In our Essay and Notes in the present Volume we so fully state such things as it seemed expedient to state on the specialties of our collection of Crashaw's Latin and Greek Poetry, in common with our like collection of his English Poetry in Vol. I., that little remains for preface here, beyond our wish renewedly to express our gratitude and obligations to our fellow-workers on the Translations now submitted. The names given at p. 4 herein, and the markings on the margin of the Contents, will show how generously my own somewhat large proportion of the task of love has been lightened by them; and throughout I have been aided and animated by the cordiality with which the friends have responded to my demands, or spontaneously sent their contributions. PreËminently I owe thanks to my 'brother beloved,' the Rev. Richard Wilton, M.A., Londesborough Rectory, Market Weighton.

On the text of the Latin and Greek I refer to the close of our Essay; but I must acknowledge willing and scholarly help, on certain points whereon I consulted them, from Rev. Dr. Holden, Ipswich, Rev. Dr. Jessopp, Norwich, and W. Aldis Wright, Esq. M.A. Cambridge (as before); albeit the inevitable variety of suggested emendations, as onward, compelled me to limit myself to as accurate a reproduction as possible of the text of Crashaw himself, obvious misprints excepted.

I have now to record the various University Collections wherein Crashaw's earliest poetical efforts appeared—all showing a passionate loyalty, which indeed remained with him to the end.

(a) Anthologia in Regis exanthemata; seu gratulatio Musarum Cantabrigiensium de felicissime conservata Regis Caroli valetudine, 1632.

(b) Ducis Eboracensis Fasciae a Musis Cantabrigiensibus raptim contextae, 1633.

(c) Rex Redux; sive Musa Cantabrigiensis Voti
... et felici reditu Regis Caroli post receptam coronam
comitaque peracta in Scotia, 1633.

(d) Carmen Natalitium ad cunas illustrissimae Principis Elizabethae decantatum intra Nativitatis Dom. solemnia per humiles Cantabrigiae Musas, 1635.

(e) S???d?a, sive Musarum Cantabrigiensium concentus et congratulatio ad serenissimum Britanniarum Regem Carolum de quinta sua sobole clarissima Principe sibi nuper felicissime nata, 1637.

(f) Voces votivae ab Academicis Cantabrigiensibus pro novissimo Caroli et Mariae Principe Filio emissae, 1640.

It is a noticeable fact, that Crashaw while still so young should have been invited to contribute to these University Collections along with Wren, Henry More, Edward King ('Lycidas'), Joseph Beaumont, Edward Rainbow, and kindred. His pieces in each are recorded in the places in our Volumes. They invite critical comment; but our space is fully exhausted.

By the liberality of F. Madox-Brown, Esq. R.A. I am enabled to furnish (in the 4to) in this our Second Volume an admirable photograph, by Hollyer of London, of his cartoon for the memorial-window in Peterhouse, Cambridge. Peterhouse is at late-last doing honour to some of her sons thus. Professor Ward, of Owens' College, Manchester, has the praise, as the privilege, of presenting the Crashaw portion of the fine Window. The figure is full of dignity and impressiveness; we may accept the creation of the Painter's genius for a Portrait. The accessories are suggestive of familiar facts in the life and poetry of Crashaw. Vignette-illustrations from W.J. Linton, Esq. and Mrs. Blackburn again adorn our volume (in 4to). I regard that to the 'Captive Bird' (p. xxi.) as a gem. Finally, I cannot sufficiently acknowledge the cultured sympathy with which Mr. Charles Robson (of my Printers), one of the old learned school, has coÖperated with me in securing accuracy. To 'err is human,' but I believe our Volumes will be found as little blemished as most. One misprint, however, caught our eye, just when our completed Vol. I. was sent out, which troubled us as much as ever it would have done Ritson, viz. 'anchor' for 'arrow' in Cowley's 'Hope' (p. 176, l. 23). Gentle Reader, be so good as correct this at once.

A.B.G.

Park View, Blackburn, Lancashire,
March 4, 1873.

P.S. Three small overlooked items bearing on Crashaw having been recovered from a missing Note-book, I add them here.

(a) The 1670 edition of the 'Steps,' &c. (whose title-page is given in Vol. I. xliv.) was re-issued with an undated title-page as 'The Third Edition. London, Printed for Richard Bently, Jacob Tonson, Francis Saunders, and Tho. Bennett.' It is from the same type, and identical in every way except the fresh title-page, with the (so-called) '2d Edition.'

(b) In Thomas Shipman's 'Carolina, or Loyal Poems' (1683) there is a somewhat scurril piece entitled 'The Plagiary, 1658. Upon S.C., Presbyterian Minister and Captain, stealing forty-eight lines from Crashaw's Poems, to patch-up an Elegy for Mr. F. P[ierpont].' A very small specimen must suffice:

Another piece, 'The Promise. To F.L. Esq., with Crashaw's Poems (1653),' has nothing quotable.

(c) In Aylett's Poems, 'Peace with her Fowre Gardens,' &c. (1622), there are three little commendatory poems signed 'R.C.,' and these have been assigned to Crashaw; but '1622' forbids this, as he was then only in his 9-10th year. G.