R. 127 a) the enthusiast, Poggio Bracciolini, tells of finding (1416) the long-lost Institutes of Oratory of Quintilian, at Saint Gall, and of copying it for posterity. This, and the reply of his friend (R. 127 b), reveal something of the spirit and the emotions of those engaged in the recovery of Latin literature and the reconstruction of Roman history.

The finds, though, while important, were after all of less value than the spirit which directed the search, or the careful work which was done in collecting, comparing, questioning, inferring, criticizing, and editing corrected texts, and reconstructing old Roman life and history. [7] We have in this new work a complete break with scholastic methods, and we see in it the awakening of the modern scientific spirit. [8] It was this same critical, constructive spirit which, when applied later to Christian practices, brought on the Reformation; when applied to the problems of the universe, revealed to men the wonderful world of science; and when applied to problems of government, led to the questioning of the theory of the divine right of kings, and to the evolution of democracy. We have here a modern spirit, a craving for truth for its own sake, an awakening of the historical sense, [9] and an appreciation of beauty in literature and nature which was soon to be followed by an appreciation of beauty in art. A worship of classical literature and classical ideas now set in, of which rich and prosperous Florence became the center, with Venice and Rome, as well as a number of the northern Italian cities, as centers of more than minor importance.

THE REVIVAL OF GREEK IN THE WEST. With the new interest in Latin literature it was but natural that a revival of the study of Greek should follow. While a knowledge of Greek had not absolutely died out in the West during the Middle Ages, there were very few scholars who knew anything about it, and none who could read it. [10] It was natural, too, that the revival of it should come first in Italy. Southern Italy (Magna Graecia) had remained under the Eastern Empire and Greek until its conquest by the Normans (1041-71), and to southern Italy a few Greek monks had from time to time migrated. With southern Italy, though, papal Italy and the western Christian world seem to have had little contact. In 1339, and again in 1342, a Greek monk from southern Italy visited the Pope, coming as an ambassador from Constantinople, and from him Petrarch learned the Greek alphabet. In 1353 another envoy brought Petrarch a copy of Homer. This he could not read, but in time (1367) a poor translation into Latin was effected. Boccaccio studied Greek, being the first western scholar to read Homer in the original.

Near the end of the fourteenth century it became known in Florence that Manuel Chrysoloras (c. 1350-1415), a Byzantine of noble birth, a teacher of rhetoric and philosophy at Constantinople, and the most accomplished Greek scholar of his age, had arrived in Venice as an envoy from the Eastern Emperor. Florentine scholars visited him, and on his return accompanied him to Constantinople to learn Greek. In 1396 Chrysoloras was invited by Florence to accept an appointment, in the university there, to the first chair of Greek letters in the West, and accepted. From 1396 to 1400 he taught Greek in the rich and stately city of Florence, at that time the intellectual and artistic center of Christendom. For a few years, beginning in 1402, he also taught Greek at the University of Pavia. He had earlier written a Catechism of Greek Grammar, and at Pavia he began a literal rendering of Plato's Republic into Latin. From his visit dates the enthusiasm for the study of Greek in the West.

OTHER GREEK SCHOLARS ARRIVE IN ITALY. Chrysoloras returned to Constantinople for a time, in 1403, and Guarino of Verona, who had been one of his pupils, accompanied him and spent five years there as a member of his household. When he returned to Italy he brought with him about fifty manuscripts, and before his death he had translated a number of them into Latin. He also prepared a Greek grammar which superseded that of Chrysoloras. In 1412 he was elected to the chair at Florence formerly held by Chrysoloras, and later he established an important school at Ferrara, based largely on instruction in the Latin and Greek classics, which will be referred to again in the next chapter.

A rage for Greek learning and Greek books now for a time set in. Aurispa, a Sicilian, went to Constantinople, learned Greek, and returned to Italy, in 1422, with 238 Greek manuscripts. Messer Filelfo, of Padua, after seven years at Constantinople, returned, in 1427, with forty manuscripts and with the grand-niece of Chrysoloras as his wife. In 1448 Theodorus Gaza (c. 1400-75), a learned Greek from the city of Thessalonica, who had fled from his native city just before its capture by the Turks (1430), came to Ferrara as the first professor of Greek in the university there. He made many translations, prepared a very popular Greek grammar, and in 1451 became professor of philosophy at Rome.

