Dalrymple wrapped his cloak about him once more, as he turned away, and retraced his steps by the garden wall. He glanced at the long dark thing that lay in the shadow of the postern, as he went by. It was not probable that it would be noticed, even if any one should pass that way, which was unlikely, between ten o'clock at night and three in the morning. He went on without stopping, and in three or four minutes he had gone round the convent to the main entrance, next to the church. He rang the bell. The portress was expecting him, and he was admitted without a word.

He found Maria Addolorata in the antechamber of the abbess's apartment, veiled, and standing with folded hands in the middle of the little hall. She must have heard the distant clang of the bell, for she was evidently waiting for him.

"Am I in time?" he asked in a tone of anxiety.

She shook her head slowly.

"Is she dead?"

"She was dead before I sent for you," answered Maria Addolorata, in a low and almost solemn tone. "No one knows it yet."

"I feared so," said Dalrymple.

He made a step towards the door of the parlour, naturally expecting that Maria would speak with him there, as usual. But she stepped back and placed herself in his way.

"No," she said briefly.

"Why not?" he asked in quick surprise.

She raised her finger to her veiled lips, and then pointed to the other door, to warn him that the portress was there and was almost within hearing. With quick suspicion he understood that she was keeping him in the antechamber to defend herself, that she had not been able to resist the desire to see him once more, and that she intended this to be their last meeting.

"Maria," he began, but he only pronounced her name, and stopped short, for a great fear took him by the throat.

"Yes," she answered, in her calm, low voice. "I have made up my mind. I will not go. God will perhaps forgive me what I have done. I will pray for forgiveness. But I will not do more evil. I will not bring shame upon my father's house, even for love of you."

Her voice trembled a little at the last words. Even veiled as she was, the vital magnetism of the man was creeping upon her already. She had resolved that she would see him once more, that she would tell him the plain truth that was right, that she would bid him farewell, and promise to pray for him, as she must pray for herself. But she had sworn to herself that she would not speak of love. Yet with the first words she spoke, the word and the vibration of love had come too. Her hands disappeared in her sleeves, and her nails pressed the flesh in the determination to be strong. She little guessed the tremendous argument he had in store.

"It is hard to speak here," he said. "Let us go into the parlour."

She shook her head, and again moved backwards a step, so that her shoulders were almost against the door.

"You must say what you have to say here," she answered after a moment's pause, and she felt strong again. "For my part, I have spoken. May God forget me in my utmost need if I go with you."

Dalrymple seemed little moved by the solemn invocation. It meant little enough to him.

"I must tell you a short story," he replied quietly. "Unless I tell you, you cannot understand. I have set my life upon your love, and I have gone so far that I cannot save my life except by you—my life and my honour. Will you listen to me?"

She nodded, and he heard her draw a quick breath. Then he began his story, putting it together clearly, from the facts he knew, in very few words. He told her how Annetta must have mistaken the bottle on his table for camphor, and how he had found her dead. Nothing would save him from the accusation of having murdered the girl but the absolute disappearance of her body. Maria shuddered and turned her head quickly when he told her that the body was lying under the postern arch behind the garden wall. He told her, too, that the boy was by this time asleep beside the mule on the path beyond. Then he told her of his plan, which was short, desperate, and masterly.

"You must tell no one that the abbess is dead," he said. "Go out through your cell into the garden, as soon as I am gone, and when I tap at the postern open the door. Leave a lamp in your cell. I will do the rest."

"What will you do?" asked Maria, in a low and wondering tone.

"You must lock the door of your cell on the inside and leave the lamp there," said Dalrymple. "You will wait for me in the garden by the gate. I will carry the poor girl's body in and lay it in your bed. Then I will set fire to the bed itself. Of course there is an under-mattress of maize leaves—there always is. I will leave the lamp standing on the floor by the bedside. I will shut the door and come out to you, and I can manage to slip the bolt of the garden gate from the outside by propping up the spring from within. You shall see."

