Now Raymond and his son had gone over into Berkshire, to the building of the great castle at Faringdon, as has been said; and for a while Sir Arnold remained in his hold, and very often he rode over alone to Stoke, and spent many hours with the Lady Goda, both in the hall and in the small garden by the moat. The priest, and the steward, and the men-at-arms, and the porter, were all used to see him there often enough, when Sir Raymond was at home, and they thought no evil because he came now to bear the lonely lady company; for the manners of those days were simple.

But on a morning at the end of April, there came a messenger from King Stephen, bidding all earls, barons, bannerets, and knights, upon their oath of fealty, join him with their fighting men in Oxford. For form's sake, the messenger came to Stoke Regis, as not admitting that any Norman knight should not be on the king's side; and the drawbridge being down, he rode under the gateway, and when the trumpeter who was with him had blown three blasts, he delivered his message. Then the steward, bowing deeply, answered that his lord was absent on a journey; and the messenger turned and rode away, without bite or sup. But, riding on to Stortford Castle, he found Sir Arnold, and delivered the king's bidding with more effect, and was hospitably treated with meat and drink. Sir Arnold armed himself slowly in full mail, saving his head, for the weather was strangely warm, and he would ride in his hat rather than wear the heavy steel cap with the broad nose-guard. Before an hour had passed he was mounted, with his men, and his footmen were marching before and behind him on the broad Hertford road. But he had sent a messenger secretly to the Lady Goda, to tell her that he was gone; and after that she heard nothing for many days.

In the morning, and after dinner, and before sunset, she came every day to the little garden under the west wall of the manor, and looked long toward the road—not that she wished Sir Raymond back, nor that she cared when Gilbert came, but she well knew that the return of either would mean that the fighting was over, and that Sir Arnold, too, would be at leisure to go home.

On that fifth of May, as the sun was going down, she stood still and looked out toward the road for the tenth time since Curboil had gone to join the king. The sun sank lower, and still she saw nothing; and she felt the chill of the damp evening air, and would have turned to go in, but something held her. Far up the road, on the brow of the rising ground, she saw a tiny spark, a little dancing flame like the corpse-candles that run along the graves on a summer's night—first one, then all at once three, then, as it seemed to her, a score at least, swaying a little above a compact dark mass against the red sky. The lights were like little stars rising and falling on the horizon, and always just above a low, black cloud. A moment more, and the evening breeze out of the west brought a long-drawn harmony of chanting to the Lady Goda's ear, the high sweet notes of youthful voices sustained by the rich counterpoint of many grown men's tones. She started, and held her breath, shivered a little, and snatched at the rose bush beside her, so that the thorns struck through the soft green gauntlet and pricked her, though she felt nothing. There was death in the air; there was death in the moving lights; there was death in the minor wail of the monks' voices. In the first moment of imperfect understanding, it was Arnold whom they were bringing home to her, slain in battle by her lawful husband, or by Gilbert, her son; it was Arnold whom they were bringing back to her who loved him, that she might wash his wounds with her tears, and dry his damp brow with her glorious hair. Wide-eyed and silent, as the train came near, she moved along by the moat to meet the procession at the drawbridge, not understanding yet, but not letting one movement of the men, one flicker of the lights, one quaver of the deep chant, escape her reeling senses. Then all at once she was aware that Gilbert walked bareheaded before the bier, half wrapped in a long black cloak that swept the greensward behind him. As she turned the last bastion before reaching the drawbridge, the funeral was moving along by the outer edge of the moat, and between the procession and her there was only the broad water, reflecting the lights of the moving tapers, the dark cowls of the monks, the white surplices of the song-boys. They moved slowly, and she, as in a dream, followed them on the other side with little steps, wondering, fearing, starting now with a wild thrill of liberty at last, now struggling with a half conventional, half hysterical sob that rose in her throat at the thought of death so near. She had lived with him, she had played the long comedy of love with him, she had loathed him in her heart, she had smiled at him with well-trained eyes; and now she was free to choose, free to love, free to be Arnold's wife. And yet she had lived with the dead man; and in the far-off past there were little tender lights of happiness, half real, half played, but never forgotten, upon which she had once taught her thoughts to dwell tenderly and sadly. She had loved the dead man in the first days of marriage, as well as her cold and unawakened nature could love at all—if not for himself, at least for the hopes of vanity built on his name. She had hated him in secret, but she could not have hated him so heartily had there not once been a little love to turn so fiercely sour. She could not have trained her eyes to smile at him so gently had she not once smiled for his own sake. And so, when they brought him dead to the gate of his own house, his wife had still some shreds of memories for weeds to eke out a show of sorrow.

