The management of the Majestic Theater in Chicago always have a small sign at the side of the stage announcing the headline act for the following week. Upon this particular occasion this sign announced the coming of Mabel Hite and Mike Donlin.

There was a chap sitting down in front with his girl, who wanted her to think that he knew everybody and everything in Vaudeville. You know, one of those people who call all actors and actresses by their first names, and can tell you (incorrectly) all about their private affairs.

Finally it came time for Melville & Higgins to appear; and in order for you to appreciate this incident, I will mention that Mr. Higgins is built on the same general principle as a string bean; he has been known to conceal himself behind an umbrella.

Now when it is time for this act to come on, all the lights in the house are thrown out, and a spot light is thrown on the stage over near the entrance from which they are to come on. It so happened on this occasion that the light just covered the sign announcing "Mabel Hite & Mike Donlin" but did not light up the words "Next Week."

The Bureau of Mis-information down in front, with his lady-love, had just started to look at his program when the lights went out, so that he had been unable to make out who came next. Now he looked up and saw that sign for the first time—"Mabel Hite & Mike Donlin."

"Why, I thought they were here next week," he said. "Now you will see something good."

Just then Melville & Higgins walked out on the stage. The chap down in front started to applaud, then his jaw dropped, and he gasped out,

"My God, how Mike has fallen away."

The manager of a small Moving Picture and Vaudeville Theater in Lincoln, Nebraska, was watching the opening show of the week. A Horizontal Bar came on, two men, one a straight acrobat, the other a clown. As soon as the act was over the manager went back and fired the clown."Fired?" said the clown in amazement; "what for?"

"Because you can't do nothin'; you missed every trick you went after; t'other feller is all right; he can work."

Joe Keaton, "the Man With the Table, a Wife and Three Kids," was in three hotel fires inside of fourteen months. But he always managed to get his little family out safe. In addition to doing that, he always managed to save something; and that something was the same every time. When they had all got down the fire escapes, and had reached a place of safety, Joe would find clutched tightly in his hand—a cake of soap.

One night Ezra Kendal left his wife at the elevator in the Union Hotel in Chicago, saying that he would be right up in a few minutes. Two hours later he came up to the room.

"Where have you been all this time, Ezra?" asked his wife.

"I met a couple of Interlocutors downstairs, and I have been doing End Man to them," said Ezra.

Fred Niblo and his wife (Josephine Cohan) were playing at Proctor's 23d Street Theater in New York. Fred always wore a Prince Albert coat in his act. On this day he had considerable trouble in getting his necktie to suit him. Finally he got arranged, slipped on the Prince Albert, buttoned it, took one final look into the glass, and started for the door.

"Where are you going, dear?" asked Mrs. N. in that wifely tone that always makes a man shrink."Why, I am going out to do my act," said Fred. "Why?"

"Oh, nothing," said Mrs. N., "only I thought perhaps you would want to put some trousers on."