Subiaco lies beyond Tivoli, southeast from Rome, at the upper end of a wild gorge in the Samnite mountains. It is an archbishopric, and gives a title to a cardinal, which alone would make it a town of importance. It shares with Monte Cassino the honour of having been chosen by Saint Benedict and Saint Scholastica, his sister, as the site of a monastery and a convent; and in a cell in the rock a portrait of the holy man is still well preserved, which is believed, not without reason, to have been painted from life, although Saint Benedict died early in the fifth century. The town itself rises abruptly to a great height upon a mass of rock, almost conical in shape, crowned by the cardinal's palace, and surrounded on three sides by In the year 1844, modern civilization had not yet set in, and Subiaco was, within, what it still appears to be from without, a somewhat gloomy stronghold of the Middle Ages, rearing its battlements and towers in a shadowy gorge, above a mountain torrent, inhabited by primitive and passionate Something of what one may call the life-and-death earnestness of earlier times, when passion was motive and prejudice was law, survived at that time and even much later; the ferocity of practical love and hatred dominated the theory and practice of justice in the public life of the smaller towns, while the patriarchal system subjected the family in almost absolute servitude to its head. There was nothing very surprising in the fact that the head of the house of Braccio should have obliged one of his daughters to take the veil in the Convent of Carmelite nuns, just within the gate of Subiaco, as his sister had taken it many years earlier. Indeed, it was customary in the family of the Princes of Gerano that one of the women Maria Teresa Braccio had therefore yielded, though very unwillingly, to her father's insistence, and having passed through her novitiate, had finally taken the veil as a Carmelite of Subiaco, in the year 1841, on the distinct understanding that when her aunt died she was to be abbess in the elder lady's stead. The abbess herself was, indeed, in excellent health and not yet fifty years old, so that Maria Teresa—in religion Maria Addolorata—might have a long time to wait before she was promoted to an honour which she regarded as hereditary; but the prospect of such promotion was almost her only compensation for all she had left behind her, and she lived upon it and concentrated her character upon it, and practised the part she was to play, when she was quite sure that she was not observed. Nature had not made her for a recluse, least of all for a nun of such a rigid Order as the Carmelites. The short taste of a brilliant social life which she had been allowed to enjoy, in accordance with an ancient tradition, before finally taking the veil, had shown her clearly enough the value of what she was to abandon, and at the same time She had learned in that brief time that she was beautiful, and she had felt that she could love and that she should be loved in return. She had seen the world as a princess and had felt it as a woman, and she had understood all that she must give up in taking the veil. But she had been offered no choice, and though she had contemplated opposition, she had not dared to revolt. Being absolutely in the power of her parents, so far as she was aware, she had accepted the fatality of their will, and bent her fair head to be shorn of its glory and her broad forehead to be covered forever from the gaze of men. And having submitted, she had gone Sister Maria Addolorata had certain privileges for which her companions would have given much, but which were traditionally the right of such ladies of the Braccio family as took the veil. For instance, she had a cell which, though not larger than the other cells, was better situated, for it had a little balcony looking over the convent garden, and high enough to afford a view of the distant valley and of the hills which bounded it, beyond the garden wall. It was entered by the last door in the corridor within, and was near the abbess's apartment, which was entered from the corridor, through a small antechamber which also gave In the eyes of the other nuns, the constant society of the abbess herself was also a privilege, and one not by any means to be despised. After all, the abbess and her niece were nearly related, they could talk of the affairs of their family, and the abbess doubtless received many letters from Rome containing all the interesting news of the day, and all the social gossip—perfectly innocent, of course—which was the chronicle of Roman life. These were valuable compensations, and the nuns envied them. The abbess, too, saw her brother, the archbishop and titular cardinal of Subiaco, when the princely prelate came out from But though the nuns envied the abbess and Maria Addolorata, they did not venture to say so, and they hardly dared to think so, even when they were all alone, each in her cell; for the concentration of conventual life magnifies small spiritual sins in the absence of anything really sinful, and to admit that she even faintly wishes she might be some one else is to tarnish the brightness of the nun's scrupulously polished conscience. It would be as great a misdeed, perhaps, as to allow the attention to wander to worldly matters during times of especial devotion. Nevertheless, the envy showed itself, very perceptibly and much against the will of the sisters themselves, in a certain cold deference of manner towards the young and beautiful nun who was one day to be the superior of There was about her, too, an undefinable something, like the shadow of future fate, a something almost impossible to describe, and yet distinctly appreciable to all who saw her and lived with her. It came upon her especially when she was silent and abstracted, when she was kneeling in her place in the choir, or was alone upon her little balcony over the garden. At such times a luminous pallor gradually took the place of her fresh and healthy