Another Greek of importance was Demetrius Chalcondyles of Athens (1424- 1511), who reached Italy in 1447. In 1450 he became professor of Greek at Perugia, and of his lectures there one of his enthusiastic pupils [11] wrote:

A Greek has just arrived, who has begun to teach me with great pains, and I to listen to his precepts with incredible pleasure, because he is a Greek, because he is an Athenian, and because he is Demetrius. It seems to me that in him is figured all the wisdom, the civility, and the elegance of those so famous and illustrious ancients. Merely seeing him you fancy you are looking on Plato; far more when you hear him speak.

In 1463 Demetrius transferred to Padua as professor of Greek, and was the first professor of Greek in a western European university to be paid a fixed salary. He also taught for a time at Milan, and from 1471 to 1491 was professor of Greek at Florence.

A number of other learned Greeks had reached Italy prior to the fall of Constantinople (1453) before the advancing Turks, [12] and after its fall many more sought there a new home. Many of these found, on landing, that their knowledge of Greek and the possession of a few Greek books were an open sesame to the learned circles of Italy.

[Illustration: FIG. 70. DEMETRIUS CHALCONDYLES (1424-1511) (Drawn from a picture of a fresco by Ghirlandajo, painted in 1490, on the walls of the church of Santa Maria Novella, at Florence)]

ENTHUSIASM FOR THE NEW MOVEMENT; LIBRARIES AND ACADEMICS FOUNDED. The enthusiasm for the recovery and restoration of ancient literature and history which this work awakened among the younger scholars of Italy can be imagined. While most of the professors in the universities and most of the church officials at first had nothing to do with the new movement, being wedded to scholastic methods of thinking, the leaders of the new learning drew about them many of the brightest and most energetic of the young men who came to those universities which were hospitable to the new movement. [13] Greek scholars in the university towns were followed by admiring bands of younger students, [14] who soon took up the work and superseded their masters. Academies, named after the one conducted by Plato in the groves near Athens, whose purpose was to promote literary studies, were founded in all the important Italian cities (R. 129). The members usually Latinized their names, and celebrated the ancient festivals. In Venice a Greek Academy was formed in which all the proceedings were in Greek, and the members were known by Greek names. The Academia of Aldus, at Venice, of which his celebrated press was a department, became a veritable university for classical learning, and to participate in its proceedings scholars came from many lands. It was the curious and enthusiastic Italians who, more than the Greek scholars who taught them the language, opened up the literature and history of Athens to the comprehension of the western world.

The financial support of the movement came from the wealthy merchant princes, reigning dukes, and a few church authorities, who assisted scholars and spent money most liberally in collecting manuscripts and accumulating books. Says Symonds:

Never was there a time in the world's history when money was spent more freely upon the collection and preservation of MSS., and when a more complete machinery was put in motion for the sake of securing literary treasures. Prince vied with prince, and eminent burgher with burgher, in buying books. The commercial correspondents of the Medici and other great Florentine houses, whose banks and discount offices extended over Europe and the Levant, were instructed to purchase relics of antiquity without regard for cost, and to forward them to Florence. The most acceptable present that could be sent to a king was a copy of a Roman historian. The best credentials which a young Greek arriving from Byzantium could use to gain the patronage of men like Palla degli Strozzi was a fragment of some ancient; the merchandise insuring the largest profit to a speculator who had special knowledge in such matters was old parchment covered with crabbed characters. [15]

Cosimo de' Medici (1393-1464), a banker and ruler of Florence, spent great sums in collecting and copying manuscripts. Vespasiano, a fifteenth- century bookseller of Florence, has left us an interesting picture of the work of Cosimo in founding (1444) the great Medicean library [16] at Florence (R. 130) and of the difficulties of book collecting in the days before the invention of printing.

