CHAPTER XV

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Cecilia knelt in the church of Santa Croce, near one of the ancient pillars. At a little distance behind her, Petersen sat in a chair reading a queer little German book that told her the stories of the principal Roman churches with the legends of the saints to which they are dedicated. A thin, smooth-shaven lay brother in black and white frock was slowly sweeping the choir behind the high altar. There was no one else in the church.

Cecilia was kneeling on the marble floor, resting her folded hands upon the back of a rough chair, and there was no sound in the dim building, but the regular, soft brushing of the monk's broom. The girl's face was still and pale, her eyes were half closed, and her lips did not move; she did not hear the broom.

That was the first time she had ever tried to spend an hour in meditation in a church, for her religion had never seemed very real to her. It was compounded of habit and the natural respect of a girl for what her mother practises and has taught her to practise, and it had continued to hold a place in her life because she had quietly exempted it from her own criticism; perhaps, too, because her reading had not really tended to disturb it, since by nature she was strongly inclined to believe in something much higher than the visible world.

The Countess Fortiguerra believed with the simplicity of a child. Her first husband, freethinker, Garibaldian, Mazzinian, had at first tried to laugh her out of all belief, and had said that he would baptize her in the name of reason, as Garibaldi is said to have once baptized a new-born infant. But to his surprise his jests had not the slightest effect on the rather foolish, very pretty, perfectly frank young woman with whom he had fallen in love in his older years, and who, in all other matters, thought him a great man. She laughed at his atheism much more good-naturedly than he at her beliefs, and she went to church regularly in spite of anything he could say; so that at last he shrugged his shoulders and said in his heart that all women were half-witted creatures, where priests were concerned, but that fortunately the weakness did not detract from their charm. On her side, she prayed for his conversion every day, with clock-like regularity, but without the slightest result.

Fortiguerra had been a man of remarkable gifts, extremely tolerant of other people's opinions. He never laughed at any sort of belief, though his wife never succeeded in finding out what he really thought about spiritual matters. He evidently believed in something, so she did not pray for his conversion, but interceded steadily for his enlightenment. Before he died he made no objection to seeing a priest, but his wife never knew whether he consented because it would have given her pain if he had refused, or whether he really desired spiritual comfort in his last moments. He was always most considerate of others and especially of her; but he was very reticent. So she mourned him and prayed that everything might be well with both her departed husbands, though she doubted whether they were in the same place. She supposed that Fortiguerra had sometimes discussed religion with his step-daughter, but he always seemed to take it for granted that the latter should do what her mother desired of her.

It could hardly be expected that the girl should be what is called very devout, and as Petersen turned over the pages of her little book she wondered what had happened that Cecilia should kneel motionless on the marble pavement for more than half an hour in a church to which they had never come before, and on a week-day which was not a saint's day either.

It was something like despair that had brought her to Santa Croce, and she had chosen the place because she could think of no other in which she could be quite sure of being alone, and out of the way of all acquaintances. She wanted something which her books could not give her, and which she could not find in herself; she wanted peace and good advice, and she felt that she was dealt with unjustly.

Indeed, it was of little profit that she should have forced herself to give up what was dearest to her, unreal though it might be, since she was to be haunted by Lamberti's face and voice whenever she fell asleep. It was more like a possession of the evil one now than anything else. She would have used his own words to describe it, if she had dared to speak of it to any one, but that seemed impossible. She had thought of going to some confessor who did not know her by sight, to tell him the whole story, but her common sense assured her that she had done no wrong. It was advice she needed, and perhaps it was protection too, but it was certainly not forgiveness, so far as she knew.

Lamberti pursued her, in her imagination, and she lived in terror of him. If she had been already married to Guido, she would have told her husband everything, and he would have helped her. By a revulsion that was not unnatural, it began to seem much easier to marry him now, and she turned to him in her thoughts, asking him to shield her from a man she feared. Guido loved her, and she was at least a devoted friend to him; there was no one but him to help her.

As she knelt by the pillar she went over the past weeks of her life in a concentrated self-examination of which she would never have believed herself capable.

"I am a grown woman," she said to herself, "and I have a right to think what grown women think. I know perfectly well which thoughts are good and which are bad, just as I know right from wrong in other ways. It was wrong to put myself into that dream state, because I wanted him to come to me. Yes, I confess it, I wanted him to come and kiss me that once, in the vision every night. It would not have been wrong if I had not said that I would marry Guido, but that made the difference. Therefore I gave it up. I will not do anything wrong with my eyes open. I will not. I would not, if I did not believe in God, because the thing would be wrong just the same. Religion makes it more wrong, that is all. If I were not engaged to Guido, and if I loved the other instead, then I should have a right to wish and dream that the other kissed me."

She thought some time about this point, and there was something that disturbed her, in spite of her reasoning.

"It would have been unmaidenly," she decided, at last. "I should be ashamed to tell my mother that I had done it. But it would not have been wrong, distinctly not. It would be wrong and abominable to think of two men in that way.