complexion, her eyes grew unnaturally dark, with a deep, fixed fire in them, and the regular features took upon them the white, set straightness of a death mask. Sometimes, at such moments, a shiver ran through her, even in summer, and she drew her breath sharply once or twice, as though she were hurt. The expression was not one of suffering or pain, but was rather that of a person conscious of some great danger which must be met without fear or flinching. She would have found it very hard to explain what she felt just then. She might have said that it was a consciousness of something unknown. She could not have said more than that. It brought no vision with it, beatific or horrifying; There was nothing to account for it, unless it could be explained by heredity, and no one had ever suggested any such explanation to Maria. It was true that there had been more than one tragedy in the Braccio family since they had first lifted their heads above the level of their contemporaries to become Roman Barons, in the old days before such titles as prince and duke had come into use. But then, most of the old families could tell of deeds as cruel and lives as passionate as any remembered by Maria's race, and Italians, though superstitious in unexpected ways, have little of that belief in hereditary fate which is common enough in the gloomy north. "Was Sister Maria Addolorata a great sinner, before she became a nun?" asked Annetta, Sora Nanna's daughter, of her mother, one day, as they came away from the convent. "What are you saying!" exclaimed the washerwoman, in a tone of rebuke. "She is a great lady, and the niece of the abbess and of the cardinal. Sometimes certain ideas pass through your head, my daughter!" And Sora Nanna gesticulated, unable to express herself. "Then she sins in her throat," observed Annetta, calmly. "But you do not even look at her—so many sheets—so many pillow-cases—and good day! But while you count, I look." "Why should I look at her?" inquired Nanna, shifting the big empty basket she carried on her head, hitching her broad shoulders and wrinkling her leathery forehead, as her small eyes turned upward. "Do you take me for a man, that I should make eyes at a nun?" "And I? Am I a man? And yet I look at her. I see nothing but her face when we are there, and afterwards I think about it. What harm is there? She sins in her throat. I know it." Sora Nanna hitched her shoulders impatiently again, and said nothing. The two women descended through the steep and narrow street, slippery and wet with slimy, coal black mud that glittered on the rough cobble-stones. Nanna walked first, and Annetta followed close behind her, keeping step, and setting her feet exactly where her mother had trod, with the instinctive certainty of the born mountaineer. With heads erect and shoulders square, each with one hand on her hip and the other hanging down, they carried their burdens swiftly and safely, with a swinging, Annetta was barely fifteen years old, brown, slim, and active as a lizard. She was one of those utterly unruly and untamable girls of whom there are two or three in every Italian village, in mountain or plain, a creature in whom a living consciousness of living nature took the place of thought, and with whom to be conscious was to speak, without reason or hesitation. The small, keen, black eyes were set under immense and arched black eyebrows which made the eyes themselves seem larger than they were, and the projecting temples cast shadows to the cheek which hid the rudimentary modelling of the coarse lower lids. The ears were flat and ill-developed, but close to the head and not large; the teeth very short, though perfectly regular and exceedingly white; the lips long, mobile, Nanna and Annetta.—Vol. I., p. 15. For some minutes the mother and daughter continued to pick their way down the winding lanes between the dark houses of the upper village. Then Sora Nanna put out her right hand as a signal to Annetta that she meant to stop, and she stood still on the steep descent and turned deliberately till she could see the girl. "What are you saying?" she began, as though there had been no pause in the conversation. "That Sister Maria Addolorata sins in her throat! But how can she sin in her throat, since she sees no man but the gardener and the priest? Indeed, you say foolish things!" "And what has that to do with it?" inquired Annetta. "She must have seen enough of men in Rome, every one of them a great lord. And who tells you that she did not love one of them and does not wish that she were married to him? And if that is not a sin in the throat, I do not know what to say. There is my answer." "You say foolish things," repeated Sora Nanna. Then she turned deliberately away and began to descend once more, with an occasional dissatisfied movement of the shoulders. "For the rest," observed Annetta, "it is not my business. I would rather look at the Englishman when he is eating meat than at Sister Maria when she is counting clothes! I do not know whether he is a wolf or a man." "Eh! The Englishman!" exclaimed Sora Nanna. "You will look so much at the Englishman that you will make blood with Gigetto, who wishes you well, and when Gigetto has waited for the Englishman at the corner of the forest, what shall we all have? The galleys. What do you see in the Englishman? He has red hair and long, long teeth. Yes—just like a wolf. You are right. And if he pays for meat, why should he not eat it? If he did not pay, it would be different. It would soon be finished. Heaven send us a little money without any Englishman! Besides, Gigetto said the other day that he would wait for him at the corner of the forest. And Gigetto, when he says a thing, he does it." "And why should we go to the galleys if Gigetto waits for the Englishman?" inquired Annetta. "Silly!" cried the older woman. "Because Gigetto would take your father's gun, since he has none of his own. That would be enough. We should have done it!" Annetta shrugged her shoulders and said nothing. "But take