The Count had no precise object in view when he hurriedly left the shop with the parcel containing the broken doll. What he most desired for the moment was to withdraw himself from the storm of Akulina's abuse, seeing that he had no means of checking the torrent, nor of exacting satisfaction for the insults received. However he might have acted had the aggressor been a man, he was powerless when attacked by a woman, and he was aware that he had followed the only course which had in it anything of dignity and self-respect. To stand and bandy words and epithets of abuse would have been worse than useless, to treat the tobacconist like a gentleman and to hold him responsible for his wife's language would have been more than absurd. So the Count took the remains of the puppet and went on his way. He was not, however, so superior to good and bad treatment as not to feel deeply wounded and thoroughly roused to anger. Perhaps, if he had been already in possession of the fortune and But the Count, since Akulina had expressed herself with so much force and precision, could not look upon the affair in the same light. However Fischelowitz regarded it, Akulina had made it clear that the Count ought to be held responsible for the loss, and it was not in the nature of such a man, no matter how wretched his own estate, to submit to the imputation of being concerned in borrowing money which was never to be repaid. His natural impulse had been to promise repayment instantly, and as he was expecting to be turned into a rich man on the morrow the engagement seemed an easy one to keep. It would be more difficult to explain why he wanted to take away the broken puppet with him. Possibly he felt that in As has been said, he had not dined on that day, and he would very probably have forgotten to eat, even after being reminded of the meal by the tobacconist, had he not passed, on his way homeward, the obscure restaurant in which he and the other men who worked for Fischelowitz were accustomed to get their food and drink. This fifth-rate eating-house rejoiced in the attractive name of the "Green Wreath," a designation painted in large dusty green Gothic letters upon the grey walls of the dilapidated house in which it was situated. There are not to be found in respectable Munich those dens of filth and drunkenness which belong to greater cities whose vices are in proportion greater also. In Munich the strength of fiery spirits is drowned in oceans of mild beer, a liquid of which the head will stand more than the waistband and which, instead of exciting to crime, predisposes the consumer to peaceful and lengthened The four windows of the establishment which opened upon the narrow street were open, for the weather had become sultry even out of doors, and the guests wanted fresh air. At one of these windows the Count saw the heads of Dumnoff and Schmidt. With the instinct of the poor man, the Count felt in his pocket to see whether he had any money, and was somewhat disturbed to find but a solitary piece of silver, feebly supported on either side by a couple of one-penny pieces. He had forgotten that he had refused to accept his pay for the day's work, and it required an effort of memory to account for the low state of his funds. But what he had with him was sufficient for his wants, and "What is the news?" inquired Johann Schmidt, still eyeing the bundle curiously, and doubtless hoping that the Count would soon inform him of the "No news, that I know of," he answered. "Except for me," he added, after a pause, and looking dreamily out of the window at a street lamp that was burning opposite. "To-morrow, at this time, I shall be off." "And where are you going?" asked the Cossack, good-humouredly. "Are you going for long, if I may ask?" "Yes—yes. I shall never come back to Munich." He had been speaking in German, but noticing that the other guests in the room were silent, and thinking that they might listen, he broke off into Russian. "I shall go home, at last," he said, his face brightening perceptibly as his visions of wealth again rose before his eyes. "I shall go home and rest myself for a long time in the country, and then, next winter, perhaps, I will go to Petersburg." "Well, well, I wish you a pleasant journey," said Schmidt. "So there is to be no mistake about the fortune this time?" "This time?" repeated the Count, as though not understanding. "Why do you say this time?" "Because you have so often expected it before," returned the Cossack bluntly, but without malice. "I do not remember ever saying so," said the other, evidently searching among his recollections. "Every Tuesday," growled Dumnoff, sipping his peppery liquor. "Every Tuesday since I can remember." "I think you must be mistaken," said the Count, politely. Dumnoff grunted something quite incomprehensible, and which might have been taken for the clearing of his huge throat after the inflaming draught. The Cossack was silent, and his bright eyes looked pityingly at his companion. "And you have begun to put together your parcels for the journey, I see," he observed after a time, when the Count had got his morsel of food and was beginning to eat it. His curiosity gave him no rest. "Yes," answered the Count, mysteriously. "That is something which I shall probably take with me, as a remembrance of Munich." "I should not have thought that you needed anything more than a cigarette to remind you of the place," remarked Dumnoff. The Count smiled faintly, for, considering Dumnoff's natural dulness, the remark had a savour of wit in it. "That is true," he said. "But there are other things which could remind me even more forcibly of my exile." "Well, what is it? Tell us!" cried Dumnoff, impatiently enough, but somewhat