[Illustration: FIG. 71. BOOKCASE AND DESK IN THE MEDICEAN LIBRARY AT FLORENCE (Drawn from a photograph) This library was founded in 1444. It contains to-day about 10,000 Greek and Latin manuscripts, many of them very rare, and of a few the only copies known. The building was designed by Michael Angelo, and its construction was begun in 1525. The bookcases are of about this date. It shows the early method of chaining books to the shelves, and cataloguing the volumes on the end of each stack.]

Under Cosimo's grandson, Lorenzo the Magnificent, who died in 1492, two expeditions were sent to Greece to obtain manuscripts for the Florentine library. Vespasiano also describes for us the books collected (c. 1475-80) for the great ducal library at Urbino (R. 131), the greatest library in the Christian world at the time of its completion, and the work of Pope Nicholas V [17] (1447-1455) in laying the foundations (1450) for the great Vatican Library at Rome (R. 132). Nicholas was an enthusiast in the new movement, and formed a plan for the translation of all the Greek writers into Latin. A later Pope, Leo X (1513-1521), planned to make Rome the international center for Greek learning.

THE MOVEMENT EXTENDS TO OTHER COUNTRIES. Petrarch made his first great find in 1333, and up to 1450 the Revival of Learning, often termed the Renaissance, was entirely an Italian movement. By that date the great work in Italy had been done, and the Italians were once more in possession of the literature and history of the past. With them the movement was literary, historical, and patriotic in purpose and spirit. With them the movement was known as humanism, from an old Roman word (humanitas) meaning culture, and this term came to be applied to the new studies in all other lands. In their work with the literatures, inscriptions, coins, and archaeological remains of the Greeks and Romans, their own literature, history, mythology, and political and social life was reconstructed. The methods employed were the methods used in modern science, and the result was to develop in Italy a new type of scholar, possessed of a literary, artistic, and historical appreciation unknown since the days of ancient Rome, and with the greatest enthusiasm for Latin as a living language.

By the time the revival had culminated in Italy it began to be heard of north of the Alps. France was the first country to take up the study of Greek, a professorship being established at Paris in 1458. There was but little interest in the subject, however, or in any of the new studies, until two events of political importance, forty years later, brought Frenchmen in close touch with what had been done in northern Italy. In 1494 Charles VIII, of France, claiming Naples as his possession, took an army into Italy, and forcibly occupied Rome and Florence. Four years later his successor, Louis XII, claimed Milan also and seized it and Naples, maintaining a French court at Milan from 1498 to 1512. Though both these expeditions were unsuccessful, from a political point of view, the effect of the direct contact with humanism in its home was lasting. New ideas in architecture, art, and learning were carried back to France, French scholars traveled to Italy, and early in the sixteenth century Paris became a center for the new humanistic studies. In Greek, France completely superseded Italy as the interpreter of Greek life and literature to the modern world.

In 1473 a Spanish scholar, Mebrissensis (1444-1522), returned home after twenty years in Italy and introduced Greek at Seville, Salamanca, and AlcalÀ.

[Illustration: FIG. 72. TWO EARLY NORTHERN HUMANISTS

RUDOLPH AGRICOLA (1443-85) Early Dutch Humanist.
Lectured at Heidelberg (From a contemporary engraving)

THOMAS LINACRE (c. 1460-1524) English Professor of Medicine and Lecturer on Greek (From a portrait in the British Museum)]

About 1488 Thomas Linacre (c. 1460-1524) and William Grocyn (1446-1514), two Oxford graduates, went to Florence from England, studying Greek under Demetrius Chalcondyles, and, returning, introduced the new learning at Oxford. [18] Linacre, as professor of medicine, translated much of Galen (p. 198) from the Greek, and he and Grocyn lectured on Greek at the University. From Oxford the new learning was transmitted to Cambridge, and, over a century afterward, to Harvard in America. A third Oxford man to study Greek in Italy was John Colet (1467-1519), who studied in Florence from 1493 to 1496, and returned home an enthusiastic humanist. He was the first Englishman to attract much attention to the new studies, and to him is chiefly due their introduction into the English secondary school.