care," continued Sora Nanna. "Your father sleeps with one eye open. He sees you, and he sees also the Englishman every day. He says nothing, because he is good. But he has a fist like a paving-stone. I tell you nothing more." They reached Sora Nanna's house and disappeared under the dark archway. For Sora Nanna and Stefanone, her husband, were rich people for their station, and their house was large and was built with an arch wide enough and high enough for a loaded beast of burden to pass through with a man on its back. And, within, everything was clean and well kept, excepting all that belonged to Annetta. There were airy upper rooms, with well-swept floors of red brick or of beaten cement, furnished with high beds on iron trestles, and wooden stools of well-worn brown oak, and tables painted a vivid green, and primitive lithographs of Saint Benedict and Santa Scholastica and the Addolorata. And there were lofts in which the rich autumn grapes were hung up to dry on strings, and where chestnuts lay in heaps, and figs were spread in symmetrical order on great sheets of the coarse grey paper made in Subiaco. There were apples, too, though poor ones, and there were bins of maize and wheat, waiting to be picked over before being ground in the primeval household mill. And there were hams and sides of bacon, and red peppers, and Angus Dalrymple, M.D., was not an Englishman, as he had tried to explain to Sora Nanna, though without the least success. He was, as his name proclaimed, a Scotchman of the Scotch, and a doctor of medicine. It was true that he had red hair, and an abundance of it, and long white teeth, but Sora Nanna's description was otherwise libellously incomplete and wholly omitted all mention of the good points in his appearance. In the first place, he possessed the characteristic national build in a superior degree of development, with all the lean, bony energy which has done so much hard work in the world. He was broad-shouldered, long-armed, long-legged, deep-chested, and straight, with sinewy hands and singularly well-shaped fingers. His healthy skin had that mottled look produced by countless freckles upon an almost childlike complexion. The large, grave mouth generally concealed the long teeth objected to by Sora Nanna, and the lips, though even and narrow, His presence in such a place as Subiaco, at a time when hardly any foreigners except painters visited the place, requires some explanation; for he was not an artist, but a doctor, and had never been even tempted to amuse himself with sketching. In the first place, he was a younger son of a good family, and received a moderate allowance, quite sufficient in those days to allow him considerable latitude of expenditure in old-fashioned Italy. Secondly, he had entirely refused to follow any of the professions known as 'liberal.' He had no taste for the law, and he had not the companionable character which alone can make life in the army pleasant in time of peace. His beliefs, or his lack of belief, together with an honourable conscience, made him naturally opposed to all churches. On the other hand, he had been attracted almost from his childhood by scientific While still a student he had once made a tour in Italy, and like many northerners had fallen under the mysterious spell of the South from the very first. Having a sufficient allowance for all his needs, as has been said, and being attracted by the purely scientific side of his profession rather than by any desire to become a successful practitioner, it was natural enough that on finding himself free to go whither he pleased in pursuit of knowledge, he should have visited Italy again. A third visit had convinced him that he should do well to spend some years in the country; for by that time he had become deeply interested in the study of malarious fevers, which in those days were completely misunderstood. It would be far too much to say that young Dalrymple had at that time formed any complete theory in regard to malaria; but his naturally lonely and concentrated The only object of this short digression has been to show that Angus Dalrymple was not a careless idler and tourist in Italy, only half responsible for what he did, and not at all for what he thought. On the contrary, he was a man of very unusual gifts, of superior education, and of rare enterprise; a strong, silent, thoughtful man, about eight-and-twenty years of age, and just beginning to feel his power as something greater than he had suspected, when he came to spend the autumn months in Subiaco, and hired Sora Nanna's guest room, with a little room leading off it, which he kept locked, and in which he had a table, a chair, a microscope, some books, a few chemicals and some simple apparatus. His presence had at first roused certain jealous misgivings in the heart of the town physician, Sor Tommaso Taddei, commonly spoken of simply as 'the Doctor,' because there was no other. But Dalrymple was not without tact and knowledge of human nature. He explained that he came as a foreigner to learn from native physicians how For Stefanone and his wife had their doubts and suspicions. Of course they knew that all foreigners except Frenchmen and Austrians were Protestants, and ate meat on fast days, and were under the most especial protection of the devil, who fattened them in this world that they might burn the better in the next. But Stefanone had never seen the real foreigner at close quarters, and had not conceived it possible that any living human being could devour so much half-cooked flesh in a day as Dalrymple desired for his daily portion, paid for, and consumed. Moreover, there was no man in Subiaco who could and did swallow such portentous draughts of the strong mountain wine, without suffering any apparent "Of course," admitted the doctor, "he is a Protestant. But then he has a passport. Let us therefore let him alone." The existence of the passport—indispensable in those days—was a strong argument in the eyes of the simple Stefanone. He could not conceive |