"It is horrible!" gasped Maria. "And I do not see—"

"It is simple, and nothing else can save my life. Your cell is of course a mere stone vault, and the fire cannot spread. The sisters are asleep, except the portress, who will be far away. Long before they break down your door, the body will be charred by the fire beyond all recognition. They will see the lamp standing close by, and will suppose that you lay down to rest, leaving the lamp close to you—too close; that the abbess died while you were asleep, and that you had caught fire before you waked; that you were burned to death, in fact. The body will be buried as yours, and you will be legally dead. Consequently there will not be the slightest suspicion upon your good name. As for me, it will be supposed that I have procured other clothes for Annetta, thrown hers into the laboratory and carried her off. In due time I will send her father a large sum of money without comment. If you refuse, I must either be arrested, convicted, and sentenced to death for the murder of a girl who killed herself without my knowledge, or, as is probable, I shall go out now, sit down in a quiet place, and be found dead in the morning. It is certain death to me in either case. It would be absolutely impossible for me to get rid of the dead body without arousing suspicion. If it is wrong to save oneself by burning a dead body, it is not a great wrong, and I take it upon myself. It is the only wrong in the matter, unless it is wrong to love you and to be willing to die for you. Do you understand me?"

Leaning back against the door of the parlour, Maria Addolorata had almost unconsciously lifted her veil and was gazing into his eyes. The plan was horrible, but she could not help admiring the man's strength and daring. In his voice, even when he told her that he loved her, there was that quiet courage which imposes itself upon men and women alike. The whole situation was as clear as day to her in a moment, for all his calculations were absolutely correct,—the fire-proof vault of the cell, the certainty that the body would be taken for hers, above all, the assurance of her own supposed death, with the utter freedom from suspicion which it would mean for her ever afterwards. Was she not to be buried with Christian burial, mourned as dead, and freed in one hour from all the consequences of her life? It was masterly, though there was a horror in it.

She loved him more than her own soul. It was the fear of bringing shame upon her father and mother that had held her, far more than any spiritual dread. It was not strange that she should waver again when he had unfolded his scheme.

She turned, opened the door, and led him into the parlour, where the silver lamp was burning brightly.

"You must tell it all again," she said, still standing. "I must be quite sure that I understand."

He knew well enough that she had finally yielded, since she went so far. In his mind he quickly ran over the details of the plan once more, and mentally settled what still remained to be decided. But since she wished it, he went over all he had said already. Being able to speak in his natural voice without fear of being overheard by the portress, and feeling sure of the result, he spoke far more easily and more eloquently. Before he had finished he was holding her hand in his, and she was gazing intently into his eyes.

"It is life or death for me," he said, when he had told her everything. "Which shall it be?"

She was silent for a moment. Then her strong mouth smiled strangely.

"It shall be life for you, if I lose my soul for it," she said.

She felt the quick thrill and pressure of his hand, and all the man's tremendous energy was alive again.

"Then let us do it quickly," he answered. "I will go out with the portress. Go to your cell before we reach the end of the corridor, and shut the door with some noise. She will remember it afterwards. Wait at the garden gate till I tap softly, and leave the rest to me. There is no danger. Do not be afraid."

"Afraid!" she exclaimed proudly. "How little you know me! It never was fear that held me. Besides—with you!"

The two last words told him more than all she had ever said before, and for the first time he wholly trusted her. Besides, it was to be only for a few minutes, while he went out by the front gate and walked round to the back of the convent. The plan was so well conceived that it could not fail when put into execution.

They shook hands, as two people who have agreed to do a desperate deed, each for the other's sake. Then as their grasp loosened, Dalrymple turned towards the door, but turned again almost instantly and took her in his arms, and kissed her as men kiss women they love when their lives are in the balance. Then he went out, passed through the antechamber, and found the portress waiting for him as usual. She took up her little lamp and led the way in silence. A moment later he heard Maria come out and enter her cell, closing the door loudly behind her.

