When Angus Dalrymple had finished his supper, he produced a book and sat reading by the light of the wicks of the three brass lamps. Annetta had taken away the things and had not come back again. Gigetto strolled in and took his guitar from the peg on the wall, and idled about the room, tuning it and humming to himself. He was a tall young fellow with a woman's face and beautiful velvet-like eyes, as handsome and idle a youth as you might meet in Subiaco on a summer's feast-day. He exchanged a word of greeting with Dalrymple, and, seeing that the place was otherwise deserted, he at last slung his guitar over his shoulder, pulled his broad black felt hat over his eyes, and strolled out through the half-open door, presumably in search of amusement. Gigetto's chief virtue was his perfectly childlike and unaffected taste for amusing himself, on the whole very innocently, whenever he got a chance. It was natural that he and the Scotchman should not care for one another's society. Dalrymple looked after him for a moment and then went back to his book. A big glass measure of wine stood beside him not half empty, and his glass was full.

He was making a strong effort to concentrate his attention upon the learned treatise, which formed a part of the little library he had brought with him. But Annetta's idle talk about the nuns, and especially about Maria Addolorata and her singing, kept running through his head in spite of his determination to be serious. He had been living the life of a hermit for months, and had almost forgotten the sound of an educated woman's voice. To him Annetta was nothing more than a rather pretty wild animal. It did not enter his head that she might be in love with him. Sora Nanna was simply an older and uglier animal of the same species. To a man of Dalrymple's temperament, and really devoted to the pursuit of a serious object, a woman quite incapable of even understanding what that object is can hardly seem to be a woman at all.

But the young Scotchman was not wanting in that passionate and fantastic imagination which so often underlies and even directs the hardy northern nature, and the young girl's carelessly spoken words had roused it to sudden activity. In spite of himself, he was already forming plans for listening under the convent wall, if perchance he might catch the sound of the nun's wonderful voice, and from that to the wildest schemes for catching a momentary glimpse of the singer was only a step. At the same time, he was quite aware that such schemes were dangerous if not impracticable, and his reasonable self laughed down his unreasoning romance, only to be confronted by it again as soon as he tried to turn his attention to his book.

He looked up and saw that he had not finished his wine, though at that hour the measure was usually empty, and he wondered why he was less thirsty than usual. By force of habit he emptied the full glass and poured more into it,—by force of that old northern habit of drinking a certain allowance as a sort of duty, more common in those days than it is now. Then he began to read again, never dreaming that his strong head and solid nerves could be in any way affected by his potations. But his imagination this evening worked faster and faster, and his sober reason was recalcitrant and abhorred work.

The nun had fair hair and dark eyes and a beautiful face. Those were much more interesting facts than he could find in his work. She had a wonderful voice. He tried to recall all the extraordinary voices he had heard in his life, but none of them had ever affected him very much, though he had a good ear and some taste for music. He wondered what sort of voice this could be, and he longed to hear it. He shut up his book impatiently, drank more wine, rose and went to the open door. The gusty south wind fanned his face pleasantly, and he wished he were to sleep out of doors.

The Sora Nanna, who had been spending the evening with a friend in the neighbourhood, came in, her thin black overskirt drawn over her head to keep the embroidered head-cloth in its place. By and by, as Dalrymple still stood by the door, Stefanone appeared, having been to play a game of cards at a friendly wine-shop. He sat down by Sora Nanna at the table. She was mixing some salad in a big earthenware bowl adorned with green and brown stripes. They talked together in low tones. Dalrymple had nodded to each in turn, but the gusty air pleased him, and he remained standing by the door, letting it blow into his face.

It was growing late. Italian peasants are not great sleepers, and it is their custom to have supper at a late hour, just before going to bed. By this time it was nearly ten o'clock as we reckon the hours, or about 'four of the night' in October, according to old Italian custom, which reckons from a theoretical moment of darkness, supposed to begin at Ave Maria, half an hour after sunset.

Suddenly Dalrymple heard Annetta's voice in the room behind him, speaking to her mother. He had no particular reason for supposing that she had been out of the house since she had cleared the table and left him, but unconsciously he had the impression that she had been away, and was surprised to hear her in the room, after expecting that she should pass him, coming in from the street, as the others had done. He turned and walked slowly towards his place at the table.

"I thought you had gone out," he said carelessly, to Annetta.

The girl turned her head quickly.

"I?" she cried. "And alone? Without even Gigetto? When do I ever go out alone at night? Will you have some supper, Signore?"

"I have just eaten, thank you," answered Dalrymple, seating himself.

"Three hours ago. It was not yet an hour of the night when you ate. Well—at your pleasure. Do not complain afterwards that we make you die of hunger."

"Bread, Annetta!" said Stefanone, gruffly but good-naturedly. "And cheese, and salt—wine, too! A thousand things! Quickly, my daughter."

"Quicker than this?" inquired the girl, who had already placed most of the things he asked for upon the table.

