A Bar Harbour Tale BY F. MARION CRAWFORD AUTHOR OF "MR. ISAACS," "SARACINESCA," New York All rights reserved
COPYRIGHT, 1894, Norwood Press:
LOVE IN IDLENESS. CHAPTER I."I'm going to stay with the three Miss Miners at the Trehearnes' place," said Louis Lawrence, looking down into the blue water as he leaned over the rail of the Sappho, on the sunny side of the steamer. "They're taking care of Miss Trehearne while her mother is away at Karlsbad with Mr. Trehearne," he added, in further explanation. "Yes," answered Professor Knowles, his companion. "Yes," he repeated vaguely, a moment later. "It's fun for the three Miss Miners, having such a place all to themselves for the summer," continued young Lawrence. "It's less amusing for Miss Trehearne, I daresay. I suppose I'm asked to enliven things. It can't be exactly gay in their establishment." "I don't know any of them," observed the Professor, who was a Boston man. "The probability is that I never shall. Who are the three Miss Miners, and who is Miss Trehearne?" "Oh—you don't know them!" Lawrence's voice expressed his surprise that there should be any one who did not know the ladies in question. "Well—they're three old maids, you know." "Excuse me, I don't know. Old maid is such a vague term. How old must a maid be, to be an old maid?" "Oh—it isn't age that makes old maids. It's the absence of youth. They're born so." "A pleasing paradox," remarked the Professor, his exaggerated jaw seeming to check the uneasy smile, as it attacked the gravity of his colourless thin lips. His head, in the full face view, was not too large for his body, which, in the two dimensions of length and breadth, was well proportioned. The absence of the third dimension, that is, of bodily thickness, was very apparent when he was seen sideways, while the exaggeration of the skull was also noticeable only in profile. The forehead and the long delicate jaw were unnaturally prominent; the ear was set much too far back, and there was no development over the eyes, while the nose was small, thin, and sharp, as though cut out of letter paper. "It's not a paradox," said Lawrence, whose respect for professorial statements was small. "The three Miss Miners were old maids before they were born. They're not particularly old, except Cordelia. She must be over forty. Augusta is the youngest—about thirty-two, I should think. Then there's the middle one—she's Elizabeth, you know—she's no particular age. Cordelia must have been pretty—in a former state. Lots of brown hair and beautiful teeth. But she has the religious smile—what they put on when they sing hymns, don't you know? It's chronic. Good teeth and resignation did it. She's good all through, but you get all through her so soon! Elizabeth's clever—comparatively. She's brown, and round, and fat, and ugly. I'd like to paint her portrait. She's really by far the most attractive. As for Augusta—" "Well? What about Augusta?" enquired the Professor, as Lawrence paused. "Oh—she's awful! She's the accomplished one." "I thought you said that the middle one—what's her name?—was the cleverest." "Yes, but cleverness never goes with what they call accomplishments," answered the young man. "I've heard of great men playing the flute, but I never heard of anybody who was 'musical' and came to anything—especially women. Fancy Cleopatra playing the piano—or Catherine the Great painting a salad of wild flowers on a fan! Can you? Or Semiramis sketching a lap dog on a cushion!" "What very strange ideas you have!" observed the Professor, gravely. Lawrence did not say anything in reply, but looked out over the blue water at the dark green islands of the deep bay as the Sappho paddled along, beating up a wake of egg-white froth. He was glad that Professor Knowles was going over to the other side to dwell amongst the placid inhabitants of North East Harbour, where the joke dieth not, even at an advanced age; where there are people who believe in Ruskin and swear by Herbert Spencer, who coin words ending in 'ism,' and intellectually subsist on the 'ologies' with the notable exception of theology. Lawrence had once sat at the Professor's feet, at Harvard, unwillingly, indeed, but not without indirect profit. They had met to-day in the train, and it was not probable that they should meet again in the course of the summer, unless they particularly sought one another's society. They had nothing in common. Lawrence was an artist, or intended to be one, and had recently returned from abroad, after spending three years in Paris. By parentage he belonged to New York. He had been christened Louis because his mother was of French extraction and had an uncle of that name, who might be expected to do something handsome for her son. Louis Lawrence was now about five and twenty years of age, was possessed of considerable talent, and of no particular worldly goods. His most important and valuable possession, indeed, was his character, which showed itself in all he said and did. There is something problematic about the existence of a young artist who is in earnest, which alone is an attraction in the eyes of women. The odds are ten to one, of course, that he will never accomplish anything above the average, but that one-tenth chance is not to be despised, for it is the possibility of a well-earned celebrity, perhaps of greatness. The one last step, out of obscurity into fame, is generally the only one of which the public knows anything, sees anything, or understands anything; and no one can tell when, if ever, that one step may be taken. There is a constant interest in expecting it, and in knowing of its possibility, which lends the artist's life a real charm in his own eyes and the eyes of others. And very often it turns out that the charm is all the life has to recommend it. The young man who had just given Professor Knowles an account of his hostesses was naturally inclined to be communicative, which is a weakness, though he was also frank, which is a virtue. He was a very slim young man, and might have been thought to be in delicate health, for he was pale and thin in the face. The features were long and finely chiselled, and the complexion was decidedly dark. He would have looked well in a lace ruffle, with flowing curls. But his hair was short, and he wore rough grey clothes and an unobtrusive tie. The highly arched black eyebrows gave his expression strength, but the very minute, dark mustache which shaded the upper lip was a little too evidently twisted and trained. That was the only outward sign of personal vanity, however, and was not an offensive one, though it gave him a foreign air which Professor Knowles disliked, but which the three Miss Miners thought charming. His manner pleased them, too; for he was always just as civil to them as though they had been young and pretty and amusing, which is more than can be said of the majority of modern youths. His conversation occasionally shocked them, it is true; but the shock was a mild one and agreeably applied, so that they were willing to undergo it frequently. Lawrence was not thinking of the Miss Miners as he watched the dark green islands. If he had thought of them at all during the last half-hour, it had been with a certain undefined gratitude to them for being the means of allowing him to spend a fortnight in the society of Fanny Trehearne. Professor Knowles had not moved from his side during the long silence. Lawrence looked up and saw that he was still there, his extraordinary profile cut out against the cloudless sky. "Will you smoke?" inquired Lawrence, offering him a cigarette. "No, thank you—certainly not cigarettes," answered the Professor, with a superior air. "You were telling me all about the Miss Miners," he continued; for though he knew none of them, he was of a curious disposition. "You spoke of a Miss Trehearne, I think." "Yes," answered the young man. "Do you know her?" "Oh, no. It's an unusual name, that's all. Are they New York people?" Lawrence smiled at the idea that any one should ask such a question. "Yes, of course," he answered. "New York—since the Flood." "And Miss Trehearne is the only daughter?" enquired the Professor, inquisitively. "She has a brother—Randolph," replied Lawrence, rather