She passed through the postern in the small round tower beside the gateway, knowing that when she came out under the portcullis, the funeral train would be just reaching the other end of the bridge. The little vaulted room in the lower story of the tower was not four steps in width across, from door to door; but it was almost dark, and there the Lady Goda stopped one moment before she went out to meet the mourners. Standing still in the dimness, she pressed her gloved hands to her eyes with all her might, as though to concentrate her thoughts and her strength. Then she threw back her arms, and looked up through the gloom, and almost laughed; and she felt something just below her heart that stifled her like a great joy. Then all at once she was calm, and touched her eyes again with her gloved hands, but gently now, as though smoothing them and preparing them to look upon what they must see presently. She opened the little door, and was suddenly standing in the midst of the frightened herd of retainers and servants, while the last strains of the dirge came echoing under the deep archway. At that instant another sound startled the air—the deep bell-note of the great bloodhounds, chained in the courtyard from sunrise to sunset; and it sank to a wail, and the wail broke to a howl, dismal, ear-rending, wild. Before it had died away, one of the Saxon bondwomen shrieked aloud, and the next took up the cry, and then another, as a likewake dirge, till every stone in the shadowy manor seemed to have a voice, and every voice was weeping for the dead lord. And many of the women fell upon their knees, and some of the men, too, while others drew up their hoods, and stood with bent heads and folded hands against the rough walls.

Slowly and solemnly they bore him in and set the bier down under the mid-arch. Then Gilbert Warde looked up and faced his mother; but he stood aside, that she might see her husband; and the monks and song-boys stood back also, with their wax torches, which cast a dancing glare through the dim twilight. Gilbert's face was white and stern; but the Lady Goda was pale, too, and her heart fluttered, for she had to play the last act of her married life before many who would watch her narrowly. For one moment she hesitated whether to scream or to faint in honour of her dead husband. Then, with the instinct of the born and perfect actress, she looked wildly from her son's face to the straight, still length that lay beneath the pall. She raised one hand to her forehead, pressing back her golden hair with a gesture half mad, half dazed, then seemed to stagger forward two steps, and fell upon the body, in a storm of tears.

Gilbert went to the bier, and lifted one of his mother's gloved hands from the covered face, and it dropped from his fingers as if lifeless. He lifted the black cloth pall, and turned it back as far as he could without disturbing the woman's prostrate figure; and there lay the Lord of Stoke, in his mail, as he had fallen in fight, in his peaked steel helmet, the straight, fine, ring-mail close-drawn round his face and chin, the silky brown hair looking terribly alive against the dead face. But across the eyes and the forehead below the helmet there was laid a straight black band, and upon his breast the great mailed hands clasped the cross-hilted sword that lay lengthwise with his body. Gilbert, bareheaded and unarmed, gazed down into his father's face for a while, then suddenly looked up and spoke to all the people who thronged the gateway.

"Men of Stoke," he said, "here lies the body of Sir Raymond Warde, your liege lord, my father. He fell in the fight before Faringdon Castle, and this is the third day since he was slain; for the way was long, and we were not suffered to pass unmolested. The castle was but half built, and we were encamped about it with the Earl of Gloucester, when the king came suddenly from Oxford with a great host; and they fell upon us unawares at early morning, when we had but just heard the mass and most of us were but half armed, or not at all. So we fought as we could, and many fell, and not a few we killed with our hands. And I, with a helmet on my head and a gambison but half buckled upon my body, and my hands bare, was fighting with a full-armed Frenchman and was hard pressed. But I smote him in the neck, so that he fell upon one knee and reeled. And even in that moment I saw this sight. A score of paces from me, my father and Sir Arnold de Curboil met face to face, suddenly and without warning, their swords lifted in the act to strike; but when my father saw his friend before him, he dropped his sword-arm and smiled, and would have turned away to fight another; but Sir Arnold smiled also, and lowered not his hand, but smote my father by the point, unguarded, and thrust his sword through head and hood of mail at one stroke, treacherously. And so my father, your liege lord, fell dead unshriven, by his friend's hand; and may the curse of man and the damnation of Almighty God be upon his murderer's head, now and after I shall have killed him. For, as I would have sprung forward, the Frenchman, who was but stunned, sprang to his feet and grappled with me; and by the time he had no breath left, and the light broke in his eyes, Sir Arnold was gone, and our fight was lost. So we made a truce to bury our dead, and brought them away, each his own."