"I say it to say it," answered her father. "'Hunger makes long jumps,' and I am hungry."

"Did you win anything?" asked Sora Nanna, with both her elbows on the table.

"Five baiocchi."

"It was worth while to pay ten baiocchi for another man's bad wine, for the sake of winning so much!" replied Sora Nanna, who was a careful soul. "Of course you paid for the wine?"

"Eh—of course. They pay for wine when they come here. One takes a little and one gives a little. This is life."

Annetta busied herself with the simple preparations for supper, while they talked. Dalrymple watched her idly, and he thought she was pale, and that her eyes were very bright. She had set a plate for herself, but had forgotten her glass.

"And you? Do you not drink?" asked Stefanone. "You have no glass."

"What does it matter?" She sat down between her father and mother.

"Drink out of mine, my little daughter," said Stefanone, holding his glass to her lips with a laugh, as though she had been a little child.

She looked quietly into his eyes for a moment, before she touched the wine with her lips.

"Yes," she answered, with a little emphasis. "I will drink out of your glass now."

"Better so," laughed Stefanone, who was glad to be reconciled, for he loved the girl, in spite of his occasional violence of temper.

"What does it mean?" asked Sora Nanna, her cunning peasant's eyes looking from one to the other, and seeming to belie her stupid face.

"Nothing," answered Stefanone. "We were playing together. Signor Englishman," he said, turning to Dalrymple, "you must sometimes wish that you were married, and had a wife like Nanna, and a daughter like Annetta."

"Of course I do," said Dalrymple, with a smile.

Before very long, he took his book and went upstairs to bed, being tired and sleepy after a long day spent on the hillside in a fruitless search for certain plants which, according to his books, were to be found in that part of Italy, but which he had not yet seen. He fell asleep, thinking of Maria Addolorata's lovely face and fair hair, on which he had never laid eyes. In his dreams he heard a rare voice ringing true, that touched him strangely. The gusty wind made the panes of his bedroom window rattle, and in the dream he was tapping on Maria Addolorata's casement and calling softly to her, to open it and speak to him, or calling her by name, with his extraordinary foreign accent. And he thought he was tapping louder and louder, upon the glass and upon the wooden frame, louder and louder still. Then he heard his name called out, and his heart jumped as though it would have turned upside down in its place, and then seemed to sink again like a heavy stone falling into deep water; for he was awake, and the voice that was calling him was certainly not that of the beautiful nun, but gruff and manly; also the tapping was not tapping any more upon a casement, but was a vigorous pounding against his own bolted door.

Dalrymple sat up suddenly and listened, wide awake at once. The square of his window was faintly visible in the darkness, as though the dawn were breaking. He called out, asking who was outside.

"Get up, Signore! Get up! You are wanted quickly!" It was Stefanone.

Dalrymple struck a light, for he had a supply of matches with him, a convenience of modern life not at that time known in Subiaco, except as an expensive toy, though already in use in Rome. As he was, he opened the door. Stefanone came in, dressed in his shirt and breeches, pale with excitement.

"You must dress yourself, Signore," he said briefly, as he glanced at the Scotchman, and then set down the small tin and glass lantern he carried.

"What is the matter?" inquired Dalrymple, yawning, and stretching his great white arms over his head, till his knuckles struck the low ceiling; for he was a tall man.

"The matter is that they have killed Sor Tommaso," answered the peasant.

Dalrymple uttered an exclamation of surprise and incredulity.

"It is as I say," continued Stefanone. "They found him lying across the way, in the street, with knife-wounds in him, as many as you please."

"That is horrible!" exclaimed Dalrymple, turning, and calmly trimming his lamp, which burned badly at first.

"Then dress yourself, Signore!" said Stefanone, impatiently. "You must come!"

"Why? If he is dead, what can I do?" asked the northern man, coolly. "I am sorry. What more can I say?"

"But he is not dead yet!" Stefanone was growing excited. "They have taken him—"

"Oh! he is alive, is he?" interrupted the Scotchman, dashing at his clothes, as though he were suddenly galvanized into life himself. "Then why did you tell me they had killed him?" he asked, with a curious, dry calmness of voice, as he instantly began to dress himself. "Get some clean linen, Signor Stefano. Tear it up into strips as broad as your hand, for bandages, and set the women to make a little lint of old linen—cotton is not good. Where have they taken Sor Tommaso?"

"To his own house," answered the peasant.

"So much the better. Go and make the bandages."

Dalrymple pushed Stefanone towards the door with one hand, while he continued to fasten his clothes with the other.

