Arnoldo Meschini was fully conscious of what he had done when he softly closed the door of the study behind him and returned to the library; but although he knew and realised that he had murdered his employer, he could not explain the act to himself. His temples throbbed painfully and there was a bright red spot in each of his sallow cheeks. He shuffled about from one bookcase to another, and his hands trembled violently as he touched the big volumes. Now and then he glanced towards one or the other of the doors expecting at every moment that some one would enter to tell him the news, if indeed any one at such a time should chance to remember the existence of the humble librarian. His brain was on fire and seemed to burn the sockets of his eyes. And yet the time passed, and no one came. The suspense grew to be unbearable, and he felt that he would do anything to escape from it. He went to the door and laid his hand upon the latch. For an instant the flush disappeared from his cheeks, as a great fear took possession of him. He was not able to face the sight of Montevarchi's body lying across that table in the silent study. His hand fell to his side and he almost ran to the other side of the library; then, as though ashamed of his weakness he came back slowly and listened at the door. It was scarcely possible that any distant echo could reach his ears, if the household had been already roused, for the passage was long and tortuous, interrupted by other doors and by a winding staircase. But in his present state he fancied that his senses must be preternaturally sharpened and he listened eagerly. All was still. He went back to the books. There was nothing to be done but to make a desperate effort to occupy himself and to steady his nerves. If any one came now, he thought, his face would betray him. There must be a light in his eyes, an uncertainty in his manner which would speak plainly enough to his guilt. He tried to imagine what would take place when the body was found. Some one would enter the room and would see the body. He, or she, would perhaps think that the prince was in a fit, or asleep—who could tell? But he would not answer the voice that called him. Then the person would come forward and touch him—Meschini forced himself to think of it—would touch the dead hand and would feel that it was cold. With a cry of horror the person would hasten from the room. He might hear that cry, if he left the door open. Again he laid his hand upon the latch. His fingers seemed paralysed and the cold sweat stood on his face, but he succeeded in mastering himself enough to turn the handle and look out. The cry came, but it was from his own lips. He reeled back from the entrance in horror, his eyes starting from his head. There stood the dead man, in the dusky passage, shaking at him the handkerchief. It was only his fancy. He passed his hand across his forehead and a sickly look of relief crept over his face. He had been frightened by his own coat, that hung on a peg outside, long and thin and limp, a white handkerchief depending from the wide pocket. There was not much light in the corridor. He crept cautiously out and took the garment from its place with a nervous, frightened gesture. Dragging it after him, he hastily re-entered the library and rolled up the coat into a shape that could not possibly resemble anything which might frighten him. He laid it upon the table in the brightest place, where the afternoon sun fell upon it. There was a sort of relief in making sure that the thing could not again look like the dead man. He looked up and saw with renewed terror that he had left the door open. There was nothing but air between him and the place where that awful shadow had been conjured up by his imagination. The door must be shut. If it remained open he should go mad. He tried to think calmly, but it was beyond his power. He attempted to say that there was nothing there and that the door might as well remain open as be shut. But even while making the effort to reason with himself, he was creeping cautiously along the wall, in the direction of the entrance. By keeping his eyes close to the wooden panelling he could advance without seeing into the corridor. He was within a foot of the opening. Convulsed with fear, he put out his hand quickly and tried to pull the heavy oak on its hinges by the projecting bevel, but it was too heavy—he must look out in order to grasp the handle. The cold drops trickled down from his brow and he breathed hard, but he could not go back and leave the door unclosed. With a suppressed sob of agony he thrust out his head and arm. In a moment it was over, but the moral effort had been terrible, and his strength failed him, so that he staggered against the wainscot and would have fallen but for its support. Some moments elapsed before he could get to a chair, and when he at last sat down in a ray of sunshine to rest, his eyes remained fixed upon the sculptured brass handle of the latch. He almost expected that it would turn mysteriously of itself and that the dead prince would enter the room. He realised that in his present condition he could not possibly face the person who before long would certainly bring him the news. He must have something to stimulate him and deaden his nerves. He had no idea how long a time had elapsed since he had done the deed, but it seemed that three or four hours must certainly have passed. In reality it was scarcely five and twenty minutes since he had left the study. He remembered suddenly that he had some spirits in his room at the top of the palace. Slowly and painfully he rose to his feet and went towards the other exit from the library, which, as in many ancient houses, opened upon the grand staircase, so as to give free access to visitors from without. He had to cross the broad marble landing, whence a masked door led to the narrow winding steps by which he ascended to the upper story. He listened to hear whether any one was passing, and then went out. Once on his way he moved more quickly than seemed possible for a man so bent and mis-shapen. The bright afternoon sun streamed in through the window of his little chamber, a relief from the sombre gloominess of the lofty library, where the straggling rays seemed to make the great hall more shadowy by contrast. But Meschini did not stop to look about him. In a closet in the wall he kept his stores, his chemicals, his carefully-composed inks, his bits of prepared parchment, and, together with many other articles belonging to his illicit business, he had a bottle of old brandy, which the butler had once given him out of the prince's cellar, in return for a bit of legal advice which had saved the servant a lawyer's fee. Arnoldo Meschini had always been a sober man, like most Italians, and the bottle had stood for years unopened in the cupboard. He had never thought of it, but, having been once placed there, it had been safe. The moment had come when the stimulant was precious. His fingers shook as he put the bottle to his lips; when he set it down they were steady. The liquor acted like an enchantment, and the sallow-faced man smiled as he sat alone by his little table and looked at the thing that had restored him. The bottle had been full when he began to drink; the level of the liquid was now a good hand's breadth below the neck. The quantity he had swallowed would have made a temperate man, in his normal state, almost half drunk. He sat still for a long time, waiting to see whether the draught would