"That is what is happening now, against my will. I go to sleep saying my prayers, and yet he comes to me in my dreams, and looks at me, and I cannot help letting him kiss me, and it is only afterwards that I feel how revolting it was. And in the daytime I am engaged to Guido, and I cannot help knowing that when we are married he will want to kiss me like that. It was different before, since I was able to give up seeing the marble court and being the Vestal, and did give it up. This is another thing, and it is bad, but it is not a wrong thing I am doing. Therefore it is something outside of my soul that is trying to do me harm, and may succeed in the end. It is a power of evil. How can I fight against it, since it comes when I am asleep and have no will? What ought I to do?

"I am afraid to meet Signor Lamberti now, much more afraid than I was a week ago, before this other trouble began. But when I am dreaming, I am not afraid of him. I do what he makes me do without any resistance, and I am glad to do it. I want to be his slave, then. He makes me sit down and listen to him, and I believe all he says. We always sit on that bench near the fountain in my villa. He tells me that he loves me much better than Guido does, and that he is much better able to protect me than Guido. He says that his heart is breaking because he loves me and is Guido's friend, and he looks thin and worn, just as he does in real life. When I dream of him, I do not mind the glittering in his eyes, but when I meet him it frightens me. Of course, it is quite impossible that he should know how I dream of him now. Yet, I am sure he knew all about the other vision. He said very little, but I am sure of it, though I cannot explain it. This is much worse than the other. But if I go back to the other, I shall be doing wrong, because I shall be consenting; and now I am not doing wrong, because it happens against my will, and I go to sleep praying that it may never happen again, and I am in earnest. God help me! I know that when I sit beside him on the bench I love him! And yet he is the only man in all the world whom I wish never to meet again. God help me!"

Her head sank upon her folded hands at last, and her eyes were closely shut. She threw her whole soul into the appeal to heaven for help and strength, till she believed that it must come to her at once in some real shape, with inspired wisdom and the comfort of the Holy Spirit. She had never before in her life prayed as she was praying now, with heart and soul and mind, though not with any form of words.

Then came a moment in which she thought of nothing and waited. She knew it well, that blank between one state and the other, that total suspension of all her faculties just before she began to see an unreal world, that breathless stillness of anticipation before the supreme moment of change. She was quite powerless now, for her waking will was already asleep.

The instant was over, and the vision had come, but it was not what she had always seen before. It was something strangely familiar, yet beautiful and high and clear. Her consciousness was in the midst of a world of light, at peace; and then, all round her, a brightness stole upwards as out of a clear and soft horizon, more radiant than the light itself that was already in the air. And as when evening creeps up to the sky the stars begin to shine faintly, more guessed at than really seen, so she began to see heavenly beings, growing more and more distinct, and she was lifted up among them, and all her heart cried out in joy and praise. And suddenly the cross shone out in a rosy radiance brighter than all, and from head to foot and from arm to arm of it the light flowed and flashed, and joined and passed and parted, in the holy sign. From itself came forth a melody, in which she was rapt and swept upwards as though she were herself a wave of the glorious sound. But of the words, three only came to her, and they were these: Arise and conquer![1]

[1: A free translation of some passages in the fourteenth canto of Dante's Paradiso.]

Then all was still and calm again, and she was kneeling at her chair, the sight still in her inward eyes, the words still ringing in her heart, but herself awake again.

She knew the vision now that it was past; for often, reading the matchless verses of the "Paradise," she had intensely longed to see as the dead poet must have seen before he could write as he wrote. It did not seem strange that her hope should have been fulfilled at last in the church of the Holy Cross. Her lips formed the words, and she spoke them, consciously in her own voice, sweet and low:

"Arise and conquer!"

It was what she had prayed for—the peace, the strength, the knowledge; it was all in that little sentence. She rose to her feet, and stood still a moment, and her face was calm and radiant, like the faces of the heavenly beings she had looked upon. There was a world before her of which she had not dreamt before, better than that ancient one that had vanished and in which she had been a Vestal Virgin, more real than that mysterious one in which she had floated between two existences, and whence the miserable longing for an earthly body had brought her back to be Cecilia Palladio, and to fight again her battle for freedom and immortality.

It mattered little that her prayer should have been answered by the imagined sight of something described by another, and long familiar to her in his lofty verse. The prayer was answered, and she had strength to go on, and she should find wisdom and light to choose the right path. Henceforth, when she was weak and weary, and filled with loathing of what she dreaded most, she could shut her eyes as she had done just now, and pray, and wait, and the transcendent glory of paradise would rise within her, and give her strength to live, and drive away that power of evil that hurt her, and made night frightful, and day but a long waiting for the night.

She came out into the summer glare with the patient Petersen, and breathed the summer heat as if she were drawing in new life with every breath; and they drove home, down the long and lonely road that leads to the new quarter, between dust-whitened trees, and then down into the city and through the cooler streets, till at last the cab stopped before the columns of the Palazzo Massimo.

Celia ran up the stairs, as if her light feet did not need to touch them to carry her upwards, while Petersen solemnly panted after her, and she went to her own room.

She had a vague desire to change everything in it, to get rid of all the objects that reminded her of the miserable nights, and the sad hours of day, which she had spent there; she wanted to move the bed to the other end of the room, the writing table to the other window, the long glass to a different place, to hang the walls with another colour, and to banish the two tall candlesticks for ever. It would be like beginning her life over again.


                                                                                                                                                                                                                                                                                                           

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