Cecilia told her mother what Lamberti had advised her to do for Guido's sake, and that she had sent her message by him. The Countess was surprised and did not quite like the plan.

"Either you love him, or you do not, my dear," she said. "You were sure that you did not, and you told him so. That was sensible, at least, though I think you might have found out earlier what you felt. It is much better to let him understand at once that you will not marry him. Men would always rather know the truth at once and get over it than be kept dangling at a capricious woman's beck and call."

Cecilia did not explain that Lamberti feared for his friend's life. In broad daylight that looked dramatic, and her mother would not believe it. She only said that she was sure she was acting for the best and that the engagement was to stand a little longer, adding that she wished to leave Rome, as it was very hot. In her heart she was hurt at being called capricious, but was too penitent to deny the charge.

The Countess at once wrote a formal note to Princess Anatolie in which she said that she had been hasty and spoken too soon, that her daughter seemed undecided, and that nothing was to be said at present about breaking the engagement. The marriage, she added, would be put off until the autumn.

The Princess showed this communication to Monsieur Leroy when he came in. He did not mean to tell her about his visit to the lawyer, for he had made up his mind to play on her credulity as much as he could and to attribute any advantage she might gain by his manoeuvres to supernatural intervention. The Countess's letter surprised him very much, and as he did not know what to do, it seemed easy to do nothing. He expressed his disgust at Cecilia's vacillation.

"She is a flirt and her mother is a fool," he said, and the speech seemed to him pithy and concise.

The old Princess raised her aristocratic eyebrows a little. She would have expressed the same idea more delicately. There was a vulgar streak in his character that often jarred on her, but she said nothing, for she was inexplicably fond of him. For her own part, she was glad that Cecilia had apparently changed her mind again.

Later in the day she received a few words from Guido, written in an unsteady hand, to say that he was sorry he could not come and see her as he had a bad attack of influenza. At the word she dropped the note as if it burnt her fingers, and called Monsieur Leroy, for she believed that influenza could be communicated in almost any way, and it was the only disease she really feared: she had a presentiment that she was to die of it.

"Take that thing away, Doudou!" she cried nervously. "Pick it up with the tongs and burn it. He has the influenza! I am sure I have caught it!"

Monsieur Leroy obeyed, while she retired to her own room to spend half an hour in those various measures of disinfection which prophylactic medicine has recently taught timid people. She had caused her maid to telephone to Guido not to send any more notes until he was quite well.

"You must not go near him for a week, Doudou," she said when she came back at last, feeling herself comparatively safe. "But you may ask how he is by telephone every morning. I do not believe there can be any danger in that."

Electricity was a mysterious power after all, and seemed infinitely harder to understand than the ways of the supernatural beings with whom Monsieur Leroy placed her in daily communication. She had heard a celebrated man of science say that he himself was not quite sure what electricity might or might not do since the discovery of the X-rays.

Her precautions had the effect of cutting off communication between her and her nephew until her departure from Rome, which took place in the course of a few days, considerably to the relief of the Countess, who did not wish to meet her after what had passed.

Monsieur Leroy could not make up his mind to go and see the lawyer again in order to stop any proceedings which the latter might be already taking. Below his wish to serve the Princess and his hope of profiting by his success, there lay his deep-rooted and unreasoning jealousy of Guido d'Este, which he had never before seen any safe chance of gratifying. It would be a profound satisfaction to see this man, who was the mirror of honour, driven to extremities to escape disgrace. Another element in his decision, if it could be called that, was the hopeless disorder of his degenerate intelligence, which made it far easier for him to allow anything he had done to bear fruit, to the last consequence, than to make a second effort in order to arrest the growth of evil.

The lawyer was at work, silently and skilfully, and in a few days Princess Anatolie and Monsieur Leroy were comfortably established in her place in Styria, where the air was delightfully cool.

What was left of society in Rome learned with a little surprise, but without much regret, that the wedding was put off, and those who had country places not far from the city, and had already gone out to them for the summer, were delighted to know that they would not be expected to come into town for the marriage during the great heat. No date had ever been really fixed for it, and there was therefore no matter for gossip or discussion. The only persons who knew that Cecilia had made an attempt to break it off altogether were those most nearly concerned.

The Countess and Cecilia made preparations for going away, and the dressmakers and other tradespeople breathed more freely when they were told that they need not hurry themselves any longer.