shortly; for he was suddenly aware that there was no particular reason why he should talk about the Trehearnes. "Of course, they're relations of the Miners," observed the Professor. "That's the reason why Miss Trehearne has them to stay with her. Excuse me—I can't get a light in this wind." Thereupon Lawrence turned away and got under the lee of the deck saloon, leaving the Professor to himself. Having lighted his cigarette, the artist went forward and stood in the sharp head-breeze that seemed to blow through and through him, disinfecting his whole being from the hot, close air of the train he had left half an hour earlier. Bar Harbour, in common speech, includes Frenchman's Bay, the island of Mount Desert, and the other small islands lying near it,—an extensive tract of land and sea. As a matter of fact, the name belongs to the little harbour between Bar Island and Mount Desert, together with the village which has grown to be the centre of civilization, since the whole place has become fashionable. Earth, sky, and water are of the north,—hard, bright, and cold. In artists' slang, there is no atmosphere. The dark green islands, as one looks at them, seem to be almost before the foreground. The picture is beautiful, and some people call it grand; but it lacks depth. There is something fiercely successful about the colour of it, something brilliantly self-reliant. It suggests a certain type of handsome woman—of the kind that need neither repentance nor cosmetics, and are perfectly sure of the fact, whose virtue is too cold to be kind, and whose complexion is not shadowed by passion, nor softened by suffering, nor even washed pale with tears. Only the sea is eloquent. The deep-breathing tide runs forward to the feet of the over-perfect, heartless earth, to linger and plead love's story while he may; then sighing sadly, sweeps back unsatisfied, baring his desolate bosom to her loveless scorn. The village, the chief centre, lies by the water's edge, facing the islands which enclose the natural harbour. It was and is a fishing village, like many another on the coast. In the midst of it, vast wooden hotels, four times as high as the houses nearest to them, have sprung up to lodge fashion in six-storied discomfort. The effect is astonishing; for the blatant architect, gesticulating in soft wood and ranting in paint, as it were, has sketched an evil dream of mediÆvalism, incoherent with itself and with the very common-place facts of the village street. There, also, in Mr. Bee's shop window, are plainly visible the more or less startling covers of the newest books, while from on high frowns down the counterfeit presentment of battlements and turrets, and of such terrors as lent like interest when novels were not, neither was the slightest idea of the short story yet conceived. But behind all and above all rise the wooded hills, which are neither modern nor ancient, but eternal. And in them and through them there is secret sweetness, and fragrance, and much that is gentle and lovely—in the heart of the defiantly beautiful earth-woman with her cold face, far beyond the reach of her tide-lover, and altogether out of hearing of his sighs and complaining speeches. There grow in endless greenness the white pines and the pitch pines, the black spruce and the white; there droops the feathery larch by the creeping yew, and there gleam the birches, yellow, white, and grey; the sturdy red oak spreads his arms to the scarlet maple, and the witch hazel rustles softly in the mysterious forest breeze. There, buried in the wood's bosom, bloom and blossom the wild flowers, and redden the blushing berries in unseen succession, from middle June to late September—violets first, and wild iris, strawberries and raspberries, blueberries and blackberries; short-lived wild roses and tender little blue-bells, red lilies, goldenrod and clematis, in the confusion of nature's loveliest order. All this Lawrence knew, and remembered, guessing at what he could neither remember nor know, with an artist's facility for filling up the unfinished sketch left on the mind by one impression. He had been at Bar Harbour three years earlier, and had wandered amongst the woods and pottered along the shore in a skiff. But he had been alone then and had stopped in the mediÆval hotel, a rather solitary, thinking unit amidst the horde of thoughtless summer nomads, designated by the clerk at the desk as 'Number a hundred and twenty-three,' and a candidate for a daily portion of the questionable dinner at the hotel table. It was to be different this time, he thought, as he watched for the first sight of the pier when the Sappho rounded Bar Island. The Trehearnes had not been at their house three years ago, and Fanny Trehearne had been then not quite sixteen, just groping her way from the schoolroom to the world, and quite beneath his young importance—even had she been at Bar Harbour to wander among the woods with him. Things had changed, now. He was not quite sure that in her girlish heart she did not consider him beneath her notice. She was straight and tall—almost as tall as he, and she was proud, if she was not pretty, and she carried her head as high as the handsomest. Moreover, she was rich, and Louis Lawrence was at present phenomenally poor, with a rather distant chance of inheriting money. These were some of the excellent reasons why fate had made him fall in love with her, though none of them accounted for the fact that she had encouraged him, and had suggested to the Miss Miners that it would be very pleasant to have him come and stay a fortnight in July. The Sappho slowed down, stopped, backed, and made fast to the wooden pier, and as she swung round, Lawrence saw Fanny Trehearne standing a little apart from the group of people who had come down to meet their own friends or to watch other people meeting theirs. The young girl was evidently looking for him, and he took off his hat and waved it about erratically to attract her attention. When she saw him, she nodded with a faint smile and moved one step nearer to the gangway, to wait until he should come on shore with the crowd. She had a quiet, business-like way of moving, as though she never changed her position without a purpose. As Lawrence came along, trying to gain on the stream of passengers with whom he was moving, he kept his eyes fixed on her face, wondering whether the expression would change when he reached her and took her hand. When the moment came, the change was very slight. "I like you—you're punctual," she said. "Come along!" "I've got some traps, you know," he answered, hesitating. "Well—there's the expressman. Give him your checks."
CHAPTER II."They've all gone out in Mr. Brown's cat-boat—so I came alone," observed Miss Trehearne, when the expressman had been interviewed. "Who are 'all'?" asked Lawrence. "Just the three Miss Miners?" "Yes. Just the three Miss Miners." "I thought you might have somebody stopping with you." "No. Nobody but you. Why do you say 'stopping' instead of 'staying'? I don't like it." "Then I won't say it again," answered Lawrence, meekly. "Why do you object to it, though?" "You're not an Englishman, so there's no reason why you shouldn't speak English. Here's the buckboard. Can you drive?" "Oh—well—yes," replied the young man, rather doubtfully, and looking at the smart little turn-out. Fanny Trehearne fixed her cool grey eyes on his face with a critical expression. "Can you ride?" she asked, pursuing her examination. "Oh, yes—that is—to some extent. I'm not exactly a circus-rider, you know—but I can get on." "Most people can do that. The important thing is not to come off. What can you do—anyway? Are you a good man in a boat? You see I've only met you in society. I've never seen you do anything." "No," answered Lawrence. "I'm not a good man in a boat, as you call it—except that I'm never sea-sick. I don't know anything about boats, if you mean sail-boats. I can row a little—that's all." "If you could 'row' as you call it, you'd say you could 'pull an oar'—you wouldn't talk about 'rowing.' Well, get in, and I'll drive." There was not the least scorn in her manner, at his inability to do all those things which are to be done at Bar Harbour if people do