The first German of whom we have any record as having studied in Italy was Peter Luder (c. 1415-74), who returned in 1456, and lectured on the new learning at the Universities of Heidelberg, Erfurt, and Leipzig, but awakened no response. In 1470 Johann Wessel (1420-89) and in 1476 Rodolph Agricola (1443-85), two noted Dutch scholars, studied in Italy. On returning, Agricola, [19] who has been called "the Petrarch of German lands," did much "to spread the great inheritance of antiquity and the new civilization to which it had given birth among his uncouth countrymen" (barbari, he calls them). He made Heidelberg, for a time, a center of humanistic appreciation. Johann Reuchlin (1455-1522), a German by birth, studied in Florence and elsewhere in Italy in 1481 to 1490, and there learned Hebrew. Returning, he became a professor at Heidelberg and the father of modern Hebrew studies. In 1506 he published the first Hebrew grammar. In 1493 the University of Erfurt established a professorship of Poetry and Eloquence, this being the first German university to countenance the new learning. In 1523 the first chair of Greek was established at Vienna. Thus slowly did the revival of learning spread to northern lands.

THE REVIVAL AIDED BY THE INVENTION OF PAPER AND PRINTING. Very fortunately for the spread of the new learning an important process and a great invention now came in at a most opportune time. The process was the manufacture of paper; the invention that of printing.

The manufacture of paper is probably a Chinese invention, early obtained by the Arabs. During the Mohammedan occupation of Spain paper mills were set up there, and a small supply of their paper found its way across the Pyrenees. The Christians who drove the Mohammedans out lost the process, and it now came back once more from the East. By about 1250 the Greeks had obtained the process from Mohammedan sources, and in 1276 the first paper mill was set up in Italy. In 1340 a paper factory was established at Padua, and soon thereafter other factories began to make paper at Florence, Bologna, Milan, and Venice. In 1320 a paper factory was established at Mainz, in Germany, and in 1390 another at Nuremberg. By 1450 paper was in common use and the way was now open for one of the world's greatest inventions.

This was the invention of printing. From the difficulty experienced in securing books for the great libraries at Florence, Urbino, and Rome, as we have seen (Rs. 130, 131, 132), and the great cost of reproducing single copies of books, we can see that the work of the humanists of the fourteenth and fifteenth centuries in Italy probably would have had but little influence elsewhere but for the invention of printing. To disseminate a new learning involving two great literatures by copying books, one at a time by hand, would have prevented instruction in the new subjects becoming general for centuries, and would have materially retarded the progress of the world. The discovery of the art of printing, coming when it did, scattered the new learning over Europe.

[Illustration: FIG. 73. AN EARLY SIXTEENTH-CENTURY PRESS "The prynters have founde a crafte to make bokis by brasen letters sette in ordre by a frame." An engraving, dated 1520. The man at the right is setting type, and the one at the lever is making an impression. A number of four-page printed sheets are seen on the table at the right of the press.]

SPREAD AND WORK OF THE PRESS. The dates connected with this new invention and its diffusion over Europe are:

1423. Coster of Harlem made the first engraved single page.
1438. Gutenberg invented movable wooden types.
1450. Schoeffer and Faust cast first metal type.
1456. Bible printed in Latin by Gutenberg and Faust at Mainz. This the
first complete book printed. [20]
1457. The Mayence Psalter, the first dated book, printed. [21]
1462. Adolph of Nassau pillaged Mainz, drove out the printers, and in
consequence scattered the art over Europe.
1465. Press set up in the German monastery of Subiaco, in the Sabine
Mountains, in Italy.
1467. This press moved to Rome.
1469. Presses at Paris and Vienna.
1470. Printing introduced into Switzerland.
1471. Presses set up at Florence, Milan, and Ferrara.
1473. Printing introduced into Holland and Belgium.
1474. Printing introduced into Spain.
1474-77. Printing introduced into England. Caxton set up his press in
1477.
1476. First book printed in Greek at Milan.
1490. The Aldine press established at Venice, by Aldus Manutius.
1501. First Greek book printed in Germany, at Erfurt.
1563. First newspaper established, in Venice.