But Cecilia had no intention of leaving without having seen Guido more than once again, hard as it might be for her to face him. Lamberti had written to her mother that he accepted Cecilia's decision gladly, and hoped to be out of his room in a few days, but that he did not appear to be recovering fast. He did not seem to be so strong as his friend had thought, and the short illness, together with the mental shock of Cecilia's letter, had made him very weak. The news of him was much the same for three days, and the young girl grew anxious. She knew that Lamberti spent most of his time with Guido, but he had not been to the Palazzo Massimo since his interview with her. She wished she could see him and ask questions, if only he could temporarily be turned into some one else; but since that was impossible, she was glad that he did not come to the house. She spent long hours in reading, while Petersen and the servants made preparations for the journey, and she wrote a line to Guido every day, to tell him how sorry she was for him. She received grateful notes from him, so badly written that she could hardly read them.

On the fourth day, no answer came, but Lamberti sent her mother a line an hour later to say that Guido had more fever than usual and could not write that morning, but was in no danger, as far as the doctor could say.

"I should like to go and see him," Cecilia said. "He is very ill, and it is my fault."

The Countess was horrified at the suggestion.

"My dear child," she cried, "you are quite mad! Why, the poor man is in bed, of course!"

"I hope so," Cecilia answered unmoved. "But Signor Lamberti could carry him to his sitting room."

"Who ever heard of such a thing!"

"We could go in a cab, with thick veils," Cecilia continued. "No one would ever know."

"Think of Petersen, my dear! Women of our class do not wear thick veils in the street. For heaven's sake put this absurd idea out of your head."

"It does not seem absurd to me."

"Then you ought to be ashamed of yourself," retorted the Countess, losing her temper. "You do not even mean to marry him, and yet you talk of going to see him when he is ill, as if he were already your husband!"

"What if he dies?" Cecilia asked suddenly.

"There will be time enough to think about it then," answered the Countess, with insufficient reflection. "Besides he is not going to die of a touch of influenza."

"Signor Lamberti says he is very ill. Several people died of it last winter, you know. I suppose you mean that I need not think of trying to see him until we hear that there is no hope for him."

"Well?"

"That might be too late. He might not know me. It seems to me that it would be better to try and save his life, or if he is not in real danger, to help him to get well."

"If you insist upon it," said the Countess, "I will go and see him myself and take a message from you. I suppose that nobody could find anything serious to say against me for it, though, really—I am not so old as that, am I?"

"I think every one would think it was very kind of you to go and see him."

"Do you? Well—perhaps—I am not sure. I never did such a thing in my life. I am sure I should feel most uncomfortable when I found myself in a young man's rooms. We had better send him some jelly and beef-tea. A bachelor can never get those things."

"It would not be the same as if I could see him," said Cecilia, mildly.

Her mother did not like to admit this proposition, and disappeared soon afterward. Without telling her daughter, she wrote an urgent note to Lamberti begging him to come and dine and tell them all about Guido's illness, as she and Cecilia were very anxious about him.

Cecilia went out alone with Petersen late in the hot afternoon. She wished she could have walked the length of Rome and back, but her companion was not equal to any such effort in the heat, so the two got into a cab. She did not like to drive with her maid in her own carriage, simply because she had never done it. For the first time in her life she wished she were a man, free to go alone where she pleased, and when she pleased. She could be alone in the house, but nowhere out of doors, unless she went to the villa, and she was determined not to go there again before leaving Rome. It had disagreeable associations, since she had been obliged to sit on the bench by the fountain with Guido a few days ago. She remembered, too, that at the very moment when his paternal warning not to catch cold had annoyed her, he had probably caught cold himself, and she did not know why this lowered him a little in her estimation, but it did. She was ashamed to think that such a trifle might have helped to make her write the letter which had hurt him so much.

She went to the Forum, for there she could make Petersen sit down, and could walk about a little, and nobody would care, because she should meet no one she knew.

As they went down the broad way inside the wicket at which the tickets are sold, she saw a party of tourists on their way to the House of the Vestals. Of late years both Germans and Americans have discovered that Rome is not so hot in summer as the English all say it is, and that fever does not lurk behind every wall to spring upon the defenceless foreigner.

