D. APPLETON and CO.'S PUBLICATIONS.

Previous

NOVELS BY MAARTEN MAARTENS.

THE GREATER GLORY. A Story of High Life. By Maarten Maartens, author of "God's Fool," "Joost Avelingh," etc. 12mo. Cloth, $1.50.

"Until the Appletons discovered the merits of Maarten Maartens, the foremost of Dutch novelists, it is doubtful if many American readers knew that there were Dutch novelists. His 'God's Fool' and 'Joost Avelingh' made for him an American reputation. To our mind this just published work of his is his best.... He is a master of epigram, an artist in description, a prophet in insight."—Boston Advertiser.

"It would take several columns to give any adequate idea of the superb way in which the Dutch novelist has developed his theme and wrought out one of the most impressive stories of the period.... It belongs to the small class of novels which one can not afford to neglect."—San Francisco Chronicle.

"Maarten Maartens stands head and shoulders above the average novelist of the day in intellectual subtlety and imaginative power."—Boston Beacon.

GOD'S FOOL. By Maarten Maartens. 12mo. Cloth, $1.50.

"Throughout there is an epigrammatic force which would make palatable a less interesting story of human lives or one less deftly told."—London Saturday Review.

"Perfectly easy, graceful, humorous.... The author's skill in character-drawing is undeniable."—London Chronicle.

"A remarkable work."—New York Times.

"Maarten Maartens has secured a firm footing in the eddies of current literature.... Pathos deepens into tragedy in the thrilling story of 'God's Fool.'"—Philadelphia Ledger.

"Its preface alone stamps the author as one of the leading English novelists of to-day."—Boston Daily Advertiser.

"The story is wonderfully brilliant.... The interest never lags; the style is realistic and intense; and there is a constantly underlying current of subtle humor.... It is, in short, a book which no student of modern literature should fail to read."—Boston Times.

"A story of remarkable interest and point."—New York Observer.

JOOST AVELINGH. By Maarten Maartens. 12mo. Cloth, $1.50.

"So unmistakably good as to induce the hope that an acquaintance with the Dutch literature of fiction may soon become more general among us."—London Morning Post.

"In scarcely any of the sensational novels of the day will the reader find more nature or more human nature."—London Standard.

"A novel of a very high type. At once strongly realistic and powerfully idealistic."—London Literary World.

"Full of local color and rich in quaint phraseology and suggestion."—London Telegraph.

"Maarten Maartens is a capital story-teller."—Pall Mall Gazette.

"Our English writers of fiction will have to look to their laurels."—Birmingham Daily Post.

NOVELS BY HALL CAINE.
UNIFORM EDITION.

THE CHRISTIAN. $1.50.

"Must be regarded as the greatest work that has yet come from the pen of this strong writer.... A book of wonderful power and force."—Brooklyn Eagle.

"The public is hardly prepared for so remarkable a performance as 'The Christian.'... A permanent addition to English literature.... Above and beyond any popularity that is merely temporary."—Boston Herald.

"A book that has assuredly placed its maker upon a pedestal which will last well-nigh forever.... Powerful, thrilling, dramatic, and, best of all, intensely honest in its every line.... A truly wonderful achievement."—Cincinnati Commercial Tribune.

THE MANXMAN. $1.50.

"The book, as a whole, is on a rare level of excellence—a level which we venture to predict will always be rare."—London Daily Chronicle.

"The most powerful story that has been written in the present generation."—The Scotsman.

"A singularly powerful and picturesque piece of work, extraordinarily dramatic.... A most powerful book."—London Standard.

THE DEEMSTER. $1.50.

"Hall Caine has already given us some very strong and fine work, and 'The Deemster' is a story of unusual power.... Certain passages and chapters have an intensely dramatic grasp, and hold the fascinated reader with a force rarely excited nowadays in literature."—The Critic.

"Fascinates the mind like the gathering and bursting of a storm."—Illustrated London News.

THE BONDMAN. New edition. $1.50.