anything at all. She had simply ascertained the fact as a measure of safety. It was not easy to guess whether she despised him for his lack of skill or not, but he was inclined to think that she did, and he made up his mind that he would get up very early, and engage a sailor to go out with him and teach him something about boats. The resolution was half unconscious, for he was really thinking more of her than of himself just then. To tell the truth, he did not attach so much importance to any of the things she had mentioned as to feel greatly humiliated by his own ignorance. "After all," said Miss Trehearne, as Lawrence took his seat beside her, "it doesn't matter. And it's far better to be frank, and say at once that you don't know, than to pretend that you do, and then try to steer and drown one, or to drive and then break my neck. Only one rather wonders where you were brought up, you know." "Oh—I was brought up somehow," answered Lawrence, vaguely. "I don't exactly remember." "It doesn't matter," returned his companion, in a reassuring tone. "No. If you don't mind, I don't." Fanny Trehearne laughed a little, without looking at him, for she was intent upon what she was doing. It was a part of her nature to fix her attention upon whatever she had in hand—a fact which must account for a certain indifference in what she said. Just then, too, she was crossing the main street of the village, and there were other vehicles moving about hither and thither. More than once she nodded to an acquaintance, whom Lawrence also recognized. "It's much more civilized than it was when I was here last," observed Lawrence. "There are lots of people one knows." "Much too civilized," answered the young girl. "I'm beginning to hate it." "I thought you liked society—" "I? What made you think so?" This sort of question is often extremely embarrassing. Lawrence looked at her thoughtfully, and wished that he had not made his innocent remark, since he was called upon to explain it. "I don't know," he replied at last. "Somehow, I always associate you with society, and dancing, and that sort of thing." "Do you? It's very unjust." "Well—it's not exactly a crime to like society, is it? Why are you so angry?" "I wish you wouldn't exaggerate! It does not follow that I'm angry because you're not fair to me." "I didn't mean to be unfair. How you take one up!" "Really, Mr. Lawrence—I think it's you who are doing that!" Miss Trehearne, having a stretch of clear road before her, gave her pair their heads for a moment, and the light buckboard dashed briskly up the gentle ascent. Lawrence was watching her, though she did not look at him, and he thought he saw the colour deepen in her sunburnt cheek, although her grey eyes were as cool as ever. She was certainly not pretty, according to the probable average judgment of younger men. Lawrence, himself, who was an artist, wondered what he saw in her face to attract him, since he could not deny the attraction, and could not attribute it altogether to expression nor to the indirect effect of her character acting upon his imagination. He did not like to believe, either, that the charm was fictitious, and lay in a certain air of superior smartness, the result of good taste and plenty of money. Anybody could wear serge, and a more or less nautical hat and gloves, just in the fashionable degree of looseness or tightness, as the case might be. Anybody who chose had the right to turn up a veil over the brim of the aforesaid hat, and anybody who did so stood a good chance of being sunburnt. Moreover, as Lawrence well knew, there is a quality of healthy complexion which tans to a golden brown, very becoming when the grey eyes have dark lashes, but less so when, as in Fanny Trehearne's case, the lashes and brows are much lighter than the hair—almost white, in fact. It is not certain whether the majority of human noses turn up or down. There was, however, no doubt but that Fanny's turned up. It was also apparent that she had decidedly high cheek bones, a square jaw, and a large mouth, with lips much too even and too little curved for beauty. After all, her best points were perhaps her eyes, her golden-brown complexion, and her crisp, reddish brown hair, which twisted itself into sharp little curls wherever it was not long enough to be smoothed. With a little more regularity of feature, Fanny Trehearne might have been called a milkmaid beauty, so far as her face was concerned. Fortunately for her, her looks were above or below such faint praise. It was doubtful whether she would be said to have charm, but she had individuality, since those terms are in common use to express gifts which escape definition. A short silence followed her somewhat indignant speech. Then, the road being still clear before her, she turned and looked at Lawrence. It was not a mere glance of enquiry, it was certainly not a tender glance, but her eyes lingered with his for a moment. "Look here—are we going to quarrel?" she asked. "Is there any reason why we should?" Lawrence smiled. "Not if we agree," answered the young girl, gravely, as she turned her head from him again. "That means that we shan't quarrel if I agree with you, I suppose," observed the young man. "Well, why shouldn't you?" asked Fanny, frankly. "You may just as well, you know. You will in the end." "By Jove! You seem pretty sure of that!" Lawrence laughed. Fanny said nothing in reply, but shortened the reins as the horses reached the top of the hill. Lawrence looked down towards the sea. The sun was very low, and the water was turning from sapphire to amaranth, while the dark islands gathered gold into their green depths. "How beautiful it is!" exclaimed the artist, not exactly from impulse, though in real enjoyment, while consciously hoping that his companion would say something pleasant. "Of course it's beautiful," she answered. "That's why I come here." "I should put it in the opposite way," said Lawrence. "How?" "Why—it's beautiful because you come here." "Oh—that's ingenious! You think it's my mission to beautify landscapes." "I thought that if I said something pretty in the way of a compliment, we shouldn't go on quarrelling." "Oh! Were we quarrelling? I hadn't noticed it." "You said something about it a moment ago," observed Lawrence, mildly. "Did I? You're an awfully literal person. By the bye, you know all the Miss Miners, don't you? I've forgotten." "I believe I do. There's Miss Miner the elder—to begin with—" "The oldest—since there are three," said Fanny, correcting him. "Yes—she's the one with the hair—and teeth." "Yes, and Miss Elizabeth—isn't that her name? The plainest—" "And the nicest. And Augusta—she's the third. Paints wild flowers and plays the piano. She's about my age, I believe." "Your age! Why, she must be over thirty!" "No. She's nineteen, still. She's got an anchor out to windward—against the storm of time, you know. She swings a little with the tide, though." "I don't understand," said Lawrence, to whom nautical language was incomprehensible. "Never mind. I only mean that she does not want to grow old. It's always funny to see a person of nineteen who's really over thirty." Lawrence laughed a little. "You're fond of them all, aren't you?" he asked, presently. "Of course! They're my relations—how could I help being fond of them?" "Oh—yes," answered Lawrence, vaguely. "But they really are very nice—people." "Why do you hesitate?" "I don't know. I couldn't say 'very nice ladies,' could I? And I shouldn't exactly say 'very nice women'—and 'very nice people' sounds queer, somehow, doesn't it?" "And you wouldn't say 'very nice old maids'—" "Certainly not!" "No. It wouldn't be civil to me, nor kind to them. The truth is generally unkind and usually rude. Besides, they love you." "Me?" "Yes. They rave about you, and your looks, and your manners, and your conversation, and your talents." "The Dickens! I'm flattered! But it's always the wrong people who like one." "Why the wrong people?" asked Fanny Trehearne, not looking at him. "Because all the liking in the world from people one doesn't care for can't make up for the not liking of the one person one does care for." "Oh—in that way. It's rash to care for only one person. It's putting all