The tourists were of the usual class, and Cecilia was annoyed to find them where she had hoped to be alone; but they would soon go away, and she sat down with Petersen to wait for their going, under the shadow of the temple of Castor and Pollux. Petersen began to read her guide-book, and the young girl fell to thinking while she pushed a little stone from side to side with the point of her parasol, trying to bring it each time to the exact spot on which it had lain before.

She was thinking of all that had happened to her since she left Petersen in that same place on the May morning that seemed left behind in another existence, and she was wondering whether she would go back to that point, if she could, and live the months over again; or whether, if the return were possible, she would have made the rest different from what it had been.

It would have been so much easier to go on loving the man in the dream to the end of her life, meeting him again and again in the old surroundings that were more familiar to her than those in which she lived. It would have been so much better to be always her fancied self, to be the faithful Vestal, leading the man she loved by sure degrees to heights of immaterial blessedness in that cool outer firmament where sight and hearing and feeling, and thinking and loving, were all merged in a universal consciousness. It would have been so much easier not to love a real man, above all not to love one who never could love her, come what might. And besides, if all that had gone on, she would never have brought disappointment and suffering upon Guido d'Este.

She decided that it would have been preferable, by far, to have gone on with her life of dreams, and when awake to have been as she had always known herself, in love with everything that made her think and with nothing that made her feel.

But in the very moment when the matter seemed decided, she remembered how she had looked into Lamberti's eyes three nights ago, and had felt something more delicious than all thinking while she told him how she loved that other man, who was himself. That one moment had seemed worth an age of dreams and a lifetime of visions, and for it she knew that she would give them all, again and again.

The point of the parasol did not move now, but lay against the little stone, just where she was looking, for she was no longer weighing anything in her mind nor answering reasons with reasons. With the realisation of fact, came quickly the infinite regret and longing she knew so well, yet which always consoled her a little. She had a right to love as she did, since she was to suffer by it all her life. If she had thrown over Guido d'Este to marry Lamberti, there would have been something guilty in loving him. But there was not. She was perfectly disinterested, absolutely without one thought for her own happiness, and if she had done wrong she had done it unconsciously and was going to pay the penalty with the fullest consciousness of its keenness.

The tourists trooped back, grinding the path with their heavy shoes, hot, dusty, tired, and persevering, as all good tourists are. They stared at her when they thought she was not watching them, for they were simple and discreet souls, bent on improving themselves, and though they despised her a little for not toiling like themselves, they saw that she was beautiful and cool and quiet, sitting there in the shade, in her light summer frock, and her white gloves, and her Paris hat, and the men admired her as a superior being, who might be an angel or a demon, while all the women envied her to the verge of hatred; and because she was accompanied by such an evidently respectable person as Peterson was, they could not even say that she was probably an actress. This distressed them very much.

Kant says somewhere that when a man turns from argument and appeals to mankind's common sense, it is a sure sign that his reasoning is worthless. Similarly, when women can find nothing reasonable to say against a fellow-woman who is pretty and well dressed, they generally say that she looks like an actress; and this means according to the customs of a hundred years ago, which women seem to remember though most men have forgotten them, that she is an excommunicated person not fit to be buried like a Christian. Really, they could hardly say more in a single word.

When the tourists were at a safe distance Cecilia rose, bidding Petersen sit still, and she went slowly on towards the House of the Vestals, and up the little inclined wooden bridge which at that time led up to it, till she stood within the court, her hand resting almost on the very spot where it had been when Lamberti had come upon her in the spring morning.

Her memories rose and her thoughts flashed back with them through ages, giving the ruined house its early beauty again, out of her own youth. She was not dreaming now, but she knew instinctively how it had been in those last days of the Vestals' existence, and wished every pillar, and angle, and cornice, and ornament back, each into its own place and unchanged, and herself, where she was, in full consciousness of life and thought, at the very moment when she had first seen the man's face and had understood that one may vow away the dying body but not the deathless soul. That had been the beginning of her being alive. Before that, she had been as a flower, growing by the universal will, one of those things that are created pure and beautiful and fragrant from the first without thought or merit of their own; and then, as a young bird in the nest, high in air, in a deep forest, in early summer, looking out and wondering, but not knowing yet, its little heart beating fast with only one instinct, to be out and alone on the wing. But afterwards all had changed instantly and knowledge had come without learning, because what was to make it was already present in subtle elements that needed only the first breath of understanding to unite themselves in an ordered and perfect meaning; as the electric spark, striking through invisible mingled gases, makes perfect union of them in crystal drops of water.