"The welcome given to this story has cheered and touched me, but I am conscious that to win a reception so warm, such a book must have had readers who brought to it as much as they took away.... I have called my story a saga, merely because it follows the epic method, and I must not claim for it at any point the weighty responsibility of history, or serious obligations to the world of fact. But it matters not to me what Icelanders may call 'The Bondman,' if they will honor me by reading it in the open-hearted spirit and with the free mind with which they are content to read of Grettir and of his fights with the Troll."—From the Author's Preface.

CAPT'N DAVY'S HONEYMOON. $1.00.

"A new departure by this author. Unlike his previous works, this little tale is almost wholly humorous, with, however, a current of pathos underneath. It is not always that an author can succeed equally well in tragedy and in comedy, but it looks as though Mr. Hall Caine would be one of the exceptions."—London Literary World.

"It is pleasant to meet the author of 'The Deemster' in a brightly humorous little story like this.... It shows the same observation of Manx character, and much of the same artistic skill."—Philadelphia Times.

By S. R. CROCKETT.
Uniform edition. Each, 12mo, cloth, $1.50.

THE STANDARD BEARER. An Historical Romance.

"Mr. Crockett's book is distinctly one of the books of the year. Five months of 1898 have passed without bringing to the reviewers' desk anything to be compared with it in beauty of description, convincing characterization, absorbing plot and humorous appeal. The freshness and sweet sincerity of the tale are most invigorating, and that the book will be very much read there is no possible doubt."—Boston Budget.

"The book will move to tears, provoke to laughter, stir the blood, and evoke heroisms of history, making the reading of it a delight and the memory of it a stimulus and a joy."—New York Evangelist.

LADS' LOVE. Illustrated.

"It seems to us that there is in this latest product much of the realism of personal experience. However modified and disguised, it is hardly possible to think that the writer's personality does not present itself in Saunders McQuhirr.... Rarely has the author drawn more truly from life than in the cases of Nance and 'the Hempie'; never more typical Scotsman of the humble sort than the farmer Peter Chrystie."—London AthenÆum.

CLEG KELLY, ARAB OF THE CITY. His Progress and Adventures. Illustrated.

"A masterpiece which Mark Twain himself has never rivaled.... If there ever was an ideal character in fiction it is this heroic ragamuffin."—London Daily Chronicle.

"In no one of his books does Mr. Crockett give us a brighter or more graphic picture of contemporary Scotch life than in 'Cleg Kelly.'... It is one of the great books."—Boston Daily Advertiser.

BOG-MYRTLE AND PEAT. Third edition.

"Here are idyls, epics, dramas of human life, written in words that thrill and burn.... Each is a poem that has an immortal flavor. They are fragments of the author's early dreams, too bright, too gorgeous, too full of the blood of rubies and the life of diamonds to be caught and held palpitating in expression's grasp."—Boston Courier.

"Hardly a sketch among them all that will not afford pleasure to the reader for its genial humor, artistic local coloring, and admirable portrayal of character."—Boston Home Journal.

THE LILAC SUNBONNET. Eighth edition.

"A love story, pure and simple, one of the old fashioned, wholesome, sunshiny kind, with a pure-minded, sound-hearted hero, and a heroine who is merely a good and beautiful woman; and if any other love story half so sweet has been written this year it has escaped our notice."—New York Times.

"The general conception of the story, the motive of which is the growth of love between the young chief and heroine, is delineated with a sweetness and a freshness, a naturalness and a certainty, which places 'The Lilac Sunbonnet' among the best stories of the time."—New York Mail and Express.

GILBERT PARKER'S BEST BOOKS.
Uniform Edition.

THE SEATS OF THE MIGHTY. Being the Memoirs of Captain Robert Moray, sometime an Officer in the Virginia Regiment, and afterwards of Amherst's Regiment. Illustrated, $1.50.