softened by the Count's appreciation of his humour. At the same time he put out his broad red hand in the direction of the parcel as though he would see for himself. "Let it be!" said Schmidt sharply, and Dumnoff withdrew his hand again. He had fallen into the habit of always doing what the Cossack told him to do, obeying mutely, like a well-trained dog, though he obeyed no one else. The descendant of freemen instinctively lorded it over the descendant of the serf, and the latter as instinctively submitted. The Count's temper, however, was singularly changeable on this day, for he did not seem to resent Dumnoff's meditated attack upon the package, as he would certainly have done under ordinary circumstances. "If you are so very curious to know what it is, I will tell you," he said. "You know the Wiener Gigerl?" "Of course," answered both men together. "Well, that is it, in that parcel." "The Gigerl!" exclaimed the Cossack. Dumnoff only opened his small eyes in stupid amazement. Both knew something of the circumstances under which Fischelowitz had come into possession of the doll, and both knew what store the tobacconist set by it. "Then you have paid the fifty marks?" asked Schmidt, whose curiosity was roused instead of satisfied. "No. I shall pay the money to-morrow. I have promised to do so. As it chances, it will be convenient." The Count smiled to himself in a meaning way, as though already enjoying the triumph of laying the gold pieces upon the counter under Akulina's flat nose. "And yet Fischelowitz has already given it to you! He must be very sure of you—" With his usual lack of tact, Schmidt had gone further than he meant to do, but the transaction savoured of the marvellous. "To be strictly truthful," said the Count, who had a Quixotic fear of misleading in the smallest degree any one to whom he was speaking, "to be exactly honest, there is a circumstance which makes it less remarkable that Fischelowitz should have given me the doll at once." "Of course, of course!" exclaimed the Cossack, anxious to appear credulous out of kindness. "Fischelowitz knows as well as you do yourself how safe you are to get the money to-morrow." "Naturally," replied the Count, with great calmness. "But besides that, the Gigerl is broken—badly broken in the middle, and the musical box is spoiled too." "Fischelowitz must have been very angry," observed Dumnoff. "Not at all. It was his wife. Akulina knocked it from the counter into the farthest corner of the shop." "Tell us all about it," said Schmidt, more interested than ever. "Ah, that—that is quite another matter," answered the Count, reddening perceptibly as he remembered Akulina's furious abuse. "If you do not, I have no doubt that she will," said Dumnoff, taking another sip. "She always gives the news of you, before you come in the morning, before we have made our first hundred." The Count grew redder still, the angry colour mantling in his lean cheeks. He hesitated a moment, and then made up his mind. "If that is likely to happen," he cried, "I had "Much better," said the Cossack, eagerly. "One can believe you better than her." "That is true, at all events," chimed in Dumnoff, who was only brutal and never malicious. "Well, it happened in this way. Fischelowitz and I were talking of to-morrow, I think, when she came in from the back shop, having overheard something we had been saying. Of course she immediately took advantage of my presence to exercise her wit upon me, a proceeding to which I have grown accustomed, seeing that she is only a woman. Then Fischelowitz told her to choose her language, and that started her afresh. It was rather a fine specimen of chosen language that she gave us, for she has a good command of our beautiful mother-tongue. She found very strong words, and she said among other things that it was my fault that her husband had got a Wiener Gigerl for fifty marks of good money. And then Fischelowitz, in his easy way and while she was talking, wound the doll up and set it before him on the counter and smiled at it. But she went on, worse than before, and called me everything under the sun. Of course I could do nothing but wait until she had finished, for I "What did she call you?" asked Dumnoff, with a grin. "She called me a good-for-nothing," said the Count, reddening with anger again, so that the veins stood out on his throat above his collar. "And she called me, I think, an adventurer." "Is that all?" laughed Dumnoff. "I have been called by worse names than that in my time!" "I have not," answered the Count, with sudden coolness. "However, between me and Fischelowitz and the Gigerl, she grew so angry that she struck the only one of us three against whom she dared lift hand. That member of the company chanced to be the unfortunate doll. And then I promised that to-morrow I would pay the money, and I made Fischelowitz give it to me in a piece of newspaper, and there it is." "What a terrible smash there must have been in the shop!" said Dumnoff. "I would like to have seen the lady's face." In their Russian speech, the difference between the original social standing of the three men who now worked as equals, was well defined by their "Let us see the doll," said Schmidt, still curious. The Count, whose eating had been interrupted by the telling of his story, pushed the parcel towards the Cossack with one hand, while using his fork with the other. Johann Schmidt carefully unwrapped the newspaper and exposed the unfortunate Gigerl to view. Then with both hands he set it up before him, raising the limp figure from the waist, and trying to put it into position, until it almost recovered something of its old look of insolence, though the eye-glass was broken and the little white hat sadly battered. The