Stefanone was not without some experience of similar cases, so he picked up his lantern and went off. In less than a quarter of an hour, he and Dalrymple were on their way to Sor Tommaso's house, which was in the piazza of Subiaco, not far from the principal church. Half a dozen peasants, who had met the muleteers bringing the wounded doctor home from the spot where he had been found, followed the two men, talking excitedly in low voices and broken sentences. The dawn was grey above the houses, and the autumn mists had floated up to the parapet on the side where the little piazza looked down to the valley, and hung motionless in the still air, like a stage sea in a theatre. In the distance was heard the clattering of mules' shoes, and occasionally the deep clanking of the goats' bells. Just as the little party reached the small, dark green door of the doctor's house the distant convent bells tolled one, then two quick strokes, then three again, and then five, and then rang out the peal for the morning Angelus. The door of the dirty little coffee shop in the piazza was already open, and a faint light burned within. The air was damp, quiet and strangely resonant, as it often is in mountain towns at early dawn. The gusty October wind had gone down, after blowing almost all night.

The case was far from being as serious as Dalrymple had expected, and he soon convinced himself that Sor Tommaso was not in any great danger. He had fainted from fright and some loss of blood, but neither of the two thrusts which had wounded him had penetrated to his lungs, and the third was little more than a scratch. Doubtless he owed his safety in part to the fact that the wind had blown his cloak in folds over his shoulders and head. But it was also clear that his assailant had possessed no experience in the use of the knife as a weapon. When the group of men at the door were told that Sor Tommaso was not mortally wounded, they went away somewhat disappointed at the insignificant ending of the affair, though the doctor was not an unpopular man in the town.

"It is some woman," said one of them, contemptuously. "What can a woman do with a knife? Worse than a cat—she scratches, and runs away."

"Some little jealousy," observed another. "Eh! Sor Tommaso—who knows where he makes love? But meanwhile he is growing old, to be so gay."

"The old are the worst," replied the first speaker. "Since it is nothing, let us have a baiocco's worth of acquavita, and let us go away."

So they turned into the dirty little coffee shop to get their pennyworth of spirits. Meanwhile Dalrymple was washing and binding up his friend's wounds. Sor Tommaso groaned and winced under every touch, and the Scotchman, with dry gentleness, did his best to reassure him. Stefanone looked on in silence for some time, helping Dalrymple when he was needed. The doctor's servant-woman, a somewhat grimy peasant, was sitting on the stairs, sobbing loudly.

"It is useless," moaned Sor Tommaso. "I am dead."

"I may be mistaken," answered Dalrymple, "but I think not."

And he continued his operations with a sure hand, greatly to the admiration of Stefanone, who had often seen knife-wounds dressed. Gradually Sor Tommaso became more calm. His face, from having been normally of a bright red, was now very pale, and his watery blue eyes blinked at the light helplessly like a kitten's, as he lay still on his pillow. Stefanone went away to his occupations at last, and Dalrymple, having cleared away the litter of unused bandages and lint, and set things in order, sat down by the bedside to keep his patient company for a while. He was really somewhat anxious lest the wounds should have taken cold.

"If I get well, it will be a miracle," said Sor Tommaso, feebly. "I must think of my soul."

"By all means," answered the Scotchman. "It can do your soul no harm, and contemplation rests the body."

"You Protestants have not human sentiment," observed the Italian, moving his head slowly on the pillow. "But I also think of the abbess. I was to have gone there early this morning. She will also die. We shall both die."

Dalrymple crossed one leg over the other, and looked quietly at the doctor.

"Sor Tommaso," he said, "there is no other physician in Subiaco. I am a doctor, properly licensed to practise. It is evidently my duty to take care of your patients while you are ill."

"Mercy!" cried Sor Tommaso, with sudden energy, and opening his eyes very wide.

"Are you afraid that I shall kill them," asked Dalrymple, with a smile.

"Who knows? A foreigner! And the people say that you have converse with the devil. But the common people are ignorant."

"Very."

"And as for the convent—a Protestant—for the abbess! They would rather die. Figure to yourself what sort of a scandal there would be! A Protestant in a convent, and then, in that convent, too! The abbess would much rather die in peace."

"At all events, I will go and offer my services. If the abbess prefers to die in peace, she can answer to that effect. I will ask her what she thinks about it."

"Ask her!" repeated Sor Tommaso. "Do you imagine that you could see her? But what can you know? I tell you that last night she was muffled up in her chair, and her face covered. It needed the grace of Heaven, that I might feel her pulse! As for her tongue, God knows what it is like! I have not seen it. Not so much as the tip of it! Not even her eyes did I see. And to-day I was not to be admitted at all, because the abbess would be in bed. Imagine to yourself, with blisters and sinapisms, and a hundred things. I was only to speak with Sister Maria Addolorata, who is her niece, you know, in the anteroom of the abbess's apartment. They would not let you in. They would give you a bath of holy water through the loophole of the convent door and say, 'Go away, sinner; this is a religious house!' You know them very little."

"You are talking too much," observed Dalrymple, who had listened attentively. "It is not good for you. Besides, since you are able to speak, it would be better if you told me who stabbed you last night, that I may go to the police, and have the person arrested, if possible."

"You do not know what you are saying," answered Sor Tommaso, with sudden gravity. "The woman has relations—who could handle a knife better than she."

And he turned his face away.