That had been the beginning, since conscious life begins in the very instant when the soul is first knowingly answerable for the whole being's actions, in the light of good and evil, and first asks the only three questions which human reason has never wholly answered, which are as to knowledge, and duty, and hope.

Who shall say that life, in that sense, may not begin in a dream, as well as in what we call reality? What is a dream? Sometimes a wandering through a maze of absurdities, in which we feel as madmen must, believing ourselves to be other beings than ourselves, conceiving the laws of nature to be reversed for our advantage or our ruin, seeing right as wrong and wrong as right, in the pathetic innocence of the idiot or the senseless rage of the maniac, convinced beyond all argument that the absolutely impossible is happening before our eyes, yet never in the least astonished by any wonders, though subject to terrors we never feel when we are awake. Has no one ever understood that confused dreaming must be exactly like the mental state of the insane, and that if we dreamed such dreams with open eyes, we should be raving mad, or hopelessly idiotic? It is true, whether any one has ever said so or not. Inanimate things turn into living creatures, the chair we sit on becomes a horse, the arm-chair is turned into a wild beast; and we ride a-hunting through endless drawing-rooms which are full of trees and undergrowth, till the trees are suddenly people and are all dancing and laughing at us, because we have come to the ball in attire so exceedingly scanty that we wonder how the servants could have let us in. And in the midst of all this, when we are frantically searching for our clothes, and for a railway ticket, which we are sure is in the right-hand pocket of the waistcoat, if only we could find it, and if some one would tell us from which side of the station the train starts, and we wish we had not forgotten to eat something, and had not unpacked all our luggage and scattered everything about the railway refreshment room, and that some kind person would tell us where our money is, and that another would take a few of the fifty things we are trying to hold in our hands without dropping any of them; in the midst of all this, I say, a dead man we knew comes from his grave and stares at us, and asks why we cruelly let him die, long ago, without saying that one word which would have meant joy or despair to him at the last moment. Then our hair stands up and our teeth chatter, because the secret of the soul has risen against us where we least expected it; and we wake alone in the dark with the memory of the dead.

Is not that madness? What else can madness be but that disjointing of ordered facts into dim and disorderly fiction, pierced here and there by lingering lights of memory and reason? All of us sometimes go mad in our sleep. But it does not follow that in dreaming we are not sometimes sane, rational, responsible, our own selves, good or bad, doing and saying things which we might say and do in real life, but which we have never said nor done, incurring the consequences of our words and deeds as if they were actual, keeping good faith or breaking it, according to our own natures, accomplishing by effort, or failing through indolence, as the case may be, blushing with genuine shame, laughing with genuine mirth, and burning with genuine anger; and all this may go on from the beginning to the end of the dream, without a single moment of impossibility, without one incident which would surprise us in the waking state. With most people dreams of this kind are rare, but every one who dreams at all must have had them once or twice in life.

If we are therefore sometimes sane in dreams we can remember, and act in them as we really should, according to our individual consciences and possessed of our usual intelligence and knowledge, it cannot be denied that a series of such imaginary actions constitutes a real experience, during which we have risen or fallen, according as we have thought or acted. Some dreams of this kind leave impressions as lasting as that made by any reality. The merit or fault is wholly fictitious, no doubt, because although we have fancied that we could exercise our free will, we were powerless to use it; but the experience gained is not imaginary, where the dream has been strictly sane, any more than thought, in the abstract, is fictitious because it is not action. People of some imagination can easily, while wide awake, imagine a series of actions and decide rationally what course they would pursue in each, and such decisions constitute undoubted experience, which may materially affect the conduct of the individual if cases similar to the fancied ones present themselves in life. When there is no time to be lost, the instantaneous recollection of a train of reasoning may often mean instant decision, followed by immediate action, upon which the most important consequences may follow.

Will any one venture to maintain that the vivid impressions left by rational dreams do not act in the same way upon the mind, and through the mind upon the will, and by the will upon our actions? And if we could direct our dreams as we pleased, so that they should be always rational, as some persons believe that we can, should we not be continually gaining experience of ourselves while sleeping, as well as when awake? Moreover, it is certain that there are men and women who are particularly endowed with the faculty of dreaming, and who can very often dream of any subject they please.