Inventions traveled but slowly in those days, yet in time the press was to be found in every country of Europe. The professional copyists made a great outcry against the innovation; presses were at first licensed and closely limited in number; in France the University of Paris was given the proceeds of a tax levied on all books printed; and in England the beginnings of the modern copyright are to be seen in the necessity of obtaining a license from the ecclesiastical authorities to be permitted to print a book.

[Illustration: FIG. 74. AN EARLY SPECIMEN OF CAXTON'S PRINTING]

In cutting and casting the first type a style of heavy-faced letter, much like that written by the mediaeval monks—the so-called Gothic—was used. Caxton, in England, used this at first, and the Germans have continued its use up to the present time. The Italians, however, soon devised a type with letters like those used by the old Romans—the so- called Roman type, this type which was soon accepted in all non-German European countries. The Italians also devised a compressed type—the Italic—which enabled printers to get more words on a page.

Venice, almost from the first, became the center of the book trade, and books literally poured from the presses there. By 1500 as many as five thousand editions, often of as many as a thousand copies to an edition, had been printed in Italy. [22] Of this number 2835 had been printed in Venice, and most of them by the Aldine press of Aldus Manutius, and edited by the Academia (p. 250) connected therewith. [23] By 1500 many books had also been printed in a number of northern cities, [24] and Lyons, Paris, Basel, Nuremberg, Cologne, Leipzig, and London soon became centers of the northern book trade. Caxton in England soon vied with Aldus in Venice as a printer of beautiful books. When we remember that it required fifty-three days (Sandys) to make by hand one copy of Quintilian's Institutes, and forty-five copyists twenty-two months to reproduce two hundred volumes for the Medicean Library at Florence (R. 130), the enormous importance of an invention which would print rapidly a thousand or more copies of a book, all exactly alike and free from copyist errors, can be appreciated. It tremendously cheapened books, [25] made the general use of the textbook method of teaching possible, and paved the way for a great extension of schools and learning (R. 134). From now on the press became a formidable rival to the pulpit and the sermon, and one of the greatest of instruments for human progress and individual liberty. From this time on educational progress was to be much more rapid than it had been in the past. From an educational point of view the invention of printing might almost be taken as marking the close of the mediaeval and the beginning of modern times.

RISE OF GEOGRAPHICAL DISCOVERY. The new influences awakened by the Revival of Learning found expression in other directions. One of these was geographical discovery, itself an outgrowth of that series of movements known as the Crusades, with the accompanying revival of trade and commerce. These led to travel, exploration, and discovery. By the latter part of the thirteenth century the most extensive travel which had taken place since the days of ancient Rome had begun, and in the next two and a half centuries a great expansion of the known world took place.

[Illustration: FIG. 75. THE WORLD AS KNOWN TO CHRISTIAN EUROPE BEFORE
COLUMBUS]

Marco Polo and Sir John Mandeville made extended travels to the Orient, and returning (Polo returned, 1295) described to a wondering Europe the new lands and peoples they had seen. The Voyages of Polo and the Travels of Mandeville were widely read. By the beginning of the fourteenth century the compass had been perfected, in Naples, and a great era of exploration had been begun. In 1402 venturesome sailors, out beyond the "Pillars of Hercules," discovered the Canary Islands; in 1419 the Madeira Islands were reached; in 1460 the Cape Verde Islands were found; in 1497 Bartholomew Diaz rounded the southern tip of Africa; and in 1497 Vasco da Gama discovered the long-hoped-for sea route to India. Five years later, sailing westward with the same end in view, Columbus discovered the American continent. Finally, in 1519-22, Magellan's ships circumnavigated the globe, and, returning safely to Spain, proved that the world was round. In 1507 WaldenseemÜller published his Introduction to Geography, a book that was widely read, and one which laid the foundations of this modern study.

The effect of these discoveries in broadening the minds of men can be imagined. The religious theories and teachings of the Middle Ages as to the world were in large part upset. New races and new peoples had been found, a round earth instead of a flat one had been proved to exist, new continents had been discovered, and new worlds were now ready to be opened up for scientific exploration and colonization.