one's eggs into one basket." "What an extraordinary sentiment!" "I didn't mean it for sentiment." "No—I should think not! Quite the contrary, I should say." "Quite," affirmed Fanny, gravely. "Quite?" "Yes—almost quite." "Oh—'almost' quite?" "It's the same thing." "Not to me." The young girl would not turn her attention from her horses, though in Lawrence's inexpert opinion she could have done so with perfect safety just then, and without impropriety. The most natural and innocent curiosity should have prompted her to look into his eyes for a moment, if only to see whether he were in earnest or not. He would certainly not have thought her a flirt if she had glanced kindly at him. But she looked resolutely at the horses' heads. "Here we are!" she exclaimed suddenly. With a sharp turn to the left the buckboard swept through the open gate, the off horse breaking into a canter which Fanny instantly checked. The near wheels passed within a foot of the gatepost. "Wasn't that rather close?" asked Lawrence. "Why? There was lots of room. Are you nervous?" "I suppose I am, since you say so." "I didn't say so. I asked." "And I answered," said Lawrence, tartly. "How sensitive you are! You act as though I had called you a coward." "I thought you meant to. It sounded rather like it." "You have no right to think that I mean things which I haven't said," answered the young girl. "Oh, very well. I apologize for thinking that what you said meant anything." "Don't lose your temper—don't be a spoilt baby!" Lawrence said nothing, and they reached the house in silence. Fanny was not mistaken in calling him sensitive, though he was by no means so nervous, perhaps, as she seemed ready to believe. She had a harsh way of saying things which, spoken with a smile, could not have given offence, and Lawrence was apt to attach real importance to her careless speeches. He felt himself out of his element from the first, in a place where he might be expected to do things in which he could not but show an awkward inexperience, and he was ready to resent anything like the suggestion that timidity was at the root of his ignorance, or was even its natural result. His face was unnecessarily grave as he held out his hand to help Fanny down from the buckboard, and she neither touched it nor looked at him as she sprang to the ground. "Go into the library, and we'll have tea," she said, without turning her head, as she entered the house before him. "I'll be down in a moment." She pointed carelessly to the open door and went through the hall in the direction of the staircase. Lawrence entered the room alone. The house was very large; for the Trehearnes were rich people, and liked to have their friends with them in considerable numbers. Moreover, they had bought land in Bar Harbour in days when it had been cheap, and had built their dwelling commodiously, in the midst of a big lot which ran down from the road to the sea. With the instinct of a man who has been obliged to live in New York, squeezed in, as it were, between tall houses on each side, Mr. Trehearne had given himself the luxury, in Bar Harbour, of a house as wide and as deep as he could possibly desire, and only two stories high. The library was in the southwest corner of the house, opening on the south side upon a deep verandah from which wooden steps descended to the shrubbery, and having windows to the west, which overlooked the broad lawn. The latter was enclosed by tall trees. The winding avenue led in a northerly direction to the main road. At the east end of the house, the offices ran out towards the boundary of the Trehearnes' land, and beyond them, among the trees, there was a small yard enclosed by a lattice of wood eight or ten feet high. The library was the principal room on the ground floor, and was really larger than the drawing-room which followed it along the line of the south verandah, though it seemed smaller from being more crowded with furniture. As generally happens in the country, it had become a sort of common room in which everybody preferred to sit. The drawing-room had been almost abandoned of late, the three Miss Miners being sociable beings, unaccustomed to magnificence in their own homes, and averse to being alone with it anywhere. They felt that the drawing-room was too fine for them, and by tacit consent they chose the library for their general trysting-place and tea camp when they were indoors. Mrs. Trehearne, who was, perhaps, a little too fond of splendour, would have smiled at the idea as she thought of her gorgeously brocaded reception rooms in New York; but Fanny had simple tastes, like her father, and agreed with her old-maid cousins in preferring the plain, dark woodwork, the comfortable leathern chairs, and the backs of the books, to the dreary wilderness of expensive rugs and unnecessary gilding which lay beyond. For the sake of coolness, the doors were usually opened between the rooms.
CHAPTER III.The weather was warm. By contrast with the cool air of the bay he had lately crossed, it seemed hot to Lawrence when he entered the library. Barely glancing at the room, he went straight to one of the doors which opened upon the verandah, and going out, sat down discontentedly in a big cushioned straw chair. It was very warm, and it seemed suddenly very still. In the distance he could hear the wheels of the buckboard in the avenue, as the groom took it round to the stables, and out of the close shrubbery he caught the sharp, dry sound of footsteps rapidly retreating along a concealed cinder path. The air scarcely stirred the creeper which climbed up one of the pillars of the verandah and festooned its way, curtain-like, in both directions to the opposite ends. On his right he could see the broad, sloping lawn, all shadowed now by the tall trees beyond. Without looking directly at it, he felt that the vivid green of the grass was softened and that there must be gold in the tops of the trees. The sensation was restful, but his eyes stared vacantly at the deep shrubbery which began at the foot of the verandah steps and stretched away under the spruces at his left. He was exceedingly discontented, though he had just arrived, or, perhaps, for that very reason among many other minor ones. He had never had any cause to expect from Fanny Trehearne anything in the way of sentiment, but he was none the less persuaded that he had a moral right to look for something more than chaff and good-natured hospitality, spiced with such vigorous reproof as "don't be a spoilt baby." The words rankled. He was asking himself just then whether he was a "spoilt baby" or not. It was of great importance to him to know the truth. If he was a spoilt baby, of course Miss Trehearne had a right to say so if she liked, though the expression was not complimentary. But if not, she was monstrously unjust. He did not deny that the accusation might be well founded; for he was modest as well as sensitive, and did not think very highly of himself at present, though he hoped great things for the future, and believed that he was to be a famous artist. The more he told himself that he had no right to expect anything of Fanny, the more thoroughly convinced he became that his right existed, and that she was trampling upon it. She had ordered him into the library in a very peremptory and high-and-mighty fashion to wait for her, regardless of the fact that he had travelled twenty-four hours, and had acquired the prerogative right of the traveller to soap and water before all else. No doubt he was quite presentable, since the conditions of modern railways had made it possible to come in clean, or comparatively so, from a longish run. But the ancient traditions ought not to be swept out of the way, Louis thought, and the right of scrubbing subsisted still. She might at least have given him a hint as to the whereabouts of his room, since she had left him to himself for a quarter of an hour. She had not been gone four minutes yet, but Louis made it fifteen, and fifteen it was to be, in his estimation. Presently he heard a man's footstep in the library behind him, and the subdued tinkling of a superior tea-service, of which the sound differs from the clatter of the hotel tea-tray, as the voice, say, of