Since this digression is already so long, let one more thing be said, which has not been said before, so far as the writer can find out. Our waking memory is defective; with most men it is so to a lamentable degree. It often happens that people forget that they have read a story, for instance, and begin to read it again, and do not discover that they have already done so till they have turned over many pages. It happens constantly that the taste of something we eat, or the odour of something we smell, recalls a scene we cannot remember at first, but which sometimes comes back after a little while. Almost every one has felt now and then that a fragment of present conversation is not new to him, and that he has performed certain actions already, though he cannot remember when. With some people these broken recollections are so frequent and vivid as to lead to all sorts of theories to explain them, such as the possibility of former existences on earth, or the more materialistic probability that memories are transmitted from parents and ancestors from the direct ascending lines.

One theory has been neglected. At such times we may be remembering vaguely, or even with some distinctness, parts of dreams of which we had no recollection on waking, but which, nevertheless, made their impressions on the brain that produced them, while we were asleep. Unconscious ratiocination is certainly not a myth; and if, by it, we can produce our own forgotten actions, and even find objects we have lost, by doing over again exactly what we were doing when the thing we seek was last in our hands, sure that the rest of the action will repeat itself spontaneously, we should not be going much farther if we repeated both actions and words unconsciously remembered out of dreams. Much that seems very mysterious in our sensations may be explained in that way, and the explanation has the advantage of being simpler than that afforded by the theory of atavism, and more orthodox than that offered by the believers in the transmigration of souls.

Cecilia Palladio had no need of it, for she did not forget the one dream that pleased her best, and she was never puzzled by uncertain recollections of any other. Her life had begun in it, and had turned upon it always, and after she had parted with it by an act of will, she had retained the fullest remembrance of its details.

She left the place where she had paused near the entrance, and slowly walked up the long court, by the dry excavated basins; she ascended the low steps to the raised floor beyond, and stood still before the door of her own room, the second on the left. She had meant to go in and look at it quietly, but since she had taken refuge there when she ran away from Lamberti, iron gates had been placed at the entrances of all the six rooms, and they were locked. In hers a quantity of fragments of sculptured marble and broken earthen vessels were laid side by side on the floor, or were standing against the walls and in the corners.

She felt as if she had been shut out by an act of tyranny, just as when she and her five companions had sadly left the House, obedient to the Christian Emperor's decree, long ago. It had always been her room ever since she had first dreamt. The beautiful narrow bronze bedstead used to stand on the left, the carved oak wardrobe inlaid with ivory was on the right, the marble table was just under the window, covered with objects she needed for her toilet, exquisite things of chiselled silver and of polished ivory. The chair, rounded at the back and with cushioned seat, like Agrippina's, was near it. In winter, the large bronze brazier of coals, changed twice daily, was always placed in the middle of the room. The walls were wainscoted with Asian marble, and painted above that with portraits in fresco of great and ancient Vestals who had been holier than the rest, each in her snowy robes, with the white veil drawn up and backwards over her head, and brought forward again over the shoulder, and each holding some sacred vessel or instrument in her one uncovered hand. There were stories about each which the Virgo Maxima used to read to the younger ones from a great rolled manuscript, that was kept in an ancient bronze box, or which she sometimes told in the moonlight on summer nights when the maidens sat together in the court.

She closed her eyes, her forehead resting against the iron bars, and she saw it all as it had been; she looked again and the desolation hurt her and shocked her as when in a wilderness an explorer comes suddenly upon the bleached bones of one who had gone before him and had been his friend. She sighed and turned away.

The dream was better than the reality, in that and in many other ways. She was overcome by the sense of utter failure, as she sat down on the steps below the raised floor, lonely and forlorn.

It was all a comedy now, a miserable petty play to hide a great truth from herself and others. She had begun her part already, writing her wretched little notes to poor Guido. She knew that, ill as he was, the words that seemed lies to her were ten times true to him, and that he exaggerated every enquiry after his condition and each expression of hope for his recovery into signs of loving solicitude, that he had already forgiven what he thought her caprice, and was looking forward to his marriage as more certain than ever, in spite of her message. It was all a vile trick meant to save his feelings and help him to get well, and she hated and despised it.

She was playing a part with Lamberti, too, and that was no better. She had fallen low enough to love a man who did not care a straw for her, and it needed all the energy of character she had left to keep him from finding it out. Nothing could be more contemptible. If any one but he had told her that she ought to go back to the appearance of an engagement with Guido, she would have refused to do it. But Lamberti dominated her; he had only to say, "Do this," and she did it, "Say this," and she said it, whether it were true or not. She complained bitterly in her heart that if he had bidden her lie to her mother, she would have lied, because she had no will of her own when she was with him.