When he had spoken there was silence for many moments, broken only by the Lady Goda's unceasing sobs. In the court within, and on the bridge without, the air grew purple, and dark, and misty; for the sun had long gone down, and the light from the wax torches, leaping, flaming and flickering in the evening breeze, grew stronger and yellower under the gateway than the twilight without. The dark-robed monks looked gravely on, waiting till they should be told to pass into the chapel—men of all ages and looks, red and pale, thin and stout, dark and fair, but all having that something in their faces that marks the churchman from century to century. Between them and the dead knight, Gilbert stood still with bent head and downcast eyes, with pale face and set lips, looking at his mother's bright hair, and at her clutching hands, and listening to the painfully drawn breath, broken continually by her agonized weeping. Suddenly the bloodhounds' bay broke out again, fierce and deep; and on the instant a high young voice rang from the court through the deep arch.

"Burn the murderer! To Stortford, and burn him out!"

Gilbert looked up quickly, peering into the gloom whence the voice had spoken. He did not see how, at the words, his mother started back from the corpse, steadied herself with one hand, and fixed her eyes in the same direction; but before he could answer, the cry was taken up by a hundred throats.

"Burn the traitor! burn the murderer! To Stortford! Fagots! Fagots and pitch!"

High, low, hoarse, clear, the words followed one another in savage yells; and here and there among the rough men there were eyes that gleamed in the dark like a dog's.

Then through the din came a rattling of bolts and a creaking of hinges, as the grooms tore open the stable doors to bring out the horses and saddle them for the raid; and one called for a light and another warned men from his horse's heels. The Lady Goda was on her feet, her hands stretched out imploringly to her son, turning to him instinctively and for the first time, as to the head of the house. She spoke to him, too; but he neither heard nor saw, for in his own heart a new horror had possession, beside which what had gone before was as nothing. He thought of Beatrix.

"Hold!" he cried. "Let no man stir, for no man shall pass out who would burn Stortford. Sir Arnold de Curboil is the king's man, and the king has the power in England; so that if we should burn down Stortford Castle to-night, he would burn Stoke Manor to-morrow over my mother's head. Between Arnold de Curboil and me there is death. To-morrow I shall ride out to find him, and kill him in fair fight. But let there be no raiding, no harrying, and no burning, as if we were Stephen's French robbers, or King David's red-haired Scots. Take up the bier; and you," he said, turning to the monks and song-men, "take up your chant, that we may lay him in the chapel and say prayers for his unshriven soul."

The Lady Goda's left hand had been pressed to her heart as though she were in fear and pain; but as her son spoke, it fell by her side, and her face grew calm before she remembered that it should grow sad. Until to-day her son had been in her eyes but a child, subject to his father, subject to herself, subject to the old manor-priest who had taught him the little he knew. Now, on a sudden, he was full-grown and strong; more than that, he was master in his father's place, and at a word from him, men-at-arms and bondsmen would have gone forth on the instant to slay the man she loved, and to burn and to harry all that was his. She was grateful to him for not having spoken that word; and since Gilbert meant to meet Curboil in a single combat, she felt no fear for her lover, the most skilled man at fence in all Essex and Hertfordshire, and she felt sure, likewise, that for his reputation as a knight he would not kill a youth but half his age.

While she was thinking of these things, the monks had begun to chant again; the confusion was ended in the courtyard; the squires took up the bier, and the procession moved slowly across the broad paved space to the chapel opposite the main gate.

An hour later Sir Raymond's dead body lay before the altar, whereon burned many waxen tapers. Alone, upon the lowest step, Gilbert was kneeling, with joined hands and uplifted eyes, motionless as a statue. He had taken the long sword from the dead man's breast, and had set it up against the altar, straight and bare. It was hacked at the edges, and there were dark stains upon it from its master's last day's work. In the simple faith of a bloody age, Gilbert Warde was vowing, by all that he and his held sacred, before God's altar, upon God's Sacred Body, upon his father's unburied corpse, that before the blade should be polished again, it should be black with the blood of his father's murderer.

And as he knelt there, his lady mother, now clad all in black, entered the chapel and moved slowly towards the altar-steps. She meant to kneel beside her son; but when she was yet three paces from him, a great terror at her own falseness descended into her heart, and she sank upon her knees in the aisle.