"Another historical romance of the vividness and intensity of 'The Seats of the Mighty' has never come from the pen of an American. Mr. Parker's latest work may without hesitation be set down as the best he has done. From the first chapter to the last word interest in the book never wanes; one finds it difficult to interrupt the narrative with breathing space. It whirls with excitement and strange adventure.... All of the scenes do homage to the genius of Mr. Parker, and make 'The Seats of the Mighty' one of the books of the year."—Chicago Record.

"Mr. Gilbert Parker is to be congratulated on the excellence of his latest story, 'The Seats of the Mighty,' and his readers are to be congratulated on the direction which his talents have taken therein.... It is so good that we do not stop to think of its literature, and the personality of Doltaire is a masterpiece of creative art."—New York Mail and Express.

THE TRAIL OF THE SWORD. A Novel. $1.25.

"Mr. Parker here adds to a reputation already wide, and anew demonstrates his power of pictorial portrayal and of strong dramatic situation and climax."—Philadelphia Bulletin.

"The tale holds the reader's interest from first to last, for it is full of fire and spirit, abounding in incident, and marked by good character drawing."—Pittsburg Times.

THE TRESPASSER. $1.25.

"Interest.... Almost bare of synthetical decoration, his paragraphs are stirring because they are real. We read at times—as we have read the great masters of romance—breathlessly."—The Critic.

"Gilbert Parker writes a strong novel, but thus far this is his masterpiece.... It is one of the great novels of the year."—Boston Advertiser.

THE TRANSLATION OF A SAVAGE. $1.25.

"A book which no one will be satisfied to put down until the end has been matter of certainty and assurance."—The Nation.

"A story of remarkable interest, originality, and ingenuity of construction."—Boston Home Journal.

MRS. FALCHION. $1.25.

"A well-knit story, told in an exceedingly interesting way, and holding the reader's attention to the end."

SOME CHOICE FICTION.

EVELYN INNES. A Story. By George Moore, author of "Esther Waters," etc. 12mo. Cloth, $1.50.

"The marvelously artistic analysis of the inner life of this remarkable woman exercises a peculiar fascination for cultivated people.... There are splendid interpretations of Wagner's best works, of the differences between ancient and modern music, of the weaknesses of agnosticism, and of the impossibility of finding happiness and freedom from misery in a life of sin. The manner of the doing is wonderfully fine. Mr. Moore's artistic treatment provokes one's admiration again and again.... It seems as if one could pass over no single sentence without losing something.... The appeal of the book is to the class of people best worth writing for, cultivated, intellectual people, who can appreciate something better than the commonplace stories which invariably come out right. Its literary quality is high; there are very fine things about it, and one feels that 'Evelyn Innes' is the work of a master."—Boston Herald.

In 'Evelyn Innes' Mr. Moore joins to microscopic subtlety of analysis a sense of the profound and permanent things in human life which is rarely to be encountered anywhere save in works of great breadth.... The method is with Mr. Moore an affair of piercing and yet tender insight, of sympathy as well as science.... 'Evelyn Innes' will greatly strengthen the author's position. It speaks of a powerful imagination, and, even more, of a sane and hopeful view of human life."—New York Tribune.

"The book is one which, while in no respect dramatic, is still profoundly interesting.... It is bound to be read with ever wider attention being drawn to its merits as an elaborate mosaic of literary art, a deep study of human nature, a noble defense of the antiques of music, and altogether a praiseworthy contribution to the best works of the modern English realistic school."—Philadelphia Item.

"Assuredly to be accounted a work of art in an exacting field."—London Morning Post.

"Space is left us for almost unadulterated praise. This is the sanest, the most solid, the most accomplished book which Mr. Moore has written."—London Saturday Review.

"Virile and vivid. It has distinction and grace."—San Francisco Call.

"Sure to be widely read."—Brooklyn Standard-Union.

"Fascinatingly written."—Cleveland Plain Dealer.

KRONSTADT. A Romance. By Max Pemberton. Illustrated. 12mo. Cloth, $1.50.