three men contemplated it in silence, and the other guests turned curious glances towards it. Dumnoff, as usual, laughed hoarsely. "Rather the worse for wear," he observed. "Kreuzmillionendonnerwetter! That is my Gigerl!" roared a deep German voice across the room. The three Russians started and looked round quickly. One of the porters, a burly man with an angry scowl on his honest face, was already on his legs and was striding towards the table. "That is my Gigerl!" he repeated, laying one heavy hand upon the board, and thrusting the forefinger of the other under the doll's nose. Dumnoff stared at him with an expression which showed that he did not in the least understand what was happening. Johann Schmidt's keen black eyes looked wonderingly from the porter to the Count, while the latter leaned back in his chair, contemplating the angry man with a calm surprise which proved how little faith he placed in the assertion of possession. "You are under a mistake," he said, with great politeness. "This doll is the property of Herr Fischelowitz, the well-known tobacconist, and has stood in the window of his shop nearly four months. These gentlemen"—he waved his hand towards his two companions—"are well aware of the fact and can vouch—" "That is all the same to me," interrupted the porter. "This is the Gigerl which was stolen from me on New Year's eve—" "I repeat," said the Count, with dignity, "that His coolness exasperated the porter, who seemed very sure of what he asserted. "That is what we shall see," he retorted in a menacing tone. "Meanwhile it does not occur to me to leave you in peace and to make no more trouble. I tell you that this Gigerl was stolen from me on New Year's eve. I know it well enough, for I had to pay for it." "How can you prove that this is the one?" inquired the Cossack, who was beginning to lose his temper. "You have nothing to say about it," said the porter, sharply. "I have to do with this man"—he pointed down at the Count—"who has brought the doll here, and pretends to know where it comes from." "Kerl!" exclaimed the Count, angrily. "Fellow! I am not accustomed to being called 'man,' or to having my word doubted. You had better be civil." "Then it is high time that you grew used to it," returned the porter, growing more and more excited. "The police do not overwhelm fellows of your kind with politeness." "Fellows?" cried the Count, losing his self-control altogether at being called by the name he had just applied to the porter. Without a moment's hesitation, he sprang from his chair, upsetting it behind him, and took the burly German by the throat. "Call a policeman, Anton!" shouted the latter to one of his companions, as he closed with his antagonist. The two other porters had risen from their places as soon as the Count had laid his hands on their friend, and the one who answered to the name of Anton promptly trotted towards the door, his heavy tread making the whole room shake as he ran. The other came up quickly and attacked the Count from behind, when Dumnoff, aroused at last to the pleasant consciousness that a real fight was going on, brought down his clenched fist with such earnestness of purpose on the top of the second porter's crown that the latter reeled backwards and fell across the Count's chair in an attitude rendered highly uncomfortable by the fact that the said chair had been turned upside down at the beginning of the contest. Having satisfied himself that the blow had taken effect, Dumnoff proceeded to the other side of the field of battle, avoiding the quickly "There has been enough dancing already," he said, coolly, as he faced the porter, who was gasping for breath. "But if you have not danced enough, I shall be happy to take a turn with you round the room." The poor Count would, indeed, have been no match for his adversary without the assistance of his friends. He possessed that sort of courage which, when stung into activity by an insult, takes no account whatever of the consequences, and his thin Meanwhile, the little restaurant was in an uproar. The host, a thin, pale man in an apron and a shabby embroidered cap, had suddenly appeared from the depths of the taproom, accompanied by his wife, a monstrous, red-faced creature clothed in a grey flannel frock. The porter whom Dumnoff had felled, and who was not altogether stunned, was "They are foreigners," remarked some one in the crowd at the door. "They are probably Bohemian journeymen," said a tinman who stood in front of the others. "It serves them right for interfering with an honest porter." The Bohemian journeymen are detested in Munich on account of their willingness to work for low prices, which perhaps accounted for the tinman's readiness to consider the strangers as worsted in the contest. "We Germans fear God, and nothing else in the world," observed a mealy-faced shoemaker, quoting Prince Bismarck's famous speech. The man who had wrestled with the Count seemed The Count at last abandoned the search of the lost pin, and having pulled the front of his collar into a more normal position trusted to luck to keep it there. The table at which the three had originally sat had miraculously escaped upsetting, and on it lay the poor Gigerl, stretched at full length on its back, calm and smiling in the midst of the noise and confusion, like the corpse at an Irish wake after the whisky has begun to take effect. The Count now thought it necessary to justify the unfortunate situation in which he found himself, in the judgment of the spectators. "Gentlemen," he began, very earnestly and with a dignified gesture, "I feel it necessary to explain the truth of this—" But he was interrupted by the arrival of a policeman, who pushed his way through the crowd. |