ABOUT 1500 A STIMULATING TIME. The latter part of the fifteenth century and the earlier part of the sixteenth was a stimulating period in the intellectual development of Christian Europe. The Turks had closed in on Constantinople (1453) and ended the Eastern Empire, and many Greek scholars had fled to the West. Though the Revival of Learning had culminated in Italy, its influence was still strongly felt in such cities as Florence and Venice, while in German lands and in England the reform movement awakened by it was at its height. Greek and Hebrew were now taught generally in the northern universities. Everywhere the old scholastic learning and methods were being overturned by the new humanism, and scholastic teachers were being displaced from their positions in the universities and schools. The new humanistic university at Wittenberg, founded in 1502, was exerting large influence among German scholars and attracting to it the brightest young minds in German lands. Erasmus was the greatest international scholar of the age, though ably seconded by distinguished humanistic scholars in Italy, France, England, the Low Countries, and German lands. The court schools of Italy (R. 135) and the municipal colleges of France (R. 136) were marking out new lines in the education of the select few. Colet was founding his reformed grammar school (1510) at Saint Paul's, in London (R. 138), the first of a long line of English humanistic grammar schools. Leonardo da Vinci, Raphael, and Michael Angelo were adding new fame to Italy, and carrying the Renaissance movement over into that art which the world has ever since treasured and admired.

The Italian cities, particularly Genoa and Venice, had become rich from their commerce, as had many cities in northern lands. Everywhere the cities were centers for the new life in western Christendom. England was rapidly changing from an agricultural to a manufacturing nation. The serf was evolving into a free man all over western Europe. Italian navigators had discovered new sea routes and lands, and robbed the ocean of its terrors. Columbus had discovered a new world, soon to be peopled and to become the home of a new civilization. Magellan had shown that the world was round and poised in space, instead of flat and surrounded by a circumfluent ocean. The printing-press had been perfected and scattered over Europe, and was rapidly multiplying books and creating a new desire to read (R. 134). The Church was more tolerant of new ideas than it had been in the past, or soon was to be for centuries to come. All of these new influences and conditions combined to awaken thought as had not happened before since the days of ancient Rome. The world seemed about ready for rapid advances in many new directions, and great progress in learning, education, government, art, commerce, and invention seemed almost within grasp. Unfortunately the promise was not to be fulfilled, and the progress that seemed possible in 1500 was soon lost amid the bitterness and hatreds engendered by a great religious conflict, then about to break, and which was destined to leave, for centuries to come, a legacy of intolerance and suspicion in all lands.

QUESTIONS FOR DISCUSSION

1. In what way was the fact that Dante wrote his Divine Comedy in Italian instead of Latin an evidence of large independence?

2. Was it a good thing for peace and civilization that the modern languages arose, instead of all speaking and writing Latin? Why?

3. Of what value to one is a "sense of the past behind him, and a conception of the possibilities of the future before him," by way of giving perspective and self-confidence? Do we have many mediaeval-type people to-day?

4. Show how the work of Petrarch required a man with a strong historic sense.

5. Show the awakening of the modern scientific spirit in the critical and reconstructive work of the scholars of the Revival.

6. Of what was the exposure of the forgery of the "Donation of Constantine" a precursor?

7. Contrast the modern and the mediaeval spirit as related to learning.

8. Suppose that we should unexpectedly unearth in Mexico a vast literature of a very learned and scholarly people who once inhabited the United States, and should discover a key by which to read it. Would the interest awakened be comparable with that awakened by the revival of Greek in Italy? Why?

9. What does the fact that no copy of Quintilian's Institutes, a very famous Roman book, was known in Europe before 1416 indicate as to the destruction of books during the early Christian period?

10. What does the fact that the Christians knew little about Greek literature or scholarship for centuries, and that the awakening was in large part brought about by the pressure of the Turks on the Eastern Empire, indicate as to intercourse among Mediterranean peoples during the Middle Ages?

11. How do you explain the fact that the recovery of the ancient learning was very largely the work of young men, and that older professors in the universities frequently held aloof from any connection with the movement?

12. Compare the financial support of the Revival in Italy with the support of universities and of scientific undertakings in America during recent times.