"Her most reverend excellency is in no danger now," he said to the portress, with Scotch veracity.

"Sister Maria Addolorata may then rest a little," answered the lay sister, who rarely spoke.

"Precisely so," said Dalrymple, drily.

Five minutes later he was at the garden gate, tapping softly. Immediately the door yielded to his gentle pressure, for Maria had already unfastened the lock within.

"Stand aside a little," said Dalrymple, in a whisper. "You need not see—it is not a pretty sight. Keep the door shut till I come back. Where is your cell?"

She pointed to a door that was open above the level of the garden. A little light came out. With womanly caution she had set the lamp in the corner behind the door when she had opened it, so as to show as little as possible from without.

She turned her head away as he passed her with his heavy burden, treading softly upon the hard, dry ground. But he was not half across the garden before she looked after him. She could not help it. The dark thing he carried in his arms attracted her, and a shudder ran through her. She closed the gate, and stood with her hand on the lock.

It seemed to her that he was gone an interminable time. Though the moon was now high, the clouds were so black that the garden was almost quite dark. Suddenly she heard his step, and he was nearer than she thought.

"It is burning well," he said with grim brevity.

He stooped and looked closely in the dimness at the old-fashioned lock. It was made as he supposed and could be easily slipped from without. He found a pebble under his foot, raised the spring, and placed the small stone under it, after examining the position of the cracks in the wood, which were many.

"There is plenty of time, now," he said, and he gently pushed her out upon the narrow walk, drawing the door after him.

With his big knife, working through the widest crack he teazed the bolt into the socket. Then with his shoulder he softly shook the whole door. He heard the spring fall into its place, as the pebble dropped upon the dry ground.

"No human being can suspect that the door has been opened," he said.

He wrapped her in his long cloak, standing beside her under the wall. Very gently he pushed the veil and bands away from her golden hair. She helped him, and he kissed the soft locks. Then about her head he laid his plaid in folds and drew it forward over her shoulders. She let him do it, not realizing what service the shawl had but lately done.

They walked forward. The boy was fast asleep and did not move. The mule stamped a little as they came up. Dalrymple lifted Maria upon the pack-saddle, sideways, and stretched the packing-cords behind her back.

"Hold on," he said. "I will lead the mule."

So it was all over, and the deed was done, for good or evil. But it was for evil, for it was a bad deed.

To the last, fortune favoured Dalrymple and Maria, and everything took place after their flight just as the strong man had anticipated. Not a trace of the truth was left behind. Early in the morning the abbess was found dead, and in the little cell near by, upon the still smouldering remains of the mattress, lay the charred and burned form of a woman. In Stefanone's house, the little bundle of clothes in the locked laboratory was all that was left of Annetta. All Subiaco said that the Englishman had carried off the peasant girl to his own country.

Up at the convent the nuns buried the abbess in great state, with catafalque and canopy, with hundreds of wax candles and endless funeral singing. They buried also another body with less magnificence, but with more pomp than would have been bestowed upon any of the other sisters, and not long afterwards a marble tablet in the wall of the church set forth in short good Latin sentences, how the Sister Maria Addolorata, of many virtues, had been burned to death in her bed on the eve of the feast of Saint Luke the Evangelist, and all good Christians were enjoined to pray for her soul—which indeed was in need of their prayers.

Stefanone returned from Rome, but it was a sad home-coming when he found that his daughter was gone, and unconsciously he repeated the very words she had last spoken when she was dying in Dalrymple's room all alone.

"An evil death on you and all your house!" he said, shaking his fist at the door of the room.

And Stefanone swore within himself solemnly that the Englishman should pay the price. And he and his paid it in full, and more also, after years had passed, even to generations then unborn.

This is the first act, as it were, of all the story, and between this one and the beginning of the next a few years must pass quickly, if not altogether in silence.