Fanny Trehearne differed in refinement from that of an Irish cook. But it irritated Lawrence, nevertheless, and he did not look round. He felt that when Fanny came down again, he intended to refuse tea altogether—presumably, by way of proving that he was not a spoilt baby after all. He crossed one leg over the other impatiently, and hesitated as to whether, if he lit a cigarette, it would seem rude to be smoking when Fanny should come, even though he was really in the open air on the verandah. But in this, his manners had the better of his impatience, and after touching his cigarette case in his pocket, in a longing way, he did not take it out. At last he heard Fanny enter the room. There was no mistaking her tread, for he had noticed that she wore tennis shoes. He knew that she could not see him where he sat, and he turned his head towards the door expectantly. Again he heard the tinkle of the tea-things. Then there was silence. Then the urn began to hiss and sing softly, and there was another sort of tinkling. It was clear that Fanny had sat down. She could have no idea that he was sitting outside, as he knew, but he thought she might have taken the trouble to look for him. He listened intently for the sound of her step again, but it did not come, and, oddly enough, his heart began to beat more quickly. But he did not move. He felt a ridiculous determination to wait until she began to be impatient and to move about and look for him. He could not have told whether it were timidity, or nervousness, or ill-temper which kept him nailed to his chair, and just then he would have scorned the idea that it could be love in any shape, though his heart was beating so fast. Suddenly his straining ear caught the soft rustle made by the pages of a book, turned deliberately and smoothed afterwards. She was calmly reading, indifferent to his coming or staying away—reading while the tea was drawing. How stolid she was, he thought. She was certainly not conscious of the action of her heart as she sat there. For a few moments longer he did not move. Then he felt he wished to see her, to see how she was sitting, and how really indifferent she was. But if he made a sound, she would look up and lay down her book even before he entered the room. The verandah had a floor of painted boards,—which are more noisy than unpainted ones, for some occult reason,—and he could not stir a step without being heard. Besides, his straw easy-chair would creak when he rose. All at once he felt how very foolish he was, and he got up noisily, an angry blush on his young face. He reached the entrance in two strides and stood in the open doorway, with his back to the light. As he had guessed, Fanny was reading. "Oh!" he ejaculated with affected surprise, as he looked at her. She did not raise her eyes nor start, being evidently intent upon finishing the sentence she had begun. "I thought you were never coming," she said, absently. He was more hurt than ever by her indifference, and sat down at a little distance, without moving the light chair he had chosen. Fanny reached the foot of the page, put a letter she held into the place, closed the book upon it, and then at last looked up. "Do you like your tea strong or weak?" she enquired in a business-like tone. "Just as it comes—I don't care," answered Lawrence, gloomily. "Then I'll give it to you now. I like mine strong." "It's bad for the nerves." "I haven't any nerves," said Fanny Trehearne, with conviction. "That's curious," observed Lawrence, with fine sarcasm. Fanny looked at him without smiling, since there was nothing to smile at, and then poured out his tea. He took it in silence, but helped himself to more sugar, with a reproachful air. "Oh—you like it sweet, do you?" said Fanny, interrogatively. "Peculiarity of spoilt babies," answered Lawrence, in bitter tones. "Yes, I see it is." And with this crushing retort Fanny Trehearne relapsed into silence. Lawrence began to drink his tea, burnt his mouth with courageous indifference, stirred up the sugar gravely, and said nothing. "I wonder when they'll get home," said Fanny, after a long interval. "Are you anxious about them?" enquired the young man, with affected politeness. "Anxious? No! I was only wondering." "I'm not very amusing, I know," said Lawrence, grimly. "No, you're not." The blood rushed to his face again with his sudden irritation, and he drank more hot tea to keep himself in countenance. At that moment he sincerely wished that he had not come to Bar Harbour at all. "You're not particularly encouraging, Miss Trehearne," he said presently. "I'm sure, I'm doing my best to be agreeable." "And you think that I'm doing my best to be disagreeable? I'm not, you know. It's your imagination." "I don't know," answered Lawrence, his face unbending a little. "You began by telling me that you despised me because I'm such a duffer at out-of-door things, then you told me I was a spoilt baby, and now you're proving to me that I'm a bore." "Duffer, baby, and bore!" Fanny laughed. "What an appalling combination!" "It is, indeed. But that's what you said—" "Oh, nonsense! I wasn't as rude as that, was I? But I never said anything of the sort, you know." "You really did say that I was a spoilt baby—" "No. I told you not to be, by way of a general warning—" "Well, it's the same thing—" "Is it? If I tell you not to go out of the room, for instance, and if you sit still—is it the same thing as though you got up and went out?" "Why no—of course not! How absurd!" "Well, the other is absurd too." "I'll never say again that women aren't logical," answered Lawrence, smiling in spite of himself. "No—don't. Have some more tea." "Thanks—I've not finished. It's too hot to drink." Thereupon, his good temper returning, he desisted from self-torture by scalding, and set the cup down. Fanny watched him, but turned her eyes away as he looked up and she met his glance. "I'm so glad you've come," she said quietly. "I've looked forward to it." Perhaps she was a little the more ready to say so, because she was inwardly conscious of having rather wilfully teased him, but she meant what she said. Lawrence felt his heart beating again in a moment. Resting his elbow on his knees, he clasped his hands and looked down at the pattern of the rug under his feet. She did not realize how easily she could move him, not being by any means a flirt. "It's nothing to the way I've looked forward to it," he answered. She was silent, but he did not raise his head. He could see her face in the carpet. "You know that, don't you?" he asked, in a low voice, after a few moments. Unfortunately for his information on the subject, the butler appeared just then, announcing a visitor. "Mr. Brinsley." It was clear that the manservant had no option in the matter of admitting the newcomer, who was in the room almost before his name was pronounced. "How do you do, Miss Trehearne?" he began as he came swiftly forward. "I'm tremendously glad to find you at home. You're generally out at this hour." "Is that why you chose it?" asked Fanny, with a little laugh and holding out her hand. "Do you know Mr. Lawrence?" she continued, by way of introducing the two men. "Mr. Brinsley," she added, for Louis's benefit. Lawrence had risen, and he shook hands with a good grace. But he hated Mr. Brinsley at once, both because the latter had come inopportunely and because his own sensitive nature was instantly and strongly repelled by the man. There was no mistaking Mr. Brinsley's Canadian accent, though he seemed anxious to make it as English as possible, and Lawrence disliked Canadians; but that fact alone could not have produced the strongly disagreeable sensation of which the younger man was at once conscious, and he looked at the visitor in something like surprise at the strength of his instantaneous aversion. Brinsley, though dressed quietly, and with irreproachable correctness, was a showy man, of medium height, but magnificently made. His wrists were slender, nervous, and sinewy, his ankles—displayed to advantage by his low russet shoes—were beautifully modelled, whereas his shoulders were almost abnormally broad, and the cords and veins moved visibly in his athletic neck when he spoke or moved. The powerful