"'Kronstadt' is beyond measure superior in all respects to anything Mr. Pemberton has hitherto done. Singularly original in its conception, the story is most cunningly and cleverly told. It grips the attention in the first paragraph, and whirls one irresistibly along through all the stirring incidents of its skillfully devised plot, giving one not an instant's rest until the splendid dramatic climax gives sudden relief."—London Daily Mail.

"It is a profoundly interesting and exciting story.... The book has no dull pages in it."—Chicago Inter-Ocean.

"An exceedingly well-written story of adventure, original in plot, skillful in character drawing, and full of movement and color."—Washington Times.

"There is a breathless interest about the tale which will not permit you to lay it aside until the whole adventure is mastered."—Brooklyn Eagle.

FÉLIX GRAS'S ROMANCES.

THE TERROR. A Romance of the French Revolution. By FÉlix Gras, author of "The Reds of the Midi." Uniform with "The Reds of the Midi." Translated by Mrs. Catharine A. Janvier, 16mo. Cloth, $1.50.

"If FÉlix Gras had never done any other work than this novel, it would at once give him a place in the front rank of the writers of to day.... 'The Terror' is a story that deserves to be widely read, for, while it is of thrilling interest, holding the reader's attention closely, there is about it a literary quality that makes it worthy of something more than a careless perusal."—Brooklyn Eagle.

"Romantic conditions could hardly be better presented than in a book of this kind, and above all, in a book by FÉlix Gras.... The romance is replete with interest."—New York Times.

"There is genius in the book. The narrative throbs with a palpitation of virile force and nervous vigor. Read it as a mere story, and it is absorbing beyond description. Consider it as a historical picture, ... and its extraordinary power and significance are apparent."—Philadelphia Press.

"The book may be recommended to those who like strong, artistic, and exciting romances."—Boston Saturday Evening Gazette.

"Many as have been the novels which have the Revolution as their scene, not one surpasses, if equals, in thrilling interest."—Cleveland Plain Dealer.

THE REDS OF THE MIDI. An Episode of the French Revolution. By FÉlix Gras. Translated from the ProvenÇal by Mrs. Catharine A. Janvier. With an Introduction by Thomas A. Janvier. With Frontispiece, 16mo. Cloth, $1.50.

"I have read with great and sustained interest 'The Reds of the South,' which you were good enough to present to me. Though a work of fiction, it aims at painting the historical features, and such works if faithfully executed throw more light than many so called histories on the true roots and causes of the Revolution, which are so widely and so gravely misunderstood. As a novel it seems to me to be written with great skill."—William E. Gladstone.

"Patriotism, a profound and sympathetic insight into the history of a great epoch, and a poet's delicate sensitiveness to the beauties of form and expression have combined to make M FÉlix Gras's 'The Reds of the Midi' a work of real literary value. It is as far as possible removed from sensationalism; it is, on the contrary, subdued, simple, unassuming, profoundly sincere. Such artifice as the author has found it necessary to employ has been carefully concealed, and if we feel its presence, it is only because experience has taught that the quality is indispensable to a work which affects the imagination so promptly and with such force as does this quiet narrative of the French Revolution."—New York Tribune.

"It is doubtful whether in the English language we have had a more powerful, impressive, artistic picture of the French Revolution, from the revolutionist's point of view, than that presented in FÉlix Gras's 'The Reds of the Midi.'... Adventures follow one another rapidly; splendid, brilliant pictures are frequent, and the thread of a tender, beautiful love story winds in and out of its pages."—New York Mail and Express.

D. APPLETON AND COMPANY, NEW YORK.


Punctuation has been corrected without note.

Archaic and alternate spellings have been retained with the exception of those noted below:

page 50: "way" changed to "away" (to steal away his brains).

page 120: "wobbed" changed to "wobbled" (A head wobbled languidly here).

page 209: "millenium" changed to "millennium" (until the millennium).

page 280: "Skiper's" changed to "Skipper's" (the monotonous remark of the Skipper's).

page 357: "plantatations" changed to "plantations" (to ride among his sugar plantations)






                                                                                                                                                                                                                                                                                                           

Clyx.com


Top of Page
Top of Page