13. Explain the long-delayed interest in the Revival in the northern countries.

14. Trace the larger steps in the transference of Greek literature and learning from Athens, in the fifth century B.C., to its arrival at Harvard, in Massachusetts, in 1636.

15. What was the importance of the rediscovery of Hebrew?

16. Show how the invention of printing was a revolutionary force of the first magnitude.

17. Why should a license from the Church have been necessary to print a book? Have we any remaining vestiges of this church control over books?

18. Do you see any special reason why Venice should have become the early center of the book trade?

19. Show how the printing-press became "a formidable rival to the pulpit and the sermon, and one of the greatest instruments for human progress and liberty."

20. One writer has characterized the Revival of Learning as the beginnings of the emergence of the individual from institutional control, and the substitution of the humanities for the divinities as the basis of education. Is this a good characterization of a phase of the movement?

21. Counting each edition of a printed book at only three hundred copies, how many volumes had been printed before 1500 at the places listed in footnote 3, page 257?

SELECTED READINGS

In the accompanying Book of Readings the following selections are reproduced:

125. Petrarch: On copying a Work of Cicero. 126. Benvenuto: Boccaccio's Visit to the Library at Monte Cassino. 127. Symonds: Finding of Quintilian's Institutes at Saint Gall. (a) Letter of Poggio Bracciolini on the "Find." (b) Reply of Lionardo Bruni. 128. MS.: Reproducing Books before the Days of Printing. 129. Symonds: Italian Societies for studying the Classics. 130. Vespasiano: Founding of the Medicean Library at Florence. 131. Vespasiano: Founding of the Ducal Library at Urbino. 132. Vespasiano: Founding of the Vatican Library at Rome. 133. Green: The New Learning at Oxford. 134. Green: The New Taste for Books.

QUESTIONS ON THE READINGS

1. Is it probable that Petrarch's explanation (125) of why many of the older Latin books were copied so infrequently, psalters being preferred instead, is correct?

2. How do you explain the later neglect of so valuable a library as that at Monte Cassino (126) or Saint Gall (127 a)?

3. Was Lionardo Bruni's letter to Poggio (127 b) overdrawn?

4. Was there anything unnatural about the work and customs of the Italian societies for studying the classics (129)? Compare with a modern literary or scientific society, or with the National Dante Society.

5. What does the extract from Vespasiano, telling how he got books for Cosimo de' Medici (130), indicate as to the scarcity of books in Italy toward the middle of the fifteenth century?

6. The library of the Duke of Urbino (131) was the most complete collected up to that time. List the larger classifications of the books copied, as to the lines represented in a great library of that day.

7. What does the work of Pope Nicholas V, in establishing the Vatican Library (132), indicate as to his interest in the new humanistic movement?

8. Show from the selection from Green (133) that the revival movement in England was essentially a religious revival.

9. Explain Green's cause-and-effect theory, as given in selection 134.

SUPPLEMENTARY REFERENCES

* Adams, G. B. Civilization during the Middle Ages.
Blades, William. William Caxton.
Duff, E. G. Early Printed Books.
* Field, Lilian F. Introduction to the Study of the Renaissance.
* Howells, W. D. Venetian Days (Venetian commerce).
* Keane, John. The Evolution of Geography.
La Croix, Paul. The Arts in the Middle Ages and at the Period of the
Renaissance
.
* Loomis, Louise. Mediaeval Hellenism.
Oliphant, Mrs. Makers of Venice.
* Robinson, J. H., and Rolfe, H. W. Petrarch, the First Modern Scholar
and Man of Letters
.
Sandys, J. E. History of Classical Scholarship, vol. II.
* Sandys, J. E. Harvard Lectures on the Revival of Learning.
Scaife, W. B. Florentine Life during the Renaissance.
Sedgwick, H. D. Italy in the Thirteenth Century.
* Symonds, J. A. The Renaissance in Italy; vol. II, The Revival
of Learning
.
Thorndike, Lynn. History of Mediaeval Europe.
Whitcomb, M. Source Book of the Italian Renaissance.
* Walsh, Jas. J. The Thirteenth, Greatest of Centuries.

                                                                                                                                                                                                                                                                                                           

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