muscles were apparent under his thin grey clothes, and Lawrence had noticed the perfect grace and strength of his quick step when he had entered. In face he was very dark, and his wiry, short black hair had rusty reflexions. His skin was tanned to a deep brown, and mottled, especially about the eyes, with deep shadows, in which were freckles even darker than the shadows themselves. His beard evidently grew as high as his cheek bones, for the line from which it was shaved was cleanly drawn and marked by the dark fringe remaining above. His mustache was black and heavy, and he wore very small, closely cropped whiskers like those affected by naval officers. He had one of those arrogant, vain, astute noses which seem to point at whatever the small and beady black eyes judge to be worth having. At a glance, Lawrence saw that Brinsley was an athlete, and he guessed instantly that the man must be good at all those things which Louis himself was unable to do. He was a man to ride, drive, run, pull an oar, and beat everybody at tennis. But neither was that the reason why Lawrence hated him from the first. It had been the touch of his hard dry hand, perhaps, or the flash of the light in his small black eyes, or his self-satisfied and all-conquering expression. It was not easy to say. Possibly, too, Louis thought that Brinsley was his rival, and resented the fact that Fanny had betrayed no annoyance at the interruption. But Brinsley barely vouchsafed Lawrence a glance, as the latter thought, and immediately sat himself down much nearer to Miss Trehearne and the tea-table than Louis, in his previous rage, had thought fit to do. "Well, Miss Trehearne," said Brinsley, "how is Tim? Isn't he all right yet?" "He's better," answered Fanny. "He had a bad time of it, but you can't kill a wire-haired terrier, you know. He wouldn't take the phosphate. I believe it was sweetened, and he hates sugar." "So do I. Please don't give me any," he added quickly, watching her as she prepared a cup of tea for him. Lawrence's resentment began to grow again. It was doubtless because Mr. Brinsley never took sugar that Fanny had seemed scornfully surprised at the artist's weakness for it.
CHAPTER IV.Louis Lawrence was exceedingly uncomfortable during the next few minutes, and to add to his misery, he was quite conscious that he had nothing to complain of. It was natural that he should not know the people in Bar Harbour, excepting those whom he had known before, and that he should be in complete ignorance of all projected gaieties. Of course no one had suggested to the Reveres, for instance, to ask him to their dance; because they were Boston people, they did not know him, and nobody was aware that he was within reach. Besides, Louis Lawrence was a very insignificant personage, though he was well-connected, well-bred, and not ill-looking. He was just now a mere struggling artist, with no money except in the questionable future, and if he had talent, it was problematical, since he had not distinguished himself in any way as yet. He remembered all these things, but they did not console him. In order not to seem rude, he made vague remarks from time to time, when something occurred to him to say, but he inwardly wished Brinsley a speedy departure and a fearful end. Fanny seemed amused and interested by the man's conversation, and she herself talked fluently. Now and then Brinsley looked at Lawrence, really surprised by the latter's ignorance of everything in the nature of sport, and possibly with a passing contempt which Lawrence noticed and proceeded to exaggerate in importance. The artist was on the point of asking Fanny's permission to go and find the room allotted to him, when a sound of women's voices, high and low, came through the open windows. There was an audible little confusion in the hall, and the three Miss Miners entered the library one after the other in quick succession. "Oh, Mr. Brinsley!" exclaimed Miss Cordelia, the eldest, coming forward with a pale smile which showed many of her very beautiful teeth. "Mr. Brinsley is here," said Miss Elizabeth, the ugly one, in an undertone to Miss Augusta, who possessed the accomplishments. Then they also advanced and shook hands with much cordiality, the remains of which were promptly offered to Lawrence. Mr. Brinsley did not seem in the least overpowered by the sudden entrance of the three old maids. He smiled, moved up several chairs to the tea-table, and laughed agreeably over each chair, though Lawrence could not see that there was anything to laugh at. Brinsley's vitality was tremendous, and his manners were certainly very good, so that he was a useful person in a drawing-room. His assurance, if put to the test, would have been found equal to most emergencies. But on the present occasion he had no need of it. It was evidently his mission to be worshipped by the three Miss Miners and to be liked by Miss Trehearne, who did not like everybody. "I'm sure we've missed the best part of your visit," said Miss Cordelia. "Oh no," answered Brinsley, promptly. "I've only just come—at least it seems so to me," he added, smiling at Fanny across the tea-table. Lawrence thought he must have been in the room more than half an hour, but the sisters were all delighted by the news that their idol meant to stay some time longer. "How nice it would be if everybody made such speeches!" sighed Miss Augusta to Lawrence, who was next to her. "Such a charming way of making Fanny feel that she talks well! I'm sure he's really been here some time." "He has," answered Lawrence, absently and without lowering his voice enough, for Brinsley immediately glanced at him. "We've been having such a pleasant talk about the dogs and horses," said the Canadian, willing to be disagreeable to the one other man present. "I'm afraid we've bored Mr. Lawrence to death, Miss Trehearne—he doesn't seem to care for those things as much as we do." "I don't know anything about them," answered the young man. "I'm afraid you'll bore yourself in Bar Harbour, then," observed Mr. Brinsley. "What can you find to do all day long?" "Nothing. I'm an artist." "Ah? That's very nice—you'll be able to go out sketching with Miss Augusta—long excursions, don't you know? All day—" "Oh, I shouldn't dare to suggest such a thing!" cried Miss Augusta. "I'm sure I should be very happy, if you'd like to go," said Lawrence, politely facing the dreadful possibility of a day with her in the woods, while Brinsley would in all likelihood be riding with Fanny or taking her out in a catboat. But Miss Augusta paid little attention to him, so long as Brinsley was talking, which was most of the time. The man did not say anything worth repeating, but Lawrence knew that he was far from stupid in spite of his empty talk. At last Lawrence merely looked on, controlling his nervousness as well as he could and idly watching the faces of the party. Brinsley talked on and on, twisting to pieces the stem of a flower which he had worn in his coat, but which had unaccountably broken off. Lawrence wondered whether Fanny, too, could be under the charm, and he watched her with some anxiety. There was something oddly inscrutable in the young girl's face and in her quiet eyes that did not often smile, even when she laughed. He had the strong impression, and he had felt it before, that she was very well able to conceal her real thoughts and intentions, behind a mask of genuine frankness and straightforwardness. There are certain men and women who possess that gift. Without ever saying a word which even faintly suggests prevarication, they have a masterly reticence about what they do not wish to have known, whereby their acquaintances are sometimes more completely deceived than they could be by the most ingenious falsehood. Lawrence was quite unable to judge from Fanny's face whether she liked Brinsley or not, but he was wounded by a certain deference, if that word be not too strong, which she showed for the man's opinion, and which contrasted slightly with the dictatorial superiority which she assumed towards Lawrence himself. He consoled himself as well as he could with the reflection that he really knew nothing about dogs, horses, or boats, and that Brinsley was certainly