And this was the end of her inspired visions, of her lofty ideals, of her magnificent rules of life, of her studies of philosophy, her meditations upon religion, and her dream of the last Vestal. She was nothing but a weak girl, under the orders of a man she loved against her will, and ready to do things she despised whenever he chose to give his orders. He cared for no human being except his one friend. He was not to be blamed for that, of course, but he was utterly indifferent to every one else where his friend was concerned; every one must lie, or steal, or do murder, if that could help Guido to get well. She was only one of his instruments, and he probably had others. She was sure that half the women in Rome loved Lamberto Lamberti without daring to say so. It was a satisfaction to have heard from every one that he cared for none of them. People spoke of him as a woman-hater, and one woman had said that he had married a negress in Africa, and was the father of black savages with red hair. That accounted for his going to Somali Land, she said, and for his knowing so much about the habits of the people there. Cecilia would have gladly killed the lady with a hat pin.

She was very unhappy, sitting alone on the steps after the sun had sunk out of sight. The comedy was all to begin over again in an hour, for she must go home and defend her conduct when her mother reproached her with not acting fairly, and laughed at the idea that Guido was in danger of his life. To-morrow she would have to write the daily note to him, she would be obliged to compose affectionate phrases which would have come quite naturally if she could have treated him merely as her best friend; and he would translate affection to mean love, and another lie would have been told. There was this, at least, about Guido, that he could not order her about as Lamberti could. There was no authority in his eyes, not even when he told her not to catch cold. Perhaps in all the time she had known him, she had liked him best when he had been angry, at the garden party, and had demanded to know her secret. But she would not acknowledge that. If the situation had been reversed and Lamberti, instead of Guido, had insisted on knowing what she meant to hide, she could not have helped telling him. It was an abominable state of things, but there was nothing to be done, and that was the worst part of it. Lamberti knew Guido much better than she did, and if Lamberti told her gravely that Guido might do something desperate if she broke with him, she was obliged to believe it and to act accordingly. There might not be one chance in a thousand, but the one-thousandth chance was just the one that might have its turn. One might disregard it for oneself, but one had no right to overlook it where another's life was concerned. At all events she must wait till Guido was quite well again, for a man in a fever really might do anything rash. Why did Lamberti not take away the revolver that always lay ready in the drawer? It would be much safer, though Guido probably had plenty of other weapons that would serve the purpose. Guido was just the kind of pacific man who would have a whole armoury of guns and pistols, as if he were always expecting to kill something or somebody. She was sure that Lamberti, who had killed men with his own hand, did not keep any sort of weapon in his room. If he had a revolver of his own, it was probably carefully cleaned, greased, wrapped up and put away with the things he used when he was sent on expeditions. It was a thousand pities that Guido was not exactly like Lamberti!

Cecilia rose at last, weary of thinking about it all, disgusted with her own weakness, and decidedly ill-disposed towards her fellow-creatures. The slightly flattened upper lip was compressed rather tightly against the fuller lower one as she went back to find Petersen, and as she held her head very high, her lids drooped somewhat scornfully over her eyes. No one can ever be as supercilious as some people look when they are angry with themselves and are thinking what miserable creatures they really are.

It was late when Cecilia reached the Palazzo Massimo and went in on foot under the dark carriageway after Petersen had paid the cab under the watchful gaze of the big liveried porter. The Countess was already dressing for dinner, and Cecilia went to her own room at once. The consequence was that she did not know of her mother's invitation to Lamberti, until she came into the drawing-room and saw the two together, waiting for her.

"Did I forget to tell you that Signor Lamberti was coming to dinner?" asked her mother.

"There was no particular reason why you should have told me," she answered indifferently, as she held out her hand to Lamberti. "It is not exactly a dinner party! How is he?" she asked, speaking to him.

"He is better this evening, thank you."

Why should he say "thank you," as if Guido were his brother or his father? She resented it. Surely there was no need for continually accentuating the fact that Guido was the only person living for whom he had the slightest natural affection! This was perhaps exaggerated, but she was glad of it, just then.

She, who would have given all for him, wished savagely that some woman would make him fall in love and treat him with merciless barbarity.