produce any other effect. He felt a pleasant warmth in his face and hands, the perspiration had disappeared from his brow, and he was conscious that he could now look out of the open door of the library without fear, even if his coat were hanging on the peg. It was incredible to him that he should have been so really terrified by a mere shadow. He had killed Prince Montevarchi, and the body was lying in the study. Yes, he could think of it without shuddering, almost without an unpleasant sensation. In the dead man's own words, it had been an act of divine justice and retribution, and since nobody could possibly discover the murderer, there was matter for satisfaction in the idea that the wicked old man no longer cumbered the earth with his presence. Strange, that he should have suffered such an agony of fear half an hour earlier. Was it half an hour? How pleasantly the sun shone in to the little room where he had laboured during so many years, and so profitably! Now that the prince was dead it would be amusing to look at those original documents for which he had made such skilfully-constructed substitutes. He would like to assure himself, however, that the deed had been well done. There was magic in that old liquor. Another little draught and he would go down to the study as though nothing had happened. If he should meet anybody his easy manner would disarm suspicion. Besides, he could take the bottle with him in the pocket of his long coat—the bottle of courage, he said to himself with a smile, as he set it to his lips. This time he drank but little, and very slowly. He was too cautious a man to throw away his ammunition uselessly. With a light heart he descended the winding stair and crossed the landing. One of Ascanio Bellegra's servants passed at that moment. Meschini looked at the fellow quietly, and even gave him a friendly smile, to test his own coolness, a civility which was acknowledged by a familiar nod. The librarian's spirits rose. He did not resent the familiarity of the footman, for, with all his learning, he was little more than a servant himself, and the accident had come conveniently as a trial of his strength. The man evidently saw nothing unusual in his appearance. Moreover, as he walked, the brandy bottle in his coat tail pocket beat reassuringly against the calves of his legs. He opened the door of the library and found himself in the scene of his terror. There lay the old coat, wrapped together on the table, as he had left it. The sun had moved a little farther during his absence, and the heap of cloth looked innocent enough. Meschini could not understand how it had frightened him so terribly. He still felt that pleasant warmth about his face and hands. That was the door before which he had been such a coward. What was beyond it? The empty passage. He would go and hang the coat where it had hung always, where he always left it when he came in the morning, unless he needed it to keep himself warm. What could be simpler, or easier? He took the thing in one hand, turned the handle and looked out. He was not afraid. The long, silent corridor stretched away into the distance, lighted at intervals by narrow windows that opened upon an inner court of the palace. Meschini suspended the coat upon the peg and stood looking before him, a contemptuous smile upon his face, as though he despised himself for his former fears. Then he resolutely walked towards the study, along the familiar way, down a flight of steps, then to the right—he stood before the door and the dead man was on the other side of it. He paused and listened. All was silent. It was clear to him, as he stood before the table and looked at the body, that no one had been there. Indeed, Meschini now remembered that it was a rule in the house never to disturb the prince unless a visitor came. He had always liked to spend the afternoon in solitude over his accounts and his plans. The librarian, paused opposite his victim and gazed at the fallen head and the twisted, whitened fingers. He put out his hand timidly and touched them, and was surprised to find that they were not quite cold. The touch, however, sent a very unpleasant thrill through his own frame, and he drew back quickly with a slight shiver. But he was not terrified as he had been before. The touch, only, was disagreeable to him. He took a book that lay at hand and pushed it against the dead man's arm. There was no sign, no movement. He would have liked to go behind the chair and untie the handkerchief, but his courage was not quite equal to that. Besides, the handkerchief was Faustina's. He had seen her father snatch it from her and throw it upon the floor, as he watched the pair through the keyhole. A strange fascination kept him in the study, and he would have yielded to it had he not been fortified against any such morbid folly by the brandy he had swallowed. He thought, as he turned to go, that it was a pity the prince never kept money in the house, for, in that case, he might have helped himself before leaving. To steal a small value was not worth while, considering the danger of discovery. He moved on tiptoe, as though afraid of disturbing the rest of his old employer, and once or twice he looked back. Then at last he closed the door and retraced his steps through the corridor till he gained the library. He was surprised at his own boldness as he went, and at the indifference with which he passed by the coat that hung, limp as ever, upon its peg. He was satisfied, too, with the result of his investigations. The prince was certainly dead. As a direct consequence of his death, the secret of the Saracinesca suit was now his own, no one had a share in it, and it was worth money. He pulled out a number of volumes from the shelves and began to make a pretence of working upon the catalogue. But though he surrounded himself with the implements and necessaries for his task, his mind was busy with the new scheme that unfolded itself to his imagination. He and he alone, knew that San Giacinto's possession of the Saracinesca inheritance rested upon a forgery. The fact that this forgery must be revealed, in order to reinstate the lawful possessors in their right, did not detract in the least from the value of the secret. Two courses were open to him. He might go to old Leone Saracinesca and offer the original documents for sale, on receiving a guarantee for his own safety. Or he might offer them to San Giacinto, who was the person endangered by their existence. Montevarchi had promised him twenty thousand scudi for the job, and had never paid the money. He had cancelled his debt with his life, however, and had left the secret behind him. Either Saracinesca or San Giacinto would give five times twenty thousand, ten times as much, perhaps, for the original documents, the one in order to recover what was his own, the other to keep what did not belong to him. The great question to be considered was the way of making the offer. Meschini sat staring at the opposite row of books, engaged in solving the problem. Just then, one of the open volumes before him slipped a little upon another and the page turned slowly over. The librarian started slightly and glanced at the old-fashioned type. The work was a rare one, which he had often examined, and he knew it to be of great value. A new thought struck him. Why should he not sell this and many other volumes out of the collection, as well as realise money by disposing of his secret? He might as well be rich as possess a mere competence. |