his master in all such knowledge. As an artist, he could not but admire the perfect proportions of the visitor, the strength of him, and the satisfactory equilibrium of forces which showed itself in his whole physical being; but as a gentleman he was repelled by something not easily defined, and as a lover he suspected a rival. He had not much right, indeed, to believe that Fanny Trehearne cared especially for him, any more than to predicate that she was in love with Brinsley. But, being in love himself, he very naturally arrogated to himself such a right without the slightest hesitation, and he boldly asserted in his heart that Brinsley was nothing but a very handsome 'cad,' and that Fanny Trehearne was on the verge of marrying him. The conversation, meanwhile, was lively to the ear, if not to the intelligence. It was amazing to see how the three spinsters flattered their darling at every turn. Miss Cordelia led the chorus of praise, and her sisters, to speak musically, took up the theme, and answer, and counter-theme of the fugue, successively, in many keys. There was nothing that Mr. Brinsley did not know and could not do, according to the three Miss Miners, or if there were anything, it could not be worth knowing or doing. "You'll flatter Mr. Brinsley to death," laughed Fanny, "though I must say that he bears it well." A faint shade of colour rose in Miss Cordelia's pale cheeks, indicative of indignation. "Fanny!" she cried reprovingly. "How rude you are! I'm sure I wasn't saying anything at all flattering." "I only wish people would say such things to me, then!" retorted the young girl. "We're all quite ready to, I'm sure, Miss Trehearne," said Brinsley, smiling in a way that seemed to make his heavy dark mustache retreat outward, up his cheeks, like the whiskers of a cat when it grins. Fanny looked round and met Lawrence's eyes. "You seem to be the only one who is ready," she said, laughing again. "One isn't a crowd, as the little boys say." "Where do you get such expressions, my dear child?" asked Cordelia. "I really think you've learned more slang since you've been here this summer, though I shouldn't have believed it possible!" "There!" exclaimed Fanny, turning to Mr. Brinsley again. "That's the kind of flattery my relatives lavish on me from morning till night! As if you didn't all talk slang, the whole time!" "Fanny!" protested Augusta, whose accomplishments made her sensitive and conscious. "How can you say so?" "Well—dialect, if you like the word better. I'll prove it you. You all say 'won't' and 'shan't'—and most of you say 'I'd like'—for instance—and Mr. Brinsley says 'ain't,' because he's English—" "Well—what ought we to say?" asked Augusta. "Nobody says 'I will not,' and all that." "You ought to. It's dialect not to—and the absurd thing is that people who go in for writing books generally write out all the things you don't say, and write them in the wrong order. We say 'wouldn't you'—don't we? Well, doesn't that stand for 'would not you'? And yet they print 'would you not'—always. It's ridiculous. I read a criticism the other day on a man who had written a book and who wrote 'will not you' for 'won't you' and 'would not you' for 'wouldn't you' because he wanted to be accurate. You've no idea what horrid things the critic said of him—he simply stood on his hind legs and pawed the air! It's so silly! Either we should speak as we write, or write as we speak. I don't mean in philosophy—and things—the steam-engine and the descent of man, and all that—but in writing out conversations. But then, of course, nobody will agree with me—so I talk as I please." "There's a great deal of truth in what you say, Miss Trehearne," observed Brinsley, assuming a wise air. "Besides, I beg to differ from Miss Miner, on one point—I venture to say that I don't dislike your slang, if it's slang at all. It's expressive, of its kind." "At last!" cried Fanny, with a laugh. "I get some praise—faint, but perceptible." "Faint praise isn't supposed to be complimentary," observed Lawrence, laughing too. "That's true," answered Fanny. "It's just the opposite—the thing with a d— I won't say it on account of Cordelia. She'd all frizzle up with horror if I said it—wouldn't you, dear? There'd positively be nothing left of you—nothing but a dear little withered rose-leaf with a dewdrop in the middle, representing your tears for my sins!" "I'm afraid so," answered Cordelia, with a little accentuation of her tired smile. It was not a disagreeable smile in itself, except that it was perpetual and was the expression of patiently and cheerfully borne adversity, rather than of any satisfaction with things in general. For the lives of the three Miss Miners had not been happy. Sometimes Fanny felt a sincere and loving pity for the three, and especially for the eldest. But there were also times when Cordelia's smile exasperated her beyond endurance. Mr. Brinsley rose to go, rather suddenly, after checking a movement of his hand in the direction of his watch. "You're not going, surely!" cried one or two of the Miss Miners. "You're coming to dinner." "Stay as you are," suggested Fanny, greatly to Lawrence's annoyance. "You're awfully kind," answered the Canadian. "But I can't, to-night. I wish I could. I've asked several people to dine with me at the Kebo Valley Club. I'd cut any other engagement, to dine with you—indeed I would. I'm awfully sorry." Many regrets were expressed that he could not stay, and the leave-taking seemed sudden to Lawrence, who stood looking on, still wondering why he disliked the man so much. At last he heard the front door closed behind him. "Who is Mr. Brinsley?" he asked of Fanny Trehearne, while the three Miss Miners were settling themselves again. "Oh—I don't know. I believe he's a Canadian Englishman. He's very agreeable—don't you think so?" "He's the most delightful man I ever met!" sighed Augusta Miner, before Lawrence had time to say anything. "Did you notice his eyes, Mr. Lawrence?" asked Miss Elizabeth. "Don't you think they're beautiful?" "Beautiful? Well—it depends," Lawrence answered with considerable hesitation, for he did not in the least know what to say. "Oh, but it isn't his eyes, nor his conversation!" put in Cordelia, emphatically. "It is that he's such a perfect gentleman! You feel that he wouldn't do anything that wasn't quite—quite—don't you know?" "I'm not sure that I do," replied Lawrence, in some bewilderment. "But I understand what you mean," he added confidently. "My dear," said Augusta to her eldest sister, "all that is perfectly true, as I always say. But those are not the things that make him the most charming man I ever met. Oh dear, no! Ever so many men one knows have good eyes, and talk well, and are gentlemen in every way. I'm sure you wouldn't have a man about if he wasn't a gentleman. Would you?" "Oh no—in a wider sense—all the men we have to do with are, of course—" "Well," argued Augusta, "that's just what I'm telling you, my dear. It isn't those things. It lies much deeper. It's a sort of refined appreciation—an appreciative refinement—both, you know. Now, the other day, do you remember?—when I was playing that Mazurka of Chopin—did you notice his expression?" "But he always has that expression when anything pleases him very much," said Miss Elizabeth. "Yes, I know. But just then, it was quite extraordinary—there's something almost childlike—" "If you go on about Mr. Brinsley in this way much longer, you'll all have a fit," observed Fanny Trehearne. "My dear," answered Cordelia, gravely, "do you know what a 'fit' means? Really, sometimes, you do exaggerate—" "A fit means convulsions—what babies have, you know. They used to say it was brought on by looking at the moon." Lawrence felt a strong inclination to laugh at this moment, but he controlled it, and only smiled. Then, to his considerable embarrassment, they all appealed to him, probably in the hope of more praise for Brinsley. "Do tell us how he strikes you, Mr. Lawrence," said Cordelia. "Yes, do!" echoed Elizabeth. "Oh, please do!" cried Augusta, at the same moment. "I should be curious to know what you think of him," said Fanny Trehearne. "Well, really," stammered the unfortunate young man, "I've hardly seen him—I've not had time to form an opinion—you must know him, and you all like him, and—it seems to me—that settles it. Doesn't it?" While Lawrence was speaking, Miss Cordelia stooped and picked something up from the floor. He noticed that it was the leafless stem of the flower which Brinsley had been twisting in his fingers. She did not throw it away, but her hand closed over it, and Lawrence did not see it again.
CHAPTER V.Louis Lawrence had not been at Bar Harbour a week before he became fully aware—if indeed there had previously been any doubt on the subject in his mind—that he was very much in love with Fanny Trehearne. It became clear to him that, although he had believed himself to be in love once or twice before then, he had been mistaken, and that he had never known until the present time exactly what love meant. He was not even sure that he was pleased with the passion, or, at least, with the form in which it attacked him. Sensitive as he was, it 'took him hard,' as the saying is, and he felt that it had the better of him at every turn, and disposed of him in spite of himself at every hour of the day. When he was alone he wondered why he had been asked to the house, and whether Mr. and Mrs. Trehearne, who were abroad, knew anything about it. He was a modest man, and was inclined to underestimate himself, so that it could never have occurred to him that Fanny Trehearne might have been strongly attracted by him during their acquaintance in town, and might have insisted that he should be asked to come and pass a fortnight. Moreover, Fanny lost no opportunity of impressing upon him that he was a great favourite with the three Miss Miners, and she managed to convey the impression that he had been asked chiefly to please them, though she never said so. Meanwhile, however, it was evident that the three sisters were absorbed in Mr. Brinsley, and that when the latter was present they took very little notice of Lawrence. He laughed at the thought that the three old maids should all be equally in love with the showy Canadian, and he told himself that the thing was ridiculous; that they were merely enthusiastic women,—'gushing' women, he called them in his thoughts,—who were flattered by the diplomatic and unfailing civilities of a man who was evidently in pursuit of Fanny Trehearne. For by this time he was convinced that Brinsley had made up his mind to marry Fanny if he could; and he hated him all the more for it, even to formulating wicked prayers for the suitor's immediate destruction. The worst of it was, that the man might possibly succeed. A girl who will and can ride anything, who beats everybody at tennis, and who is as good as most men in a sail-boat, may naturally be supposed to admire a man who does those things, and many others, in a style bordering upon perfection. This same man, too, though not exactly clever in an intellectual way, possessed at least the gifts of fluency and tact, combined with great coolness under all circumstances, so far as Lawrence had observed him. It was hardly fair to assert that he was dishonest because he flattered the three Miss Miners, and occupied himself largely in trying to anticipate their smallest wishes. He did it so well as to make even Fanny Trehearne believe that he liked them for their own sakes, and that his intentions were disinterested and not directed wholly to herself. Of course she knew that he wished to marry her; but she was used to that. Two, at least, of several men who had already informed her that their happiness depended upon winning her, were even now in Bar Harbour,—presumably repeating that or a similar statement to more or less willing ears. As for Lawrence, he could not fairly blame Brinsley for his behaviour—he confessed in secret that he flattered the three Miss Miners himself, with small regard for unprejudiced truth. Besides, they were very kind to him. But he found it hard to speak fairly of Brinsley when alone with Fanny Trehearne. "I don't like the man," he said, on inadequate provocation, for the twentieth time. "I know you don't," answered Fanny, calmly, "but that's no reason for letting go of the tiller. Mind the boom! she's going about—no—it's of no use to put the helm up now. We've no way on—let her go! No—I don't mean that—oh, do give it to me!" And thereupon Fanny, who was sitting forward of him on the weather side, stretched her long arm across him, pushing him back into his corner, and put the helm hard down with her left hand, while she hauled in the sheet as much as she could with her right, bending her head low to avoid the boom as it came swinging over. Lawrence could not help looking down at her, and he forgot all about the boom, being far too little familiar with boating to avoid it instinctively, when he felt the boat going about. It came slowly, for there was little wind; and the catboat, having no way on to speak of, was in no hurry to right herself and go over on the other tack,—but just as the shadow of the sail warned him that something was coming, he looked up, and at the same instant received the blow full on his forehead, just above his eyes. He wore a soft, knitted woollen cap, which did not even afford the protection of a visor. Fanny turned her head at once, for the blow had been audible, and she saw what had happened. Lawrence had raised his hand to his forehead instinctively. "Are you hurt?" asked Fanny, quickly, keeping her eyes upon him, and still holding the helm hard over so as to give the boat way. Lawrence did not answer at once. He was half stunned, and still covered his forehead with his hand. The young girl looked at him intently, and there was an expression in her eyes which he, at least, had never seen there—a sudden, scared light which had nothing to do with fear. "Are you hurt?" she asked again, gently. His delicate face grew suddenly pale, as the blood, which had rushed up at first under the shock of the blow, subsided as suddenly. Fanny turned her eyes from him and looked ahead and under the sail to leeward. She let out a little more sheet, so that the boat could run very free; for the craft, like most catboats, had a weather helm when the sheet was well aft, and Fanny wanted her hands. Moreover, Lawrence was now on the lee side with her, and the boat would have heeled too far over with the wind abeam. As soon as the sail drew properly, Fanny sat up beside Lawrence, steering across him with her left hand. With her right she could reach the water, and she scooped up what she could in her hollow palm, wetting her sleeve to the shoulder as she did so, for the boat was gaining speed. She dashed the drops in his face. "Are you hurt?" she asked a third time, drawing away his hand and laying her own wet one upon his forehead. "Oh no," he answered faintly. "I'm not hurt at all." She could tell by his voice that he was not speaking the truth, and a moment later, as he leaned against the side of the boat, his head fell back, and his lips parted in a dead faint. There was no scorn in the young girl's face for a man who could faint so easily, as it seemed; but the scared look came into her eyes again, and without hesitation, still steering with her left hand, she passed her right arm round his neck and supported him. The breeze was almost in her face now, for she was looking astern, and she knew by the way it fanned her whether she was keeping the boat fairly before it. Lawrence did not revive immediately, and it was fortunate that there was so little wind, or Fanny might have got into trouble. She looked at him a moment longer and hesitated, for the position was a difficult one, as will be admitted. But she was equal to it and knew what to do. Letting his head fall back as it would, she withdrew her arm, let go the helm, and hauled in the sheet as the boat's head came up. As the boom came over towards Lawrence's head, she caught it and lifted it over him, hauled in the slack and made the sheet fast, springing forward instantly to let go the halliards. The gaff came rattling down, and she gathered in the bellying sail hastily and took a turn round everything with the end of the throat halliard, which chanced to be long enough—the gaskets were out of her reach, in the bottom of the boat. |